Born in Cambridge, Massachusetts, but raised in Harlem, N.Y., Mashonda's vocal coaching began at the tender age of 7, in church, where most legendary voices are honed. Urged by her godmother, who saw in her a precocious love for music, Mashonda dedicated a substantial amount of her time as a teen to piano lessons and poetry writing. She gained some exposure in high school from joining a few different singing groups, but it wasn't until a meeting with renowned hip hop/R&B writing team Full Force (Backstreet Boys, Britney Spears) that her music career truly took off. Under Full Force's tutelage, Mashonda co-wrote songs for artists Yvette Michelle and Monifah, which, in turn, led to a publishing deal. Soon after, the budding singer/songwriter partnered with rapper Lady May to form Desert Rose, and signed a short-lived deal with Deric "D Dot" Angeletti's Crazy Cat/Columbia Records. The duo split from the label before releasing an album, and Mashonda soon realized her destiny was to go her own way, much like her idols Mary J. Blige, Sade, Faith Evans, and Toni Braxton.
In 1998, one of hip-hop's most influential beatmakers, Swizz Beatz, recognized Mashonda's talent and took her under his wing, giving her the opportunity to write some of the catchiest hooks in recent urban music history (Eve's "Gotta Man;" Jay-Z's "Girl's Best Friend"). He also featured her on chart-topping hits like Mya's "Best Of Me" and Cassidy's "Get No Better." The key to their relationship? The most fundamental of elements: chemistry-both personal and professional. "We were able to create a very distinct sound," says Mashonda. "He made gritty tracks and I would get on them and make them pretty, bringing out the melodies. Once we did that, everybody wanted one of those. So that's where it all started." Ever since, the two have been conceptualizing January Joy, her long-awaited debut on Swizz Beatz's Full Surface/J Records imprint.
January Joy is a perfectionist's work of art mélange of up-tempos, mid-tempos, and ballads that marry hip-hop's street tendencies with R&B's softer sensibilities. "I didn't have a timeline or deadline, so I was really able to get into it and be extra picky with every track and every lyric that I wrote," says Mashonda.
The lead single, "Blackout" featuring Snoop Dogg, is a bouncy, dance floor-rattling track in pure Swizz Beatz tradition (hard drums, bass, whistles). And that's just a sneak preview of January Joy's star power. Expect additional cameos by hip hop heavyweights like Kanye West ("Hold Me") and Jadakiss ("Leave The Block Alone"). Rounding the album out on the R&B production tip are Mike City and Raphael Saadiq, among others.
"January to me is the genesis of music for myself and for all my listeners," says Mashonda of the album's title. "It's the first month of the year and it's when everyone makes their resolutions. It's a fresh start, a new feeling, and that's what my music is. I'm also a January baby," she adds with a smile. Here's to new beginnings, and re-introductions.
Her debut album, January Joy, was released in Japan only. Scheduled for a U.S. release in early 2005, the project was postponed, due to a lack of strong radio response to her first two singles, "Back of The Club" and "Blackout" featuring Snoop Dogg. Mashonda is currently in the studio, working with A-List producers. Confirmed producers on the project are Swizz Beatz, Scott Storch and Rich Harrison.
She is married to famed hip hop and R&B producer Swizz Beatz. On a statement released to SOHH http://www.sohh.com/articles/article.php/9964 on October 11,2006 Swizz Beatz and his wife Mashonda are have their first child together.
http://en.wikipedia.org/wiki/Mashonda
Wanna Be Like Him
Mashonda Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
O. -is for outstanding everyday... everyday
R. -is for ridiculous crazy... so crazy
E. -is for extraordinary ways... everyway "rideout"
[Chorus]
They want to be like you, smoke like you, live like you
But they can't fuck with, thug like him, dro like him
N.O.R.E, N.O.R.E
They want to be like you, smoke like you, live like you
But they can't fuck with, thug like him, dro like him
If you forgot the name, and you been wondering it's
N.O.R.E, N.O.R.E
Ayo these chicks love me, and even though I got chubby
Mommy see me in the club want pop bubble
I'm like yo ma stop it, cause I'm a smirnoff rocket
I'm loving my life, and never out of pocket
I fuck dogstyle chick, I'm thugged out and rich
I drink henny that's the same shit that I piss
And I don't care about a ice wrist, I got a ice pick
Plus a ice chick, she suck ice dick
God favorite so the stay attracted
And you could fuck with the guard or get subtracted
I'll have you hideout, like when thugged out slide out
These niggaz listen like when swizz scream rideout
N.O.R, twenties on rims on ill car
You could ask Def Jam they inherited a star
You see I take flicks, and we hit the knick chicks
Bag twenties and sell them in the hood for Nick's
[Chorus]
It's still bang bang, yeah mommy it's still the samething
And you could feel on my jock, and see I'm all cock
And we could chill on your block, why not
Niggaz love me anywhere, a hood I'm there
I told nigga last year, that I ain't care
You acting like the little nigga break yo, still don't care
Whoa so if you with it, I can hit it and go
And call you from the hood later, after hugging some doe
N.O I keep it all good, I smoke more wood
And as far as my chicks, I keep them all hood
One time jake chase me, I started to dip them
And when I ran by shortie, she started to trip'em
Damn shortie "what" we've been through a lot together
I even had you on the block slinging rocks together
It's not a stress day, so I'm hit the expressway
Meet you at your crib in a hour, with a dress tray
[Chorus]
I'm from Q.U. double E.N.S
The first nigga selling crack with a black g.s
I like the lex, nigga so I copped the shit
And now it's summer time now, so I dropped the shit
Whatever, you want beef, better get it together
Cause I can have niggaz follow you and blast your leather
You see we thugged out, and got whips with dip dishes
Go head and keep fronting, you could sleep with the fishies
It go...
In "Wanna Be Like Him," Mashonda raps about the desire for others to replicate the lifestyle of N.O.R.E (Noreaga). She uses the acronym N.O.R.E to describe his characteristics, with N for "Nigga who keeps banging," O for "Outstanding everyday," R for "Ridiculous crazy," and E for "Extraordinary ways." The chorus repeats that people want to smoke and live like him but can't match his thuggish ways or be like him.
Mashonda juxtaposes N.O.R.E's street persona with his eccentric habits. He loves himself, is unconcerned about his financial status, and enjoys unconventional meets. He raps about sex, alcohol, and drugs, talking about doggy-style sex, drinking Hennessy, and smoking weed. While N.O.R.E's appearance portrays him as the quintessential bad boy, Mashonda highlights his humorous side.
In summary, "Wanna Be Like Him" reflects the adoration by some individuals towards the thuggish lifestyle, with a focus on N.O.R.E's unique characteristics.
Line by Line Meaning
N. -is for that nigga, who keeps banging... banging
N represents the rapper N.O.R.E who is known for his aggressive and energetic performances.
O. -is for outstanding everyday... everyday
O represents N.O.R.E's everyday life, which is outstanding and noteworthy.
R. -is for ridiculous crazy... so crazy
R represents N.O.R.E's wild and unpredictable behavior, which is often ridiculous and crazy.
E. -is for extraordinary ways... everyway 'rideout'
E represents N.O.R.E's exceptional talents and abilities, which he showcases in his music and performances. 'Rideout' refers to the energy and excitement he brings to his shows.
They want to be like you, smoke like you, live like you
But they can't fuck with, thug like him, dro like him
If you forgot the name, and you been wondering it's
N.O.R.E, N.O.R.E
The chorus emphasizes how people try to emulate N.O.R.E's style and way of life but cannot match his level of toughness and drug abuse. The repetition of his name highlights his fame and popularity.
Ayo these chicks love me, and even though I got chubby
Mommy see me in the club want pop bubble
I'm like yo ma stop it, cause I'm a smirnoff rocket
I'm loving my life, and never out of pocket
N.O.R.E boasts about his sexual appeal to women despite his weight gain. He rejects advances from one woman in particular and describes himself as a 'smirnoff rocket,' alluding to his wild and flashy lifestyle. He also asserts his financial stability and contentment.
I fuck dogstyle chick, I'm thugged out and rich
I drink henny that's the same shit that I piss
And I don't care about a ice wrist, I got a ice pick
Plus a ice chick, she suck ice dick
N.O.R.E brags about his sexual conquests and references his tough persona and wealth. He dismisses the importance of flashy jewelry and mentions his ice pick, a symbol of his willingness to defend himself. He also objectifies a woman he is involved with.
God favorite so the stay attracted
And you could fuck with the guard or get subtracted
I'll have you hideout, like when thugged out slide out
These niggaz listen like when swizz scream rideout
N.O.R, twenties on rims on ill car
You could ask Def Jam they inherited a star
You see I take flicks, and we hit the knick chicks
Bag twenties and sell them in the hood for Nick's
N.O.R.E claims he is close to God and attracts success and attention. He warns those who oppose him that they will be removed from his life. He references his involvement in dangerous activities and how he is respected by others in his community. He asserts his value as a successful artist and implies that he has made others rich as well. He also references taking pictures and sleeping with young women before selling drugs in his neighborhood.
It's still bang bang, yeah mommy it's still the samething
And you could feel on my jock, and see I'm all cock
And we could chill on your block, why not
Niggaz love me anywhere, a hood I'm there
I told nigga last year, that I ain't care
You acting like the little nigga break yo, still don't care
Whoa so if you with it, I can hit it and go
And call you from the hood later, after hugging some doe
N.O I keep it all good, I smoke more wood
And as far as my chicks, I keep them all hood
One time jake chase me, I started to dip them
And when I ran by shortie, she started to trip'em
Damn shortie "what" we've been through a lot together
I even had you on the block slinging rocks together
It's not a stress day, so I'm hit the expressway
Meet you at your crib in a hour, with a dress tray
N.O.R.E references his gritty and dangerous lifestyle and invites a woman to hang out with him. He claims to be well-liked and in control of his life, even when facing consequences. He hints at his sexual prowess and describes his preference for women from his neighborhood. He recalls being chased by the police and interacting with an old friend before offering to bring her a gift. He implies that his life is not stressful and that he is able to quickly move from one situation to the next with ease.
I'm from Q.U. double E.N.S
The first nigga selling crack with a black g.s
I like the lex, nigga so I copped the shit
And now it's summer time now, so I dropped the shit
Whatever, you want beef, better get it together
Cause I can have niggaz follow you and blast your leather
You see we thugged out, and got whips with dip dishes
Go head and keep fronting, you could sleep with the fishies
It go...
N.O.R.E gives background information on his upbringing and criminal past. He discusses his preference for luxury cars and his willingness to let go of them in the summer. He issues a warning to those who may want to start a conflict with him and implies that he has connections to dangerous people. He references his tough persona and expensive possessions before making a violent threat to those who challenge him.
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: KASSEEM DEAN, VICTOR SANTIAGO, MASHONDA K. TIFRERE
Lyrics Licensed & Provided by LyricFind