Anderson charted 12 No. 1, 18 Top 10, and more than 50 Top 40 hits. In addition to being named "Top Female Vocalist" by the Academy of Country Music (ACM) twice and "Female Vocalist of the Year" by the Country Music Association (CMA), Anderson won a Grammy Award (earning seven nominations), People's Choice Award and an American Music Award (AMA). She was named Billboard's Female Artist of the Decade (1970β1980).
Anderson was the first female country artist to win the American Music Award (in 1974), as well as the first to headline and sellout Madison Square Garden that same year.
Anderson debuted in 1966, at the age of 19, and had her first hit with Ride, Ride, Ride. After a series of Top 10 hit singles on the country charts during the late 1960s, Anderson signed with Columbia Records in 1970. Under Columbia, she had her most successful string of hits. Her signature song, "(I Never Promised You a) Rose Garden", remains one of the biggest selling country crossover hits of all time. In addition, the song also went to No. 3 on the Billboard Pop Chart and reached the top of the charts in several countries, an unprecedented achievement at the time. CMT ranks "Rose Garden" at No. 83 on its list of the "100 Greatest Songs in Country Music History". Anderson continued to record and remained a popular concert attraction until her death, regularly headlining major casino showrooms, performing arts centers and theaters.
She grew up in Sacramento, California with her mother, acclaimed singer-songwriter Liz Anderson who wrote "The Fugitive" and "(All My Friends Are Gonna Be) Strangers", both Merle Haggard hits, among others. She began her solo career in 1966 with "In Person", followed by a hit with her mother's "If I Kiss You (Will You Go Away)".
In 1968 she married Glenn Sutton, a future Nashville Songwriters Hall of Fame inductee, with whom she had a daughter, Lisa. (They divorced in 1977.)
Consistent hits followed, and she was a regular on The Lawrence Welk Show during the 1967-68 season. In 1969 Anderson signed to Columbia where her work veered a bit more toward a polished, pop sound. She released her signature song, "Rose Garden" in late 1970. The song, written by Joe South, won a Grammy Award for Best Female Country Vocal Performance reached number 1 on the U.S. country charts, and also hit number 3 on the pop charts, as well as being a hit in fifteen countries. Anderson also received Grammy nominations for her recordings "Big Girls Don't Cry" (1968), "That's a No No" (1969), and "How Can I Unlove You" (1971)> Anderson's other hits during this period included "You're My Man", "Listen to a Country Song", "Top of the World" (a number 1 country record for Anderson before becoming a pop hit for The Carpenters), "Cry", "Keep Me in Mind", "What a Man My Man Is" and "Smile For Me". In 1971, she was voted Top Female Vocalist of the year by both the Academy of Country Music and Country Music Association. Anderson charted eight no.one singles, 18 Top-Tens and earned a total of 17 international Gold records. She was perhaps the most in-demand country female vocalist on network television throughout the 1970's but after 1975 her records usually peaked in the top 20 as opposed to her earlier top ten success.
Anderson married a Louisiana businessman in 1978. The second marriage produced two more children, and she was divorced in 1982.
Anderson remained one of the top female country singers into the 1980's. Her last top ten record was 1984s "You're Welcome to Tonight". During the late 1980's and early 1990s, she received much press for her disputes with her now-divorced second husband. After spending time on her ranch, raising horses and participating in equestrian events, she began recording again in 1992.
"The Bluegrass Sessions", released in 2004, earned Anderson her first Grammy nomination in over 30 years.
That same year Anderson was arrested in Denton, Texas, for drunk driving.
The American Rose Society created and named in her honor a white and raspberry hybrid tea rose.
Anderson released a new CD of original songs entitled "Cowgirl" in 2006, all of the songs penned by her mother, the acclaimed songwriter Liz Anderson.
Ponies
Lynn Anderson Lyrics
Jump to: Overall Meaning ↴
Is the greatest cowboy that's ever been
And when he lays his hands upon the ponies
They shudder with an understanding skin
And he says, "Ponies
Now ponies, don't you worry
I have not come to steal your fire away
Discover what begins each shining day"
When the storm clouds in the west
Are quickly gathering
The ponies they run wild there
Before it rains
You'll see their sleek dark bodies
Brightly gleaming
You know the fire is flying through
Their brains
And he says, "Ponies
Now ponies, don't you worry
I have not come to steal your fire away
I want to fly with you across the sunrise
Discover what begins each shining day"
And he says ponies
Now ponies, don't you worry
I have not come to steal your fire away
I want to fly with you across the sunrise
Discover what begins each shining day
And he says, "Ponies ponies don't you worry
I have not come to steal your fire away
I want to fly with you across the sunrise
Discover what begins each shining day"
I want to fly
The lyrics to Lynn Anderson's song "Ponies" depict a deep connection and understanding between a cowboy and the horses, specifically the ponies, on the prairie. The cowboy is portrayed as an exceptional figure, perhaps even legendary, who possesses a unique ability to communicate with the ponies. When he touches them, they respond with a shudder as if they comprehend his intentions.
The cowboy reassures the ponies, telling them not to worry because he doesn't intend to take away their spirit or enthusiasm. Instead, he wants to join them in their wildness, to experience the freedom and exhilaration of running with them across the sunrise. He yearns to explore and discover the beauty and possibilities that each new day brings.
The lyrics also allude to the connection between the ponies and the natural elements. When storm clouds gather, the ponies run freely, their sleek bodies shining brightly. It implies that they are energized by the impending rain and the electric charge in the atmosphere. The cowboy recognizes this fire within the ponies, acknowledging that it is something extraordinary pulsating through their minds.
Overall, the lyrics of "Ponies" convey a sense of harmony and respect between the cowboy and the ponies. It speaks to the deep bond and mutual understanding that exists between humans and animals, emphasizing the beauty of nature and the desire for freedom and exploration.
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Lyrics Licensed & Provided by LyricFind
GuriMalla2010
Lyrics:
Somewhere out on the Prairie
Is the greatest cowboy that's ever been
And when he lays his hands upon the ponies
They shudder with an understanding skin
And he says, "Ponies
Now ponies, don't you worry
I have not come to steal your fire away
I want to fly with you across the sunrise
Discover what begins each shining day"
When the storm clouds in the west
Are quickly gathering
The ponies they run wild there
Before it rains
You'll see their sleek dark bodies
Brightly gleaming
You know the fire is flying through
Their brains
And he says, "Ponies
Now ponies, don't you worry
I have not come to steal your fire away
I want to fly with you across the sunrise
Discover what begins each shining day"
And he says ponies
Now ponies, don't you worry
I have not come to steal your fire away
I want to fly with you across the sunrise
Discover what begins each shining day
And he says, "Ponies
Ponies don't you worry
I have not come to steal your fire away
I want to fly with you across the sunrise
Discover what begins each shining day"
I want to fly
Faye Teater
I love this song great Lynn I will be get this CD ππ€
MrKenichi22
This one was pretty nice.
I thought it a good story song, Had I heard this song or songs like this in 1992, I probably would have liked Country a lot more and allot earlier than 1998.
As a kid whom loved Thomas and Sesame Street, I probably would have enjoyed a song about a Cowboy who connected emotionally with ponies/horses.
I am a little sad that my first exposure to Country was when I was a little older and the music was way too sad.
Though I will admit the lines about their shutter made me do a double take.
MrKenichi22
@Tom Kahnke Ah I see
Tom Kahnke
A friend of mine from Wyoming wrote this song. Jeff Bullock. It was also recorded by Michael Martin Murphy, Michael Johnson, and John Denver. Jeff also wrote "Girl's Night Out" for the Judds which was #1 in 1985.