Keep on Sailin'
Memphis Minnie Lyrics

Jump to: Overall Meaning | Line by Line Meaning

Sail on, sail on, ahw baby, sail on
Sail on, sail on, ahw baby, sail on
I don't mind you sailing, but please don't sail so long

Oh boys, now don't you want to ride with me
Oh boys, now don't you want to ride with me
I've got the best sailor in this world you ever seen

Going away, going away but I ain't gonna stay
Going away, going away but I ain't gonna stay
'Cause that sailor you got, I sees it each and every day

Sail on, sail on, ahw baby, sail on

Sail on, sai l on, ahw baby, sail on
You gonna keep a-sailing, till you find your mama gone

Overall Meaning

In the song "Keep on Sailin'" by Memphis Minnie, the narrator expresses her desire for her lover to continue on his journey, but not to stay away for too long. The repetition of the phrase "sail on" throughout the song suggests a sense of longing and a hope that the lover will return soon. The lyrics also reveal the narrator's confidence in her lover's seafaring abilities, as she claims to have the "best sailor in this world."

The song's chorus, "You gonna keep a-sailing, till you find your mama gone," suggests that the lover will continue to sail until he has found what he is looking for, even if it means leaving the narrator behind. The term "mama" may refer to the narrator herself or to a metaphorical representation of stability and security, which the lover is seeking through his travels.

Overall, "Keep on Sailin'" is a bittersweet love song that captures the complex emotions of a woman whose heart is torn between wanting her lover to stay and knowing that he must continue on his journey.

Line by Line Meaning

Sail on, sail on, ahw baby, sail on
Keep moving forward, keep pushing forward, never stop.

I don't mind you sailing, but please don't sail so long
I don't mind you moving forward in life, but please don't be away for too long.

Oh boys, now don't you want to ride with me
Hey, fellas, why don't you join me on this journey?

I've got the best sailor in this world you ever seen
I have an amazing partner who will guide me through this journey.

Going away, going away but I ain't gonna stay
I'm moving forward and leaving my old life behind.

'Cause that sailor you got, I sees it each and every day
Because I know that the person you rely on isn't as dependable as my partner.

Sail on, sail on, ahw baby, sail on
Keep moving forward, keep pushing forward, never stop.

You gonna keep a-sailing, till you find your mama gone
You're going to keep moving forward until you find your true purpose.

Contributed by Ellie T. Suggest a correction in the comments below.

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Memphis Minnie (born Lizzie Douglas in Algiers, Louisiana, June 3, 1897 – August 6, 1973) was an American blues guitarist, singer, and songwriter from the late 1920s to the 1950s, one of the most influential country blues musicians to have ever recorded.

Lizzie Douglas was born on June 3, 1897 in Algiers, Louisiana. She was the eldest from her 13 other siblings. Her parents Abe and Gertrude Douglas nicknamed her the Kid during her early childhood. Read Full BioMemphis Minnie (born Lizzie Douglas in Algiers, Louisiana, June 3, 1897 – August 6, 1973) was an American blues guitarist, singer, and songwriter from the late 1920s to the 1950s, one of the most influential country blues musicians to have ever recorded.

Lizzie Douglas was born on June 3, 1897 in Algiers, Louisiana. She was the eldest from her 13 other siblings. Her parents Abe and Gertrude Douglas nicknamed her the Kid during her early childhood. At the age of 7 she and her family moved to Walls, Mississippi, which was just south of Memphis. The following year after she moved, she received her first guitar for Christmas. She began to practice and learn how to play both the banjo and the guitar and it was seen that she had a great talent as a musician. When she first began performing she did not use her first name Lizzie, but played under the name Kid Douglas. When she was 13 years old she ran away from her home to live on Beale Street in Memphis, Tennessee. She would play on street corners for most of her teenage years and would eventually go home when she ran out of money. She began to get noticed singing and playing guitar on the street corners. This brought an opportunity for her to tour, travel, and play with the Ringling Brothers Circus. Eventually she came back to Beale Street and got consumed in the blues scene. At the time, women, whiskey, and cocaine were high in demand with the people and places she would be around. She made her money by playing guitar, singing, and prostitution, which was not uncommon at the time. Most of the female performers were prostitutes because of financial desperation. It was said “She received $12 for her services-an outrageous fee for the time.” (Memphis Minnie Biography,1). She was known as a woman that was very strong and that could take care of herself.
She had been married three times in her life; first with Will Weldon sometime in the 1920s, then Joe McCoy (1929–1934), and finally to Earnest Lawlars (a.k.a. Little Son Joe), in 1939. She and McCoy would perform together during their marriage. During this time, a talent scout from Columbia Records discovered her. When she and McCoy went to record in New York, she decided to change her name to Memphis Minnie. During the next few years she and McCoy released many singles and duets. She released the song “Bumble Bee” in 1930, which ended up being one of her favorite songs, and led her to a recording contract with the label Vocalion. Under this label, they continued to produce recording for two years, one of them being “I’m Talking About You”, which was one of her more popular songs. They soon decided to leave Vocalion and move to Chicago. She and McCoy introduced country blues to the urban environment and became very well known.
Memphis Minnie continued to have success throughout the years recording under many different labels like Decca Records and Chess Records. Some believe her fame was the reason for her divorce with McCoy due to jealousy and resentment towards her. She remarried after to Earnest Lawlars (a.k.a. Little Son Joe) and began recording material with him. She became very well known in the blues industry and ended up being one of the most famous blues performers of all time, competing with both men and women.
She continued to record throughout the 50’s, but her health began to become a problem for her. She retired from her musical career and ended up going back to Memphis. “Periodically, she would appear on Memphis radio stations to encourage young blues musicians. As the Garons wrote in Women With Guitar, 'She never laid her guitar down, until she could literally no longer pick it up.'” She suffered a stroke in 1960, which caused her to be bound by wheelchair. The following year her husband, Earnest “Little Son Joe” Lawlars died. She had another stroke a short while after and eventually ended up in the Jell Nursing Home. She could no longer survive on her social security income so magazines wrote about her and readers sent her money for assistance. On August 6, 1973 she died of a stroke. She was buried in an unmarked grave at the New Hope Cemetery in Memphis. A headstone paid for by Bonnie Raitt was erected by the Mt. Zion Memorial Fund on October 13, 1996 with 35 family members in attendance including her sister, numerous nieces (including Laverne Baker) and nephews. Her headstone is marked:
Lizzie "Kid" Douglas Lawlers
aka Memphis Minnie
The inscription on the back of her gravestone reads:
"The hundreds of sides Minnie recorded are the perfect material to teach us about the blues. For the blues are at once general, and particular, speaking for millions, but in a highly singular, individual voice. Listening to Minnie's songs we hear her fantasies, her dreams, her desires, but we will hear them as if they were our own."
After her death some of her old work began to surface and some of her songs were featured on blues compilations. She was one of the first 20 blues artists that were inducted in the Blues Hall of Fame.