Bump
Mistah F.A.B. & Turf Talk Lyrics

Yeah
Starting the song with enthusiasm

We sendin' this one out to all the ladies all over the world
Dedicating the song to all women.

(All the ladies all over the world)
Repeating the dedication line to emphasize the message.

All my sexy mamas, come on, come on and come on now
Inviting all the attractive women to enjoy the song.

As we proceed, to give you what you need (yeah)
Acknowledging the listener's needs and promising to fulfill them.

You know I like it when your body goes (bump, bump, bump)
Admitting a personal preference for certain physical movements.

Bad Boy, B2K
Identifying the music label and the artist of the original song.

Yo O, talk to 'em, playa
Asking Omarion to deliver his lines.

I like ya little sexy style
Appreciating the listener's fashion sense.

Love it when you getting wild (I see you)
Enjoying the listener's energy and enthusiasm.

Girl in the club with me
Referring to the listener as a dance partner.

(Come over here, let me talk to you for a minute, I gotta tell you something)
Asking the listener for a private conversation.

Girl you need to be in magazines
Complimenting the listener's appearance.

With a crown on your head 'cause you's a ghetto queen
Elevating the listener's status and referencing their cultural identity.

Like bling, bling, bling (uh, come on, you fine girl)
Using slang to describe the listener's jewelry and attractiveness.

The way you shaking that sexy (ow)
Referring to the listener's dance moves.

Body shaped like an hourglass (shake it)
Praising the listener's figure and encouraging them to flaunt it.

Baby, we need to spend some time (yeah, let's do it y'all)
Suggesting spending time together romantically.

I wanna get you to myself
Expressing the desire to have exclusive time together.

You and me and nobody else
Emphasizing the exclusivity of the upcoming time together.

And do the things we do (come on)
Implying romantic or sexual activities.

Baby, there is something that I need from you (check it out, come on)
Asking the listener for something important.

Baby, turn around (yeah)
Requesting the listener to turn around to be viewed.

And let me see that sexy body go bump, bump, bump
Expressing the joy of watching the listener move their body.

That is all I want to see (yeah)
Reaffirming the desire to watch the listener dance.

Baby, show me, show me (come on)
Asking the listener to be sensual and performative.

The way you're throwing that thing at me (yeah, come on)
Watching the listener deliver a sexually charged performance.

I can't take it baby (second verse, come on)
Showing excitement and a lack of self-control.

I love the way you teasin' me
Enjoying the listener's flirtation and suggestive behavior.

Gonna have to start pleasing me
Expecting the listener to take the next step after teasing.

While we're on this floor (stop teasin' me baby, I want you)
On the dance floor with a partner and expecting them to be intimate.

You're kicking it round and round
Describing the listener's dance moves and sex appeal.

I love the way you put it down (I like the way you put it down)
Enthusiastically enjoying the listener's movements.

You're makin me scream for more (gimme more, let's go, don't stop, come on)
Being sexually aroused by the listener and asking for more.

Put your two-way next to mine, baby, hit me anytime
Asking the listener to contact the singer at any time.

You and me behind closed doors, oh wooh (yo, just make sure you lock it)
Planning to be intimate behind closed doors.

(Talk to me now) you about to be my main squeeze
Feeling a growing attachment to the listener.

Take trips, cop shinny things (just me and you)
Planning to travel and purchase expensive items with the listener.

Girl just come with me
Asking the listener to follow the singer.

Now, mama, go 'head do the damn thing (yeah, yeah, come on)
Encouraging the listener to perform seductively.

Baby, turn around (turn around)
Requesting again that the listener turn around.

The way you're throwing that thing at me (yeah, it's Bad Boy, baby, check this out)
Enjoying the listener's sensual moves.

I can't take it, no, yeah (they call me Diddy)
Feeling overwhelmed and admitting his stage name.

Let's dance for nothing mami
Asking the listener to dance for no reason.

Plans to take her by me
Making plans for a future together.

Get on the floor, make it bump more, shake it mami
Encouraging the listener to dance more and be more sensual.

Let's ride, I'm your Clyde, you can be my Bonnie
Offering to be a partner and experience life together.

See you the type for me, mami so right for me
Believing the listener is compatible with the artist.

Man, she can move it
Being impressed with the listener's dance moves.

Love when she dance to the music
Enjoying the listener's ability to dance according to the music.

Make me wanna stand like a pool stick
Being sexually aroused by the listener.

Hands is the smoothest, just a simple touch make me lose it
Noticing the listener's soft hands and reacting sensually to a touch.

Girl, that's enough, stop movin'
Finding the listener's performance too sexually stimulating and asking them to stop.

Now bump that, I pump that
Encouraging the listener to dance more provocatively.

Girl, bring it to me, bump that
Asking the listener to dance closer and more sensually.

I want that girl sing it wit me like
Asking the listener to join in and sing along.

Da da-da-da-da-da, da-da-da
Providing lyrics for the listener to sing along with.

So let's do it again, mami
Suggesting repeating the same actions again.

You and a friend, mami
Inviting the listener and their friend to be with the singer.

Money ain't a thing
Implying that money is not a problem.

Look, what I gotta spend, mami?
Asking the listener rhetorically how much money the singer should spend.

Put up ya hands for me, that's how you dance for me
Asking the listener to raise their hands and act seductively.

Shake it like ya can, honey
Encouraging the listener to continue to dance sexually.

Take it from your man, mami, yeah
Hinting that the artist is in a romantic relationship with the listener.

I can't take it, baby
Being overwhelmed and excited by the listener's sensuality.

You know I like it when your body goes bump, bump, bump
Repeating again the singer's preference for a certain type of movement.

That is all I want to see
Reiterating his desire to watch the listener dance.

And let me see that sexy body go bump, bump, bump
Asking the listener to continue dancing provocatively.

I can't take it, no, yeah
Feeling overwhelmed with arousal.

Baby turn around (B2K)
Requesting that the listener turn around again and acknowledging the original artist of the song.

And let me see that sexy body go bump, bump, bump (Bad Boy, they call me Diddy)
Asking the listener to dance more sensually and reiterating the singer's stage name.

Yeah, Dave Mack you got one now baby, don't stop, come on
Identifying the producer of the song and encouraging the music to continue.

I see you Chris
Acknowledging a fellow musician named Chris.

I like this right here (let's go)
Enjoying the music and encouraging the listener to dance along.

I like the way y'all ladies doing that thing
Complimenting all the women for their seductive dance moves.

The way y'all do that thing when y'all do that thing
Praising the listener and others for their sensuality.

Come on, don't stop, let's go, let's go, come on
Encouraging all listeners to continue dancing and enjoying the music.