With an ear for the tunes and an innate understanding of what works on the … Read Full Bio ↴With an ear for the tunes and an innate understanding of what works on the dancefloor M.A.N.D.Y. are on a seemingly never-ending circuit of the globe with their in-demand DJ sets. From their first meeting as 15-year-olds on a tennis court, the 2 young men who dreamed of making a career of music, parties and having fun have come a long way, and are now well & truly at the top of their game.
2008 has been the penultimate year for M.A.N.D.Y culminating in 2 of their most memorable DJ sessions: one at the helm of UK club Fabric’s esteemed mix CD series, and the other at the rain-drenched Love Parade in Germany, where they played live for 500,000 music lovers who refused to run for cover from the wet and continued dancing in the streets for the awestruck M.A.N.D.Y. boys.
In between these gigs and their residencies with Monza in Ibiza and Berlin’s Watergate club M.A.N.D.Y. also managed to fit in extensive tours of North & South America, and a new track with Booka Shade for Get Physical’s GPM100 release, plus working on a new remix for Felix Da Housecat and long-awaited new M.A.N.D.Y. material with Lopazz in Iceland, and launching Get Physical sister labels Kindisch and Get Digital to accommodate the sheer amount of great records they want to release.
Patrick Bodmer & Phillip Jung have carved out a unique niche for themselves in electronic music off the back of excellent productions, in-demand remixes, top-notch mixing skills, and a knack for signing some of the best electronic producers alongside their friends DJ T and Booka Shade for their label Get Physical Music, and it’s a story that has been 20 years in the making!
After being introduced to the sounds of early acid house in the late 80's in Saarbruken, Germany, Patrick & Phillip’s lifelong obsessive love for electronic music began; they threw themselves into the music, buying records, driving to Frankfurt’s parties and raves, and DJing at friends’ afterparties.
After going to university in separate cities Phillip & Patrick had both moved to Frankfurt by the mid 90s, where their DJ dreams were reignited, but with the major hurdle that nobody wanted to book them. Philip & Patrick overcame rose to the challenge by starting their own club night. It was a memorable and liberating time for the pair, and their guests - Ata, Ricardo Villalobos, etc - were talented unknowns at the time who only contributed to the fresh & spontaneous vibe of the club.
To keep the money rolling in to fuel their nighttime pursuits, Patrick had established himself in a successful painting career and Philipp worked for Logic Records, label of italo-house outfit Snap. After taking up a new job in A&R with Jive Records, Philip signed tracks by longtime producer friends Walter Merziger and Arno Kammermeier, who produced under a variety of aliases and would eventually become best known as Booka Shade. Walter and Arno taught Philipp and Patrick a few tips in the studio, and the four began producing what they now admit were a string of dire hard trance releases under a name they refuse to divulge!
The next chapter of the story was set in motion at a Bread & Butter fashion show in Cologne where M.A.N.D.Y.’s DJ set caught the interested ears of Monza club’s Patrik Dechent and DJ T, also the founder/editor of the highly influential German music magazine Groove. They could hardly miss M.A.N.D.Y.’s enthusiasm, or their extremely ‘physical’ presence on the dancefloor, stamping their feet and tearing at their clothes in sheer delight about the music. DJ T and MANDY took an instant liking to each other and T invited them to be a resident at Monza, playing sets alongside fellow residents Tobi Neumann, Ricardo Villalobos, Tiefschwarz and Steve Bug.
After M.A.N.D.Y. & Booka Shade both relocated to Berlin in 2002, forming a record label seemed like the natural next step for the 5 friends (including DJ T), as the crucial pieces of the puzzle had fit themselves together: Philipp's record label and A&R experience, Arno & Walter's production talents and fully-equipped studio, Patrick's creativity and artwork, T's envious contacts book and wealth of press knowledge.
So the label was born, and they christened it Get Physical in tribute to the dancefloor,. What began as a hobby for the 5 people behind Get Physical quickly gathered steam after the label’s first release, M.A.N.D.Y’s Put Put Put 12”: the following year their track ‘Tonite’ blew up in the UK when Pete Tong selected it as the Essential tune of the week three times in a row for his BBC Radio 1 show.
With the release of the first Get Physical compilation Body Language Vol 1 in 2005, M.A.N.D.Y. raised the bar high for house and techno lovers, and cemented their reputation as world-class selectors. They joined the dots between electro-influenced house, disco and minimal techno for a release that was crowned DJ Magazine’s Mix CD of the Year.
However it was the joint effort of MANDY and Booka Shade that pushed both their artist names and the Get Physical label into the international dance music consciousness: the track “Body Language” quickly became a bonafide hit, the undisputed anthem of the year and ubiquitous on dancefloors, in charts and in record boxes for months after its release. “Body Language” was named Ibiza’s Track of the Season, DJ Magazine’s Track of the Year, and was licensed to over 100 compilations. The staggering success of “Body Language” led to Get Physical receiving the accolade of Best Label for 2005 from DJ Magazine.
This was followed up in 2006 with At The Controls, a double CD mix for Resist Music which picked up a host of awards, including Mix CD of the Year from Resident Advisor, BBC Essential Mix and Mixmag.
Philipp and Patrick’s reputation as remixers grew, working with artists as diverse as The Knife, Tiefschwarz, Sugababes, Lindstrom, Joakim, Royksopp and Fischerspooner, The Klaxons, Mathew Dear, Rex The Dog, Royksopp, Roxy Music, and Rocker's Hi-Fi; a reputation solidified with the 12 Great Remixes for 11 Great Artists collection of 2007 that brought together some of their finest efforts onto one disc.
Through all the parties, the ladies, the extensive traveling, M.A.N.D.Y. nonetheless treasure the family vibe that influenced them as artists and DJs and that continues to support them in Berlin. For M.A.N.D.Y. this isn’t a job and it isn’t about success; it’s about partnership and friendship, good music, and those five things which bonded them in the first place: collecting records, throwing parties, meeting girls, making friends and laughing…
www.myspace.com/getmandy
2008 has been the penultimate year for M.A.N.D.Y culminating in 2 of their most memorable DJ sessions: one at the helm of UK club Fabric’s esteemed mix CD series, and the other at the rain-drenched Love Parade in Germany, where they played live for 500,000 music lovers who refused to run for cover from the wet and continued dancing in the streets for the awestruck M.A.N.D.Y. boys.
In between these gigs and their residencies with Monza in Ibiza and Berlin’s Watergate club M.A.N.D.Y. also managed to fit in extensive tours of North & South America, and a new track with Booka Shade for Get Physical’s GPM100 release, plus working on a new remix for Felix Da Housecat and long-awaited new M.A.N.D.Y. material with Lopazz in Iceland, and launching Get Physical sister labels Kindisch and Get Digital to accommodate the sheer amount of great records they want to release.
Patrick Bodmer & Phillip Jung have carved out a unique niche for themselves in electronic music off the back of excellent productions, in-demand remixes, top-notch mixing skills, and a knack for signing some of the best electronic producers alongside their friends DJ T and Booka Shade for their label Get Physical Music, and it’s a story that has been 20 years in the making!
After being introduced to the sounds of early acid house in the late 80's in Saarbruken, Germany, Patrick & Phillip’s lifelong obsessive love for electronic music began; they threw themselves into the music, buying records, driving to Frankfurt’s parties and raves, and DJing at friends’ afterparties.
After going to university in separate cities Phillip & Patrick had both moved to Frankfurt by the mid 90s, where their DJ dreams were reignited, but with the major hurdle that nobody wanted to book them. Philip & Patrick overcame rose to the challenge by starting their own club night. It was a memorable and liberating time for the pair, and their guests - Ata, Ricardo Villalobos, etc - were talented unknowns at the time who only contributed to the fresh & spontaneous vibe of the club.
To keep the money rolling in to fuel their nighttime pursuits, Patrick had established himself in a successful painting career and Philipp worked for Logic Records, label of italo-house outfit Snap. After taking up a new job in A&R with Jive Records, Philip signed tracks by longtime producer friends Walter Merziger and Arno Kammermeier, who produced under a variety of aliases and would eventually become best known as Booka Shade. Walter and Arno taught Philipp and Patrick a few tips in the studio, and the four began producing what they now admit were a string of dire hard trance releases under a name they refuse to divulge!
The next chapter of the story was set in motion at a Bread & Butter fashion show in Cologne where M.A.N.D.Y.’s DJ set caught the interested ears of Monza club’s Patrik Dechent and DJ T, also the founder/editor of the highly influential German music magazine Groove. They could hardly miss M.A.N.D.Y.’s enthusiasm, or their extremely ‘physical’ presence on the dancefloor, stamping their feet and tearing at their clothes in sheer delight about the music. DJ T and MANDY took an instant liking to each other and T invited them to be a resident at Monza, playing sets alongside fellow residents Tobi Neumann, Ricardo Villalobos, Tiefschwarz and Steve Bug.
After M.A.N.D.Y. & Booka Shade both relocated to Berlin in 2002, forming a record label seemed like the natural next step for the 5 friends (including DJ T), as the crucial pieces of the puzzle had fit themselves together: Philipp's record label and A&R experience, Arno & Walter's production talents and fully-equipped studio, Patrick's creativity and artwork, T's envious contacts book and wealth of press knowledge.
So the label was born, and they christened it Get Physical in tribute to the dancefloor,. What began as a hobby for the 5 people behind Get Physical quickly gathered steam after the label’s first release, M.A.N.D.Y’s Put Put Put 12”: the following year their track ‘Tonite’ blew up in the UK when Pete Tong selected it as the Essential tune of the week three times in a row for his BBC Radio 1 show.
With the release of the first Get Physical compilation Body Language Vol 1 in 2005, M.A.N.D.Y. raised the bar high for house and techno lovers, and cemented their reputation as world-class selectors. They joined the dots between electro-influenced house, disco and minimal techno for a release that was crowned DJ Magazine’s Mix CD of the Year.
However it was the joint effort of MANDY and Booka Shade that pushed both their artist names and the Get Physical label into the international dance music consciousness: the track “Body Language” quickly became a bonafide hit, the undisputed anthem of the year and ubiquitous on dancefloors, in charts and in record boxes for months after its release. “Body Language” was named Ibiza’s Track of the Season, DJ Magazine’s Track of the Year, and was licensed to over 100 compilations. The staggering success of “Body Language” led to Get Physical receiving the accolade of Best Label for 2005 from DJ Magazine.
This was followed up in 2006 with At The Controls, a double CD mix for Resist Music which picked up a host of awards, including Mix CD of the Year from Resident Advisor, BBC Essential Mix and Mixmag.
Philipp and Patrick’s reputation as remixers grew, working with artists as diverse as The Knife, Tiefschwarz, Sugababes, Lindstrom, Joakim, Royksopp and Fischerspooner, The Klaxons, Mathew Dear, Rex The Dog, Royksopp, Roxy Music, and Rocker's Hi-Fi; a reputation solidified with the 12 Great Remixes for 11 Great Artists collection of 2007 that brought together some of their finest efforts onto one disc.
Through all the parties, the ladies, the extensive traveling, M.A.N.D.Y. nonetheless treasure the family vibe that influenced them as artists and DJs and that continues to support them in Berlin. For M.A.N.D.Y. this isn’t a job and it isn’t about success; it’s about partnership and friendship, good music, and those five things which bonded them in the first place: collecting records, throwing parties, meeting girls, making friends and laughing…
www.myspace.com/getmandy
To The Gum
M.A.N.D.Y. Lyrics
You know how we do
Yeah, yeah you know I'm number one
Only making plays up for that number one
I got hits on top of hits and I just made another one
Hopped up on the scene I get to popping like it's bubble gum
Yeah
Popping like some bubble gum
Bubble Gum, yeah that bubble gum
Pop pop pop popping like it's bubble gum
Bubble gum yeah that bubble gum
Pp- popping like its bubble gum
They telling me to stop all i'm seeing is that green light
Pockets so fat it be making all my jeans tight
Dreaming bout the money only reason that I sleep right
If they want to play with me i'll put em all to sleep like...
Yeah that's the sound that it make
I'm bout to bring a 100 thousand all the way to the bank
Nah I'm playing, that's just that way that I think
I'd like to waste 50 thou all for a pj and ring
Words they tryna hoop
Catch it and I'll shoot
Throw the alley oop
Want be like Kyrie but i'm more like uncle drew
No I ain't a vet but y'all cant tell me that i'm new
Diamonds on my neck it's like they drowning off a pool
I did it again got the whole squad jumping like it's double dutch
This beat had me floating like a rubber duck
I just poured my soul out on the mic had that cobra clutch
I'm feeling incredible so hey man how you holding up
Yeah, yeah you know I'm number one
Only making plays up for that number one
I got hits on top of hits and I just made another one
Hopped up on the scene I get to popping like it's bubble gum
Yeah
Popping like some bubble gum
Bubble Gum, yeah that bubble gum
Pop pop pop popping like it's bubble gum
Bubble gum yeah that bubble gum
Pp- popping like its bubble gum
Walk on the beat, I know that I'm tripping
Ain't tying these timberland boots
I got like 24 options
In 24 hours like playing the duck duck goose
Pick up the phone
Pick it up
Yeah pick up and choose
Lay down the beat, I ain't a killer but sure you know that I'll abuse it
Move from that spot and you'll loose it
I know that this tune make you looney
Lights camera action yeah you know that my life like a movie
Hound I'm a dog scooby
Just here for the belt sue me
No it ain't sweet nothing is, it's more like a tang Pootie
Yeah i'm bout to blow like Osama
See me in all black suvs riding presidential just like Obama
Counting these bands up
As I stack to the moon i'm collecting these commas
Flying the pj got my music on replay take a trip to Bahamas
Spitting all this heat like I came from planet drool
I'm with lava girl we bringing heat i'm bout to pull the tool
Nah I'm playing this a stick up you be playing with these tools
You know it's hammer time I just picked up my watch from by the pool
Yeah, yeah you know I'm number one
Only making plays up for that number one
I got hits on top of hits and I just made another one
Hopped up on the scene I get to popping like it's bubble gum
Yeah
Popping like some bubble gum
Bubble Gum, yeah that bubble gum
Pop pop pop popping like it's bubble gum
Bubble gum yeah that bubble gum
They telling me to stop all i'm seeing is that green light
Pockets so fat it be making all my jeans tight
Dreaming bout the money only reason that I sleep right
If they want to play with me i'll put em all to sleep like...
Yeah that's the sound that it make
I'm bout to bring a 100 thousand all the way to the bank
Nah I'm playing, that's just that way that I think
I'd like to waste 50 thou all for a pj and ring
Words they tryna hoop
Catch it and I'll shoot
Throw the alley oop
Want be like Kyrie but i'm more like uncle drew
No I ain't a vet but y'all cant tell me that i'm new
Diamonds on my neck it's like they drowning off a pool
I did it again got the whole squad jumping like it's double dutch
This beat had me floating like a rubber duck
I just poured my soul out on the mic had that cobra clutch
I'm feeling incredible so hey man how you holding up
Yeah, yeah you know I'm number one
Only making plays up for that number one
I got hits on top of hits and I just made another one
Hopped up on the scene I get to popping like it's bubble gum
Yeah
Popping like some bubble gum
Bubble Gum, yeah that bubble gum
Pop pop pop popping like it's bubble gum
Bubble gum yeah that bubble gum
Pp- popping like its bubble gum
Walk on the beat, I know that I'm tripping
Ain't tying these timberland boots
I got like 24 options
In 24 hours like playing the duck duck goose
Pick up the phone
Pick it up
Yeah pick up and choose
Lay down the beat, I ain't a killer but sure you know that I'll abuse it
Move from that spot and you'll loose it
I know that this tune make you looney
Lights camera action yeah you know that my life like a movie
Hound I'm a dog scooby
Just here for the belt sue me
No it ain't sweet nothing is, it's more like a tang Pootie
Yeah i'm bout to blow like Osama
See me in all black suvs riding presidential just like Obama
Counting these bands up
As I stack to the moon i'm collecting these commas
Flying the pj got my music on replay take a trip to Bahamas
Spitting all this heat like I came from planet drool
I'm with lava girl we bringing heat i'm bout to pull the tool
Nah I'm playing this a stick up you be playing with these tools
You know it's hammer time I just picked up my watch from by the pool
Lyrics © O/B/O DistroKid
Written by: Nicholas Daniels
Lyrics Licensed & Provided by LyricFind
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Joltage Gyronic the hedgehog
at 1:44 i love that laugh like hyena
Ben Donovan
1:49 Sigh
Brittany C.
LOL 😂😂😂 1:31
Billy: Yeah, yeah, yeah, yeah, yeah, yeah!!!
Grim: No, no, no, no, no, no!!!
Billy: Yeah, yeah, yeah, yeah, yeah, yeah!!!
Melissa Marconi
My thoughts, exactly. Also, Billy is both crazy and stupid.
Weirdguy2471
In German its a mouthful lol nein 6x
Harrison Stewart
Billy has a powerful jaw, iron esophagus, and an iron stomach.
# lakewood20
And a hollow skull
Michelson Gouboth
Grim told Billy not to swallow the gum he should’ve listened and If I was Billy I would think twice about eating the entire gum ball machine
KingErvin
YEAH! YEAH! YEAH! YEAH! YEAH! YEAH! 1:31
NO! NO! NO NO! NO! NO!
YEAH! YEAH! YEAH! YEAH! YEAH! YEAH!
Katelyn the White Werewolf
It's so funny when Billy swallows the gum.