Fly Away
Mitsuko Horie; Lyrics
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風は南風 夢飛行日和さ
知らない国へも 未来へだって
行けるパスポート 誰にもあるから
あきらめないで
Dreaming いつも
憧れを大事にして
そう Fly away
今 Faraway
どこまでも飛んでゆくのさ
さあ Fly away
ときめきのプロペラまわし
今 Faraway
冒険旅行 始めるのさ
昨日より今日が 今日より明日
ほんの少しでも いい日だといいね
振り向くよりも
Dreaming いつも
憧れを追いかけたい
そう Fly away
僕たちは夢の飛行機
今 Faraway
銀色の鳥になるのさ
さあ Fly away
太陽の光はじいて
今 Faraway
昇り続ける高く高く
そう Fly away
僕たちは夢の飛行機
今 Faraway
どこまでも飛んでゆくのさ
さあ Fly away
ときめきのプロペラまわし
今 Faraway
冒険旅行 始めるのさ
The lyrics to "Fly Away" by Mitsuko Horie describe a day with perfect flying conditions. The runway is like a rainbow painted across the sky, and the wind is blowing strong from the south. With a passport in hand, anyone can go not just to unknown places, but also to the future. The singer encourages listeners to hold onto their dreams and never give up, before declaring that they and everyone around them are like planes taking off towards the horizon.
In the second verse, the singer reflects on the idea that tomorrow can always be better than today, and even a slightly better day is something to cherish. Instead of looking backwards, the singer wants listeners to always chase their dreams. The chorus then repeats, reminding everyone that they can be like silver birds soaring towards the sun, embarking on an adventure that takes them higher and higher into the sky.
Overall, the lyrics celebrate the freedom and wonder of flying and the limitless possibilities for adventure that it represents. The message is both universal and timeless, appealing to dreamers of all ages and backgrounds.
Line by Line Meaning
虹が滑走路 空に描いた
The rainbow drew a runway in the sky.
風は南風 夢飛行日和さ
The wind is a southern breeze, perfect weather for flying dreams.
知らない国へも 未来へだって
Even to unknown lands, even to the future.
行けるパスポート 誰にもあるから
Everyone has a passport to travel.
あきらめないで
Don't give up.
Dreaming いつも
Always dreaming.
憧れを大事にして
Treasure your longings.
そう Fly away
Yes, fly away.
僕たちは夢の飛行機
We are the airplanes of dreams.
今 Faraway
Far away now.
どこまでも飛んでゆくのさ
We'll fly anywhere.
ときめきのプロペラまわし
Spin the exciting propellers!
冒険旅行 始めるのさ
Let's begin an adventure trip.
昨日より今日が 今日より明日
Today is better than yesterday, and tomorrow will be even better.
ほんの少しでも いい日だといいね
I hope today will be even just a little bit better.
振り向くよりも
Rather than looking back.
憧れを追いかけたい
I want to chase after my dreams.
銀色の鳥になるのさ
We'll become silver birds.
太陽の光はじいて
Reflect the sunlight.
昇り続ける高く高く
Rise up higher and higher.
Lyrics © O/B/O APRA AMCOS
Written by: 佐藤ありす
Lyrics Licensed & Provided by LyricFind
@uncaringbear
I like Future Funk, but I hate how they never acknowledge the original artist, and most of the time, they add very little to the original music while still taking credit for everything.
@jj22445
I was just thinking that, they say it’s a “remix” and they’re just “sampling” but all they do is increase the volume and add a more synthy sounding drum and call it their own with no credits given. Seems very scummy to me
@kiwimotion
those tracks are mostly lazy garbage but djs like yung bae and most actually creative people chop up the sample. to the "taking credit for everything" part, if the future funk track gets listed on riaa they list the sample's composers as contributors; and thats practically the best an artist can do, like they cant just put the title of the original track in the title, not even big time grammy award winning artists do that.
@africanmusicfan
Yeah, I appreciate that Yung Bae introduced me to this music, but he's a parasite, never gives the original artist credit. Night Tempo, on the other hand, always gives the original credit, while calling it a "Night Tempo Remix." Which is the way it should be.
@youtubeisevil
Yeah! With vaporwave it feels fine because it's intentionally plunderphonical, lazily cut, and downbeat. However, because of how upbeat future funk is, it feels deceiveing for not giving credit to the sample.
@Sqwivig
@@youtubeisevilBut future funk IS vaporwave. Wtf are you talking about? Why is it ok for some vaporwave to get away with not crediting the original sample but not ok for future funk? It's fine to call out lazy or uninspired sampling, but it would be impossible for every musician to credit every song that inspired them. That kind of logic goes to some really uncharitable places. Like if a guitar riff sounds like another guitar riff in another song, people will say it's "stolen" even if the two songs are radically different. I've heard people say that Koji Kondo "ripped off" Piper's Summer Breaze to make the Starman theme in Mario games. It's just absurd. Inspiration and sampling is valid. I would argue that if a song is sampled but it sounds really close or identical to the original, then they should be called "original song title - remix." Night Tempo does this and it should be more common practice in the future funk community.
@TheGaymos
I've spent 6 years of my life looking for this
@nivriannunezki1095
X2 3 years
@brandoyobanyardilladiaz1310
X2
@lolykebrtwv
10 minutes