He also recorded several solo albums, the most notable example of which was Slaughter on 10th Avenue, which reached #9 on the UK Albums Chart. Ronson played with various bands after his time with Bowie. He was named the 64th greatest guitarist of all time by Rolling Stone.
Michael Ronson was born in Beverley Road, Hull, East Riding of Yorkshire, in 1946, then moved to Greatfield, Hull. As a child he was trained classically to play piano, recorder, violin, and (later) the harmonium. He initially wanted to be a cellist, but moved to guitar upon discovering the music of Duane Eddy, whose sound on the bass notes of his guitar sounded to Ronson similar to that of the cello.[3] He joined his first band, The Mariners, in November 1963, when he was just 17. His stage debut with The Mariners was in support of the Keith Herd Band at Brough Village Hall, a gig for which the band traveled 35 miles and got paid 10 shillings (50p). While Ronson was working with The Mariners, another local Hull group – The Crestas – recruited him on the advice of The Mariners' bassist John Griffiths. With Ronson on board the Crestas gained a solid reputation, making regular appearances at local halls: Mondays at the Halfway House in Hull, Thursdays at the Ferryboat Hotel, Fridays at the Regal Ballroom in Beverley, and Sundays at the Duke of Cumberland in North Ferriby.
In 1965, Ronson left The Crestas to try his luck in London. He took a part time job as a mechanic, and before long, he teamed up with a band called The Voice, replacing Miller Anderson. Soon afterward, Crestas' drummer Dave Bradfield made the trip down to London when the Voice's drummer left. After playing just a few dates with the group, Ronson and Bradfield returned from a weekend in Hull to find their gear piled at their flat and a note explaining that the rest of the group had gone to The Bahamas. Ronson stayed in London and teamed up briefly with a soul band called The Wanted, before eventually returning to Hull.
In 1966, Ronson joined Hull's top local band, The Rats, joining singer Benny Marshall, bassist Geoff Appleby, and drummer Jim Simpson (who was subsequently replaced by Clive Taylor and then John Cambridge). The group played the local circuit, and made a few unsuccessful trips to London and Paris.
In 1967 The Rats recorded the one-off psychedelic track, "The Rise And Fall Of Bernie Gripplestone" at Fairview Studios in Hull, and can be heard on the 2008 release Front Room Masters – Fairview Studios 1966–1973.[5] 1968 saw the band change their name briefly to Treacle and book another recording session at Fairview Studios in 1969, before reverting to their original name. Around this time, Ronson was recommended by Rick Kemp to play guitar on Michael Chapman's Fully Qualified Survivor album.[4]
When John Cambridge left The Rats to join his former Hullaballoos bandmate Mick Wayne in Junior's Eyes, he was replaced by Mick "Woody" Woodmansey. In November 1969, the band recorded a final session at Fairview, taping "Telephone Blues" and "Early in Spring".
In March 1970, during the recording sessions for Elton John's album Tumbleweed Connection, Ronson played guitar on the track "Madman Across the Water". This song however was not included in the original release. The recording featuring Ronson was released on the 1992 compilation album, Rare Masters, and the 1995 reissue of Tumbleweed Connection.
Early in 1970, Cambridge came back to Hull in search of Ronson, intent upon recruiting him for a new David Bowie backing band called The Hype. He found Ronson marking out a rugby pitch, one of his duties as a Parks Department gardener for Hull City Council. Having failed in his earlier attempts in London, Ronson was reluctant, but eventually agreed to accompany Cambridge to a meeting with Bowie. Two days later, on 5 February, Ronson made his debut with Bowie on John Peel's national BBC Radio 1 show.
The Hype played their first gig at The Roundhouse on 22 February with a line-up that included Bowie, Ronson, Cambridge, and producer/bassist Tony Visconti. The group dressed up in superhero costumes, with Bowie as Rainbowman, Visconti as Hypeman, Ronson as Gangsterman, and Cambridge as Cowboyman. Also on the bill that day were Bachdenkel, The Groundhogs and Caravan. The following day they performed at the Streatham Arms in London under the pseudonym of 'Harry The Butcher'. They also performed on 28 February at the Basildon Arts Lab experimental music club at the Basildon Arts Centre in Essex, billed as 'David Bowie's New Electric Band'. Also on the bill were High Tide, Overson and Iron Butterfly. Strawbs were due to perform but were replaced by Bowie's New Electric Band. John Cambridge departed on 30 March, again replaced by Woody Woodmansey. In April 1970, Ronson, Woodmansey, and Visconti commenced recording Bowie's The Man Who Sold The World album.
During the sessions for The Man Who Sold The World, the trio of Ronson, Visconti, and Woodmansey – still under The Hype moniker – signed to Vertigo Records. The group recruited Benny Marshall from The Rats as vocalist, and entered the studio to record an album. By the time a single appeared, The Hype had been renamed Ronno. "4th Hour of My Sleep" was released on Vertigo to an indifferent reception in January 1971. The song was written by Tucker Zimmerman. The B-side was a Ronson/Marshall composition called "Powers of Darkness". The Ronno album was never completed.
Bowie's backing ensemble, which now included Trevor Bolder who had replaced Visconti on bass guitar and keyboardist Rick Wakeman, were used in the recording of Hunky Dory. The departure of Visconti also meant that Ronson, with Bowie, took over the arrangements, whilst Ken Scott co-produced with Bowie. Hunky Dory was perhaps their most collaborative album, which the sleeve notes acknowledged.
It was this band, minus Wakeman, that became known as The Spiders From Mars from the title of the next Bowie album. Again, Ronson was a key part of The Rise and Fall of Ziggy Stardust and the Spiders from Mars, providing string arrangements and various instrumentation, as well as playing lead guitar. Ronson and Bowie achieved some notoriety over the concerts promoting this album, when Bowie would simulate fellatio on Ronson's guitar as he played. Ronson's guitar and arranging during the Spiders from Mars era provided much of the underpinning for later punk rock musicians. In 1972 Ronson provided a strings-and-brass arrangement for the song "Sea Diver" on the Bowie-produced All The Young Dudes album for Mott The Hoople, and co-produced Lou Reed's album Transformer with Bowie, playing lead guitar and piano on the song "Perfect Day". Again with Bowie, he re-recorded and produced the track "The Man Who Sold The World" for Lulu, released as a single in the UK, and played on a few tracks on the Dana Gillespie album Weren't Born a Man.
Ronson appeared on the 1972 country rock album Bustin' Out by Pure Prairie League, where he undertook string ensemble arrangements and contributed guitar and vocals on several tracks most notably "Angel #9" which reappeared on his solo LP "Play Don't Worry."
His guitar work was next heard on Bowie's Aladdin Sane and 1973's covers album Pin Ups. However, he was absent from the subsequent Diamond Dogs album.
Bowie said in a 1994 interview that "Mick was the perfect foil for the Ziggy character. He was very much a salt-of-the-earth type, the blunt northerner with a defiantly masculine personality, so that what you got was the old-fashioned Yin and Yang thing. As a rock duo, I thought we were every bit as good as Mick and Keith or Axl and Slash. Ziggy and Mick were the personification of that rock n roll dualism."
After leaving Bowie's entourage after the "Farewell Concert" in 1973, Ronson released three solo albums. His solo debut Slaughter on 10th Avenue, featured a version of Elvis Presley's, "Love Me Tender", as well as Ronson's most famous solo track, "Only After Dark". In addition, his sister, Margaret (Maggi) Ronson, provided the backing vocals for the set. Between this and the 1975 follow-up, Ronson had a short-lived stint with Mott the Hoople.He then became a long-time collaborator with Mott's former leader Ian Hunter, commencing with the album Ian Hunter(UK #21) and featuring the UK Singles Chart #14 hit "Once Bitten, Twice Shy", including a spell touring as the Hunter Ronson Band. In 1980, the live album Welcome to the Club was released, including a couple of Ronson contributions, although it also contained a few studio-based tracks – one of which was a Hunter/Ronson composition.
In 1974, Ronson secured the #2 spot from a reader's poll in Creem magazine as the best guitarist that year (with Jimmy Page taking first place, and Eric Clapton in third place after Ronson.
Ronson contributed guitar to the title track of the 1976 David Cassidy release Getting It in the Street.
Roger Daltrey employed Ronson's guitar on his 1977 solo release One of the Boys.
In 1979 Ronson and Hunter produced and played on the Ellen Foley debut album, Night Out, with "We Belong To The Night" and the hit single "What's a Matter Baby."
In 1982, Ronson worked with John Mellencamp on his American Fool album, and in particular the song "Jack & Diane". Both "Jack & Diane" and American Fool topped their respective US Billboard charts.
In 1990, Ronson again collaborated with Hunter on the album Yui Orta, this time getting joint credit, as "Hunter/Ronson". In 1993, he again appeared on a Bowie album, Black Tie White Noise, playing on the track "I Feel Free", originally recorded by Cream. Ronson and Bowie had already covered this track live twenty years earlier, whilst touring as Ziggy Stardust and the Spiders from Mars.
His second and third solo albums were Play Don't Worry in 1975, and Heaven and Hull in 1994. The latter set was only partly completed at the time of Ronson's death, and was released posthumously. Artists involved with the album included John Mellencamp, Joe Elliott, Ian Hunter, David Bowie, Chrissie Hynde, and Martin Chambers.
Besides Bowie and Hunter, Ronson went on to work as a musician, songwriter and record producer with many other acts including Slaughter & The Dogs (who took their name from the Ronson album Slaughter on 10th Avenue), Morrissey, The Wildhearts, The Rich Kids, Elton John, John Mellencamp, T-Bone Burnett, Dalbello, Benny Mardones, Iron City Houserockers and the Italian band Moda. He did not restrict his influence behind the recording desk to just established acts. His production work appears on albums by more obscure artists, such as Payolas, Phil Rambow and Los Illegals and The Mundanes. Ronson produced The Visible Targets, a Seattle based group, on their 1983 five track EP, "Autistic Savant".
Ronson was also a member of Bob Dylan's "Rolling Thunder Revue" live band,[12] and can be seen both on and off-stage in the film of the tour.[17] He also made a connection with Roger McGuinn during this time, which led to his producing and contributing guitar and arrangements to McGuinn's 1976 solo album Cardiff Rose.
In 1982, he participated on lead guitar in a short lived band with Hilly Michaels on drums and Les Fradkin on bass guitar. One of their recordings from this group, Spare Change, appeared on the Fradkin's 2006 album, Goin' Back.
In 1987, Ronson made an appearance on a record by The Toll. Ronson played lead on the band's song, "Stand in Winter", from the album The Price of Progression.
In 1992 he produced Morrissey's album, Your Arsenal. The same year, Ronson's final high profile live performance was his appearance at The Freddie Mercury Tribute Concert. He played on "All the Young Dudes" with Bowie and Hunter; and "Heroes" with Bowie. Ronson's final recorded session was as a guest on the 1993 Wildhearts album Earth vs the Wildhearts, where he played the guitar solo on the song "My Baby is a Headfuck".
Ronson died of liver cancer on 29 April 1993 at the age of 46, survived by his wife Suzy, and his children Nicholas, Lisa (with wife, Suzi Ronson), and Joakim (with Carola Westerlund). Ronson was raised in The Church of Jesus Christ of Latter-day Saints. His funeral was held in a Mormon chapel in London on 6 May.
In his memory, the Mick Ronson Memorial Stage was constructed in Queens Gardens in his hometown of Hull. There is also a street named after him on Bilton Grange Estate, not far from where he lived.
Throughout his career with Bowie, Ronson used a 1968 Gibson Les Paul customised "Black Beauty". In the post-Bowie era, Ronson tended towards a blue, rosewood-board Fender Telecaster; he did not, however, limit himself to these two guitars. Ronson also used Marshall 200 amps (not to be confused with a Marshall Major) that he nicknamed "The Pig". Ronson also used a MKI Tone Bender for his signature sound during the Spiders from Mars era.
Billy Porter
Mick Ronson Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I saw a man in old grey clothes
A stranger
Passing by he smiled at me
But when I looked I realised the danger
For his eyes they looked so empty and cold
In my pocket only cents and dimes
But then for them he'd gladly kill me
Walking past and walking fast
I managed just to slip around a corner
Thought he'd hear my running feet
As I went pounding down the street
Like thunder
Well I've never heard my heart beat so fast
And I've never been so scared in the past
And I never ever realised
That this place could be evil to me
Billy Porter
You didn't tell me that I needed a gun
Billy Porter
When you wrote you said
That this place is fun
What have I done
Well I've never heard my heart beat so fast
And I've never been so scared in the past
And I never ever realised
That this place could be evil to me
Let me tell ya'
Now Billy's smart and Billy's tough
He's good to have
When the going's rough
He told me
"Don't go out on your own at night
For if you do you'll have to fight
Stay by me"
Now he's teaching me
Each and every day
And I think that in this place
I might stay
And I never, ever realised
What a roughneck I would turn out to be
Billy Porter
You never told me that I needed a gun
Billy Porter
When you wrote you said
That this place is fun
What can be done
Billy Porter
You never told me that I needed a gun
Billy Porter
When you wrote you said
That this place is fun
Billy Porter
You never told me that I'd be on the run
Billy Porter
What would father say if he saw his son
Billy Porter
You never told me that I needed a gun
Billy Porter
When you wrote you said
That this place is fun
The song "Billy Porter" by Mick Ronson tells a story of a man who is traveling alone and encounters danger on an empty road. He sees an old man in grey clothes and immediately feels uneasy about him. As he passes by, the man smiles at him, but the singer realizes that something is not right about him. The man believes that he could be robbed by the stranger, and his fear intensifies. The man then runs away, realizing that he is in a dangerous place where he needs to be careful.
The song describes the experience of someone who is unfamiliar with the dangers of an unfamiliar place. The singer feels unprepared for the danger that he has encountered, and he wishes that he had known about it beforehand. He thinks of Billy Porter, who he was supposed to meet in that place, and realizes that he never informed him of the potential risks. The song is a cautionary tale, advising listeners to be careful and prepared when traveling to unfamiliar places.
Line by Line Meaning
Walking down an empty road
Mick is walking on a deserted street.
I saw a man in old grey clothes
He notices a shabbily dressed man.
A stranger
He does not know this man.
Passing by he smiled at me
The stranger smiled at Mick as he passed him.
But when I looked I realised the danger
Mick senses that this man is not safe to be around.
For his eyes they looked so empty and cold
The man's face and eyes revealed his soul to be void and callous.
And something told me that I'm gonna be rolled
Mick felt that he was likely to be mugged by this man.
In my pocket only cents and dimes
Mick has minimal money on him.
But then for them he'd gladly kill me
The stranger would harm Mick for the little change in his pockets.
Walking past and walking fast
Mick hurries past the stranger.
I managed just to slip around a corner
Mick quickly turns a corner to be away from the stranger's view.
Thought he'd hear my running feet
Mick expected the stranger to hear he was running.
As I went pounding down the street
He ran down the path as hard as he could.
Like thunder
The sound of his running was like the deafening roar of thunder.
Well I've never heard my heart beat so fast
Mick's heartbeat escalated due to fear.
And I've never been so scared in the past
Mick was frightened by that encounter.
And I never ever realised
Before he visited this place,
That this place could be evil to me
he never knew this area could be so dangerous.
Billy Porter
The person addressed as Billy Porter.
You didn't tell me that I needed a gun
Mick feels that Billy Porter could have warned him about the dangers in this area.
When you wrote you said That this place is fun What have I done
Mick feels like he is in danger due to the fact that he was told the place would be fun.
Well I've never heard my heart beat so fast
Mick's heart is racing again.
And I've never been so scared in the past
He is petrified by the danger he is in.
And I never ever realised
Mick had never comprehended that it would be so terrible.
What a roughneck I would turn out to be
Mick has become a toughened individual.
Now Billy's smart and Billy's tough
Billy is a smart and tough individual.
He's good to have When the going's rough
Billy is useful when things become rough.
He told me
Billy advised Mick.
"Don't go out on your own at night
Billy's warning to Mick about going out at night time.
For if you do you'll have to fight
If Mick goes out alone at night, he will have to fight to survive.
Stay by me"
Billy tells Mick to stay close to him.
Now he's teaching me
Billy is now a mentor to Mick.
Each and every day
Billy teaches Mick something new every day.
And I think that in this place
Mick is now used to this place.
I might stay
Mick may not want to leave this place.
Billy Porter
Mick addressing Billy Porter again.
You never told me that I needed a gun
Mick is disappointed that Billy Porter never brought up the need for a weapon in this area.
When you wrote you said That this place is fun What can be done
Mick is unsure about what to do now that he has realized what Billy meant.
Billy Porter
Mick brings Billy up again.
You never told me that I'd be on the run
Mick is on the run and is a fugitive.
What would father say if he saw his son
Mick thinks about how his father would feel if he saw his son in this state.
You never told me that I needed a gun
Mick thinks that he would have been prepared if he had a weapon.
When you wrote you said That this place is fun
Mick again remembers Billy telling him that this place was fun.
Lyrics © Sony/ATV Music Publishing LLC
Written by: MICK RONSON
Lyrics Licensed & Provided by LyricFind
anubis 92
Walking down an empty road
I saw a man in old grey clothes
A stranger
Passing by he smiled at me
But when I looked I realised the danger
For his eyes they looked so empty and cold
And something told me that I'm gonna be rolled
In my pocket only cents and dimes
But then for them he'd gladly kill me
Walking past and walking fast
I managed just to slip around a corner
Thought he'd hear my running feet
As I went pounding down the street
Like thunder
Well I've never heard my heart beat so fast
And I've never been so scared in the past
And I never ever realised
That this place could be evil to me
Billy Porter
You didn't tell me that I needed a gun
Billy Porter
When you wrote you said
That this place is fun
What have I done
Well I've never heard my heart beat so fast
And I've never been so scared in the past
And I never ever realised
That this place could be evil to me
Let me tell ya'
Now Billy's smart and Billy's tough
He's good to have
When the going's rough
He told me
"Don't go out on your own at night
For if you do you'll have to fight
Stay by me"
Now he's teaching me
Each and every day
And I think that in this place
I might stay
And I never, ever realised
What a roughneck I would turn out to be
Billy Porter
You never told me that I needed a gun
Billy Porter
When you wrote you said
That this place is fun
What can be done
Billy Porter
You never told me that I needed a gun
Billy Porter
When you wrote you said
That this place is fun
Billy Porter
You never told me that I'd be on the run
Billy Porter
What would father say if he saw his son
Billy Porter
You never told me that I needed a gun
Billy Porter
When you wrote you said
That this place is fun
james bryan
How can an artist of this stature be so under rated ? And what incredible talent on the guitar ! In my youth, I spaz-danced many a night to his music in the privacy of my room. Thanks, Mic !
Peter Townend
So did i mucca 🙏
Thomas Adrian
In those days the big record companies fronted & promoted who they wanted regardless of talent. And it got worse, as we all can see....
Billy Harris
Long live Mick
UltiEd
My dad played this to me. Instant love. Such a great song. Replayed it a bunch of times already
Leeann Spence
UltiEd same here! My Dad played this for me as well. My Dad has a great taste in music! I got to remember everything he listens to.
Steve Biggs
I heard this back in the 70s, still love it and miss Mick Ronson. what a talent
Rocca Palumba
Me too...
Mary Decker
A friend mentioned Mick Ronson the other day and I remembered how much I liked his collaborations with David Bowie and Mott the Hoople and also his solo recordings. I have not heard this song in many years, but what a great blast from the past. Thanks, RodneyRix, for posting this and other tunes from the "Play, Don't Worry" album.
Steve Hoyland - Movies And Much More!
Hi, Mary. I think It was a bit more than collaboration with bowie....he was his guitarist for many years. And they were close friends, I understand? Please don't see this as criticism - I agree with what you say.