Mike WiLL’s own mixtape, Est. In 1989, a collection of singles and previously released tracks that Mike has produced, a way to catch new fans and Johnny-come-lately industry representatives up on what Mike WiLL has been up to over the past few years. Also included on the tape are handful of previously unreleased exclusives, including the tape’s lead single, “Itchin’,” which features Future and has already garnered radio play, and “Animosity,” a track that features Gucci Mane and Yo Gotti.
All told, Mike WiLL’s placements have earned him well over 20 million YouTube views, heavy radio play, his first Billboard charting single, and his own burgeoning production company, all before the age of 24 – and with plenty more still to come. “I want to work with everybody, whoever I haven’t worked with yet,” remarks Mike, noting that he has no intention of limiting himself by genre as his career continues to flourish. “From street rap to Disney to pop; I want to do it all.” And as it’s been since he first discovered his love and passion for music from his Uncle Al as a young kid, no matter what he’s doing, Mike WiLL Made It will do it in a style all his own.
Outro
Mike Will Made-It Lyrics
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This shit gonna be ? hard
Man, shit gon’ be crazy
Alright, why don’t we play it at Chergen (sp?)
What you gon’ do? You gon’ go on tour? What [?] your songs so how you gon’ do that?
Shit man my work on tour…
[?] like a super tour or some shit
Fuck it, a super tour
[?] motherfucker
Yeah but the streets will
On an all star tour
The streets want a super tour
Yeah that shit’d be crazy
We done made it out the basement. Made it out the motherfucking basement, dawg.
Now we holding the motherfucking game for ransom.
Got so many songs that these songs came from,
I really been tryna pick the tracklist since the summer.
[?] bout your girl or nothing, I’ll hold her for ransom too
You gon’ give em the game back or what? If they do what
Man I’m just tryna figure it out
[?] I’ma give y’all the game babe. Holdin’ the game for ransom…
The lyrics of Mike Will Made-It's Outro are a conversation between two people. The conversation starts with one person saying that he knows that everyone has been waiting for this summertime song, and he is also eagerly waiting to release it. He emphasizes the fact that the song is going to be hard and crazy. The conversation then moves towards where they should play the song, and they eventually suggest Chergen. The lyrics then shift to a question about whether the singer will go on tour, and he says that he will take his work on tour. The conversation then moves to a topic of a super tour or all-star tour, to which the singer agrees that it would be a crazy idea.
The lyrics then go on to talk about their success and how far they have come. They have made it out of the basement and are now holding the game for ransom. They have so many songs, which the singer has been trying to pick for his tracklist since summer. The lyrics, then, take a humorous turn as the singer says that he will hold someone's girlfriend for ransom if needed. The conversation ends with them discussing that they are holding the game for ransom and having fun with it.
Line by Line Meaning
Ransom man, I know y’all been waiting on this motherfucking summertime shit, me too
Mike Will Made-It acknowledges the eagerness of his fans for his new summer music release.
This shit gonna be ? hard
He expects his new music to be unparalleled and unyielding
Man, shit gon’ be crazy
Mike believes that his music is so groundbreaking that it will cause a stir in the industry
Alright, why don’t we play it at Chergen (sp?)
He is suggesting the ideal place to debut his new music to guarantee maximum impact
That shit gon’ be crazy
He reiterates his confidence that his new music will exceed expectations
What you gon’ do? You gon’ go on tour? What [?] your songs so how you gon’ do that?
Mike's friend asks him about touring and performing live with so many new songs, questioning how he will manage it
Shit man my work on tour…
Mike responds that his new music production will accompany him on tour
[?] like a super tour or some shit
Mike's friend wonders if his new music is substantial enough to warrant a super tour
Fuck it, a super tour
Mike responds positively to his friend's question and decides to go on a super tour
[?] motherfucker
Mike celebrates his and his fellow artists' status as winning creators of music
Yeah but the streets will
Mike imagines the support of the streets behind his music and the super tour
On an all star tour
Mike describes his and his fellow artists' participation in a collective, all-star musical event
The streets want a super tour
Mike surmises that his street fans are also anticipating the super tour
Yeah that shit’d be crazy
He repeats his appreciation of the upcoming musical event
We done made it out the basement. Made it out the motherfucking basement, dawg.
Mike reflects on the journey from the humble beginnings of music production in the basement to greater success
Now we holding the motherfucking game for ransom.
Mike and his music industry cohort have attained success in the field and now wield their influence and music as a form of power
Got so many songs that these songs came from,
Mike has produced a surplus of music spanning years and culminating in this new music release
I really been tryna pick the tracklist since the summer.
Mike has been carefully curating the tracklist for his new music since the summer
[?] bout your girl or nothing, I’ll hold her for ransom too
Mike adds a humorous element to his declaration of power over the music industry by jokingly stating that he has power over personal relationships as well
You gon’ give em the game back or what? If they do what
His friend inquires about the return of power to the music industry, specifically the need to fulfill certain conditions to earn that power back
Man I’m just tryna figure it out
Mike acknowledges the need to plan and strategize effectively to keep that power over the music industry
[?] I’ma give y’all the game babe. Holdin’ the game for ransom…
He ends by asserting his authority over the music industry and taunting his competitors about his power and musical dominance.
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