After graduating from high school in 1967, she worked as a secretary and performed part-time as a singer for a local folk band called Sweet Rain. Her singing caught the attention of Russ Regan (then head of 20th Century Records) in 1972 when he heard a demo she had recorded. At the time, Regan was searching for a singer to record "The Morning After" (the theme from The Poseidon Adventure) for release as a record. He hired McGovern sight unseen to record the song, which led to her signing with 20th Century Records. After it won an Oscar for Best Original Song, "The Morning After" quickly climbed the pop charts, reaching #1 in 1973.
In 1974, she recorded two movie themes: "We May Never Love Like This Again" (from the disaster film The Towering Inferno, in which she made a short appearance when she is seen singing the song as the evening's entertainment) and "Wherever Love Takes Me" (from the British disaster film Gold). The former won an Oscar (though it was only a minor pop hit), and the latter received an Oscar nomination. These two songs (along with "The Morning After") led the media to call McGovern "the Disaster Theme Queen."
McGovern's contract with 20th Century ended in 1976. By this time, her career went downhill and she ended up broke, due to being cheated out of her earnings by her managers and producers. To begin her life over again, she moved to Marina del Rey and took a secretarial job under an assumed name. However, she was still in demand occasionally for international live concerts. Her career made a turn for the better when she was asked to record a version of "Can You Read My Mind," the love theme from 1978's Superman, which was not recorded for the film. The single achieved minor success on the Pop charts. Toward the end of the decade, she recorded "Different Worlds," the theme from a short-lived TV sitcom entitled Angie. The song was her only other Top 40 single aside from "The Morning After," reaching #18 on the Pop charts in 1979 and also spending two weeks at #1 on the Adult Contemporary chart. In 1980, she made a cameo appearance as the singing nun, Sister Angelina, in the comedy-disaster movie Airplane!.
At the beginning of the 1980s, McGovern gave up movie themes to begin a career on Broadway, despite having no acting experience. In 1981, she made her Broadway debut as Mabel in a revival of Gilbert & Sullivan's musical The Pirates of Penzance. She then performed in two productions with the Pittsburgh Civic Light Opera: The Sound of Music (1981; as Maria) and South Pacific (1982; as Nellie Forbush). She continued her theatrical career throughout the eighties and originated the role of Mary in the Off-Broadway production of Brownstone in 1985.
In 2005, McGovern returned to the Broadway stage as Marmee opposite Sutton Foster's Jo in the musical adaptation of Louisa May Alcott's Little Women. Plagued by negative reviews, it quickly closed, but McGovern reprised her role for the successful subsequent national tour.
She slowly returned to music in the mid-eighties, contributing songs to musical soundtracks and recording for various-artist compilations. She also returned to touring and performing in concerts and began establishing herself as a classy, jazzy nightclub and cabaret performer. Starting in 1987, she released three albums for CBS in three years - Another Woman in Love (a voice/piano album), State of the Heart (a fully orchestrated album), and Naughty Baby (a live album).
In 1989, she performed her debut concert in Carnegie Hall, singing a collection of songs by George Gershwin. The concert was recorded live and released that year as an album entitled Naughty Baby; it features a very first recording of a lost Gershwin song "A Corner of Heaven With You" (written ca. 1917).
From the nineties into the 21st century, McGovern continued her careers in musical theatre, performing in concerts, and recording albums, and she occasionally made guest appearances on television. Other recordings include Baby I'm Yours (1992), a collection of her favorite songs from 1955 to 1970, and Out of This World (1996), a collection of songs by Harold Arlen. She was twice nominated for a Grammy, for her albums The Music Never Ends (1997), a collection of songs by Alan & Marilyn Bergman, and The Pleasure of His Company (1998), another voice/piano album.
In 2003, Out of This World and The Music Never Ends were rereleased by Fynsworth Alley Records; both albums included bonus tracks, the former two, and the latter three.
The Morning After
Maureen McGovern Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
If we can hold on through the night
We have a chance to find the sunshine
Let's keep on looking for the light
Oh, can't you see the morning after?
It's waiting right outside the storm
Why don't we cross the bridge together
It's not too late, we should be giving
Only with love can we climb
It's not too late, not while we're living
Let's put our hands out in time
There's got to be a morning after
We're moving closer to the shore
I know we'll be there by tomorrow
And we'll escape the darkness
We won't be searching anymore
There's got to be a morning after
(There's got to be a morning after)
There's got to be a morning after
(There's got to be a morning after)
There's got to be a morning after
(There's got to be a morning after)
There's got to be a morning after
(There's got to be a morning after)
Maureen McGovern's "The Morning After" is a poignant ballad about hope and resilience, conveying the idea that no matter how dark the night seems, there is always a chance for a new day, a fresh start. The song was written by Al Kasha and Joel Hirschhorn for the 1972 disaster film "The Poseidon Adventure," which tells the story of a group of passengers who must escape from a capsized ocean liner. The lyrics can be read as a metaphor for the characters' struggle to survive and overcome their fears and doubts.
The first verse sets the tone, suggesting that the characters are facing a long and difficult night, full of uncertainty and danger. However, the chorus reassures them that there is hope, that they can make it through if they hold on and keep looking for the light. The second verse expands on this idea, proposing a concrete action plan: to cross the bridge together, to find a place that's safe and warm. The bridge could symbolize the passage from one state of mind to another, from despair to hope, from isolation to community. The third verse reinforces the idea that it's never too late to start anew, to give love a chance, to reach out and connect with others.
Overall, "The Morning After" is a powerful anthem of hope and resilience, with a haunting melody and emotional lyrics that have made it a classic of its genre. It's a song that speaks to our universal longing for a better future, for a world where we can all find love, happiness, and peace.
Line by Line Meaning
There's got to be a morning after
Hope for a better future, a new beginning.
If we can hold on through the night
If we endure difficulties, we will see the light.
We have a chance to find the sunshine
We have the opportunity to find happiness and hope.
Let's keep on looking for the light
We need to continue searching for a brighter future.
Oh, can't you see the morning after?
Can't you see the optimism and opportunity that awaits us?
It's waiting right outside the storm
The chance for a fresh start and hope is near, despite the current struggles.
Why don't we cross the bridge together
We should support and help each other to reach a better tomorrow.
And find a place that's safe and warm?
We should strive to find a place of comfort and security.
It's not too late, we should be giving
It is not too late to do good and make positive changes.
Only with love can we climb
We can overcome obstacles through love and kindness.
It's not too late, not while we're living
As long as we are alive, there is still time to make a difference.
Let's put our hands out in time
We should reach out and help others when they need it.
We're moving closer to the shore
We are making progress towards a better future.
I know we'll be there by tomorrow
I believe we will soon reach our destination.
And we'll escape the darkness
We will leave behind the troubles and hardships of the past.
We won't be searching anymore
We will find what we are looking for and no longer need to search for it.
There's got to be a morning after
Hope for a better future, a new beginning.
(There's got to be a morning after)
(There's got to be a morning after)
(There's got to be a morning after)
Lyrics © Warner/Chappell Music, Inc.
Written by: AL KASHA, JOEL HIRSCHHORN
Lyrics Licensed & Provided by LyricFind