Their official biography reads as follows: Our story begins – as many of these stories do – with a TDK 60 minute cassette. It's back in 1992 and Kurt Cobain with Smells Like Teen Spirit is playing himself into the nirvana of rock'n'roll and hitting us in the gut. Wow! At roughly the same time, Adrian packs in his drummer job with The Bash — freeing his hands to do the old Fender Strat thing and, in fact, record on to that TDK 60. He calls his one-man band "Lovebugs", enters the cassette for a Band Contest in Basle ... and ends up being invited to take part in the final round.
So he finds Sebastian on bass and Julie on drums – more for their charming personalities than for instrumental virtuosity. And then it all happens pretty dammed quick. First gig, the final, victory, thank you!
Adrian and Sebastian then record their first album Fluff in all of five days in league with 17-year-old temp drummer Simon who has been a permanent fixture since then, irreplaceable actually, because not only is he an amazing drummer but also an amazing cook. We play a few gigs and Adrian wants to pack it in again. Making music is OK, he says, but being the frontman is a pain. Well, we persuade him to stay on and, before long, we have played countless gigs in small clubs. And, between all that, recorded our second album: Tart.
The third album appears in 1996: Lovebugs. Recorded in London, produced by George Shilling and Tony Harris. We storm the Top 40 and our single Fantastic is what you might call our minor breakthrough on the Swiss music wallpaper scene. We sign major recording contacts in Germany, feel pretty fantastic, immortal at least. Just the right mood for getting on to the TourBus for a few months.
Thomas also gets on: live, we need extra guitar; he needs a good band. And the tours go on — with Marc Owen, Republica, Vivid and Ocean Color Scene. We become addicted to life on tour. We hang on to Thomas because, apart from making the right noises with the guitar, he's cool with studio buttons and, in the morning, he looks so grotty.
In 1999, BMG/RCA prescribe us a recording producer who – from the very start – we don't hit it off with. The proverbial straw that breaks the camel's back. After a really vicious battle with the record company (all that small-print crap) we record an album under the name of The Symbol. No, not really, we sign a deal with Warner Music Switzerland and, at long last, in 2000, bring out Transatlantic Flight. All that turbulence seems to have paid off. The album sells in 13 countries and represents now our ultimate breakthrough. The concerts are sold out. We shoot a video in LA and give loads of interviews from Moscow through Niederbipp to Helsinki …
While Sebastian publishes his glam rock project Fucking Beautiful, we work on our fifth studio album Awaydays. Wanting to go new places, we record the album in the rehearsal room (with Thomas as producer) and bring in a string orchestra. Adrian starts to think of packing it in again but eventually gives up smoking instead. At about the same time, Awaydays gets to the number one spot in the Swiss charts and Sebastian announces his departure from the band. We play one last tour with him and wonder about how things should continue.
Come autumn 2002, we retreat to the heel of the Italian boot – Apulia – to work on 13 Songs With A View. There are now five of us and we're searching for a new Lovebugs sound. Bass player Florian is more than a mere substitute for emigrant Sebastian: he brings a new earthy edge to the band and raises the average IQ by 35%. The same tidal wave also dumps Stefan on board MS Lovebugs. In an official capacity, that is. For almost three years, he's been pounding away on the keyboards for us — both on stage and in the studio. 13 Songs With A View is, in a word, a bitch, and gives us a really hard time. Yup, the search for our joint roots is difficult, taking 13 long months in the studio. An eternal labyrinth. But also a welding torch for the new line-up. The result is rawer and harder than previous albums. A true milestone, we reckon. Whereas the Swiss radio stations reckon that our sound is too noisy. TV gets cold feet as well and even drops us from a programme at literally the last second. They are worried that our music might hit the viewers in the gut (hmm, sounds familiar). Whatever. A short time later, to kick off our tour, we play Letzigrund Stadium with the legendary Stones to a crowd of 40,000 before, at long last, setting off on an extended club and festival tour again.
December 2003. We've done some 1,000 gigs (I think) and recorded seven albums. Tired? No way! But where can we now sail to without going round in circles? One thing is clear: we need a producer who will accompany us, give us feedback and be in on the songs as they emerge so that we don't drift into studio quicksands again. Someone who can stand up to the Lovebugs steamroller. Adrian has the shocking idea of having a go with that swine Chris von Rohr. In fact, the chemistry works at the very first meeting and soon we have a veritable swimming pool full of creativity — not to mention a genuine friendship.
Together we work on the eighth CD. It's to be an unplugged album, recorded live and featuring the best from 11 years of Lovebugs. Old hits are re-arranged, stripped down to the bare essentials. We want it to be intimate and direct. After nine months of preparation, we perform Naked (!) on stage in Basle ... and, well, it's one of our best concerts ever. Included on the album version are five new songs, some really moving moments and acres of goose pimples.
For six months or so, the subsequent Naked Tour takes us though old theatre prosceniums and cinema halls. Backed by mood and guest musicians, we play unplugged into the summer. It's during the festival season of 2005 that – in parallel and in secret – we start plugging our cables in at the rehearsal room again. We hunger for electricity and sounds but first Adrian has to have on operation on his respiratory system while the rest of us send postcards from our holiday resorts. Each taking a creative breather, so to speak.
In autumn 2005 – by which time we're up to our knees in new material – a Taiwanese record company calls up suddenly and invites us to hold a series of interviews and concerts in Asia. We leave the freshly served Creative Soup on the counter and fly "naked" to the land of the permanent sushi enthusiasts where we (a) score something of a success and (b) get to know something about chopsticks, isolation and sleeping tablets. Then, in the middle of a snowstorm and an infinitely long winter, we eventually realise where we are going and who we wish to take along with us. Things are going to be epic and huge and also deep enough to drown in, a unified whole indeed. So, after a three-year absence from the studio, In Every Waking Moment will not be a stroll through the park, more like an intense midnight ramble J
To read the map and shine the torch, we hire Roman Camenzind. The man who never sleeps and who always has a good idea just when one is needed.
In February and March of 2006, we record In Every Waking Moment at locomotive speed and, only one week after Switzerland gets kicked out of the last 16 of the Football World Cup, a Lovebugs CD soars to Number One on the Swiss album charts … again.
Discography
IN EVERY WAKING MOMENT (2006)
NAKED (2005)
13 SONGS WITH A VIEW (2003)
AWAYDAYS (2001)
TRANSATLANTIC FLIGHT (2000)
LIVE VIA SATELLITE (1999)
LOVEBUGS intl. version (1998)
LOVEBUGS (1996)
TART (1995)
FLUFF (1994)
Group Members
Adrian Sieber: vocals, guitar
Thomas Rechberger: guitar, vocals
Stefan Wagner: piano, synthesizers, vocals
Florian Senn: bass
Simon Ramseier: drums
Website
http://www.lovebugs.com
The Sun In Your Eyes
Lovebugs Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I don't wanna feel that the feeling is gone
Can't we make believe everything will be alright
Arling, I don't care if it's right or if it's wrong
Don't wanna throw it all just away now
I don't wanna hear what you're talking about
Can't we just pretend everything is not broken
You know...
All this life ain't worth a thing if I ain't got you
I don't want this life within or without you
I don't wanna play this game anymore
Can't we turn the page and start it all over
Darling, I just hate to see you walking out the door
You know...
All this life ain't worth a thing if I ain't got you
Oh darling, can't you see, you belong to me
Oh, don't you understand, I need your helping hand
I just wanna get away from the pain, dear
Just wanna see the sun in your eyes
Can't we close the book and write a new ending
Darling, I can't let you go, no, I can't stand goodbyes
You know...
All this life ain't worth a thing if I ain't got you
You know that it's true, all these dreams
They don't mean a thing if I can't be with you
Oh darling, can't you see, you belong to me
Oh, don't you understand, I need your helping hand
Oh darling, can't you see you belong to me
Oh, don't you understand, I need your helping hand
Oh, don't you understand
The Lovebugs’ song The Sun In Your Eyes is a love song that describes a relationship that is on the brink of falling apart. The vocalist expresses his desire to work things out with his partner and not throw their love away. He is willing to pretend everything is alright and start anew just to keep his partner by his side. The chorus emphasizes this point by stating that life is meaningless without his significant other.
The vocalist admits that he cannot bear the thought of losing his partner, and so he begs her to stay by his side. He confesses that he needs her "helping hand" and she belongs to him. Throughout the song, he repeats that he just wants to see the "sun in her eyes" and escape from the pain of their relationship's struggles. He hopes that they can write a new ending to their story and not have to say goodbye.
Overall, The Sun In Your Eyes is an emotional plea from someone who values their relationship and is willing to do whatever it takes to make it work.
Line by Line Meaning
I don't wanna see what you see 'til it's over
I don't want to prematurely assume or make judgments about the situation until it's completely resolved
I don't wanna feel that the feeling is gone
I don't want to lose the emotions associated with our relationship
Can't we make believe everything will be alright
Can't we try to maintain a sense of optimism and positivity during difficult times?
Arling, I don't care if it's right or if it's wrong
Ultimately, whether our choices are moral or justifiable aren't as important as our commitment to each other
Don't wanna throw it all just away now
I don't want to give up on our relationship so easily
I don't wanna hear what you're talking about
I'm not interested in arguing or discussing our problems anymore
Can't we just pretend everything is not broken
Let's try to maintain a facade of normalcy and happiness even amidst our struggles
Darling, I believe there's a way we can work it out
I still have hope and faith in our ability to resolve our issues
You know...
An unspoken acknowledgement or plea for the other person to understand and agree
All this life ain't worth a thing if I ain't got you
My life feels incomplete and meaningless without you in it
I don't want this life within or without you
Without you, life feels unbearable and not worth living
I don't wanna play this game anymore
The constant back-and-forth arguments and struggles in our relationship feel like a pointless game
Can't we turn the page and start it all over
Can't we try to move on from our past issues and start fresh?
Darling, I just hate to see you walking out the door
The thought of losing you is unbearable and painful
Oh darling, can't you see, you belong to me
I feel a sense of ownership and possessiveness towards you, and I can't bear to lose you
Oh, don't you understand, I need your helping hand
I need your love, support and assistance to get through life
I just wanna get away from the pain, dear
I want to escape the emotional turmoil and pain associated with our relationship troubles
Just wanna see the sun in your eyes
I just want to experience the warmth and love in your eyes again
Can't we close the book and write a new ending
Can't we try to start fresh and reimagine our relationship with a new outlook and perspective?
Darling, I can't let you go, no, I can't stand goodbyes
I can't bear the thought of losing you or saying goodbye to our relationship
You know...
An unspoken acknowledgement or plea for the other person to understand and agree
All this life ain't worth a thing if I ain't got you
My life feels incomplete and meaningless without you in it
You know that it's true, all these dreams
You know that all of my aspirations and desires in life involve you and our relationship
They don't mean a thing if I can't be with you
None of my dreams or ambitions matter if I can't share them with you
Contributed by Joshua N. Suggest a correction in the comments below.