Lyle Mays (born Lyle David Mays on 27 November 1953 in Wausaukee, Wisconsin… Read Full Bio ↴Lyle Mays (born Lyle David Mays on 27 November 1953 in Wausaukee, Wisconsin; died 10 February 2020) was an American jazz pianist and composer best known as a member of the Pat Metheny Group. Metheny and Mays composed and arranged nearly all of the group's music, for which Mays won eleven Grammy Awards.

While growing up, Mays had four main interests: chess, mathematics, architecture and music. His parents were musically inclined – his mother was a pianist, his father was a guitarist – and he was able to study the piano with the help of instructor Rose Barron. She allowed Mays the opportunity to practice improvisation after the structured elements of the lesson were completed. At age 9 he played organ at a family member's wedding, and at age 14 he began to play organ in church. In summer camp he was introduced to important jazz artists.

Bill Evans' album Live in Montreux and Miles Davis' album Filles de Kilimanjaro were important influences on his formation as a jazz musician. He graduated from the University of North Texas after attending the University of Wisconsin-Eau Claire. He composed and arranged for the world-renowned One O'Clock Lab Band and was the composer and arranger of their highly regarded and Grammy nominated Lab 75 album.

After leaving UNT, Mays toured with Woody Herman's group for approximately eight months.

In 1974, he met Pat Metheny with whom he later founded the Pat Metheny Group. During that period he lived in New York City, so poor that he was "almost starving." Mays has won eleven Grammys with the Pat Metheny Group and been nominated for four others for his own work.

In the Pat Metheny Group, Mays provided arrangements, orchestration and the harmonic and metric backbone of the group's musical signature. He occasionally performed on electric guitar as well. On the songs Forward March and Yolanda You Learn from the Pat Metheny Group album First Circle (1984), and in the concert tour for that album, he played trumpet.

His albums as a leader reflect a large variety of musical interests: Lyle Mays and Street Dreams build on the content of the Pat Metheny Group, while Fictionary is a straight-ahead jazz trio session featuring fellow North Texan Marc Johnson on bass and Jack DeJohnette on drums. Solo: Improvisations for Expanded Piano is focused on solo piano improvisations.

He has also composed and recorded music for children's records, such as Tale of Peter Rabbit, with text read by Meryl Streep.

The Steppenwolf Theater Company of Chicago featured an assortment of compositions by Lyle Mays and Pat Metheny for their production of Lyle Kessler's play Orphans.

He composed classical music such as "Twelve Days in the Shadow of a Miracle", a piece for harp, flute, viola and synthesizer (recorded 1996 by the Debussy Trio).

This Moment
Lyle Mays Lyrics

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From this moment on
You for me, dear
Only two for tea, dear
From this moment on

From this happy day
No more blue songs
Only hoop-de-doo songs

From this moment on

You've got the love I need so much
Got the skin I love to touch
Got the arms to hold me tight
Got the sweet lips to kiss me goodnight

From this moment on
You and I, babe
We'll be ridin' high, babe
Every care is gone
From this moment on

You've got the love I need so much
Got the skin I love to touch
Got the arms to hold me tight
Got the sweet lips to kiss me goodnight

From this moment on
You and I, babe
We'll be ridin' high, babe
Every care is gone
From this moment
From this moment

This very moment
This moment on

Overall Meaning

In this song, Lyle Mays is expressing his love and devotion to a special person in his life. The lyrics are simple and straightforward, stating that from this moment on, they will only have eyes for each other, and that all their worries and woes will disappear. The first verse establishes the exclusivity of their relationship, as they will only need each other for company over a cup of tea. The second verse expands on the joy that their love brings, as they will now only sing happy, carefree songs together. In the refrain, Mays lists all the things that he loves about this person, including their love, their touch, their embrace, and their kiss goodnight. The song ends with a repeated emphasis on the moment, as though Lyle is grateful that they have found each other and sees only happiness for them both in the future.

Line by Line Meaning

From this moment on
Starting now, moving forward

You for me, dear
You and me, we are in love

Only two for tea, dear
We don't need anyone else, just us two

From this happy day
Today is the beginning of our happiness

No more blue songs
No more sad songs

Only hoop-de-doo songs
Only happy songs from now on

You've got the love I need so much
You have the love I require and desire

Got the skin I love to touch
I adore touching your skin

Got the arms to hold me tight
Your arms make me feel safe and loved

Got the sweet lips to kiss me goodnight
Kissing your lips is the perfect end to my day

You and I, babe
We are together