1) Man are a rock band… Read Full Bio ↴There is more than one artist with this name:
1) Man are a rock band from South Wales with a cult following. Originally the second incarnation of Welsh rock harmony group The Bystanders, they are a band with 'more history than the Greeks', who are celebrating their 40th anniversary this year.
Man's history is full of weird, colourful stories. Some stories include getting arrested in Belgium on both of their visits, brawling with an Icelandic audience, meeting the likes of Tommy Cooper and Bill Graham, their many line-ups, and so on. Man also have connections with bands like the Neutrons, Gentle Giant, Badfinger, Status Quo and Iceberg (Deke's band while he went solo).
The Bystanders had been a pop harmony group in the 1960s, signed to Pye Records and living in London, who had released a few singles to no great success. But with the departure of singer Vic Oakley and the arrival of guitarist Deke Leonard in 1968, the band - Leonard, Micky Jones, Ray Williams, Clive John and Jeff Jones - decided to change their style altogether, moving from pop to West Coast psychedelia, inspired by American bands such as Quicksilver Messenger Service and Frank Zappa and The Mothers of Invention.
From 1968 up to 1976 they rocked the UK, America and Germany with their gritty progressive rock. They have been hits with many radio DJs, producers, promoters, and John Lennon was (supposedly) a fan of Deke's album, Iceberg. Some of their most popular songs from this era include Spunk Rock, Bananas, Many Are Called But Few Get Up, C'Mon, Daughter of the Fireplace, and Romain.
1974 was probably Man's biggest year commercially. Rhinos, Winos & Lunatics was tipped to be the album which brought them international fame. Certainly, it was the best reproduction so far of their improvisational live format in the studio. They were subsequently joined by Quicksilver Messenger Service guitarist John Cippolina (or "Chippo" as they called him) for a live album, "Maximum Darkness" which featured two old Quicksilver gems, the Buffy Sainte-Marie song "Codeine" and "Babe I'm Gonna Leave You". Of course, they never did become famous, and in 1976, they broke up, swearing never to be "like one of those bands who reformed in a futile attempt to recapture past glories and maybe earn a buck or two along the way".
They reformed in 1983. The band this time was to stay constant until 1996(ish): Micky Jones and Deke Leonard on guitars, Martin Ace on bass, and John Weathers on drums. During this time, they produced more hits, such as "Feather on the Scales of Justice", "Mad On Her", "Wings of Mercury", "Call Down The Moon", and "Heaven and Hell".
Weathers was fired in 1996 and was replaced by returning former drummer Terry Williams, probably the most successful of the band, having served elsewhere in bands such as Dire Straits although this is not held against him (not much, anyway). Terry left the band in 1997 and was replaced by continuing incumbent Bob Richards. Bob's first gig was a welcome back to Deke who had suffered a mild stroke which required some time off the road for recovery.
Former keyboardist Phil Ryan returned in 1998 taking the band back to the classic 5-piece line-up. Phil played a major role in producing 2000's Endangered Species (which ranks amongst the strongest of the band's lengthy discography) but had to withdraw from the band for personal reasons. He was replaced by Gareth Thorrington who continued with the band until 2006 when he joined the list of sackees.
After surviving into the next millennium, Man produced another album, Undrugged which an attempts at an unplugged type album which started off when Terry Williams was in the band and was finalised by some fresh recordings. It's particularly noticeable for some covers, most notably on Brian Wilson's Sail On Sailor and the Ray Charles classic Georgia On My Mind - the lead vocals on both being handled by Micky.
It was during this time that Micky developed a brain tumour and had to take time off for numerous surgeries. Man continued though, and Micky's son George entered the band temporarily. When Micky recovered, he rejoined just as Deke decided to call it a day, so George became a permanent member of the group.
As before, just when you though a period of stability might ensure circumstance, damned circumstance conspired to intervene once again. In 2005, Micky's health deteriorated due to the re-occurrence of a brain tumour and was replaced by Martin Ace's son Josh. To this day, Micky remains in hospital and the chances of him ever being able to perform again are slim. This is a tragedy for an undervalued and underrated master of the guitar.
Meanwhile, Deke plays sporadic gigs with a reformed Iceberg band, which initially comprised of Deke, former Man member Will Youatt, Clive Roberts, and Bob Richards (Bob was still with Man, though). Sadly, Clive Roberts was diagnosed with lung cancer after their first gig, and died soon after. He was replaced by Brian Breeze, who featured in the original seventies Iceberg lineup (Brian has since been replaced by Ray "Taff" Williams - not to be confused with Ray Williams, the original Man bass player, who died in 1993). Deke is also adding to his literary record by working on a third book. His first two books documented the history of the Manband and also Deke's adventures prior to this. They have been the subject of award-winning radio broadcasts, and the rights have been secured with a view to transferring them to the big screen. Unlike Muhammed Ali, though, Deke is unlikely to be able to play his younger self in the resulting movie!
The latest album "Diamonds And Coal" was released in 2006, after which Gareth Thorrington left, and the band continued as a 4-piece. A 40th anniversary tour in 2008, saw the return of Phil Ryan on keyboards.
For 40 years, Man have delighted fans, angered police and rocked the world with their music. The incorporation of the younger generations of Jones' and Aces' might mean they are able to continue for the next forty.
2) MAN ™ is a free two-headed man, each head listening to the other, working as one with the music.
A duo consisting of multi-instrumentalists François Rasim Biyikli (piano, rhodes, melodica, guitars, noises) and Charles-Eric Charrier (acoustic bass, guitar, toys), MAN ™ produces a rare and elegant form of electro acoustic music that touches base with unchartered territories where anything is possible and that baffles all definition : it is unusual and smart, luxurious and special.
MAN ™ shapes climatic variations, invites jazz, repetitive music, pop music.
For the band, it is enough to deem its music to be stamped with freedom.
Website
MySpace Page
MySpace Page
DISCOGRAPHY
EP ^ (Entropic/GCB), 1999
LP ARTHUR (Autotomie/DSA), 2000
Compilation Test One (Nova Records/Wagram), 2001
LP MAIN GAUCHE (Man Music/DSA/Chronowax), 2002
Compilation Acuarela Songs 2 (Acuarela/Wagram), 2002
EP MAN & MOOSE HILL (333discs), 2004
LP HELPING HAND (Man Music/Sub Rosa), 2005
3) Once, the song Teh Gruwelijke Hardcore was played by MAN, which was formed from members of The Fat Men.
The Fat Men official site
DISCOGRAPHY
See The Fat Men.
4)
Man was an Italo Disco Artist with two Singles.
Revelation
Man Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I was handsome too
I felt nothing when your flood came down
Holding fines that made me wonder if the lights were wrong
With my hands that never touched no ground
When your talent is in numbers
Of the many times you’re gone
I could lie I don’t care about forgiving
As I’m fencing up the hours
In the fields of red
While you think I’m on a loveless straight
In the letters from the lovers in a land gone wrong
Explanations always written late
When your talent curse the framing
Of the crying you heard sung
I could lie I don’t care about what’s missing
But sometimes it’s just roses dying too young
Your train of thoughts is always passing here
With its falling paint, and its broken gears
It’s the damn revelation blues when you see the path
And you know you won’t be the last,
Oh lord…
I was more than just a terror
I was crying too
But you showed me in the gusts between
That a wind is sometimes broken and its flying path
Has no meaning nor a ghost within
When your talent is in hiding
That your feeling is always wrong
I always want to bring you something
But sometimes it’s just roses dying too young.
These lyrics delve into feelings of regret, self-awareness, and the complexities of human emotions. The singer begins by acknowledging their shortcomings and cowardice, juxtaposed with their physical attractiveness. Despite their detachment during a difficult time, there is a sense of questioning and introspection, wondering if their perception of reality is skewed. The mention of not touching the ground implies a disconnect from the physical world, possibly symbolizing emotional unavailability. The reference to "talent in numbers" and the idea of being "gone" multiple times suggests a pattern of avoidance or escapism. The refusal to care about forgiveness reveals a hardened exterior, yet there is a hint of vulnerability in the admission that sometimes beauty or potential is cut short prematurely.
The singer expresses a sense of isolation and inner turmoil, portraying an image of being fenced in by time and circumstances, surrounded by a metaphorical "field of red" which may symbolize pain or regret. Despite the assumption that they are perceived as emotionally cold, the mention of "letters from the lovers in a land gone wrong" hints at past relationships or connections tainted by misunderstanding. The lyrics convey a sense of belated communication and missed opportunities for understanding due to an inability to express vulnerability. The repetition of the theme of roses dying too young emphasizes the idea of missed potential and untimely loss.
The notion of a "train of thoughts" symbolizes a continuous stream of consciousness, possibly plagued by past mistakes or regrets. The image of a train with "falling paint" and "broken gears" suggests a sense of deterioration or decay within the singer's internal landscape. The reference to the "revelation blues" conveys a moment of epiphany or realization, acknowledging the weight of past actions and the awareness that one's path has led to a place of discomfort or sorrow. The acknowledgment that they were more than just a terror, combined with the admission of vulnerability and tears, reveals a deeper layer of complexity within the singer's character.
The closing lines convey a desire to offer something of value or significance, despite the persistent feeling that their efforts may be futile. The repeated theme of roses dying too young encapsulates the overarching sentiment of lost potential and the bittersweet nature of life's fleeting moments. The lyrics ultimately reflect a struggle with self-awareness, interpersonal connections, and the haunting realization that beauty and goodness can be easily overshadowed by the harshness of reality.
Line by Line Meaning
I was more than just a coward
I had fears and insecurities that I struggled to face
I was handsome too
Despite my shortcomings, I had qualities that were appealing
I felt nothing when your flood came down
I was numb to the emotional turmoil you experienced
Holding fines that made me wonder if the lights were wrong
Questioning whether my actions were in the right or wrong
With my hands that never touched no ground
Feeling disconnected and lost in my endeavors
When your talent is in numbers
Your strength lies in statistics and figures
Of the many times you’re gone
Reflecting on the numerous occasions you were absent
I could lie I don’t care about forgiving
I may pretend not to care about forgiveness, but deep down it matters
But sometimes it’s just roses dying too young
At times, beautiful things come to an end prematurely
As I’m fencing up the hours
Struggling to pass the time or evade confrontations
In the fields of red
Surrounded by reminders of passion and anger
While you think I’m on a loveless straight
You believe I lack compassion or emotion
In the letters from the lovers in a land gone wrong
Reading messages from those in broken relationships
Explanations always written late
Apologies or clarifications come after the damage is done
When your talent curse the framing
Your gift may unintentionally complicate situations
Of the crying you heard sung
Listening to sorrowful songs or emotional expressions
I could lie I don’t care about what’s missing
I might claim not to be affected by losses, but deep down I am
But sometimes it’s just roses dying too young
Occasionally, beautiful things come to an untimely end
Your train of thoughts is always passing here
Your stream of consciousness frequently wanders by
With its falling paint, and its broken gears
Displaying signs of wear and tear or vulnerability
It’s the damn revelation blues when you see the path
Facing the harsh reality or truth causes distress
And you know you won’t be the last
Understanding that others will face similar revelations
Oh lord…
Expressing a burden or plea for guidance
I was more than just a terror
I was not only fearful, but also caused anxiety for others
I was crying too
I experienced emotional pain and sorrow
But you showed me in the gusts between
You revealed to me during transitional moments
That a wind is sometimes broken and its flying path
Even the strongest forces can be vulnerable and directionless
Has no meaning nor a ghost within
Lacks purpose or a hidden intention
When your talent is in hiding
Your true abilities remain concealed or underestimated
That your feeling is always wrong
Believing that your emotions are constantly misguided
I always want to bring you something
I desire to offer you support or comfort
But sometimes it’s just roses dying too young
At times, even intentions to help come to an early end
Lyrics © ROUGH TRADE PUBLISHING, Kobalt Music Publishing Ltd.
Written by: Kristian Matsson
Lyrics Licensed & Provided by LyricFind
gelu batir
MAN - REVELATION -From Wikipedia -Revelation is the debut studio album by the Welsh rock band Man and was released in January 1969. It was noted for the simulated orgasm on "Erotica", which received a UK ban.
Track listing
Side one
No. Title Writer(s) Length
1. "And in the Beginning....." Roger Leonard 4:22
2. "Sudden Life" Leonard, Clive John 4:40
3. "Empty Room" John, Ray Williams 3:44
4. "Puella! Puella! (Woman! Woman!)" Mike Jones 3:34
5. "Love" Leonard 2:52
6. "Erotica" Leonard, John, Mike Jones, Jeff Jones, Williams 4:10
Side two
No. Title Writer(s) Length
1. "Blind Man" Leonard 4:17
2. "And Castles Rise in Children's Eyes" Mike Jones 3:21
3. "Don't Just Stand There (Come in Out of the Rain)" Mike Jones 4:15
4. "The Missing Pieces" Leonard, John, Martin Ace, Clive Reynolds 1:55
5. "The Future Hides Its Face" Leonard 5:30
Reissues
Revelation was remixed and re-released on CD in May 2009 (Esoteric Eclec 2127) including four bonus tracks:
"Erotica" (First Version)
"Sudden Life" (Mono Single Mix)
"Love" (Mono Single Mix)
"Erotica" (Mono Single Mix) [5]
The original album has also been re-released on two CD compilations:
The Dawn of Man (1997) Recall SMD CD 124
The Definitive Collection (1998) Castle CCSCD 832.
Both these compilations also include the follow-up album 2 Ozs of Plastic with a Hole in the Middle and bonus singles.
Personnel
Mike "Micky" Jones – lead guitar, vocals
Deke Leonard (credited as Roger Leonard)[ – guitar, harp, piano, percussion, vocals
Clive John – organ, piano, guitar, vocals
Jeff Jones – drums, percussion
Ray Williams – bass
Production
Production and supervision – John Schroeder
Engineer – Alan Florence
Sound Effects – Malcolm Eade
g.g. 63
First listen to this album for many years,and I still think it's amazing from start to finish,but especially like how each song increases in intensity and quality,and ends with a real masterpiece! Brilliant!
Chris Riches
This was the very first album that I actually went into a record shop to buy. One of my friends had Sudden Life on a single and I was hooked. (B side was ‘Love’ a nice little lament). I still have it, in mono on the blue Pye label.
richard finlayson
wow i love man,this is about the only studio album I havent got of theirs so its great to be able to hear it,one of the best UK psych/prog bands.......real psychedelic rock!
Purple Maniac
I agree richard !
Toon Van Den Munckhof
love it....Good music is timeless...
Purple Maniac
yes...you're right !
norbert kovács
Fantastic album! Thanks the upload!!!
indy_go_blue60
Sometime in the fall of '69 KPOI-FM Honolulu played "Puella! Puella!" and "Erotica" back to back and I was hooked. I played the album until it wore out and Revelation was on my short list of wanted CDs for 30 years until I finally stumbled onto... MAN... after looking all those years for Manpower, the original name of the group. Anyway, it's great to have this, one of my all time favorite LPs.
richard finlayson
yeah,in the US the first LP wass released under the name Manpower , aparently there was already an American "Man", IM glad they ditched that name pretty quickly
Purple Maniac
If this is one of your favorite LPs you know some about good music mate !