Melina Aslanidou was born in Stuttgart though she soon returned with her fa… Read Full Bio ↴Melina Aslanidou was born in Stuttgart though she soon returned with her family to Greece and grew up in Giannitsa.
Her first contact with music was in an early age when she started participating in the local choir and later on in the musical school events. In her 18 years she went to Thessaloniki for studies and later on she started singing in small student venues.
In 1996 she met Christos Mitrentzis, a remarkable Greek traditional musician and she collaborated with him in the following years. Together they took part at the WOMAD FESTIVAL in Berlin as representatives of the Greek traditional music.
In 2001 the group “Oi Apenantoi” is created where she is the frontwoman and they released the cd single “To Parelthon Thimithika”” and the song “Ti sou kana kai pineis” became a great hit.
In 2002 she withdraws from the group and starts working in Athens by collaborating with the famous Greek singer George Dallaras in live concerts and tours in Greece and abroad.
In 2003 she participated in the album of Nikos Antipas, Giannis Spathas and Lina Nikolakopoulou “Oposdipote Parathiro” with the song “Nai tha po” which climbed at the top of the radio charts.
In April 2003 she released her first album “To perasma” and in the summer of the same year she toured through Greece with Dimitra Galani.
In 2004 she appeared for the whole season in the live concerts of Eleftheria Arvanitaki and then she toured in the summer with the same set.
At the end of 2004 she cooperated with Giannis Kotsiras in his live shows.
In 2005 she released a CD single with three songs under the title “Treis Euhes” while in the end of the same year she released her second album “Paihnidi Einai”. Meanwhile she cooperated with Orpheas Peridis in a series of concerts in Athens and Thessaloniki.
In 2006 she appeared for a few shows next to the great Greek singers Dimitris Mitropanos, Glykeria and Stelios Dionisiou.
In the summer of 2007 she released the CD single “Psila Takounia” and she toured with Kostas Makedonas all over Greece. In wintertime she cooperated with Manos Pirovolakis and Giorgos Karadimos in a series of live performances in Athens.

Ena gerani st ouranou tis geitonies
Melina Aslanidou Lyrics

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Παλιά κυρά στα χρόνια μου τα γκρίζα
Σέρνεισ τησ μοίρασ όλουσ του χορούσ
Η πιο βαθιά για μένα είσαι ρίζα
Που με κρατάει σ' όμορφουσ καιρούσ

Τουσ καημούσ σου στέριωσεσ ελπίδεσ
Κι ένα φιλί στα μάτια χωρισμού
Η πιο μεγάλη απ' όλεσ τισ πατρίδεσ

Και τη στιγμή να ζεισ του γυρισμού

Και ένα μικρό ξυπόλητο ‘χα μείνει
Τα βράδια κλαίει στησ καρδιάσ μου τισ γωνιέσ
Απ' την πατρίδα ό,τι έχει μείνει
Ένα γεράνι στ' ουρανού τισ γειτονιέσ

Μ' ένα φθηνό στουσ δρόμουσ πανωφόρι
Και μια πληγή βαθιά σου για σταυρό
Στησ μοναξιάσ κλεισμένοι το βαπόρι
Κι εγώ ακόμα ψάχνω να σε βρω

Τισ φλόγεσ πίσω έμεινε η ζωή μου
Και τώρα σε καινούριεσ εποχέσ

Σε παίρνω ανάσα στην αναπνοή μου
Όταν στα μάτια πιάνουν οι βροχέσ

Overall Meaning

These lyrics from Melina Aslanidou's song "Ena gerani st ouranou tis geitonies" speak of deep emotions and longing for home.

In the first paragraph, the old lady represents the past and the hardships endured. The mention of the grey years signifies a time of struggles. The lyrics suggest that fate controls the dance of life, but the deepest connection for the singer is her roots, which hold her in beautiful times. This can be interpreted as a longing for the comfort and stability of one's home and traditions.

The second paragraph talks about the pain and hopelessness that love has brought. The singer's sorrows have solidified her hopes, and a kiss in the eyes of separation signifies a poignant moment of departure. The mention of the homeland as the greatest of all indicates the attachment and yearning for one's country. The desire to experience the return punctuates the strong ties to home and the longing to be reunited.

In the third paragraph, the mention of a small barefoot child left behind paints a picture of vulnerability and loss. The nights of crying in the corners of the heart symbolize the profound sadness and longing. The remnants of home, represented by the geranium in the neighborhood's sky, evoke a sense of nostalgia and attachment to familiar surroundings.

The fourth paragraph describes the singer's current state of being. She wears a cheap coat on the streets, implying a sense of displacement and hardship. The deep wound on her as a cross suggests that she carries emotional burdens and scars. She feels trapped in loneliness, like a ship closed off from society. Despite this, she is still searching for the person she longs for, highlighting her unwavering determination and hope.

The mention of the flames in the past and the new seasons in the singer's life signifies a significant change. The person being sung about becomes a breath in her every breath, bringing life and meaning. The rain in the eyes symbolizes tears of both joy and sadness, representing an emotional release and connection. It suggests that this person holds a special place in her heart, bringing new life and revitalizing her spirit.

Line by Line Meaning

Παλιά κυρά στα χρόνια μου τα γκρίζα
In my gray years, you are an old lady

Σέρνεισ τησ μοίρασ όλουσ του χορούσ
You drag the fate of all dances

Η πιο βαθιά για μένα είσαι ρίζα
For me, you are the deepest root

Που με κρατάει σ' όμορφουσ καιρούσ
That keeps me in beautiful times

Τουσ καημούσ σου στέριωσεσ ελπίδεσ
You intermingle your sorrows with hopes

Κι ένα φιλί στα μάτια χωρισμού
And a kiss in the eyes of separation

Η πιο μεγάλη απ' όλεσ τισ πατρίδεσ
The greatest of all homelands

Και τη στιγμή να ζεισ του γυρισμού
And the moment to live the return

Και ένα μικρό ξυπόλητο ‘χα μείνει
And a little barefoot I had left

Τα βράδια κλαίει στησ καρδιάσ μου τισ γωνιέσ
At night, she cries in the corners of my heart

Απ' την πατρίδα ό,τι έχει μείνει
From the homeland, whatever has been left