Melina Aslanidou was born in Stuttgart though she soon returned with her fa… Read Full Bio ↴Melina Aslanidou was born in Stuttgart though she soon returned with her family to Greece and grew up in Giannitsa.
Her first contact with music was in an early age when she started participating in the local choir and later on in the musical school events. In her 18 years she went to Thessaloniki for studies and later on she started singing in small student venues.
In 1996 she met Christos Mitrentzis, a remarkable Greek traditional musician and she collaborated with him in the following years. Together they took part at the WOMAD FESTIVAL in Berlin as representatives of the Greek traditional music.
In 2001 the group “Oi Apenantoi” is created where she is the frontwoman and they released the cd single “To Parelthon Thimithika”” and the song “Ti sou kana kai pineis” became a great hit.
In 2002 she withdraws from the group and starts working in Athens by collaborating with the famous Greek singer George Dallaras in live concerts and tours in Greece and abroad.
In 2003 she participated in the album of Nikos Antipas, Giannis Spathas and Lina Nikolakopoulou “Oposdipote Parathiro” with the song “Nai tha po” which climbed at the top of the radio charts.
In April 2003 she released her first album “To perasma” and in the summer of the same year she toured through Greece with Dimitra Galani.
In 2004 she appeared for the whole season in the live concerts of Eleftheria Arvanitaki and then she toured in the summer with the same set.
At the end of 2004 she cooperated with Giannis Kotsiras in his live shows.
In 2005 she released a CD single with three songs under the title “Treis Euhes” while in the end of the same year she released her second album “Paihnidi Einai”. Meanwhile she cooperated with Orpheas Peridis in a series of concerts in Athens and Thessaloniki.
In 2006 she appeared for a few shows next to the great Greek singers Dimitris Mitropanos, Glykeria and Stelios Dionisiou.
In the summer of 2007 she released the CD single “Psila Takounia” and she toured with Kostas Makedonas all over Greece. In wintertime she cooperated with Manos Pirovolakis and Giorgos Karadimos in a series of live performances in Athens.

Na Me Dikaiologisis
Melina Aslanidou Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Μέρες περίμενα ένα τηλέφωνο
Ένα σου μήνυμα
Μέρες κρυβόμουνα από τους φίλους μου
Γιατί φοβόμουνα
Γιατί δεν έκανα ούτε το βήμα μου
Για τα επόμενα
Γιατί ξεχάστηκα κι έτσι εξάντλησα
Τα ενδεχόμενα

Να με δικαιολογήσεις να μ'αφήσεις
Έτσι να νιώθω κι ας πονάω
Εγώ θα μείνω με το λάθος π'αγαπάω
Κι ας το ξέρω πως εσύ με προσπερνάς

Να με δικαιολογήσεις να μ'αφήσεις
Με ό τι νιώθω να περνάω
Και θα σου λέω πως δεν έχω που να πάω
Εσύ να κάνεις πως γι'αγάπη μου μιλάς
Και θα σου λέω πως δεν έχω που να πάω
Κι εσύ να κάνεις πως γι'αγάπη μου μιλάς

Μέρες περίμενα μια απάντηση
Μια αλήθεια σου
Μέρες που έμειναν πίσω να δένονται
Με τη συνήθεια σου
Μέρες σκεφτόμουνα πως είναι άδικο
Μα σου τ'ορκίζομαι
Ότι δεν μ'ένοιαζε να μένω πίσω σου
Και να σκορπίζομαι

Να με δικαιολογήσεις να μ'αφήσεις
Έτσι να νιώθω κι ας πονάω
Εγώ θα μείνω με το λάθος π'αγαπάω
Κι ας το ξέρω πως εσύ με προσπερνάς

Να με δικαιολογήσεις να μ'αφήσεις
Με ό τι νιώθω να περνάω
Και θα σου λέω πως δεν έχω που να πάω
Εσύ να κάνεις πως γι'αγάπη μου μιλάς
Και θα σου λέω πως δεν έχω που να πάω
Εσύ να κάνεις πως γι'αγάπη μου μιλάς

Να με δικαιολογήσεις να μ'αφήσεις
Έτσι να νιώθω κι ας πονάω
Εγώ θα μείνω με το λάθος π'αγαπάω
Κι ας το ξέρω πως εσύ με προσπερνάς

Να με δικαιολογήσεις να μ'αφήσεις
Με ό τι νιώθω να περνάω
Και θα σου λέω πως δεν έχω που να πάω
Εσύ να κάνεις πως γι'αγάπη μου μιλάς

Και θα σου λέω πως δεν έχω που να πάω
Εσύ να κάνεις πως γι'αγάπη μου μιλάς

Overall Meaning

The lyrics to Melina Aslanidou's song "Na Me Dikaiologisis" convey a sense of longing, disappointment, and resignation in a relationship where one person feels ignored and left behind. The singer expresses their frustration at waiting for a phone call or message, and hiding from their friends because they were afraid. They admit to not taking the initiative and forgetting their own worth, resulting in exhausting all possibilities. They plea to be justified and left alone, even if it means feeling the pain, as they are willing to stay with the person they love, even though they know they are being overlooked.

The lyrics continue with the singer still waiting for an answer and for the truth. They reflect on the days that have passed and how they have become accustomed to being left behind, yet they swear that it doesn't bother them. They declare that they don't care about remaining behind and scattered, but they still long for the person they love to acknowledge them. Despite knowing that they are being disregarded, they want to be justified and experience their feelings, even if it means not having anywhere to go. They hope that the other person will pretend to speak lovingly to them, even though they have no destination. The chorus repeats the plea for justification and to be left alone, and the admission that they will stay with the person they love, despite being passed over.

Line by Line Meaning

Μέρες περίμενα ένα τηλέφωνο
I waited for days for a phone call

Ένα σου μήνυμα
A message from you

Μέρες κρυβόμουνα από τους φίλους μου
I hid from my friends for days

Γιατί φοβόμουνα
Because I was scared

Γιατί δεν έκανα ούτε το βήμα μου
Because I didn't even take a step forward

Για τα επόμενα
For what comes next

Γιατί ξεχάστηκα κι έτσι εξάντλησα
Because I forgot and exhausted

Τα ενδεχόμενα
The possibilities

Να με δικαιολογήσεις να μ'αφήσεις
To justify me, to leave me

Έτσι να νιώθω κι ας πονάω
To feel that way even if it hurts

Εγώ θα μείνω με το λάθος π'αγαπάω
I will stay with the mistake I love