Ministry was formed in Chicago, Illinois, United States in 1981 by Alain Jo… Read Full Bio ↴Ministry was formed in Chicago, Illinois, United States in 1981 by Alain Jourgensen (born Oct. 8, 1958, Havana, Cuba), who had previously been in a new wave band called Special Affect (fronted by future My Life With the Thrill Kill Kult leader Frankie Nardiello, aka Groovie Mann).
With drummer Stephen George, Ministry debuted with the Wax Trax! single Cold Life, which -- typical of their early output -- was in the synthpop dance style of new wavers like the Human League and Thompson Twins. The album With Sympathy, on the major label Arista in 1983, followed a similar musical direction -- one that Jourgensen was dissatisfied with. He returned to Wax Trax! and recorded several singles while rethinking the band's style and forming his notorious side project, the Revolting Cocks.
In 1986, with Jourgensen the only official member of Ministry, the Adrian Sherwood-produced Twitch was released by Sire Records. While not as aggressive as the group's later material, it took definite steps in that direction with a more industrial / ebm sound.
Following a 1987 single with Skinny Puppy's Kevin Ogilvie (aka Nivek Ogre) as PTP, Jourgensen once again revamped Ministry, with former Blackouts bassist Paul Barker officially joining the lineup to complement Jourgensen's rediscovery of the guitar. Fellow ex-Blackouts William Rieflin (drums) and Mike Scaccia (guitar), as well as vocalist Chris Connelly, were heavily showcased as collaborators for the first of several times on 1988's The Land of Rape and Honey. With Jourgensen and Barker credited as Hypo Luxa and Hermes Pan, respectively, this album proved to be Ministry's stylistic breakthrough, a taut, explosive fusion of heavy metal, industrial dance beats, samples and punk aggression.
1989's The Mind Is a Terrible Thing to Taste built on its predecessor's artistic success, and In Case You Didn't Feel Like Showing Up was recorded on its supporting tour, introducing collaborators like drummer Martin Atkins (ex-Public Image Ltd., later of Pigface), guitarist William Tucker, and Jello Biafra). Jourgensen embarked on a flurry of side projects, including the Revolting Cocks (with Barker, Barker's brother Roland, Front 242 members Luc Van Acker and Richard 23, and many more), 1000 Homo DJs (with Biafra, Rieflin, and Trent Reznor), Acid Horse (with Cabaret Voltaire), Pailhead (with Ian MacKaye), and Lard (with Biafra, Barker and Rieflin).
In late 1991, Ministry issued the single Jesus Built My Hotrod, a driving rocker featuring manic nonsense vocals by co-writer Gibby Haynes of the Butthole Surfers; its exposure on MTV helped build anticipation for the following year's full-length Psalm 69 (subtitled The Way to Succeed & the Way to Suck Eggs, although the only title that appears on the album consists of a few Greek letters and symbols). The record reached the Top 30 and went platinum, producing two further MTV hits, N.W.O. and Just One Fix. Ministry consolidated its following with a spot on the second Lollapalooza tour that summer, joined by guitarist Louis Svitek. However, drug and legal problems sidelined the band in the wake of its newfound popularity, resulting in the clouded Filth Pig being released in 1995, too late to capitalize on their prior success.
More problems with drugs and arrests followed, and Jourgensen returned to some of his side projects, recording a new album with Lard, among others. In 1999, the single Bad Blood was featured prominently in the sci-fi blockbuster The Matrix, setting the stage for the release of Dark Side of the Spoon (the title a reference to the band's heroin problems) later that summer.
Guitarist William Tucker committed suicide in May 1999.
The band was nominated for a Grammy in 2000 for "Bad Blood," but they lost to Black Sabbath, and were dropped from Warner Bros. around the same time. They were also added to the Ozzfest tour but were kicked off before it began because of a management change. To compound their sorrows, Ipecac Records announced three live albums to be released, with material from the Psalm 69 tour being the main focus, but when Warner Bros. caught wind of the project they stamped it out, despite the CDs already being ready for printing.
In 2001, the band filmed a scene for Steven Spielberg's A.I. and released the song from the film on a greatest-hits album, appropriately titled Greatest Fits. The group signed to Sanctuary Records later in the year. They released the Sphinctour album and DVD in the spring of 2002 to satisfy fans who were disappointed by the Ipecac situation. The next spring, Animositisomina was released, advertised as a return to the Psalm 69 style of songwriting, and featuring a cover of Magazine's The Light Pours Out of Me.
Barker left the Ministry camp in 2003. He stated that the trigger was his father dying while the band was wrapping up a summer tour in Europe, and also stated in early 2004 that his family life was his main focus at that particular time. Jourgensen continued Ministry with Mike Scaccia and various other musicians.
Houses of the Molé followed in June 2004. It was the first part in a trilogy of "anti-Bush" albums (Rio Grande Blood in 2006 and The Last Sucker in 2007).
In September 2005 Ministry celebrated their 25th anniversary with Rantology. Jourgensen remixed such hits as Jesus Built My Hotrod and N.W.O. for the set, which also included live material, rarities, and the new track The Great Satan. An extensive tour with the newly reformed Revolting Cocks followed.
In 2007, after nearly three decades, nearly a dozen studio albums, and four Grammy nominations, Ministry announced that the album The Last Sucker would be its last. The album completed an uber-critical trilogy aimed at exposing the foils, failures and fabrications of the George W. Bush administration. Ministry embarked on its "final" world tour in the spring of 2008 – the “C U LaTour.”
Jourgenson then concentrated on running his label, 13th Planet Records. Three post-break-up Ministry albums were released: The Last Dubber, a remix album of The Last Sucker; Cover Up, a compilation of new and old cover versions by Ministry; and Adios, a live album documenting the "C U LaTour".
On August 7, 2011, it was announced that Ministry was reforming and would play at Germany's Wacken Open Air festival, set to take place August 2-4, 2012. The reunion lineup featured Jourgensen on vocals, Scaccia and Tommy Victor both on guitar, Aaron Rossi on drums, John Bechdel on keyboards and Tony Campos on bass.
Jourgensen told Metal Hammer in August 2011 that Ministry had been working on a new album called Relapse. "Bush is gone, so it's time for something new," he said. "I think this is actually gonna wind up being the fastest and heaviest record I've ever done."
Ministry announced on their website that they entered the studio on September 1, 2011 with engineer Sammy D'Ambruoso to begin recording their new album. On December 23, 2011, Ministry released "99%", the first single from Relapse. The album was released on March 23, 2012.
On December 23, 2012, guitarist Mike Scaccia died following an on-stage heart attack, while playing with his other band, Rigor Mortis.
In an interview with Noisey in March 2013, Jourgensen announced that Ministry would break up again, explaining that he does not want to carry on without Scaccia. "Mikey was my best friend in the world and there's no Ministry without him", he said. "But I know the music we recorded together during the last weeks of his life had to be released to honor him. So after his funeral, I locked myself in my studio and turned the songs we had recorded into the best and last Ministry record anyone will ever hear. I can't do it without Mikey and I don't want to. So yes, this will be Ministry's last album."
The album, titled From Beer to Eternity, was released on September 6, 2013. Jourgensen has stated that Ministry plans to tour in support of From Beer to Eternity, but will not record any more albums.
Current Members:
Al Jourgensen – vocals, keyboards, synths, guitar, bass, drums, and various others (1981–present)
John Bechdel – keyboards (2006–2008, 2011–present)
Sin Quirin – guitars, bass (2007–2008, 2012–present)
Aaron Rossi – drums (2007–2008, 2011–present)
Casey Orr – bass, keyboards (2012–present)
Former Members:
John Davis – keyboards (1981–1982)
Stephen George – drums (1981–1985)
Robert Roberts – keyboards (1981–1984)
Marty Sorenson – bass (1981–1982)
Shay Jones – vocals (1982–1983)
Brad Hallen – bass (1983–1985)
John Soroka – keyboards/collaboration (1984–1986)
Paul Barker – bass, keyboards, programming, vocals (1986–2003)
Bill Rieflin – drums, keyboards, programming, guitar (1986–1995)
Chris Connelly – vocals, keyboards & various songwriting credits (1987–1993)
Nivek Ogre – vocals, guitar, keyboards (1988–1990)
Mike Scaccia – guitars, bass (1989–1995, 2003–2006, 2011–2012)
Howie Beno – programming, editing (1990–1993)
Michael Balch – keyboards, programming (1991–1992)
Louis Svitek – guitar (1992–1999, 2003)
Duane Buford – keyboards (1995–1999)
Zlatko Hukic – electronics, guitar (1995–1999)
Rey Washam – drums, percussion, programming (1995–1999, 2003)
Max Brody – drums, percussion, programming, saxophone (1999–2004)
Mark Baker – drums (2004–2005)
John Monte – bass (2004)
Paul Raven – bass, keyboards, guitar, drums (2005–2007)
Tommy Victor – guitars, bass (2005–2008, 2011–2012)
Tony Campos – bass (2007–2008, 2011–2012)
Discography (Studio albums):
1983 - With Sympathy
1986 - Twitch
1988 - The Land of Rape and Honey
1989 - The Mind is a Terrible Thing to Taste
1992 - ΚΕΦΑΛΗΞΘ (Psalm 69: The Way to Succeed and the Way to Suck Eggs)
1996 - Filth Pig
1999 - Dark Side of the Spoon
2003 - Animositisomina
2004 - Houses of the Molé
2006 - Rio Grande Blood
2007 - The Last Sucker
2012 - Relapse
2013 - From Beer to Eternity
2018 - AmeriKKKant
2021 - Moral Hygiene
2024 - HOPIUMFORTHEMASSES
With drummer Stephen George, Ministry debuted with the Wax Trax! single Cold Life, which -- typical of their early output -- was in the synthpop dance style of new wavers like the Human League and Thompson Twins. The album With Sympathy, on the major label Arista in 1983, followed a similar musical direction -- one that Jourgensen was dissatisfied with. He returned to Wax Trax! and recorded several singles while rethinking the band's style and forming his notorious side project, the Revolting Cocks.
In 1986, with Jourgensen the only official member of Ministry, the Adrian Sherwood-produced Twitch was released by Sire Records. While not as aggressive as the group's later material, it took definite steps in that direction with a more industrial / ebm sound.
Following a 1987 single with Skinny Puppy's Kevin Ogilvie (aka Nivek Ogre) as PTP, Jourgensen once again revamped Ministry, with former Blackouts bassist Paul Barker officially joining the lineup to complement Jourgensen's rediscovery of the guitar. Fellow ex-Blackouts William Rieflin (drums) and Mike Scaccia (guitar), as well as vocalist Chris Connelly, were heavily showcased as collaborators for the first of several times on 1988's The Land of Rape and Honey. With Jourgensen and Barker credited as Hypo Luxa and Hermes Pan, respectively, this album proved to be Ministry's stylistic breakthrough, a taut, explosive fusion of heavy metal, industrial dance beats, samples and punk aggression.
1989's The Mind Is a Terrible Thing to Taste built on its predecessor's artistic success, and In Case You Didn't Feel Like Showing Up was recorded on its supporting tour, introducing collaborators like drummer Martin Atkins (ex-Public Image Ltd., later of Pigface), guitarist William Tucker, and Jello Biafra). Jourgensen embarked on a flurry of side projects, including the Revolting Cocks (with Barker, Barker's brother Roland, Front 242 members Luc Van Acker and Richard 23, and many more), 1000 Homo DJs (with Biafra, Rieflin, and Trent Reznor), Acid Horse (with Cabaret Voltaire), Pailhead (with Ian MacKaye), and Lard (with Biafra, Barker and Rieflin).
In late 1991, Ministry issued the single Jesus Built My Hotrod, a driving rocker featuring manic nonsense vocals by co-writer Gibby Haynes of the Butthole Surfers; its exposure on MTV helped build anticipation for the following year's full-length Psalm 69 (subtitled The Way to Succeed & the Way to Suck Eggs, although the only title that appears on the album consists of a few Greek letters and symbols). The record reached the Top 30 and went platinum, producing two further MTV hits, N.W.O. and Just One Fix. Ministry consolidated its following with a spot on the second Lollapalooza tour that summer, joined by guitarist Louis Svitek. However, drug and legal problems sidelined the band in the wake of its newfound popularity, resulting in the clouded Filth Pig being released in 1995, too late to capitalize on their prior success.
More problems with drugs and arrests followed, and Jourgensen returned to some of his side projects, recording a new album with Lard, among others. In 1999, the single Bad Blood was featured prominently in the sci-fi blockbuster The Matrix, setting the stage for the release of Dark Side of the Spoon (the title a reference to the band's heroin problems) later that summer.
Guitarist William Tucker committed suicide in May 1999.
The band was nominated for a Grammy in 2000 for "Bad Blood," but they lost to Black Sabbath, and were dropped from Warner Bros. around the same time. They were also added to the Ozzfest tour but were kicked off before it began because of a management change. To compound their sorrows, Ipecac Records announced three live albums to be released, with material from the Psalm 69 tour being the main focus, but when Warner Bros. caught wind of the project they stamped it out, despite the CDs already being ready for printing.
In 2001, the band filmed a scene for Steven Spielberg's A.I. and released the song from the film on a greatest-hits album, appropriately titled Greatest Fits. The group signed to Sanctuary Records later in the year. They released the Sphinctour album and DVD in the spring of 2002 to satisfy fans who were disappointed by the Ipecac situation. The next spring, Animositisomina was released, advertised as a return to the Psalm 69 style of songwriting, and featuring a cover of Magazine's The Light Pours Out of Me.
Barker left the Ministry camp in 2003. He stated that the trigger was his father dying while the band was wrapping up a summer tour in Europe, and also stated in early 2004 that his family life was his main focus at that particular time. Jourgensen continued Ministry with Mike Scaccia and various other musicians.
Houses of the Molé followed in June 2004. It was the first part in a trilogy of "anti-Bush" albums (Rio Grande Blood in 2006 and The Last Sucker in 2007).
In September 2005 Ministry celebrated their 25th anniversary with Rantology. Jourgensen remixed such hits as Jesus Built My Hotrod and N.W.O. for the set, which also included live material, rarities, and the new track The Great Satan. An extensive tour with the newly reformed Revolting Cocks followed.
In 2007, after nearly three decades, nearly a dozen studio albums, and four Grammy nominations, Ministry announced that the album The Last Sucker would be its last. The album completed an uber-critical trilogy aimed at exposing the foils, failures and fabrications of the George W. Bush administration. Ministry embarked on its "final" world tour in the spring of 2008 – the “C U LaTour.”
Jourgenson then concentrated on running his label, 13th Planet Records. Three post-break-up Ministry albums were released: The Last Dubber, a remix album of The Last Sucker; Cover Up, a compilation of new and old cover versions by Ministry; and Adios, a live album documenting the "C U LaTour".
On August 7, 2011, it was announced that Ministry was reforming and would play at Germany's Wacken Open Air festival, set to take place August 2-4, 2012. The reunion lineup featured Jourgensen on vocals, Scaccia and Tommy Victor both on guitar, Aaron Rossi on drums, John Bechdel on keyboards and Tony Campos on bass.
Jourgensen told Metal Hammer in August 2011 that Ministry had been working on a new album called Relapse. "Bush is gone, so it's time for something new," he said. "I think this is actually gonna wind up being the fastest and heaviest record I've ever done."
Ministry announced on their website that they entered the studio on September 1, 2011 with engineer Sammy D'Ambruoso to begin recording their new album. On December 23, 2011, Ministry released "99%", the first single from Relapse. The album was released on March 23, 2012.
On December 23, 2012, guitarist Mike Scaccia died following an on-stage heart attack, while playing with his other band, Rigor Mortis.
In an interview with Noisey in March 2013, Jourgensen announced that Ministry would break up again, explaining that he does not want to carry on without Scaccia. "Mikey was my best friend in the world and there's no Ministry without him", he said. "But I know the music we recorded together during the last weeks of his life had to be released to honor him. So after his funeral, I locked myself in my studio and turned the songs we had recorded into the best and last Ministry record anyone will ever hear. I can't do it without Mikey and I don't want to. So yes, this will be Ministry's last album."
The album, titled From Beer to Eternity, was released on September 6, 2013. Jourgensen has stated that Ministry plans to tour in support of From Beer to Eternity, but will not record any more albums.
Current Members:
Al Jourgensen – vocals, keyboards, synths, guitar, bass, drums, and various others (1981–present)
John Bechdel – keyboards (2006–2008, 2011–present)
Sin Quirin – guitars, bass (2007–2008, 2012–present)
Aaron Rossi – drums (2007–2008, 2011–present)
Casey Orr – bass, keyboards (2012–present)
Former Members:
John Davis – keyboards (1981–1982)
Stephen George – drums (1981–1985)
Robert Roberts – keyboards (1981–1984)
Marty Sorenson – bass (1981–1982)
Shay Jones – vocals (1982–1983)
Brad Hallen – bass (1983–1985)
John Soroka – keyboards/collaboration (1984–1986)
Paul Barker – bass, keyboards, programming, vocals (1986–2003)
Bill Rieflin – drums, keyboards, programming, guitar (1986–1995)
Chris Connelly – vocals, keyboards & various songwriting credits (1987–1993)
Nivek Ogre – vocals, guitar, keyboards (1988–1990)
Mike Scaccia – guitars, bass (1989–1995, 2003–2006, 2011–2012)
Howie Beno – programming, editing (1990–1993)
Michael Balch – keyboards, programming (1991–1992)
Louis Svitek – guitar (1992–1999, 2003)
Duane Buford – keyboards (1995–1999)
Zlatko Hukic – electronics, guitar (1995–1999)
Rey Washam – drums, percussion, programming (1995–1999, 2003)
Max Brody – drums, percussion, programming, saxophone (1999–2004)
Mark Baker – drums (2004–2005)
John Monte – bass (2004)
Paul Raven – bass, keyboards, guitar, drums (2005–2007)
Tommy Victor – guitars, bass (2005–2008, 2011–2012)
Tony Campos – bass (2007–2008, 2011–2012)
Discography (Studio albums):
1983 - With Sympathy
1986 - Twitch
1988 - The Land of Rape and Honey
1989 - The Mind is a Terrible Thing to Taste
1992 - ΚΕΦΑΛΗΞΘ (Psalm 69: The Way to Succeed and the Way to Suck Eggs)
1996 - Filth Pig
1999 - Dark Side of the Spoon
2003 - Animositisomina
2004 - Houses of the Molé
2006 - Rio Grande Blood
2007 - The Last Sucker
2012 - Relapse
2013 - From Beer to Eternity
2018 - AmeriKKKant
2021 - Moral Hygiene
2024 - HOPIUMFORTHEMASSES
[untitled]
Ministry Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I see trees of green, red roses, too
I see them bloom for me and you
And I think to myself, what a wonderful world
I see skies of blue and clouds of white
The bright blessed day, the dark sacred night
And I think to myself, what a wonderful world
The colours of the rainbow, so pretty in the sky
Are also on the faces of people going by
I see friends shakin' hands, sayin' "How do you do?"
They're really saying "I love you"
I hear babies cryin', I watch them grow
They'll learn much more than I'll ever know
And I think to myself, what a wonderful world
Yes, I think to myself, what a wonderful world
I see them bloom for me and you
And I think to myself, what a wonderful world
I see skies of blue and clouds of white
The bright blessed day, the dark sacred night
And I think to myself, what a wonderful world
Are also on the faces of people going by
I see friends shakin' hands, sayin' "How do you do?"
They're really saying "I love you"
I hear babies cryin', I watch them grow
They'll learn much more than I'll ever know
And I think to myself, what a wonderful world
Yes, I think to myself, what a wonderful world
The song [untitled] by Ministry is actually a cover of the classic song "What a Wonderful World" by Louis Armstrong. While the original song is a beautiful and uplifting message of hope and positivity, Ministry's version takes a much darker and more sarcastic tone. The distorted guitar riffs and aggressive vocals add a layer of irony to the lyrics, creating a sense of bitterness and cynicism.
The first stanza of the song talks about the beauty of nature and how it blooms for both the singer and the listener. However, as the song progresses, it becomes clear that the world is not as wonderful as it seems. The line "I hear babies cryin', I watch them grow, they'll learn much more than I'll ever know" suggests a sense of hopelessness and despair, highlighting the singer's pessimistic view of the world.
The chorus still maintains the original message that the world is a wonderful place, but the music and vocals indicate otherwise. The sarcastic tone and distorted sound create a sense of irony, challenging the listener to question whether the world really is as wonderful as it seems.
Line by Line Meaning
I see trees of green, red roses, too
I observe the trees and the red flowers that flourish in nature
I see them bloom for me and you
I see them flourishing for both you and me
And I think to myself, what a wonderful world
As I reflect on the beauty of nature, I believe that this world is an amazing place
I see skies of blue and clouds of white
I observe the blue skies and white clouds
The bright blessed day, the dark sacred night
Daytime and nighttime both hold important and special meaning for me
And I think to myself, what a wonderful world
As I continue to reflect on natural phenomena, I still believe that this world is truly incredible
The colours of the rainbow, so pretty in the sky
The vivid and brilliant colors of the rainbow are present in the sky
Are also on the faces of people going by
These same colors can be seen in the faces of the passing people
I see friends shakin' hands, sayin' "How do you do?"
I observe acquaintances greeting each other and exchanging pleasantries
They're really saying "I love you"
Beneath their initial greeting, they are expressing their affection towards one another
I hear babies cryin', I watch them grow
I hear the sounds of infants crying and then witness their development
They'll learn much more than I'll ever know
These same infants will gain knowledge that surpasses my own
And I think to myself, what a wonderful world
Even when considering the future of these infants, I still believe that this world is absolutely fantastic
Yes, I think to myself, what a wonderful world
I repeat my assertion that this world is simply wonderful and extraordinary
Writer(s): David Jay, Daniel Gaston Ash, Peter John Murphy, Kevin Haskins
Contributed by Juliana O. Suggest a correction in the comments below.
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@raguilarc8033
The author William Burroughs, whose books include Naked Lunch, The Soft Machine and The Wild Boys, appears in the video for this song and performs some spoken dialogue. In our 2012 interview with Al Jourgensen, he told the story: "We did a video with him in Lawrence, Kansas. We walked to his house. I have this fear of flying on the 23rd of each month, you know, the old saying '23 skiddoo,' I don't travel on the 23rd. But on this day, I talked a friend into renting a car and we drove down to Lawrence, Kansas. We got his address and we showed up at his house and he opens the door and the first thing he said was, 'Are you holding?' We only had enough for ourselves to keep us for a few days, because my friend was a junkie, too, so we're like, no, and so he slams the door in my face.
So we did a drive back to Kansas City to score heroin to come into Bill Burroughs' house. So the next time he opens the door, he goes, 'Are you holding?' We're like, 'Yeah, we got it.' He's like, 'All right. Come in.' So we were allowed in.
So then I'm sitting there, and he pulls out this like 1950s Pulp Fiction kind of tool belt with needles in it. Like old school, 1950s, huge needles. And he meticulously took that out, found a vein - I don't know how you'd find a vein in a 70 year old guy, but he knew what he was doing. So we all shot up together and we're all stoned on his couch in his living room. And I notice there was a letter on his desk in front of me that was from the White House. Okay? And I'm like, Bill, it's not even opened. And I'm just like, 'Are you going to open this?' He goes, 'Nahhh, it's probably junk mail.' It's from the White House, and we're all completely stoned on heroin. So I go, 'Do you mind if I open it?' He's like, 'Man, I don't care.' So I open it and there's a letter from President Bill Clinton asking him to speak at the White House during some Naked Lunch excerpts or whatever. So I was like, 'Man, this is big.' And the only thing he said was, 'Who's president nowadays?' He didn't know. He didn't even know Bill Clinton was president. He was just so in his own world that he didn't even know who the President of the United States was, and he didn't open the envelope.
So then he starts going off about his petunia garden. That's all he cared about. He didn't care about who the President was. He cared about his petunia garden and how the raccoons were eating his petunias. And he tried to shoot the raccoons, but they were too fast. Obviously, not the William Tell story of his life in Mexico.
I knew he was on the methadone program, so I said, 'Why don't you put out some methadone wafers and slow the raccoons down?' And he told me, 'You're an astute young man.' So we immediately got along. He came in the video shoot the next day all happy. He came in early, which is rare for Bill Burroughs, man. He came in early and he was all happy and he was like, 'I finally got one of those bastards, thanks to your advice.' Apparently they'd eaten the methadone; they slowed down enough for Bill to shoot them. [Laughing] So he was totally happy and we became friends over the years until he died. And now I love that guy, man."
@notsocrates9529
"I could stop if I wanted to."
Famous last words.
@BruceLeeKingoftheSewers
*couldnt
@deanreser4831
Junkie hahahaha!!
@ginoortega9527
Hahahahahaha
@shannonnewman3091
Yep....I can stop if I wanted to......
@lukerecore
That's what I used to say when I was a junkie.
@CzechRiot
I seriously never expected Alain Jourgensen to live this long. It seems drugs and alcohol do not affect negatively some people.
@DiZastur
lol, I turned 60 3 months ago, been told my expiration date for decades now. I drink too much, I smoke too much and yet, most of the people who have pointed that out to me over the past 5 decades are now deceased um, they were wrong I'm still here, a bit drunk at the moment, but not dead
@DiZastur
yep, some families are susceptible to certain conditions and some are not
@CzechRiot
@@DiZastur I think that in many cases, the mentality before hand and as it goes, plays a big part. \people who are junkie and alcoholic, many times do these things out of frustration and sadness and a discontentment and disgust for life. \it is psychologically taxing. And there are more chances of this more streesful and depressive stance, while sober and ever under the inluence. \these things make one more susceptible tp the fuck it mentality, making it easy+ier for abusing and even ODing...