Their official biography reads as follows: Our story begins – as many of these stories do – with a TDK 60 minute cassette. It's back in 1992 and Kurt Cobain with Smells Like Teen Spirit is playing himself into the nirvana of rock'n'roll and hitting us in the gut. Wow! At roughly the same time, Adrian packs in his drummer job with The Bash — freeing his hands to do the old Fender Strat thing and, in fact, record on to that TDK 60. He calls his one-man band "Lovebugs", enters the cassette for a Band Contest in Basle ... and ends up being invited to take part in the final round.
So he finds Sebastian on bass and Julie on drums – more for their charming personalities than for instrumental virtuosity. And then it all happens pretty dammed quick. First gig, the final, victory, thank you!
Adrian and Sebastian then record their first album Fluff in all of five days in league with 17-year-old temp drummer Simon who has been a permanent fixture since then, irreplaceable actually, because not only is he an amazing drummer but also an amazing cook. We play a few gigs and Adrian wants to pack it in again. Making music is OK, he says, but being the frontman is a pain. Well, we persuade him to stay on and, before long, we have played countless gigs in small clubs. And, between all that, recorded our second album: Tart.
The third album appears in 1996: Lovebugs. Recorded in London, produced by George Shilling and Tony Harris. We storm the Top 40 and our single Fantastic is what you might call our minor breakthrough on the Swiss music wallpaper scene. We sign major recording contacts in Germany, feel pretty fantastic, immortal at least. Just the right mood for getting on to the TourBus for a few months.
Thomas also gets on: live, we need extra guitar; he needs a good band. And the tours go on — with Marc Owen, Republica, Vivid and Ocean Color Scene. We become addicted to life on tour. We hang on to Thomas because, apart from making the right noises with the guitar, he's cool with studio buttons and, in the morning, he looks so grotty.
In 1999, BMG/RCA prescribe us a recording producer who – from the very start – we don't hit it off with. The proverbial straw that breaks the camel's back. After a really vicious battle with the record company (all that small-print crap) we record an album under the name of The Symbol. No, not really, we sign a deal with Warner Music Switzerland and, at long last, in 2000, bring out Transatlantic Flight. All that turbulence seems to have paid off. The album sells in 13 countries and represents now our ultimate breakthrough. The concerts are sold out. We shoot a video in LA and give loads of interviews from Moscow through Niederbipp to Helsinki …
While Sebastian publishes his glam rock project Fucking Beautiful, we work on our fifth studio album Awaydays. Wanting to go new places, we record the album in the rehearsal room (with Thomas as producer) and bring in a string orchestra. Adrian starts to think of packing it in again but eventually gives up smoking instead. At about the same time, Awaydays gets to the number one spot in the Swiss charts and Sebastian announces his departure from the band. We play one last tour with him and wonder about how things should continue.
Come autumn 2002, we retreat to the heel of the Italian boot – Apulia – to work on 13 Songs With A View. There are now five of us and we're searching for a new Lovebugs sound. Bass player Florian is more than a mere substitute for emigrant Sebastian: he brings a new earthy edge to the band and raises the average IQ by 35%. The same tidal wave also dumps Stefan on board MS Lovebugs. In an official capacity, that is. For almost three years, he's been pounding away on the keyboards for us — both on stage and in the studio. 13 Songs With A View is, in a word, a bitch, and gives us a really hard time. Yup, the search for our joint roots is difficult, taking 13 long months in the studio. An eternal labyrinth. But also a welding torch for the new line-up. The result is rawer and harder than previous albums. A true milestone, we reckon. Whereas the Swiss radio stations reckon that our sound is too noisy. TV gets cold feet as well and even drops us from a programme at literally the last second. They are worried that our music might hit the viewers in the gut (hmm, sounds familiar). Whatever. A short time later, to kick off our tour, we play Letzigrund Stadium with the legendary Stones to a crowd of 40,000 before, at long last, setting off on an extended club and festival tour again.
December 2003. We've done some 1,000 gigs (I think) and recorded seven albums. Tired? No way! But where can we now sail to without going round in circles? One thing is clear: we need a producer who will accompany us, give us feedback and be in on the songs as they emerge so that we don't drift into studio quicksands again. Someone who can stand up to the Lovebugs steamroller. Adrian has the shocking idea of having a go with that swine Chris von Rohr. In fact, the chemistry works at the very first meeting and soon we have a veritable swimming pool full of creativity — not to mention a genuine friendship.
Together we work on the eighth CD. It's to be an unplugged album, recorded live and featuring the best from 11 years of Lovebugs. Old hits are re-arranged, stripped down to the bare essentials. We want it to be intimate and direct. After nine months of preparation, we perform Naked (!) on stage in Basle ... and, well, it's one of our best concerts ever. Included on the album version are five new songs, some really moving moments and acres of goose pimples.
For six months or so, the subsequent Naked Tour takes us though old theatre prosceniums and cinema halls. Backed by mood and guest musicians, we play unplugged into the summer. It's during the festival season of 2005 that – in parallel and in secret – we start plugging our cables in at the rehearsal room again. We hunger for electricity and sounds but first Adrian has to have on operation on his respiratory system while the rest of us send postcards from our holiday resorts. Each taking a creative breather, so to speak.
In autumn 2005 – by which time we're up to our knees in new material – a Taiwanese record company calls up suddenly and invites us to hold a series of interviews and concerts in Asia. We leave the freshly served Creative Soup on the counter and fly "naked" to the land of the permanent sushi enthusiasts where we (a) score something of a success and (b) get to know something about chopsticks, isolation and sleeping tablets. Then, in the middle of a snowstorm and an infinitely long winter, we eventually realise where we are going and who we wish to take along with us. Things are going to be epic and huge and also deep enough to drown in, a unified whole indeed. So, after a three-year absence from the studio, In Every Waking Moment will not be a stroll through the park, more like an intense midnight ramble J
To read the map and shine the torch, we hire Roman Camenzind. The man who never sleeps and who always has a good idea just when one is needed.
In February and March of 2006, we record In Every Waking Moment at locomotive speed and, only one week after Switzerland gets kicked out of the last 16 of the Football World Cup, a Lovebugs CD soars to Number One on the Swiss album charts … again.
Discography
IN EVERY WAKING MOMENT (2006)
NAKED (2005)
13 SONGS WITH A VIEW (2003)
AWAYDAYS (2001)
TRANSATLANTIC FLIGHT (2000)
LIVE VIA SATELLITE (1999)
LOVEBUGS intl. version (1998)
LOVEBUGS (1996)
TART (1995)
FLUFF (1994)
Group Members
Adrian Sieber: vocals, guitar
Thomas Rechberger: guitar, vocals
Stefan Wagner: piano, synthesizers, vocals
Florian Senn: bass
Simon Ramseier: drums
Website
http://www.lovebugs.com
The Aftermoon
Lovebugs Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I remember well
It was a day in late june
And it was like the first rhyme
Of this simple tune
That is called aftermoon
We made a deal that
But now I'm old and couldn't stand the pain
If I'd lose you again
It won't feel like the first time
It won't feel like that again
But if you want me then we'll find
A way to make love remain
I'll try to explain
Do you remember the first place
No cheap hotel
You just blew me away
I was falling from your grace
Though we started well
But got lost on the way
We made a deal that
We'll never grow up together
But now I'm old and couldn't stand the pain
If I'd lose you again
It won't feel like the first time
It won't feel like that again
But if you want me then we'll find
A way to make love remain
If we get through the pain
We need to get through the pain
It won't feel like the first time
It won't feel like that again
But if you want me then we'll find
A way to make love remain
If we get through the pain
Do you remember the first time
I remember well
It was a day in late june
Lovebugs's "The Aftermoon" is a nostalgic reflection of a past love through the lens of aging. The song delves into the memories of the singer's first love experience with a partner in late June. The first time together, though not at a cheap hotel, left an imprint on the singer's memory. It's akin to a simple tune that has stuck in the singer's memory, a tune that is called the "aftermoon." In retrospect, they had made a deal that they'd always stay young together, but time passed, and the singer is now old and afraid of losing the same love again. The lyrics are poetic and vividly depict the singer's thoughts and emotions, making for a melancholic yet beautiful recollection of love.
The song's chorus builds on the premise that the memories of the first time won't feel the same, but if they want each other, they'll find a way to make love remain, even if they have to go through pain. The singer acknowledges that it's not going to be the same, but the love can still ebb and flow if they get through the pain. The lines, "We made a deal that/ We'll never grow up together," and "But got lost on the way" speak to the inevitability of aging and the changes that come with time. The song ends on the same note it began, with the singer asking, "Do you remember the first time?" implying that the memories continue to haunt and stay with them.
Line by Line Meaning
Do you remember the first time
Asking if the listener remembers the first time they fell in love
I remember well
The singer vividly remembers their first experience falling in love
It was a day in late june
Recalling the exact time of their first love experience
And it was like the first rhyme
The feeling of falling in love was like hearing the first notes of a simple, beautiful melody
Of this simple tune
Comparing falling in love to a simple, yet beautiful melody
That is called aftermoon
Describing the experience of falling in love as an 'aftermoon', a time after the sun has gone down and the night has not quite set in
We made a deal that
The singer and their partner agreed on something
We'd always stay young together
They promised each other to stay young together and keep the youthfulness of their love alive
But now I'm old and couldn't stand the pain
The artist has aged and would not be able to bear the pain of losing their partner again
If I'd lose you again
Imagining the potential scenario of losing their partner again
It won't feel like the first time
Realizing that falling in love again won't be the same as it was the first time around
It won't feel like that again
Acknowledging that the experience won't be the same as it was in the past
But if you want me then we'll find
Offering hope that if both partners are willing, they can work together to find a way to make their love work
A way to make love remain
Assuring the listener that it is possible to keep their love alive
I'll try to explain
The singer promises to try and explain how they can make their love work
Do you remember the first place
Asking if the listener remembers the first place they fell in love
No cheap hotel
The experience was not in a cheap, tacky location
You just blew me away
The listener's presence and impact on the singer was overwhelming and impressive
I was falling from your grace
Describing the moment when the singer started to lose their love for their partner
Though we started well
Acknowledging that the beginning of their relationship was good
But got lost on the way
Admitting that their relationship lost its way at some point
We'll never grow up together
The artist and their partner promised each other to never grow old, but to stay youthful forever
If we get through the pain
The singer hopes that they can push through the pain and make their love work
We need to get through the pain
Emphasizing the importance of overcoming the pain together
Contributed by James W. Suggest a correction in the comments below.