On September 19, 2006, Matt released his third studio album, Everything In Between.
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An excerpt from the Matt Wertz facebook fan page (as of 12/17/09)
Hi. My name is Matt Wertz, and this is my bio. Usually these aren’t written by the artist, at least at this level- but as I was trying to decide who could tell my story the best, I felt like that person was me. So, I’d like to be the one to tell you where I come from, why I write music, what I’ve seen happen along the way, and where I see things going according to my finite vision.
I’m from Liberty, Missouri, but have called Nashville, Tennessee, home for the last seven years. It seems fitting that I would be writing my own biography on the cusp of my first major label release, just as I did eight years ago before releasing my first independent album. This time, though, I’m not trying to play it off like I didn’t write it.
I grew up in a home where I was encouraged to explore and dive into whatever grabbed my attention. Sports? Sure. Art? You bet. Girls? Yep. Music? Obviously. There was no expectation other than to do my best “and let God do the rest,” as my Mom always says. With that kind of freedom end encouragement, I did just that—I played sports for the fun of them, made art because I loved to create, and eventually, I wrote and performed music… because I had to.
My love for visual art led me eight hours from home to the University of Illinois, where I studied Industrial Design. As a result of that experience, music became my respite—my escape from the responsibility of class work. Dorm life served to provide a small, built–in audience who graciously embraced my first attempts at songwriting. Before I knew it, I was recording versions of those songs on my roommate’s computer and burning copies for my new cohabiting fans. Eventually I started playing concerts outside the walls of Scott Hall and made the leap to register my name as a dot-com. That may not seem like a big deal today, but at the time, those were the early, shaky steps I took toward a full-fledged career in the music industry.
Early on, I was shown many graces—like a loan from my parents to pay for the first 1,000 copies of my debut record, Somedays (2001). To assuage their fear that I was throwing my life away, I democratically assured them that I’d get a job after the summer was over. Needless to say, that never happened.
What did happen was that my summer burst at the seams with bookings at camps for high schoolers… which spilled over into a fall schedule of touring their hometowns… which set up a spring full of shows at colleges… followed by more summer camps. Rinse, wash, repeat—and you have the first few years of my career.
The days between then and now have been a series of “baby steps” that have somehow afforded me success as an independent artist. All these things really kicked into gear after the release of Twenty Three Places (2003), the first record I recorded with producer and friend, Ed Cash. The album featured some of the songs that set the tone for the rest of my career—“Everything’s Right,” “Marianne,” “Red Meets Blue,” and “Counting to 100”— songs that are still staples in my set today.
On the heels of the Twenty Three Places release, people started taking notice. Creative Artists Agency got involved booking my shows. Nettwerk took over my management. And a bunch of record labels started knocking down my door. But none of them felt like a good fit. So what did I do? I did what I’d always done: I recorded another record on my own and kept touring.
Ed and I began working on Everything in Between in February 2005, hitting the studio sporadically whenever I had breaks from the road. “The Way I Feel” was the first song we approached and it provided the compass for the record, ushering in an energy and musical depth that redirected my career to a new level. The tone of the record was my musical response to what I learned playing hundreds of clubs a year—I realized the need for up-tempo, lively songs to get the room going. The album also meant a lot to me personally—it was written and recorded during my first dating relationship since college, and much of the album followed the progress of the relationship. “5:19” was written on July 7, 2005, at 5:19 p.m., while I waited for the phone call that would inevitably be the end of that relationship.
Everything in Between was the first record I released with any kind of organized push behind it. We came out of the gates strong, charting high on the iTunes pop charts and filming a video for the song “Carolina.” Some of the songs landed in unexpected places—on TV’s “Brothers and Sisters” and in theaters via movies like My Super Ex-Girlfriend.
Since the start of my career, I’ve sold around 75,000 albums, played shows with Ben Folds, Jamie Cullum, and One Republic, as well as headlined sold-out clubs around the country. This was all done, mind you, as an independent artist. Over time, momentum built and more labels took notice, including Universal Republic. Finally I encountered a label that felt right, a label that could pull the trigger, a label that understood where I was coming from. And so, I signed.
The record that will be released on Universal Republic is called Under Summer Sun and it is a combination of my favorite songs from my first few independent releases, like “5:19” and “Everything’s Right,” as well as four new songs. Among the new tracks are “Waiting,” an introspective bedroom song that deals with the fear that I’m “growing old but not quite growing up,” and “Summer Sun,” my best effort at a nostalgic summer love song in the vein of Stevie Wonder musically and Don Henley emotionally. And the rest of the songs will strike a chord with anyone who enjoys soulful, carefree, singer-songwriter pop music.
How do I know? Because these songs emanate from the pages of my life, and I’ve seen first-hand the way that people have connected with them from their own experiences. In eight years of touring through hundreds of venues, playing three albums’ worth of songs for thousands of listeners, that connection is what fuels my passion. Ultimately, the thing that you and I have here—between the words and the chords and the lights and the beats—that is the thing that encourages me to keep singing.
Take It Or Leave It
Matt Wertz Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
When you lose control
You're up and down, hot and cold
Back and forth
And it seems like lately
You're coming undone
Cuz everything I say or do
Whoa, there's no turning back
Whoa, what you see is what you get
Take it or leave it
You gotta let me know
My heart stops beatin'
When ya pick it up and let it go
You're living on feelin'
And you're hurting mine
If you knew what you needed
We could put this all behind, behind
Somethin' gotta give
Baby, what's it gonna take
Cuz we can't keep on living
Between love and hate
Whoa- girl, make up your mind
Whoa, we're runing out of time
Take it or leave it
You gotta let me know
My heart stops beatin'
When ya pick it up and let it go
You're living on feelin'
And you're hurting mine
If you knew what you needed
We could put this all behind, behind
All I got to give may not be much but still I know
If you love me for the man I am I will show
You the world and more, so let me in and you will see
Oh, just let it be
Take it or leave it
You gotta let me know
My heart stops beatin'
When ya pick it up and let it go
You're living on feelin'
And you're hurting mine
If you knew what you needed
We could put this all behind, behind
The lyrics to "Take It or Leave It" by Matt Wertz speak to the frustration and uncertainty that can arise in a relationship when one person is constantly changing their mood and behavior. The singer is worried and feeling lost because his partner is hot and cold, up and down, and coming undone. He no longer knows what to say or do to make things better, and he's afraid that the relationship might be irreparably damaged.
The chorus is a plea for honesty and clarity. He's asking his partner to make a decision once and for all- take it or leave it- and stop playing with his heart. He can't handle the rollercoaster of emotions anymore, and he needs to know if this relationship is worth saving.
The bridge of the song changes the tone slightly. The singer acknowledges that he might not have much to offer, but if his partner loves him for who he is, he'll do everything in his power to make her happy. He just needs her to let him in and trust that together they can overcome whatever obstacles they face.
Overall, "Take It or Leave It" is a song about the push-pull of a unstable relationship, and the need for clear communication and commitment in order to move forward.
Line by Line Meaning
You got me worried, baby
I'm concerned about us and our relationship
When you lose control
You behave erratically and emotionally
You're up and down, hot and cold
Your behavior is unpredictable and inconsistent
Back and forth
You keep changing your mind and your feelings
And it seems like lately
Recently, it appears as if
You're coming undone
You're unraveling and falling apart emotionally
Cuz everything I say or do
No matter what I do or say
Just ain't enoungh
It's not sufficient or satisfying to you
Whoa, there's no turning back
We can't undo what has already happened
Whoa, what you see is what you get
This is me, there are no hidden surprises
Take it or leave it
You have to make a decision about us
You gotta let me know
You need to communicate your feelings and intentions
My heart stops beatin'
My emotional well-being is at stake
When ya pick it up and let it go
When you take my heart only to discard it later
You're living on feelin'
You're driven solely by your emotions
And you're hurting mine
Your actions are hurting me deeply
If you knew what you needed
If you could identify what you truly want
We could put this all behind, behind
We could move past our problems and conflicts
Somethin' gotta give
Something has to change or give way
Baby, what's it gonna take
What do you need to make this work?
Cuz we can't keep on living
Our current situation is unsustainable
Between love and hate
Our relationship is hovering between extremes of affection and animosity
Whoa- girl, make up your mind
You need to make a decision about our future
Whoa, we're runing out of time
We don't have much time left to resolve our issues
All I got to give may not be much but still I know
I may not have much to offer, but I'm confident in what I can give
If you love me for the man I am I will show
If you accept me for who I am, I'll demonstrate my love for you
You the world and more, so let me in and you will see
If you allow me to be closer to you, you will experience much more than what you have now
Oh, just let it be
Stop fighting or resisting the situation, just let it happen
Contributed by Jasmine R. Suggest a correction in the comments below.