Meat Puppets started as a punk rock band, but like most of their labelmates on SST Records, they established their own unique style, blending punk with country and psychedelic rock, and featuring Curt's warbling vocals. Meat Puppets later gained significant exposure when the Kirkwood brothers served as guest musicians on Nirvana's MTV Unplugged performance in 1993. The band's 1994 album Too High to Die subsequently became their most successful release. The band broke up twice, in 1996 and 2002, but reunited again in 2006.
Meat Puppets has influenced a number of rock bands including Nirvana, Soundgarden, Dinosaur Jr, Sebadoh and Pavement.
Their early works (the In A Car EP and Meat Puppets LP) were wholeheartedly punk, with vocals so feral in their delivery they were often indecipherable, but ultimately humorous and clever once deciphered. The musicianship was mostly thrash, yet the songs were tinged with a subtle, haunting element like that of a long abandoned ghost town. Their brand of cathartic, explosive hardcore attracted the attention of legendary punk label SST, who released their first record in 1982.
Unsatisfied with the result, the band spent plenty of time in the studio before the release of 1983's Meat Puppets II. The band's exciting experimentation with psychedelia, acid rock, and quieter tunes on top of a core western-style thrash sound, gave them their one acknowledged classic album, and propelled the record to legendary status. Meat Puppets II turned Meat Puppets into the one of the leading bands in SST Records league and, along with Violent Femmes, the Gun Club and others, helped establish country punk.
The Meat Puppets' burgeoning musicality led to more intricate and melodic efforts on 1985's Up on the Sun, which was a cohesive collage of songs that further demonstrated their abilities to capture a sound that had all of the wonder of the desert. The band's sound and vision became closely aligned with the legacy of The Byrds; some of the group's fans accused the Meat Puppets of becoming dangerously hippy-sounding (this appreciation of "hippy" music was hardly a sudden development: Curt's guitar solos were, from the beginning of his career, often reminiscent of Jerry Garcia). However, Up On The Sun demonstrated strong musicianship, accompanied by an unfading ability to write sophisticated and intriguing songs. This album generated the band's first major mainstream exposure, and many fans still consider it to be their masterpiece.
Over the next decade, the Meat Puppets remained on SST and released a series of albums, touring almost relentlessly on the underground circuit. After the release of Out My Way in 1986, however, the band was briefly sidelined by an accident when Curt's finger was broken after being slammed in their touring van's door. The accident delayed the band's next album, the psychedelic Mirage, until the next year. The final result was a meticulously crafted release in early 1987, and their most polished sound to date. Mirage at the time was hailed by some mainstream critics as the Puppet's best work yet.
Subsequently, their next album, the heavier, power-trio-rooted Huevos came out less than six months afterward, in late summer of 1987. In stark contrast to its predecessor, Huevos was recorded in a swift, fiery fashion, with many first takes, and minimal second guessing. The album was named, not only after the Spanish word for eggs, but was also a reference to the Spanish slang use of the word "Huevos" to mean "testicles." This was significant not only with regard to the songs themselves, but to the bold, rough manner in which they were recorded. These recordings were completed in only a matter of days, and along with a few drawings and one of Curt's paintings taken from the wall to serve as cover art (a dish of three boiled eggs, a green pepper, and a bottle of Tabasco sauce), was all sent to SST shortly before the band returned to the road en route to their next gig.
Monsters was released in 1989, featuring Curt-as-guitar-hero on such extended jams as "Touchdown King" and "Flight of the Fire Weasel."
Major label career (1991-1995)
As numerous bands from the seminal SST label, and other kindred punk-oriented indies, grappled with the "going major" decision, so did the 'Pups. Two years after their final studio recording for SST, 1989's Monsters, the trio released its major label debut, Forbidden Places, on the indie-friendly London Records. A three-year break saw the band's studio return with 1994's Too High To Die, produced by Butthole Surfers guitarist Paul Leary. The album featured "Backwater", a hit on alternative radio, and a hidden-track update of "Lake of Fire." Too High To Die earned the 'Pups a gold record (over 500,000 sold), outselling their previous records combined. That same year saw the 'Pups in their brightest mainstream spotlight as the band achieved sudden popularity when Nirvana's Kurt Cobain invited Cris and Curt to join him on MTV for acoustic performances of "Plateau", "Oh Me" and "Lake of Fire" (all originally from Meat Puppets II). The resulting album, MTV Unplugged in New York, served as a swan-song for Nirvana, as Cobain died six months after the concert. "Lake of Fire" became a cult favorite for its particularly wrenching vocal performance from Cobain. Subsequently, the Nirvana exposure and the strength of the single "Backwater" (their only charting single) helped lift the Meat Puppets to new commercial heights.
1995's No Joke! would be the final album recorded by the original Meat Puppets lineup. Unfortunately, Cris Kirkwood was now a heroin addict, whose heavy and compulsive use of the drug increasingly dominated his life. This was a major departure from the psychedelic drugs with which the Meat Puppets had always been associated; his erratic behavior soon became too much for the band to cope with. The first single from No Joke!, "Scum", charted briefly on the modern rock charts, but ultimately the album paled in success to its predecessor.
First hiatus and reunion (1996-2000)
Derrick recorded a solo EP under the moniker Today's Sounds in 1996, and later on in 1999 took charge of re-issuing the Puppets' original seven records on Rykodisc as well as putting out their first live album, Live in Montana. Curt formed a new band in Austin, TX called the Royal Neanderthal Orchestra, but they changed their name to Meat Puppets to release a promotional EP entitled You Love Me in 1999, Golden Lies in 2000 and Live in 2002. The line-up was Curt (voc/git), Kyle Ellison (voc/git), Andrew Duplantis (voc/bass) and Shandon Sahm (drums). Sahm's father was the legendary fiddler-singer-songwriter Doug Sahm of The Sir Douglas Quintet and Texas Tornados. The concluding track to Classic Puppets entitled "New Leaf" also dates from this incarnation of the band.
Break up (2001-2005)
Around 2001-2002, the Meat Puppets dissolved as Curt has gone on to release albums with the groups Eyes Adrift and Volcano. In 2005, he released his first solo album entitled Snow.
His brother Cris was arrested in December 2003 for attacking a security guard at a post office with the guard's baton. The guard shot Kirkwood during the melee. Kirkwood was subsequently denied bail, the judge citing Kirkwood's previous drug arrests and parole violations. He eventually went to prison for felony assault. He was released in July of 2005.
Derrick Bostrom began a home page (www.meatpuppets.com) for the band about six months before the original trio stopped working together. The site went through many different permutations before it was essentially mothballed in 2003. In late 2005, Bostrom revamped it once again, this time as a "blog" for his recollections and as a place to share pieces of Meat Puppets history.
Second reunion (2006-present)
On March 24, 2006, Curt Kirkwood polled fans at his MySpace page with the following bulletin: "Question for all! Would the original line up of the Meat Puppets interest anyone? Feedback is good - do you want a reunion?!" The response from fans was overwhelmingly positive within a couple of hours, leading to speculation of a full-blown Meat Puppets reunion in the near future. However, a post made by Derrick Bostrom on the official Meat Puppets site dismissed the notion.
An April 26, 2006 billboard.com story reported that the Kirkwood brothers would reunite as the Meat Puppets without original drummer Derrick Bostrom. Primus drummer Tim Alexander was announced as Bostrom's replacement. Curt mentioned that a new Meat Puppets album was written, but it has not yet been recorded. Curt continued to tour on his solo material with his son Elmo.
Tim Alexander never ended up drumming with the Meat Puppets. Instead, Ted Marcus is the band's current drummer.
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Never To Be Found
Meat Puppets Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
We got rows, we got rows as far as we can see
In the dust we can see your catastrophe
Shining dimly like a mud slick in the sun
Sparks fly from their eyes
Birds fly from their mouths
Echoing off this procession is a sound
With a tip of the hat we would exit here
Off you go with a pie on your face
Down the road we can see the electric chair
Who'll be the first? I don't know, it's a race.
With a drop of the fly we should exit here
Off you go with the crumbs on your face
One-eyed clown in the road with electric hair
At his best he's a total disgrace
Meat Puppets' song Never To Be Found is a melancholic tune that seems to convey a sense of hopelessness and despair. The opening lines of the song, "We got road, we got time, so we're out of here; We got rows, we got rows as far as we can see," indicate a desire to escape from something, possibly the monotony or turmoil of everyday life. The singer seems to be heading towards a catastrophe that he can see coming in the dust, and it appears to be inevitable.
The second verse focuses on the imagery of birds flying out of people's mouths and sparks flying out of their eyes. This line can represent the release of pent-up frustration, anger, or emotion that people are unable to express verbally. The procession that the singer is witnessing produces a sound that will never be found, suggesting that the events that are taking place are unique and cannot be replicated.
The third verse mentions the electric chair and a race to see who will be the first one to get there. This line can be interpreted as a metaphor for the inevitability of death and the struggle to find meaning or purpose in life. The fourth verse paints a picture of a one-eyed clown with electric hair on the road, adding to the surreal and hopeless tone of the song.
Line by Line Meaning
We got road, we got time, so we're out of here
We are leaving because we have the opportunity and means to do so.
We got rows, we got rows as far as we can see
We have a lot of open space and possibilities ahead of us.
In the dust we can see your catastrophe
Your problems are evident and clear to us.
Shining dimly like a mud slick in the sun
Your issues are unimpressive and insignificant to us.
Sparks fly from their eyes
They are angry and intense.
Birds fly from their mouths
They are shouting or expressing themselves loudly.
Echoing off this procession is a sound
The noise from this event is reverberating and spreading.
Never to be found
This sound will never go away or be forgotten.
With a tip of the hat we would exit here
We would leave politely and respectfully.
Off you go with a pie on your face
You are leaving this situation feeling foolish or embarrassed.
Down the road we can see the electric chair
There is danger or punishment ahead.
Who'll be the first? I don't know, it's a race.
There is a sense of competition or risk in this situation.
With a drop of the fly we should exit here
We should leave quickly and discreetly.
Off you go with the crumbs on your face
You are leaving this situation empty-handed or unfulfilled.
One-eyed clown in the road with electric hair
There is someone dangerous and unpredictable ahead.
At his best he's a total disgrace
Even when he tries his hardest, he is still a failure or embarrassment.
Lyrics © Universal Music Publishing Group
Written by: CURTIS MATHEW KIRKWOOD
Lyrics Licensed & Provided by LyricFind
Kesotone
We got road, we got time, so we're out of here
We got rows, we got rows as far as we see
In the dust we can see your catastrophe
Shining dimly like a mudslick in the sun
Sparks fly from their eyes
Birds fly from their mouths
Echoing off this procession is a sound
Never to be found
With a tip of the hat we would exit here
Off you go with a pie on your face
Down the road we can see the electric chair
Who'll be first? I don't know, it's a race
With a drop of the fly we should exit here
Off you go with the crumbs on your face
One-eyes clown in the road with electric hair
At his best he's a total disgrace
Ren Edstrand
Im a super fan, I love everything they have released. This is my absolute favorite though.
Humphrey King
My favorite Meat Puppets song!
Machete Moonlight
@Galactic Goo me three
Galactic Goo
Mine too
ZOSO
This whole album was one of those you just put on and let go all the way through..every song is that good
drolgh8
Very, very UNDERRATED ALBUM in my humble opinion, they're sounds just conjure up magical places in my mind and imagery.
Jon Connell
So gooooooooodddddd!!! Meat puppets are the shit
Mighty Matthew
Fantastic song f**** incredible these guys rock man and the way they finished the song was brilliant
Galactic Goo
Agree
skiaspensnowmass
This song, in fact this album is the backdrop to my 20's.
One of the top bands out of AZ.