Erik started making music at a young age, but it wasn’t until age 16 that he started playing shows with his punk band, The Orphans. Influenced by “Fresh Fruit”-era Dead Kennedys and “Worlds Apart”-era Subhumans, the band had released a 7” (“Anthems for Doomed Youth,” 1996) before half of them were even old enough to drive. They officially disbanded in 2000 and Erik continued to make music…digging into the past for a more traditional sound to mix with punk ideals. The result was “Mirth,” a demo of acoustic punk influenced by medieval danses and raucous Romany dust-raising ditties (2000). The tape was rough and scratchy - yet it was clear that there were solid anthems buried under that hiss, which was evident by the scope of the tape, spanning city and state. Logically, a live show was expected – and despite the drums and extra instrumentation on the tape (all layered on a four-track recorder), there was no band. Over the years, seeing “Mischief Brew” on a flyer meant you were just seeing Erik Petersen with an acoustic guitar or mandolin. There was no PA in the beginning, just a roomful of West Philly’s finest rabble-rousers singing along to the “Mirth” songs. And for quite some time, this is how things stayed until it was necessary to deliver a proper recording.
“Bellingham & Philadelphia” (2003) is a split LP/CD with Washington state’s roving songcrafter Robert Blake. Meanwhile, Fistolo Records (the label Erik co-founded and runs with his wife Denise) released the “Bakenal” CDep. It was hard to believe that all the songs were recorded in the same session and split between two releases, as they were completely different experiences soundwise. “Bellingham” was more Phil Ochs/Bob Dylan-style political folk, while “Bakenal” delivered gypsy-punk swing, Poguesy drinking songs, and even a drunken tango. Two years of touring followed, from punk bars to basement shows. Meanwhile, Erik visited the studio here and there to record a few acoustic tracks for the Orphans discography (“Raise the Youth,” 2004), and the Mischief Brew “Oh Sweet Misery b/w All About the Class War” single (2005).
For an official full-length, Mischief Brew needed a non-traditional studio (by punk standards), since the songs required a more varied instrumentation to bring forth the gypsy melodies and circus beats. Impressed by the work of Israeli producer Tamir Muskat (Balkan Beat Box, Firewater, Big Lazy…), Erik visited the Brooklyn studio that he runs. Vibromonk has produced records by such festive acts as Gogol Bordello, World/Inferno Friendship Society, Firewater and more…the kind of place that knows how to mic a marimba. For this record, a backing band was assembled consisting of bass, drums, accordion, clarinet, and junk percussion. Guest appearances by Sturgeon (Leftover Crack), Peter Hess (Guignol), and Franz Nicolay (World/Inferno, The Hold Steady) bring the album even more character. “Smash the Windows” (2005) includes the folk-punk anthems “Nomads Revolt” and “Roll Me Through the Gates of Hell” – but also the epic tale “The Gypsy, The Punk, and The Fool” and the klez/ska rendition of “A Liquor Never Brewed.” The album closes with “Departure Arrival,” a sweet folk lament about leaving the comforts of home for uncharted cities and towns. “Departure” was also featured on “Up the Stairs and Through the Hall,” a 2xCD compilation of independent artists and bands from Philadelphia.
But wait, there’s more! Meanwhile, Mischief Brew released a split 7” with David Dondero (an influence on Bright Eyes) and another with -Bread & Roses (Boston-based labor folk at its best). The newest recording, “Songs from Under the Sink,” is a batch of anarcho-folk songs written between 1997-2002…finally put on LP and CD once and for all. If it had to all fit under one banner, it would read, "Carnivalesque!"
Nomads Revolt
Mischief Brew Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Parade. Wedge a stone in the gears of the clockworks,
Try to keep us from acting our age. We swore we'd
Carry on like this forever, 'til the free spirits bled.
But now can you believe who's a mother, and that
So-and-so's cut of their dreads.
Kill of Columbus and turn the world around.
Used to give most the bread to her
Landlord leave the crust for the squwats.
Now the death weighed as we payed the bankers.
Seemed to kill all the flies in one swat.
Hear the wedding band strike up a number. Dear
They're playing our song. Hold your breath cause
We're gonna go under; get the little ones singing along.
Kill of Columbus and turn the world around.
After all the nomads are settling down.(2x)
After all the nomads are settling down.
No way, not to so-and-so said he'd never change
Said he'd never grow. We'd stay always on a role
Run besides the trains past the mossey stones.
Now there's more hope than ever and its all fallin'
Down and the rebels are running for mayor in your hometown.
As the nomads are dropping their anchors. Falling
Into the sea. And I've stopped throwing rocks at the
River. Now you'll find me a swimmin up stream. There
Is power in unions of ramblers that got nothing to own.
But there's more in one fist swing in mothers swearin,
"my children shall never be sold!"
Kill of columbus and turn the world around.
After all the nomads are settling down.(2x)
After all the nomads are settling down.
Out of the garden we multiply. Telling
Our stories. May all the old ways die.
The first verse of "Nomads Revolt" by Mischief Brew speaks to the experience of restless youth. Gathering together to protest the parade, the youth in the song are throwing rocks at the river and wedging stones into the clockworks to disrupt the traditional order of things and assert their independence. The verse speaks to the youthful energy that resists conformity and the desire to never stop living freely. However, the verse also acknowledges the reality of growing up and settling down. The free spirits, who once bled for their independence, have now become mothers, and the rebels who once lived on the fringes of society are now running for mayor in the hometowns they once fought against.
The second verse speaks to economic inequality and the power dynamics that exist in society. The singer speaks of how they used to leave the crust of the bread for the squatters and give most of it to the landlord, but now they are weighed down by the debts they owe to the bankers. In this verse, the wedding band is playing and the little ones are singing along, but beneath the surface, there is a sense of despair and hopelessness. However, the final lines of the verse speak to the power of collective action, unionizing, and the solidarity that comes from fighting for a common goal. The union of ramblers has nothing to own, but they have the power to change the world with their fists raised.
Line by Line Meaning
We go down to throw rocks at the river, curses at the Parade.
We engage in rebellious activities, like pelting rocks at the river and cursing at the Parade.
Wedge a stone in the gears of the clockworks,
We disrupt the societal norms and systems by jamming a stone in the mechanistic gears of productivity.
Try to keep us from acting our age.
We refuse to conform to societal expectations that limit our behavior based on our age.
We swore we'd Carry on like this forever, 'til the free spirits bled.
We pledged to continue our rebellious actions indefinitely, until we are no longer free to do so.
But now can you believe who's a mother, and that So-and-so's cut of their dreads.
Despite our expectations, some of our fellow free spirits have become parents or have altered their appearance by cutting their dreadlocks.
Kill of Columbus and turn the world around. After all the nomads are settling down.
Overthrow the established powers that be and bring about change. Once the restless wanderers settle down, a new world order will emerge.
Used to give most the bread to her Landlord leave the crust for the squwats.
We used to disproportionately share our wealth with our greedy landlords, leaving little for the homeless and less fortunate.
Now the death weighed as we payed the bankers.
As our debts to the bankers accumulate, we feel weighed down by the burden of interest and finance charges.
Seemed to kill all the flies in one swat.
One action seemed to solve many problems at once.
Hear the wedding band strike up a number. Dear They're playing our song. Hold your breath cause We're gonna go under; get the little ones singing along.
As we face uncertain circumstances, we find solace in familiar music. We brace ourselves for what's to come and attempt to bring joy to the younger generation by including them in our struggles.
No way, not to so-and-so said he'd never change Said he'd never grow.
We come to realize that some people don't change or adapt, despite our previous beliefs or expectations.
We'd stay always on a role Run besides the trains past the mossey stones.
We used to live carefree and spontaneous lives, running alongside trains and exploring the world around us.
Now there's more hope than ever and its all fallin' Down and the rebels are running for mayor in your hometown.
Despite the crushing reality of our circumstances, there is a growing sense of optimism among us, as we seek to disrupt the political establishment by running for office in our own communities.
As the nomads are dropping their anchors. Falling Into the sea.
As we start to settle down, the uncertainty of our future is like a drop anchor, dragging us deeper into the tides of the unknown.
And I've stopped throwing rocks at the River. Now you'll find me a swimmin up stream.
I've stopped my disruptive behaviors and instead choose to swim upstream, facing the obstacles and challenges head on.
There Is power in unions of ramblers that got nothing to own.
Those of us who own little but have a nomadic spirit can join together to bring about change, as we have nothing to lose and everything to gain.
But there's more in one fist swing in mothers swearin, my children shall never be sold!
While the power of a united group is strong, there is also strength in the determination of a single mother fiercely vowing to protect her children.
Out of the garden we multiply. Telling Our stories. May all the old ways die.
We continue to thrive and share our stories, despite the challenges ahead. We hope that the oppressive and outdated ways of the past will come to an end.
Contributed by Amelia M. Suggest a correction in the comments below.
@mediumdoubledouble9012
I think it’s “wedge a stone in the gears of the clockwork” but other than that bang on!
@RoCkNr0llsta
out of the gardens
we multiply
@g.boychev9355
RIP, such an amazing singer.
@star-cc9nh
wait he died??
@4kydzmy
Yeah super sad, im a new fan and im super sad now.
@nickscurvy8635
He committed suicide a few years ago now. One of the only times I cried over the death of a person I didn't know.
Rest in power. I may never get to meet you, but I will always remember you.
@4kydzmy
But no one really knows the reason besides to much stress that he killed imself'
@briancollum1060
He was an amazing person and his contributions will ensure he's always remembered.
@tymxtymx920
Miss you Eric!
@tymxtymx920
Merry Christmas up there in punk heaven