Mercan Dede believes that when you put digital, electronic sounds together … Read Full Bio ↴Mercan Dede believes that when you put digital, electronic sounds together with hand-made, human ones, you can create universal language, capable of uniting old and young, ancient and modern, East and West. It's a bold claim, but the Turkish-born and Montreal-based musician/producer/DJ has the career and the music to back it up. When he takes the stage with his group Secret Tribe, he hovers at the side behind his turntables and electronics, occasionally picking up a traditional wooden flute, or ney to float in sweet, breathy melodies, while masters of the kanun (zither), clarinet, darbuka (hand drum) and whatever other instruments he's decided to include that night, ornament his grooves and spin magical, trance melodies to match the whirling of the group's spectacular dervish dancer, Mira Burke. Not to mention the many great international artists appear as guest musicians both in his albums and his concerts.
This contrast between electronica and classical or folkloric arts cuts to the core of the Sufi philosophy that guides this one-of-a-kind artist. 'Those things are not really separate,' says Dede. 'The essence of Sufism is counterpoint. Everything exists with its opposite. On one side, I am doing electronic music. The other side of that is this really acoustic, traditional music.' Dede doesn't just bring in any traditional sounds and sights as adornment to his techno beats. He is ever on the lookout for new collaborators, and they might come from any tradition, any country, any generation. For Secret Tribe's U.S. debut in January, 2004, he flew in three, teenage prodigies of Turkish classical music from Istanbul and two of the pieces they played were improvised during the concert. 'When I choose a musician,' says Dede, 'I need to be connected with them in terms of personality, heart-wise we say in Turkey. We should have a similar energy and feeling about life. The second thing is they need to be done with the technical part of music. Once they've done that, you don't need to worry. They can play anything not from mind but from soul.'
Mercan Dede and Secret Tribe's splendid 2002 release Nar realizes this elegant marriage of old and new stunningly. Along with the groups' spellbinding performances, it is helping them build a worldwide following. When the group plays in Turkey, they can draw as many as 20,000 people. But for Dede'whose name comes from a minor character in a contemporary Turkish novel'it has been a long, highly unconventional road to success. Raised poor in a Turkish village in the 1970s, Dede recalls the moment when listening to the radio as a six-year-old, he fell in love with the sound of the ney. But even when he moved to Istanbul to study journalism, he could not afford an instrument, so he made his first one from a length of plastic plumbing pipe. Although he eventually found a ney teacher, Dede did not pursue music as a career. He was more deeply involved with photography, and by chance, an official at the Saskatoon Public Library in Canada saw some of his work and invited him to come and do an exhibition.
Dede wound up studying multimedia in Saskatoon, and he worked in a bar to earn rent money. That was where he first encountered the art of deejaying. One day the bar's deejay couldn't make it, and Dede stepped in. The techno revolution was just beginning, and Dede was getting in on the ground floor. By the mid-80s, he was traveling to do 'technotribalhouse' deejay gigs under the name Arkin Allen. He debuted as Mercan Dede in 1995 with he released his first album, Sufi Dreams, recorded for Golden Horn Records in San Francisco. The album was a minimalist techno ambiant project featuring the ney flute, and it earned impressive reviews. A few years later, Dede moved to Montreal where he first studied, then taught, at Concordia University, moving ever more forcefully into the burgeoning techno scene. Recordings he made under the name Mercan Dede got noticed in Istanbul, and a festival invited him to perform, expecting an older gentleman, as Dede means 'grandfather' in Turkish. When people saw a young band mixing techno and tradition, they were exhilarated, and Dede has stuck with this adapted name ever since.
Dede formed his first group in 1997 and created more recordings, Journeys of a Dervish (Golden Horn, 1999) Seyahatname (Doublemoon, 2001), and Nar (Doublemoon, 2002 ) From the start, the group was more an idea than a set lineup. 'I always get different musicians,' says Dede, 'all the time. When I do a European tour, each country, I choose a guest musician from that country. This is the essence of the group.' The Canadian TV station Bravo filmed and aired Dede's concert with Turkish master kemence (Persian violin) player Ihsan Ozgen at the Canadian Museum of Civilization in the Fall of 1998. German television producers Saarlandischer Rundfunk were so moved by Dede's music that they traveled to Canada to feature him in their documentary about Sufi Music. While filming Dede at work in Montreal and Toronto in February of 1998, the producers requested that Dede create the soundtrack for this project. Same year Mercan Dede's album Seyahatname includes pieces composed for a dance theatre project, directed and choreographed by Beyhan Murphy for the Turkish State Modern Dance Troupe.
Both as Mercan Dede and his alter ego DJ Arkin Allen, he has performed at events as diverse as the Black & Blue 98 (a world-renowned Montreal circuit party attended by 15,000 people) and a concert of improvisations with on classical Turkish music at the Canadian Museum of Civilization. In July 2001, Mercan Dede performed at the highly acclaimed Montreal Jazz Festivals, sharing the General Motors Big Event stage with Burhan Öçal and Jamaaladeen Tacuma, in a concert called 'East Meets the West' before an audience of more than 170,000 people. On that same evening, right after his concert, he appeared at Spectrum, this time performing with his project Montreal Tribal Trio, again as part of the festival program. In 2002, the group electrified the WOMEX world music trade fair in Essen, Germany, and also the International Transmusicales Festival in Rennes.
Dede has also performed with such musical personalities as Kani Karaca, I'hsan Özgen, Misirli Ahmet, Ilhan Ersahin, Peter Murphy, Natacha Atlas, Azam Ali Musafir, I'lhan Ers¸ahin, Jamaledeen Tacuma, Hugh Marsh, Omar Sosa, Mich Gerber, Fazil Say, Susheela Raman, Trans Global Underground, Dhafer Youssef, Coldcut, Dhol Foundation, Emma Shaplin, Ludavico Eunadi, Trilok Gurtu. Mercan Dede and Secret Tribe's summer tour 2003 included Montreux Jazz Festival (Switzerland), Arezzo Wave (I'taly), Skopje Festival (Macedonia), Moers Festival (Germany),World Roots Festival (The Netherlands), Jaen-Etnosur (Spain), Rhythm Sticks Festival (UK) and many others. The group's 2004 U.S. debut took place at Joe's Pub in New York in January, 2004, as part of the city's groundbreaking world music marathon at Global Fest. Mercan Dede was invited to play at GlobalFest' (APAP Conference) in New York in January 2004, where 16 different bands from 5 continents played. He performed and completed his USA tour with 3 young gypsy musicians from turkey in their early teens.
Mercan Dede's concert was reviewed by various press and music critics including Global Rhythm Magazine who made a cover story on him and his music calling his performance at Joes Pub; " one of the best world music performance of recent years" .
The following year, turkey & germany based Production Company "Medya' made a documentary film about his life and music which aired the same year and received great reviews.
Mercan Dede also provided music for Pina Bausch's recent work, "Istanbul, Nefes' performed in the city it was named for in the spring of 2003. He calls meeting Pina Bausch one of the most amazing moment in his career. He is commissioned by the Turkish Ministry of Culture as the music director of the Güldestan Project. The project is destined to represent Turkish Culture and Arts all around the Globe.
Over the next three years ( 2005,2006,2007) he travelled the world spanning over 1,5 million km and performed almost every corner of the world. He also released "Water" (2005) and Breath (2006) albums which both topped the BBC world music charts making him the first turkish artist whose albums received the #1 of the world music charts. Over the last 4 years he was also nominated in different categories of world music as the best world music artist of the year by BBC.
In 2007, as a dedication to Sufi master Rumi, he recorded and released his last album "800" as a celebration of his masters 800th birthday. Following it's release, he chose to follow a different path in his life leaving both his beloved record label Doublemoon and management Pozitif, allowing him to continue his journey on his own. Recently he is living quietly and preparing new projects in Montreal. Although he declined to show his recent paintings and visual art works, feeling he is not yet ready, he is however giving signals to including visual arts in his future projects.
Under 9 different names, he has released more than 100 singles world wide. Mercan Dede, Arkin Allen, Blueman and Poundmaker aside, he still keeps 5 other names secret even from his own management and family; believing that nothing should stand between sound and the ear, include the artist himself.
Mercan Dede is keen on bring his extraordinary music and stagecraft to the entire world feeling that its inclusive spirit carries a profound message of understanding and reconciliation. 'I don't like the separation,' says Dede. 'The Sufi poet Rumi has a very good saying: 'If you are everywhere, you are nowhere. If you are somewhere, you are everywhere.' My somewhere is my heart. I try to figure it out. The rest'the hype, the trends'they are not important. We are here for nothing else but Love, the rest is nothing but bunch of gossip" If music does not make us a better person even in a small way, who cares if you are the best musician in the world. I prefer to be someone who follows his heart no matter where it goes. Succes is not something to which I aspire but rather I accept as simply a wonderful gift of life from the Creator as a recogniton of my naive and simple belief that with music we can help ourselves and others in a most humble way.
Whether as Mercan Dede with his Secret Tribe or dj Arkin Allen with his tribal trio; he is one of the most unique artist uniting many people from different backgrounds regardless of their age, cultural background or personal differences never failing to impress his audiences with the explosive energy he creates on stage. He is rightly recognized as one of the most creative, unique yet modest artists in the world music scene today.
This contrast between electronica and classical or folkloric arts cuts to the core of the Sufi philosophy that guides this one-of-a-kind artist. 'Those things are not really separate,' says Dede. 'The essence of Sufism is counterpoint. Everything exists with its opposite. On one side, I am doing electronic music. The other side of that is this really acoustic, traditional music.' Dede doesn't just bring in any traditional sounds and sights as adornment to his techno beats. He is ever on the lookout for new collaborators, and they might come from any tradition, any country, any generation. For Secret Tribe's U.S. debut in January, 2004, he flew in three, teenage prodigies of Turkish classical music from Istanbul and two of the pieces they played were improvised during the concert. 'When I choose a musician,' says Dede, 'I need to be connected with them in terms of personality, heart-wise we say in Turkey. We should have a similar energy and feeling about life. The second thing is they need to be done with the technical part of music. Once they've done that, you don't need to worry. They can play anything not from mind but from soul.'
Mercan Dede and Secret Tribe's splendid 2002 release Nar realizes this elegant marriage of old and new stunningly. Along with the groups' spellbinding performances, it is helping them build a worldwide following. When the group plays in Turkey, they can draw as many as 20,000 people. But for Dede'whose name comes from a minor character in a contemporary Turkish novel'it has been a long, highly unconventional road to success. Raised poor in a Turkish village in the 1970s, Dede recalls the moment when listening to the radio as a six-year-old, he fell in love with the sound of the ney. But even when he moved to Istanbul to study journalism, he could not afford an instrument, so he made his first one from a length of plastic plumbing pipe. Although he eventually found a ney teacher, Dede did not pursue music as a career. He was more deeply involved with photography, and by chance, an official at the Saskatoon Public Library in Canada saw some of his work and invited him to come and do an exhibition.
Dede wound up studying multimedia in Saskatoon, and he worked in a bar to earn rent money. That was where he first encountered the art of deejaying. One day the bar's deejay couldn't make it, and Dede stepped in. The techno revolution was just beginning, and Dede was getting in on the ground floor. By the mid-80s, he was traveling to do 'technotribalhouse' deejay gigs under the name Arkin Allen. He debuted as Mercan Dede in 1995 with he released his first album, Sufi Dreams, recorded for Golden Horn Records in San Francisco. The album was a minimalist techno ambiant project featuring the ney flute, and it earned impressive reviews. A few years later, Dede moved to Montreal where he first studied, then taught, at Concordia University, moving ever more forcefully into the burgeoning techno scene. Recordings he made under the name Mercan Dede got noticed in Istanbul, and a festival invited him to perform, expecting an older gentleman, as Dede means 'grandfather' in Turkish. When people saw a young band mixing techno and tradition, they were exhilarated, and Dede has stuck with this adapted name ever since.
Dede formed his first group in 1997 and created more recordings, Journeys of a Dervish (Golden Horn, 1999) Seyahatname (Doublemoon, 2001), and Nar (Doublemoon, 2002 ) From the start, the group was more an idea than a set lineup. 'I always get different musicians,' says Dede, 'all the time. When I do a European tour, each country, I choose a guest musician from that country. This is the essence of the group.' The Canadian TV station Bravo filmed and aired Dede's concert with Turkish master kemence (Persian violin) player Ihsan Ozgen at the Canadian Museum of Civilization in the Fall of 1998. German television producers Saarlandischer Rundfunk were so moved by Dede's music that they traveled to Canada to feature him in their documentary about Sufi Music. While filming Dede at work in Montreal and Toronto in February of 1998, the producers requested that Dede create the soundtrack for this project. Same year Mercan Dede's album Seyahatname includes pieces composed for a dance theatre project, directed and choreographed by Beyhan Murphy for the Turkish State Modern Dance Troupe.
Both as Mercan Dede and his alter ego DJ Arkin Allen, he has performed at events as diverse as the Black & Blue 98 (a world-renowned Montreal circuit party attended by 15,000 people) and a concert of improvisations with on classical Turkish music at the Canadian Museum of Civilization. In July 2001, Mercan Dede performed at the highly acclaimed Montreal Jazz Festivals, sharing the General Motors Big Event stage with Burhan Öçal and Jamaaladeen Tacuma, in a concert called 'East Meets the West' before an audience of more than 170,000 people. On that same evening, right after his concert, he appeared at Spectrum, this time performing with his project Montreal Tribal Trio, again as part of the festival program. In 2002, the group electrified the WOMEX world music trade fair in Essen, Germany, and also the International Transmusicales Festival in Rennes.
Dede has also performed with such musical personalities as Kani Karaca, I'hsan Özgen, Misirli Ahmet, Ilhan Ersahin, Peter Murphy, Natacha Atlas, Azam Ali Musafir, I'lhan Ers¸ahin, Jamaledeen Tacuma, Hugh Marsh, Omar Sosa, Mich Gerber, Fazil Say, Susheela Raman, Trans Global Underground, Dhafer Youssef, Coldcut, Dhol Foundation, Emma Shaplin, Ludavico Eunadi, Trilok Gurtu. Mercan Dede and Secret Tribe's summer tour 2003 included Montreux Jazz Festival (Switzerland), Arezzo Wave (I'taly), Skopje Festival (Macedonia), Moers Festival (Germany),World Roots Festival (The Netherlands), Jaen-Etnosur (Spain), Rhythm Sticks Festival (UK) and many others. The group's 2004 U.S. debut took place at Joe's Pub in New York in January, 2004, as part of the city's groundbreaking world music marathon at Global Fest. Mercan Dede was invited to play at GlobalFest' (APAP Conference) in New York in January 2004, where 16 different bands from 5 continents played. He performed and completed his USA tour with 3 young gypsy musicians from turkey in their early teens.
Mercan Dede's concert was reviewed by various press and music critics including Global Rhythm Magazine who made a cover story on him and his music calling his performance at Joes Pub; " one of the best world music performance of recent years" .
The following year, turkey & germany based Production Company "Medya' made a documentary film about his life and music which aired the same year and received great reviews.
Mercan Dede also provided music for Pina Bausch's recent work, "Istanbul, Nefes' performed in the city it was named for in the spring of 2003. He calls meeting Pina Bausch one of the most amazing moment in his career. He is commissioned by the Turkish Ministry of Culture as the music director of the Güldestan Project. The project is destined to represent Turkish Culture and Arts all around the Globe.
Over the next three years ( 2005,2006,2007) he travelled the world spanning over 1,5 million km and performed almost every corner of the world. He also released "Water" (2005) and Breath (2006) albums which both topped the BBC world music charts making him the first turkish artist whose albums received the #1 of the world music charts. Over the last 4 years he was also nominated in different categories of world music as the best world music artist of the year by BBC.
In 2007, as a dedication to Sufi master Rumi, he recorded and released his last album "800" as a celebration of his masters 800th birthday. Following it's release, he chose to follow a different path in his life leaving both his beloved record label Doublemoon and management Pozitif, allowing him to continue his journey on his own. Recently he is living quietly and preparing new projects in Montreal. Although he declined to show his recent paintings and visual art works, feeling he is not yet ready, he is however giving signals to including visual arts in his future projects.
Under 9 different names, he has released more than 100 singles world wide. Mercan Dede, Arkin Allen, Blueman and Poundmaker aside, he still keeps 5 other names secret even from his own management and family; believing that nothing should stand between sound and the ear, include the artist himself.
Mercan Dede is keen on bring his extraordinary music and stagecraft to the entire world feeling that its inclusive spirit carries a profound message of understanding and reconciliation. 'I don't like the separation,' says Dede. 'The Sufi poet Rumi has a very good saying: 'If you are everywhere, you are nowhere. If you are somewhere, you are everywhere.' My somewhere is my heart. I try to figure it out. The rest'the hype, the trends'they are not important. We are here for nothing else but Love, the rest is nothing but bunch of gossip" If music does not make us a better person even in a small way, who cares if you are the best musician in the world. I prefer to be someone who follows his heart no matter where it goes. Succes is not something to which I aspire but rather I accept as simply a wonderful gift of life from the Creator as a recogniton of my naive and simple belief that with music we can help ourselves and others in a most humble way.
Whether as Mercan Dede with his Secret Tribe or dj Arkin Allen with his tribal trio; he is one of the most unique artist uniting many people from different backgrounds regardless of their age, cultural background or personal differences never failing to impress his audiences with the explosive energy he creates on stage. He is rightly recognized as one of the most creative, unique yet modest artists in the world music scene today.
Every One's Palace
Mercan Dede Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Yüreğimiz han kapısı gibi yirmi dört saat açık
Gönlümüz cennet bahçeleri kadar geniş
Acılarla yar busesidir diye sevişiriz
Ve yalnızlık sanatının ustasıyız, çok şükür
Lokmadır hırkadır eyvallah ile sevindiğimiz
Yormadık aklımızı samanlık arpalık için
Bilen bilir hangi bağlarda nasıl didindiğimiz
Ruhumuza gıda hüzünler toplamak için
Neşemizde ağlar, efkarımızda tüter gölgemiz
Halimizde bir yeşil kefen bezimizdir hüzün
Sevince sevdamızda, susunca nazarımızda yanar
Şarabımız... Keyfimiz... İki gözümüzdür hüzün...
Gönlümüz cennet bahçeleri kadar geniş
Acılarla yar busesidir diye sevişiriz
Ve yalnızlık sanatının ustasıyız, çok şükür
Lokmadır hırkadır eyvallah ile sevindiğimiz
Yormadık aklımızı samanlık arpalık için
Bilen bilir hangi bağlarda nasıl didindiğimiz
Neşemizde ağlar, efkarımızda tüter gölgemiz
Halimizde bir yeşil kefen bezimizdir hüzün
Sevince sevdamızda, susunca nazarımızda yanar
Şarabımız... Keyfimiz... İki gözümüzdür hüzün...
The song "Every One's Palace" by Mercan Dede is a beautiful piece that explores the intricacies of life, love, pain, and loneliness. The first stanza talks about how our hearts are always open like the doors of a palace, and our souls are as vast as the gardens of paradise. It dwells on the idea that we make love with the wounds caused by our pains, and we are the masters of the art of loneliness. This presents the picture of how humans find ways to cope with challenges, and despite the challenges, we are always open and hopeful.
In the second stanza, the lyrics delve into the concept of how people find happiness in simple things. It highlights how people can find joy in small things like food, clothing, and other basic needs of life. It also draws attention to how people are mindful of their struggles but do not allow it to consume their thoughts. They gather their sorrows and store it as nourishment for their souls. The last part of the stanza describes how human emotions can be fickle, how laughter and sorrow can be present simultaneously, and how people can be happy even in sadness when they find comfort and company in love.
In conclusion, the song presents a beautiful picture of life, how humans navigate through the ups and downs, joys and sorrows, and how they find comfort and hope in the different situations life presents.
Line by Line Meaning
Yüreğimiz han kapısı gibi yirmi dört saat açık
Our hearts are open 24/7 like the doors of a palace
Gönlümüz cennet bahçeleri kadar geniş
Our souls are as expansive as the gardens of heaven
Acılarla yar busesidir diye sevişiriz
We make love as if it's a medicine for the pain and wounds of our hearts
Ve yalnızlık sanatının ustasıyız, çok şükür
And we are masters of the art of loneliness, thank God
Lokmadır hırkadır eyvallah ile sevindiğimiz
We find joy even in the smallest things like a bite of food or a worn-out garment
Yormadık aklımızı samanlık arpalık için
We did not waste our minds on trivial things
Bilen bilir hangi bağlarda nasıl didindiğimiz
Those who know, know how hard we worked in the vineyards
Ruhumuza gıda hüzünler toplamak için
We gather sadness as nourishment for our souls
Neşemizde ağlar, efkarımızda tüter gölgemiz
In our joy, our shadow weeps; in our sorrow, it smokes
Halimizde bir yeşil kefen bezimizdir hüzün
Our condition is draped in a green shroud of sadness
Sevince sevdamızda, susunca nazarımızda yanar
Our love ignites when we're together; it burns when we're apart
Şarabımız... Keyfimiz... İki gözümüzdür hüzün...
Our wine... Our pleasure... Our two eyes are filled with sadness...
Writer(s): Jennifer Hairston
Contributed by Allison E. Suggest a correction in the comments below.
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