Maybeshewill is an instrumental band based in Leicestershire, UK where they… Read Full Bio ↴Maybeshewill is an instrumental band based in Leicestershire, UK where they were formed in 2005. They are James Collins (drums), Matt Daly (keyboards) , John Helps (guitar), Robin Southby (guitar) and Jamie Ward (bass). They’ve worked tirelessly over the last five years through endless touring and three full-length albums to build a loyal and enthusiastic following across the world. Sticking to steadfastly DIY ethics, the band have self recorded all their material to date and aspire to be as self-sufficient as possible.
The band released their debut four-track EP entitled ‘Japanese Spy Transcript‘ on their own label, Robot Needs Home Records in early 2006 which was later picked up by Japan’s XTAL Recordings (Caspian, Yndi Halda) and released in an extend form in August of the same year.
Nottingham’s Field Records released the bands self-recorded debut album ‘Not For Want Of Trying‘ in May 2008. The record was Huw Stephen’s album of the week on his radio 1 show in its week of release and received glowing reviews from RockSound (8/10), Kerrang (4/5) and Drowned In Sound (8/10), amongst many others. After touring the release extensively around the UK with friends Fight Fire With Water, Worriedaboutsatan and And So I Watch You From Afar, they quickly began working on their second full-length.
A year later, in June 2009, ‘Sing The Word Hope In Four-Part Harmony‘ was released, once again through Field Records. Inspired by six months of heavy touring, the record was written to be performed live with a louder, rougher sound. Reviews were as enthusiastic once again, and the touring schedule ever more hectic with the band venturing as far afield as Japan and Russia and mainland Europe to promote the release.
After an extended period of quiet in 2010, the band released their first new material for over a year in the form of 7″ single ‘To The Skies From A Hillside‘ and set about a near sell-out headline tour of the UK, Europe and Russia in support of the record – culminating in a massive home-coming show at Leicester’s Y-Theatre.
Shortly after returning home the band announced that they would be parting ways (amicably) with Field Records, moving on to join the Function Records roster (Meet Me In St. Louis, Cats and Cats and Cats, Shield Your Eyes). Having released the single ‘Critical Distance‘ on 7″ in March 2011, their third studio album ‘I was here for a moment, then I was gone‘ was released in the UK, Europe and Japan in June.
Approaching the record as if they were recording their first album, it saw the band move to using studio spaces for the first time, though still keeping the engineering in-house with Jamie taking the production reins. The album received wide-spread critical acclaim across the board, including Kerrang (4/5), RockSound (8/10), Big Cheese (4/5), NME (7/10) and Artrocker (4/5). In an unprecidented turn up for the books the album was played back to back in its entirety on Kerrang Radio in its week of release and gained the band ‘Band of the Week’ accolade on RockSound’s website for two weeks running.
Over the past five years the band have toured or played with friends and acquaintances including A Silver Mt. Zion, And So I Watch You From Afar, Cats and Cats and Cats, Earthtone9, Envy, Foals, God Is An Astronaut, Humanfly, Johnny Truant, Lite, Long Distance Calling, Mojo Fury, The Ocean, This Will Destroy You, Worriedaboutsatan, You Slut! and &U&I.
The band released its final album, Fair Youth, in late 2014. A year after the album's release, the band announced they would be ending the project. Maybeshewill played its last show on April 15, 2016, in London.
The band have described their sound as "instrumental rock with electronics", while Drowned In Sound described them as sounding "like Mogwai would if the latter had ever found love in an arthouse cinema. And then were beaten around the head with a keyboard".
In January 2020, the band announced their reformation, as well as a few tour dates.
The band released their debut four-track EP entitled ‘Japanese Spy Transcript‘ on their own label, Robot Needs Home Records in early 2006 which was later picked up by Japan’s XTAL Recordings (Caspian, Yndi Halda) and released in an extend form in August of the same year.
Nottingham’s Field Records released the bands self-recorded debut album ‘Not For Want Of Trying‘ in May 2008. The record was Huw Stephen’s album of the week on his radio 1 show in its week of release and received glowing reviews from RockSound (8/10), Kerrang (4/5) and Drowned In Sound (8/10), amongst many others. After touring the release extensively around the UK with friends Fight Fire With Water, Worriedaboutsatan and And So I Watch You From Afar, they quickly began working on their second full-length.
A year later, in June 2009, ‘Sing The Word Hope In Four-Part Harmony‘ was released, once again through Field Records. Inspired by six months of heavy touring, the record was written to be performed live with a louder, rougher sound. Reviews were as enthusiastic once again, and the touring schedule ever more hectic with the band venturing as far afield as Japan and Russia and mainland Europe to promote the release.
After an extended period of quiet in 2010, the band released their first new material for over a year in the form of 7″ single ‘To The Skies From A Hillside‘ and set about a near sell-out headline tour of the UK, Europe and Russia in support of the record – culminating in a massive home-coming show at Leicester’s Y-Theatre.
Shortly after returning home the band announced that they would be parting ways (amicably) with Field Records, moving on to join the Function Records roster (Meet Me In St. Louis, Cats and Cats and Cats, Shield Your Eyes). Having released the single ‘Critical Distance‘ on 7″ in March 2011, their third studio album ‘I was here for a moment, then I was gone‘ was released in the UK, Europe and Japan in June.
Approaching the record as if they were recording their first album, it saw the band move to using studio spaces for the first time, though still keeping the engineering in-house with Jamie taking the production reins. The album received wide-spread critical acclaim across the board, including Kerrang (4/5), RockSound (8/10), Big Cheese (4/5), NME (7/10) and Artrocker (4/5). In an unprecidented turn up for the books the album was played back to back in its entirety on Kerrang Radio in its week of release and gained the band ‘Band of the Week’ accolade on RockSound’s website for two weeks running.
Over the past five years the band have toured or played with friends and acquaintances including A Silver Mt. Zion, And So I Watch You From Afar, Cats and Cats and Cats, Earthtone9, Envy, Foals, God Is An Astronaut, Humanfly, Johnny Truant, Lite, Long Distance Calling, Mojo Fury, The Ocean, This Will Destroy You, Worriedaboutsatan, You Slut! and &U&I.
The band released its final album, Fair Youth, in late 2014. A year after the album's release, the band announced they would be ending the project. Maybeshewill played its last show on April 15, 2016, in London.
The band have described their sound as "instrumental rock with electronics", while Drowned In Sound described them as sounding "like Mogwai would if the latter had ever found love in an arthouse cinema. And then were beaten around the head with a keyboard".
In January 2020, the band announced their reformation, as well as a few tour dates.
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Maybeshewill Lyrics
We have lyrics for '…' by these artists:
E.D.O. Now is the time to take a road and not…
Nazarite Vow why is everyone so fucking stupid why arent people more inte…
Ríal Guawankó Fumo y pienso en un mejor destino, puntos suspensivos Camina…
We have lyrics for these tracks by Maybeshewill:
He Films the Clouds Now we're apart though not through choice do we stay…
He Films the Clouds Part Two Now we're apart. Though not through choice. Do we stay mut…
He Films the Clouds Pt. 2 Now we′re apart Though not through choice Do we stay mute? O…
Heartflusters Stop, stop, Do not engage with the wrong Kind of Nasty peop…
Not for Want of Trying Everybody knows things are bad. It's a depression. Everyb…
Our History Will Be What We Make of It Our history will be what we make it. And if there…
Our History Will Be What We Make Of It... Our history will be what we make it. And if there…
Sing the Word Hope in Four-Part Harmony We are young, confident, affluent, and with no memory of…
This Time Last Year Clothes, videos, toys, cheeseburgers, cars, a functioning Ec…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Worldhaspostrock
A true masterpiece!
Otis Lucky
Worldhaspostrock yes! classic greatness! one of my favorite bands
Dutcho Nakonechny
8 years listening and can`t get enough...magical stuff.
Sergey F.
There is something majestic in this music... A note of sadness and struggle, a note of happiness and anticipation - just as in life...
Infinnacage Music
This is the kind of music I always wanted to hear, but never found. Fucking incredible.
fabioxlp
This is the band that got me into the whole post-rock thing.
Dutcho Nakonechny
the same with me...after i saw them live...fell in love with `em and started surfing for post-rock
9eCn3
I love this album so much. Full of positive emotions for me!
8:06-9:24 makes me want to dance. And I can't dance. lol
JustWaltTheWord
@threevisionsgodpark, true love is positive: Sometimes I smile through tears at the most meaningful of things.
Maybe positive emotions mean learning from failure. Every sad song leans on the good or the happiness of what was or what could be: I think that rings here most of all. I think you must step back and see, there is more than you can describe or define here. Do you really judge a stranger's emotional reality from one word?
Perhaps someone would take this album as a reason to do right in life and choose not to judge but to nurture.
J S
@threevisionsgodpark It's almost as if art is subjective and can evoke different emotions in different people?