He was born in Hatfield and grew up in Hampstead, London. After training as an actor he sang in coffee bars. He became a resident at the Troubador folk club in Earls Court in the late 1950s. He joined Redd Sullivan's Thameside Four in 1961. He is a renowned solo performer of traditional songs in a very distinctive style, accompanying himself on his trusty old Martin Guitar; his style is marked by the use of alternate tunings, and a strongly percussive picking style that emphasizes the melody. His debut album, Martin Carthy, was released in 1965, and also featured Dave Swarbrick playing fiddle on some tracks, although he was not mentioned in the album's sleeve notes.
He has also been involved with many musical collaborations. He has sung with The Watersons since 1972, was an early member of the UK folk rock group Steeleye Span, and was part of the innovative Brass Monkey ensemble, which mixed a range of brass instruments with Carthy's guitar and mandolin and John Kirkpatrick's accordion, melodeon and concertina.
For many years Carthy has enjoyed a creative partnership with fiddle player Dave Swarbrick. More recently, Waterson:Carthy has provided the forum for a successful partnership with partner Norma Waterson together with their daughter Eliza Carthy.
In June 1998 he was awarded the MBE in the Queen's Birthday Honours. He was named Folk Singer of the Year at the BBC Radio 2 Folk Awards in 2002, and again in 2005 when he also won the award for Best Traditional Track for 'Famous Flower of Serving Men'.
Springhill Mine Disaster
Martin Carthy Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Deep in the heart of the Cumberland Mine
There's blood on the coal and the miners lie
In roads that never saw sun nor sky
Roads that never saw sun nor sky
In the town of Springhill you don't sleep easy
Often the earth would tremble and roll
Bone and blood is the price of coal
Bone and blood is the price of coal
In the town of Springhill Nova Scotia
Late in the year of 58
The day still comes and the sun still shines
But it's dark as the grave in the Cumberland Mine
Dark as the grave in the Cumberland Mine
Down at the coal face miners working
Rattle of the belts and the cutter blades
Then a rumble of rock and the walls close round
Living and the dead men two miles down
Living and the dead men two miles down
Twelve men lay two miles from the pitshaft
Twelve men lay in the dark and sang
Long hot days in the miner's tomb
It was three foot wide by a hundred long
Three foot wide by a hundred long
Three days passed and the lights gave out
When the leading man got up and said
There's no more water nor light nor bread
So we'll live on songs of hope instead
Live on songs of hope instead
Listen for the shouts of the bareface miners
Listen through the rubble for the rescue team
Six hundred feet of coal and slag
Hope imprisoned in a three-foot seam
Hope imprisoned in a three-foot seam
Eight days passed and some were rescued
Leaving the rest to die alone
Through all their lives they dug a grave
Two miles of earth for a marking stone
Two miles of earth for a marking stone
Martin Carthy's song, Springhill Mine Disaster, is a powerful commentary on the dangerous and precarious working conditions of coal miners in the town of Springhill, Nova Scotia. The opening lines, "In the town of Springhill Nova Scotia, deep in the heart of the Cumberland Mine, there's blood on the coal and the miners lie, in roads that never saw sun nor sky," paint a vivid picture of the tough and unforgiving mining industry in this town. The author further establishes the grim reality of the miners' lives, suggesting that earthquakes are common and that they frequently put miners' lives at risk.
The verse detailing the tragic events of late-1958 illustrates the theme of the brutal cost of mining even further. The darkness in the Cumberland Mine represents the death of the twelve miners who were trapped underground after a cave-in. The verse, "Down at the coal face miners working, rattle of the belts and the cutter blades, then a rumble of rock and the walls close round, living and the dead men two miles down," is an ominous depiction of the disaster.
The song ends by painting the overall tragedy of the event, with "two miles of earth for a marking stone" referencing the 600 feet of coal and slag over the miners who were never recovered. Overall, Carthy's song powerfully captures the tragic and all-too-common experience of miners working in these dangerous conditions.
Line by Line Meaning
In the town of Springhill Nova Scotia
This song is about a mining tragedy that took place in Springhill, Nova Scotia.
Deep in the heart of the Cumberland Mine
The tragedy took place inside the Cumberland Mine.
There's blood on the coal and the miners lie
Many miners lost their lives in this tragedy.
In roads that never saw sun nor sky
The mining tunnels were very deep and dark, with no access to sunlight.
Roads that never saw sun nor sky
This line repeats the previous one to emphasize how deep and dark the mining tunnels were.
In the town of Springhill you don't sleep easy
Living in Springhill was not easy due to the constant danger of mining accidents.
Often the earth would tremble and roll
The ground would often shake, making life even more precarious for the miners.
When the earth is restless miners die
Mining accidents often happen when the ground is unstable.
Bone and blood is the price of coal
Mining coal is a dangerous and deadly job.
Late in the year of 58
The tragedy took place in the year 1958.
The day still comes and the sun still shines
Life goes on even after tragedies like this one.
But it's dark as the grave in the Cumberland Mine
Despite the outside world being bright, life inside the mine was pitch black and full of death.
Down at the coal face miners working
The miners were hard at work extracting coal from the earth.
Rattle of the belts and the cutter blades
The sound of mining equipment can be heard in the tunnels.
Then a rumble of rock and the walls close round
A cave-in occurred, trapping the miners inside.
Living and the dead men two miles down
Some miners survived the cave-in, but many did not.
Twelve men lay two miles from the pitshaft
Twelve miners were trapped two miles underground.
Twelve men lay in the dark and sang
Despite their dire situation, the miners sang to lift their spirits.
Long hot days in the miner's tomb
The miners were trapped underground for days without food, water or light.
It was three foot wide by a hundred long
The space where the miners were trapped was only three feet wide but stretched for a hundred feet.
Three days passed and the lights gave out
The miners' only source of light ran out after three days.
When the leading man got up and said
One of the miners took charge and addressed the group.
There's no more water nor light nor bread
The miners had run out of essential supplies.
So we'll live on songs of hope instead
The miners decided to sing songs to keep their spirits up instead of waiting for rescue.
Listen for the shouts of the bareface miners
The outside world listened for any signs from the trapped miners.
Listen through the rubble for the rescue team
Rescue teams worked to dig out the trapped miners.
Six hundred feet of coal and slag
The rescue team had to dig through 600 feet of coal and debris to reach the trapped miners.
Hope imprisoned in a three-foot seam
Despite the difficult digging conditions, there was still hope that the miners could be rescued.
Eight days passed and some were rescued
After over a week underground, some of the trapped miners were finally rescued.
Leaving the rest to die alone
Unfortunately, some of the miners did not survive and were left to die alone.
Through all their lives they dug a grave
The miners spent their whole lives digging coal, and in the end, it was their grave.
Two miles of earth for a marking stone
The miners' grave was marked by the two miles of earth that they had been trapped under.
Contributed by Josiah J. Suggest a correction in the comments below.
Helen Gabrieau
I was 12 yrs old and I remember my dad sitting in front of the tv watching the men being carried out of the mine he was crying. It was very sad for all the men who died and for their families.
mickigoe
Brilliant marriage of lyric and visuals.
Amanda Wright
my great grandfather Sterling Porter died in 1958 on my grandfather's birthday.
Otto Kar
Both working in mine or on the seas, n🎉ever knows if getting home at the end of the work time.
Terence McDonald
It's usually credited to Peggy Seeger and Ewan MacColl - the melody certainly sounds typical of MacColl's work.
spookylorre
Ewan added a few authentic touches to the lyrics...Peggy was never down in a mine!
kingkonut
don't be a prick, steve. He never said Peggy wasn't qualified to write the song, he even credited the song to Peggy. He merely said McColl added some authentic touches, as in a bit of first hand insight, and if the dead could come back, songwriters may well find their insight useful.
mickigoe
Steve is not a prick. His point is totally valid. Anyway, Peggy has said she wrote this song. All of it.
spookylorre
I don't recall where I read Peggy's remark about Ewan helping out, but a poster at Mudcat dot org (a folk fan website) wrote: "Later Ewan MacColl came for a visit and since she had never been in a mine, requested his help. He penned the "third" verse, I think she said." The poster was referring to a CBC documentary Peggy appeared in. The mudcat site has the complete lyrics and various people talking about both Springhill disasters. Always nice when the Net offers a place where people can exchange views and research. Yes, I know, you don't HAVE to experience something to write an authentic lyric. But if you've never been in a mine and you know somebody who has, no harm in asking for an added detail or two. There are also minor lyric changes in some versions of the song, which is typical of the "folk tradition." So, singers sometimes add or subtract as they see fit. Melissa Fay Greene wrote an excellent book on the disaster, and she told me that she wished she could've quoted the lyrics, but was held up by the rights owners demanding a lot of money. Great song, many great versions...and thanks for those who liked my attempt at adding visuals rather than just an album cover.
Tristan Harmsen
Where did you get this footage?