Born in London, he is the son of writer Ann Dexter-Jones and real estate tycoon Laurence Ronson. His mother later married Mick Jones, lead guitarist of multiplatinum selling rock band Foreigner. He has two sisters: fashion designer Charlotte Ronson and DJ Samantha Ronson. He spent his childhood in a wealthy suburb of London where he lived on the same street as Paul McCartney‘s family. When his parents divorced at age 8, he moved to New York, where he made friends with John Lennon's son, Sean Lennon.
Ronson played guitar and drums from an early age, but it wasn't until moving to New York City with his mother that Ronson discovered DJ culture. At age 16, already a fan of such popular hip-hop artists as Run-D.M.C. and the Beastie Boys, Ronson began listening to the various hip-hop mixtapes released every few months by DJs. Inspired, Ronson confiscated his father's record collection and began trying his hand at mixing.
The young DJ with the diverse taste soon caught the ears and eyes of various socialites and New York celebrities, including fashion designer Tommy Hilfiger, who featured Ronson along with other sons and daughters of celebrities in a 1997 fashion campaign. A year later, hip-hop mogul Sean "P. Diddy" Combs hired Ronson to DJ his fabled 29th birthday bash. These and other high-profile gigs boosted Ronson's "hip quotient" and helped promote his more serious-minded music career. Fusing his eclectic turntable skills with his knowledge of musical instruments and songwriting, Ronson eventually embarked on his first solo project. Featuring such diverse guest artists as dancehall rapper Sean Paul, hip-hop artist Mos Def, Jack White of the White Stripes, and Rivers Cuomo of Weezer, Ronson's debut album, Here Comes the Fuzz, bowed for Elektra in 2003.
Ronson's second album, Version, adds to his eclectic style. In this sophomore album, Ronson fuses a range of musical genres from Daniel Merriweather to Ol' Dirty Bastard to Phantom Planet with an up tempo contemporary funk sound. All the songs on this album are covers of previous Billboard top-10 pop songs, with a jazzy twist.
Career
Attending Vassar College and then New York University (NYU), Ronson became a regular at downtown hip-hop spots and made his name as a DJ on the New York club scene in 1993. He was soon one of the most respected DJs and was being called on for celebrities' private parties. Ronson is known for his diverse, genre-spanning selection, influenced by both the hip-hop scene of New York and the more rock influence of the UK, amongst others.
He moved on, however, to producing music. After producing Nikka Costa's song "Everybody Got Their Something," Ronson signed a record contract with Elektra Records. His first album Here Comes the Fuzz was released in 2003 and was a critically acclaimed success that featured artists of all genres, despite initially poor sales. The most well known song from the album, " Ooh Wee" samples " Sunny" by Boney M and features Nate Dogg, Ghostface Killah, and Trife Da God. He has since produced multiple songs on the albums of singers Christina Aguilera, Amy Winehouse, Lily Allen, and Robbie Williams.
In 2004, he formed his own record label, Allido Records, a subsidiary of Sony BMG's J Records, along with his longtime manager Rich Kleiman. The first artist he signed to Allido was rapper Rhymefest, most well-known for winning the Grammy for co-writing Kanye West's "Jesus Walks".
In March 2006, Ronson released a cover of Radiohead's " Just" as a single. In certain areas, such as the UK, it gained major radio play. It also saw release as part of Exit Music: Songs with Radio Heads, a full Radiohead covers CD, in April, later appearing on Ronson's second album, Version, which was released in the UK on 16 April 2007. It includes other covers of a diverse selection of rock & pop songs including: Kaiser Chiefs' " Oh My God" (featuring guest vocals from Lily Allen), an instrumental version of Coldplay's " God Put A Smile Upon Your Face", Britney Spears' "Toxic", Ryan Adams' "Amy", Maxïmo Park's " Apply Some Pressure", The Zutons' "Valerie" and Kasabian's "L.S.F.".
Ooh Wee feat. Ghostface Killah Nate Dogg & Trife
Mark Ronson Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ain't nuthin' pa, we just here and all that
Trynna get our head rights, get this money right
You know what I'm sayin', you know how it go
Just another day in the hood (la-la-la-la, lalalalalala)
Yo, yo
Aiyo, what a night, New York City, heard it goin' down
Slot machines, ding-ding-ding-ding-ding, when they ring off
Lock the doors, that's when Ghost just g'd off
Cigars, paisley robes
Four bitches guardin' me safely as we walk to the window
The cashier was scared, she asked for my info
The manager arrived with two guards, that's an insult
That's the cause, just because
We talkin' bout 5 million dollars here, this ain't Play-doh dough
And your horoscope read, you gon' slay those lows
We got scribbes, Anthony Acid, rockin' the show
Special guest: Starks / Mark Ronson
First five hundred bitches went crazy he let them on and in
All he did was plug me in, I got the chargin'
Got they bras and ran through they whole apartment (la-la-la-la, lalalalalala)
Oooooh weee, ooh wee, (la-la-la-la, lalalalalala)
Oooooh weee, ooh wee, (la-la-la-la, lalalalalala)
When I step into the party, all the ladies want to know
I'm hangin' wit the ballers, yeah, or my nigga Ghost
I can tell you what they say haters, if you want to know
They say ooooooh wee
When I'm roll in my Mercedes, all the ladies want to roll
Be my Juliet and I can be your Romeo
If you actin' menace I can pick another hoe
Oooooooooh weee (la-la-la-la, lalalalalala)
In the middle of the summer, or even twenty below
I'm a bad muthafucka, I'm way to fuckin' cold
Let me tell you what they say, when I'm pullin' off my drawers
They say ooooooooooh weeeee
Aiyo, aiyo
My games here to party, just to cut up a rug
Don't make me want to cut up a thug
Now play something for D.J., 'cause there's nothin' but love
Hosted by the ladies who lookin' for somethin' to rub
When we roll out, we roll on dubs, rollin' up bud
The Theodore Unit, we controllin' the club
Mamies, shakin' they ass, they throwin' it up
Like a B.E.T. commercial, I'm "wrappin' it up"
Oooooh weee, ooh wee, (la-la-la-la, lalalalalala)
Oooooh weee, ooh wee, (la-la-la-la, lalalalalala)
The lyrics to Mark Ronson's "Ooh Wee," featuring Ghostface Killah and Nate Dogg, paint a vivid picture of a wild night in New York City and Atlantic City. The song opens with the artists discussing their desire for money and success. As the night progresses, they head to Atlantic City, where they participate in games of chance and risk, winning millions of dollars in the process. The mood is upbeat, with the artists enjoying the company of women and reveling in their success.
Throughout the song, the artists' confidence and swagger are palpable. They are the life of the party, and everyone wants to be around them. Nate Dogg's smooth vocals add a layer of sophistication and coolness to the track, while Ghostface Killah's brash delivery reflects his street smarts and toughness. The catchy chorus, "Ooh Wee," serves as a unifying statement for the song, encapsulating the artists' euphoria and sense of celebration.
"Ooh Wee" is a catchy, high-energy hip-hop track that perfectly captures the spirit of a wild night out. The lyrics are full of references to gambling, partying, and living life to the fullest. The song is also notable for featuring a rare appearance by the late Nate Dogg, who was a beloved figure in the hip-hop community. Overall, "Ooh Wee" is a fun and infectious track that is sure to get listeners dancing and singing along.
Line by Line Meaning
Yo, what's the deal, nigga?
Ghostface Killah asks his friend what’s up, noting that they’re just hanging out in the hood and trying to make money.
Ain't nuthin' pa, we just here and all that
Trynna get our head rights, get this money right
You know what I'm sayin', you know how it go
Just another day in the hood (la-la-la-la, lalalalalala)
Yo, yo
The friend replies that there’s nothing new, they’re just trying to get their heads right and make some money. This is just another typical day in their neighborhood.
Aiyo, what a night, New York City, heard it goin' down
Friday night, midnight, Atlantic City
Slot machines, ding-ding-ding-ding-ding, when they ring off
Lock the doors, that's when Ghost just g'd off
Cigars, paisley robes
Four bitches guardin' me safely as we walk to the window
The cashier was scared, she asked for my info
The manager arrived with two guards, that's an insult
That's the cause, just because
We talkin' bout 5 million dollars here, this ain't Play-doh dough
And your horoscope read, you gon' slay those lows
We got scribbes, Anthony Acid, rockin' the show
Special guest: Starks / Mark Ronson
First five hundred bitches went crazy he let them on and in
All he did was plug me in, I got the chargin'
Got they bras and ran through they whole apartment (la-la-la-la, lalalalalala)
Ghostface Killah is recalling a wild night in NYC and Atlantic City where he was surrounded by women and won five million dollars at a casino. The manager was rude to him and he made it clear that this was serious money, not something to be taken lightly. He was also performing with Starks (aka Mark Ronson) and the crowd went crazy for him. He then ran through the women’s apartments afterwards.
Oooooh weee, ooh wee, (la-la-la-la, lalalalalala)
Oooooh weee, ooh wee, (la-la-la-la, lalalalalala)
The chorus repeats multiple times, expressing excitement and enjoyment.
When I step into the party, all the ladies want to know
I'm hangin' wit the ballers, yeah, or my nigga Ghost
I can tell you what they say haters, if you want to know
They say ooooooh wee
When I'm roll in my Mercedes, all the ladies want to roll
Be my Juliet and I can be your Romeo
If you actin' menace I can pick another hoe
Oooooooooh weee (la-la-la-la, lalalalalala)
In the middle of the summer, or even twenty below
I'm a bad muthafucka, I'm way to fuckin' cold
Let me tell you what they say, when I'm pullin' off my drawers
They say ooooooooooh weeeee
Nate Dogg describes how he makes an entrance at parties and all the ladies want to be near him. He’s confident in his abilities to charm the ladies and always has options. Even in extreme weather conditions, he’s still a cool cat. When he undresses, the women can’t help but be impressed.
Aiyo, aiyo
My games here to party, just to cut up a rug
Don't make me want to cut up a thug
Now play something for D.J., 'cause there's nothin' but love
Hosted by the ladies who lookin' for somethin' to rub
When we roll out, we roll on dubs, rollin' up bud
The Theodore Unit, we controllin' the club
Mamies, shakin' they ass, they throwin' it up
Like a B.E.T. commercial, I'm “wrappin' it up”
Ghostface Killah is talking about how he’s at a party to dance and have a good time, but he’s not afraid to stand up to troublemakers. He then asks the DJ to play a song and talks about how the party is being hosted by ladies looking for some attention. He then describes how he and his crew, the Theodore Unit, leave the party and roll around town in their cars smoking weed. He also notes the women at the party were dancing scandalously.
Oooooh weee, ooh wee, (la-la-la-la, lalalalalala)
Oooooh weee, ooh wee, (la-la-la-la, lalalalalala)
The chorus repeats once again, with the same feelings of excitement and joy.
Lyrics © Peermusic Publishing, Universal Music Publishing Group
Written by: JEREMY A. GRAHAM, ADAM KEEFE HOROVITZ, MICHAEL LOUIS DIAMOND, RICK RUBIN, ADAM NATHANIEL YAUCH, ANTHONY HOLMES, CHAD SANTIAGO
Lyrics Licensed & Provided by LyricFind
@GADNAMMIT
I remember waiting for three hours to record this off the radio. As a ten year old, I thought this was the coolest song ever (It's still up there).
@ClutchTFS
Mannn I miss those days
@TheHeesom
I miss those hang by the radio dayz
@rrandom1236
I’m 14 and love this song now
@mattsmiff1753
yoo this one of the realest comments on youtube dead up
@giuseppede9361
😊😊😊8😊😊e 😊😊l😊😊😅del 😊9
@AshOrAshes_
This era of music is so unmatched.
@gavva2010
Ezackly, so much milky bar.
@futsinen
Yeah I’m old too😂✌️
@ItsNikoHIMself
Says every generation ever.