Lara’s genius is not his ability to hide behind a computer screen or immerse himself in the world of modern technology (in which he’s admittedly quite a clumsy participant), but rather lies in his ability to carefully select and blend diverse musical references that will surprise and delight even the most discriminating listener. Camilo Lara has distinguished himself as a musical trendsetter among his circle of friends with his annual Christmas compilation of the year’s best tracks and unreleased MIS tracks, which has fast become a sought-after collector’s item. This hobby led Lara to collaborate on remixes under the moniker of Mexican Institute of Sound for bands and friends like Placebo, Le Hammond Inferno, Gecko Turner, and Babasónicos.
Lara has collaborated on remixes for bands and friends such as Placebo, Gecko Turner, Perez Prado, Mazarin, Quantic Soul Orchestra, Gershon Kingsley, Irving Fields, Babasonicos, and Le Hammond Inferno.
La La Meda
Mexican Institute of Sound Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Pa' la calle
Vámonos pa' la calle
En casa nadie me espere (que va)
Me gusta la rumba y el baile
Y no hay quien me detiene
Vámonos pa' la calle
Me gusta la rumba y el baile
Y no hay quien me detiene
Pa' la calle
No me esperen
Pa' la calle
No me esperen
Independiente, a nadie tengo que pedir permiso
Yo me divierto de lunes a domingo
Yo me esfuerzo y trabajo por lo mío
Además requetechula, ah, te digo
No me digas que te vuelves a ir con tus amigas
Todas las noches, parece que tú me castigas (aha)
Vamos a poner las cosas desde ahora en claro
No me gustan tus salidas, soy un tipo raro (ah)
Vámonos pa' la calle
En casa nadie me espere (wooh, wooh)
Me gusta la rumba y el baile
Y no hay quien me detiene (pow pow pow pow)
Vámonos pa' la calle
En casa nadie me espere (Camilo Lara, Lorna)
Me gusta la rumba y el baile
Y no hay quien me detiene (wooh wooh)
Pa' la calle
No me esperen
Pa' la calle
No me esperen
Hoy es noche de party
Aqui to's 'tamos ready
Moët Chandon de Crystal, Prada, Gucci y Fendi
Con la plata en la mano y tacones bien altos
Nos tomamo' la selfie y la subimos bacano
Y tú no pares, sacúdete que no hay break
Pégate un poco, que se formó el dembay
Y no te pares, Lorna regresó otra vez
Y la fiesta que me tiro dura hasta las seis
Y tú no pares, sacúdete que no hay break
Pégate un poco, que se formó el dembay
Y no te pares, Lorna regresó otra vez
Y la fiesta que me tiro dura hasta las seis
Y la fiesta que me tiro dura hasta las seis
Y la fiesta que me tiro dura hasta las seis
Y la fiesta que me tiro dura hasta las seis
Y la fiesta que me tiro dura hasta las seis
¿Dónde están los que les gusta la calle?
Sube tus manos, ponlas en el aire
¿Dónde están los que les gusta la calle?
Sube tus manos, ponlas en el aire
Vámonos pa' la calle
En casa nadie me espere (pa' la calle)
Me gusta la rumba y el baile (la mami chula)
Y no hay quien me detiene (no me esperen)
Vámonos pa' la calle
En casa nadie me espere (pa' la calle)
Me gusta la rumba y el baile
Y no hay quien me detiene (no me esperen)
Papi chulo
The lyrics to "La La Meda" by Mexican Institute of Sound are about the singer, Lorna, expressing her desire to go out and have a good time. She feels free and independent, not needing anyone's permission or approval. She enjoys partying and dancing, and nothing can stop her from doing so. Lorna is tired of being restricted by her partner's disapproval of her outings with her friends and wants to make it clear that she doesn't like being controlled. She asserts her individuality and expresses her preference for living life on her own terms.
The song explores themes of freedom, independence, and self-expression. It celebrates the joy and liberation that comes from going out and enjoying oneself without restrictions. Lorna's defiance against societal norms and expectations is evident in her determination to pursue her own happiness and desires. The catchy and energetic nature of the music adds to the overall vibe of the song, encouraging listeners to let loose and embrace their love for the nightlife and partying culture.
Line by Line Meaning
Lorna
Referring to the artist or the singer of the song.
Pa' la calle
Let's go to the street or go out.
Vámonos pa' la calle
Let's go out or leave.
En casa nadie me espere (que va)
No one is waiting for me at home or expecting me to stay.
Me gusta la rumba y el baile
I enjoy parties and dancing.
Y no hay quien me detiene
And there is no one who can stop me.
Independiente, a nadie tengo que pedir permiso
Independent, I don't have to ask permission from anyone.
Yo me divierto de lunes a domingo
I have fun from Monday to Sunday.
Yo me esfuerzo y trabajo por lo mío
I make an effort and work for what's mine.
Además requetechula, ah, te digo
Moreover, I'm super cool, let me tell you.
No me digas que te vuelves a ir con tus amigas
Don't tell me you're leaving again with your friends.
Todas las noches, parece que tú me castigas (aha)
Every night it seems like you're punishing me.
Vamos a poner las cosas desde ahora en claro
Let's make things clear from now on.
No me gustan tus salidas, soy un tipo raro (ah)
I don't like your outings, I'm a weirdo.
Hoy es noche de party
Tonight is a party night.
Aqui to's 'tamos ready
Everyone here is ready.
Moët Chandon de Crystal, Prada, Gucci y Fendi
We have Moët Chandon, Crystal, Prada, Gucci, and Fendi.
Con la plata en la mano y tacones bien altos
With money in hand and high heels.
Nos tomamo' la selfie y la subimos bacano
We take selfies and upload them cool.
Y tú no pares, sacúdete que no hay break
And you don't stop, shake it there is no break.
Pégate un poco, que se formó el dembay
Get closer, the dembay has started.
Y no te pares, Lorna regresó otra vez
And don't stop, Lorna came back again.
Y la fiesta que me tiro dura hasta las seis
And the party I throw lasts until six in the morning.
¿Dónde están los que les gusta la calle?
Where are those who like the street or going out?
Sube tus manos, ponlas en el aire
Raise your hands, put them in the air.
Papi chulo
A term used to refer to an attractive man.
Lyrics © CONCORD MUSIC PUBLISHING LLC, Peermusic Publishing, EVELYN CATHERINE SALDARRIAGA MANTUANO EDITROIAL
Written by: Lorna Zarina Aponte Acosta, Camilo Lara
Lyrics Licensed & Provided by LyricFind