Nostalgic Pushead
Manic Street Preachers Lyrics


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One two three four five six seven eight
I am the raping sunglass gaze
Of sweating man and escort agencies
60's Alienation the anthem of care
Now a knife constantly slashing eyelids
Slavery to the beat
Slavery to the chord
Slavery to the pleasure
Slavery to the God
Slavery to the beat
Slavery to the chord
Slavery to the pleasure
Slavery to the God
They dig the new scene and their parties
Where Stonehenge is worshiped and drugs a deity
Vicarious thrills re-run their youth
We follow we have no voice the dead
Radio nostalgia is radio death
I want to cover diamonds on my wife
Hardrock nostalgia the Stones on CD
Tranquilized icons for the sweet paralyzed
Slavery to the beat
Slavery to the chord
Slavery to the pleasure
Slavery to the God
Slavery to the beat
Slavery to the chord
Slavery to the pleasure
Slavery to the God
So cool the new sound of the decade
Thinks it's so fresh not a post Elvis still
All taste is nothing old pictures blowdried
Rebellion it always sells at a profit
I am a face of fashion in Soho Square
My tie is Paul Smith or Gaultier
My cheeks blood red as my favorite port
But hey cocaine keeps cholesterol at bay
Slavery to the beat
Slavery to the chord
Slavery to the pleasure
Slavery to the God
Slavery to the beat
Slavery to the chord
Slavery to the pleasure




Slavery to the God
Some god

Overall Meaning

The lyrics to Manic Street Preachers' song "Nostalgic Pushead" are a commentary on society's obsession with nostalgia, particularly the nostalgia for 1960s counterculture. The opening lines refer to the perspective of a character who embodies the dark side of this nostalgia: the "raping sunglass gaze" of men who frequent escort agencies. The idea of "60's Alienation" being an anthem of care is a reference to the glorification of the countercultural movement of the 1960s, which is often viewed through a rose-tinted lens that ignores the serious problems of the time.


The chorus speaks to the idea of surrendering oneself to the music and its message, to the point of becoming a slave to it. The verses also allude to the way in which countercultural icons from the past have been commodified and sold back to us in the form of music, drug use, and fashion. The bridge refers to the idea that rebellion itself has become a product to be sold at a profit, leading to the rise of "cool" new sounds that are really just rehashes of old trends. The final line of the song "some god" is ambiguous, perhaps referring to the idea of society worshipping nostalgia and false idols.


Overall, "Nostalgic Pushead" can be seen as a critique of the myth of the 1960s counterculture and the dangers of getting stuck in the past, both culturally and personally.


Line by Line Meaning

One two three four five six seven eight
A count-in to the song, setting the rhythm and pace.


I am the raping sunglass gaze
The singer is a spectator, a voyeur, observing the world around him.


Of sweating man and escort agencies
He is watching a seedy world of sex and exploitation.


60's Alienation the anthem of care
Looking back at the counter-culture of the 1960s, it was not just about peace and love, but also about feeling alienated from the mainstream.


Now a knife constantly slashing eyelids
The singer is critical of contemporary culture and sees it as violent and painful.


Slavery to the beat
People are addicted to the music, it controls them.


Slavery to the chord
This line echoes the previous line, highlighting the repetitive nature of popular music.


Slavery to the pleasure
People are slaves to their own desires and need for instant gratification.


Slavery to the God
Perhaps a comment on how people make music, fashion, or celebrity idols their gods.


They dig the new scene and their parties
The ones who embrace contemporary culture are seen as shallow and only interested in superficial pleasures.


Where Stonehenge is worshiped and drugs a deity
The new scene is seen as a worship of ancient symbols and drugs.


Vicarious thrills re-run their youth
People try to relive their youth through nostalgia and imitation.


We follow we have no voice the dead
The singer feels powerless and voiceless in contemporary culture.


Radio nostalgia is radio death
Nostalgia on the radio is seen as sterile and dead.


I want to cover diamonds on my wife
The singer aspires to material wealth and status symbols.


Hardrock nostalgia the Stones on CD
Nostalgia for rock music is seen as a commercialized product.


Tranquilized icons for the sweet paralyzed
People are dulled and passive, accepting the icons of popular culture.


So cool the new sound of the decade
The singer is dismissive of contemporary music, seeing it as shallow and trendy.


Thinks it's so fresh not a post Elvis still
Despite the claims of originality, contemporary music is seen as derivative of past trends.


All taste is nothing old pictures blowdried
People have no discernment, they just follow the crowd and the trends.


Rebellion it always sells at a profit
The singer is cynical about how rebellion is turned into a commodity.


I am a face of fashion in Soho Square
The singer is commenting on his own status as part of the fashion industry and its shallowness.


My tie is Paul Smith or Gaultier
The singer is name-dropping luxury brands to signal his wealth and status.


My cheeks blood red as my favorite port
The singer is indulging in luxury and excess.


But hey cocaine keeps cholesterol at bay
The singer is mocking the absurdities of the rich and shallow, taking cocaine to keep healthy.


Slavery to the beat
The repetition of this line at the end reinforces the idea that people are slaves to popular culture.


Slavery to the chord
The same goes for this line, underscoring the monotony and predictability of contemporary music.


Slavery to the pleasure
And this line, emphasizing how people are trapped by their own desires.


Slavery to the God
Finally, this line suggests that people have become enslaved to their own images, idols, and superficial desires.




Lyrics Ā© O/B/O APRA/AMCOS

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Comments from YouTube:

Funk Master 3000

I've always loved this song, but lately I've found myself singing this in the shower more and more

JJRC

One of the most utterly brilliant songs I've ever heard - only 55 thousand streams on spotify?????!!!

Billie Richey Gales

"I am a face of fashion in Soho Square" my favorite line!!!

Rage Against My Hairline

I prefer:

"I am the raping sunglass gaze of sweating man and escort agencies." (Although I always thought he said "raking").

The vitriol in this song is just sublime.

Sir Pente

"Rebellion it always sells at a profit".

I AM B-SIDE

"But hey cocaine keeps cholesterol at bay"
šŸ¤£šŸ˜‚šŸ¤£šŸ˜‚ Yeh but there are better ways to lose weight haha
Sarcasm supreme šŸ¤«šŸ˜‰

Greg Williams

Love Jamesā€™s evil laugh at the start

Kevin Kibble

I love that intro

Cher Brown

He had a great voice he reminded me of the lead singer of scorpions IMO they sound very similar love it!!!

Kevin Lambert

James is the absolute master of the outro

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