The band wrote prolifically from the outset and then set about touring hard, using experiences from both to fine tune their writing style and capture the dynamism of their live shows. The end of their final tour early last year saw them decamp to the lowlands of Scotland, where they sought inspiration to write their first album.
'Small Talk' was barely complete when it unwittingly found its way to the other side of the Atlantic where the legendary management duo of Q Prime's Peter Mensch and Cliff Burnstein signed them to their new 'Grunion' label.
Having now remixed the album with QPrime's backing, the legendary John Goodmanson (Hot Hot Heat, Wu Tang, Blonde Redhead) has captured the band's the live feel, so much so that the band will re-release Small Talk in the UK.
The results speak for themselves. Mohair's sizzling diversity finds itself wrapped up in 40 minutes of filthed-up rockers and climactic epics.
With a UK Top 10 'Indie' single, support continuing to build from the music press, national newspapers, BBC and independent radio, a self owned UK label, a US deal and 3 national tours in the last 12 months, Mohair are all set to hit the US.
With critically acclaimed performances at Eurosonic and SXSW, ('Band of SXSW' - LA Times) Mohair has begun developing strong international foundations. Their stellar live reputation has been further enhanced with two huge performances at Club NME at London's KoKo and British Music Week in Berlin.
And with their first TV appearance broadcast on Channel 4 (Album Chart Show - April 28th), a European stadium show and a few main stage festival appearances under their belts alongside the likes of Primal Scream, Yeah Yeah Yeahs, Muse and The Killers, 2006 just gets better and better.
All good preparation, then, for an assault on the US in the Autumn of 2006 when 'Small Talk' hits the shelves on 19th September.
www.mohairmusic.com
www.myspace.com/mohairmusic
Little Voice
Mohair Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I want her number.
I saw her comin' from a hundred miles
An' I called her over.
Ooh, sweet lady, (Ooh, sweet lady,)
Here we go again.
I might be dancin' funny.
I tripped up quick when I bought her a drink
But I had no money.
Ooh, sweet lady, (Ooh, sweet lady,)
Here we go again.
The little voice inside my head
Is drivin' me around the bend (drivin' me around the bend)
To my grave or to my bed:
Either way, this is the end! (Either way, this is the end!)
She's electric honey in polka dots,
And she don't stop hummin'.
I'm bangin' on the walls and the chimney pots
'Cause she keeps on coming.
Ooh, sweet lady, (Ooh, sweet lady,)
Here we go again.
The little voice inside my head
Is drivin' me around the bend (drivin' me around the bend)
To my grave or to my bed:
Either way, this is the end! (Either way, this is the end!)
Ooh, sweet lady,
Don't you play me:
It drives me around the bend.
Here we go again....
The little voice inside my head
Is drivin' me around the bend (drivin' me around the bend)
To my grave or to my bed:
Either way, this is the end! (Either way, this is the end!)
The little voice inside my head
Is drivin' me around the bend (drivin' me around the bend)
To my grave or to my bed:
Either way, this is the end! (Either way, this is the end!)
The little voice inside my head
Is drivin' me around the bend (drivin' me around the bend)
To my grave or to my bed:
Either way, this is the end! (Either way, this is the end!)
The song "Little Voice" by Mohair tells the story of a man who is taken by a woman he sees and tries to pursue her. The lyrics focus on the feeling of being driven crazy by the little voice inside his head, which is urging him on despite the potential consequences. The man is enamored by the woman's appearance, and although he makes a few missteps in his wooing, he cannot help but keep trying. Ultimately, he realizes that he is either going to end up in his grave or in bed with this woman, and there is no way to resist the irresistible pull of his desire.
The lyrics of "Little Voice" are deceptively simple, but they convey a sense of desperation and longing that is universal. The man in the song is grappling with his own desires and the fear of rejection, which makes him vulnerable and insecure. He is willing to risk everything for the chance to be with this woman, but he is also aware of the possibility that his pursuit may lead to his downfall. In the end, the little voice inside his head wins out, and he is left with nothing but his own regrets.
Overall, "Little Voice" is a poignant and relatable look at the contradictions of desire and the consequences of following one's heart. It is a song that speaks to the vulnerable and passionate parts of the human experience, and is sure to strike a chord with anyone who has ever pursued someone they couldn't resist.
Line by Line Meaning
Who's that girl with the pretty smile?
The singer is expressing interest in a girl he finds attractive and wants to know her.
I want her number.
The singer desires to have the girl's phone number for future communication.
I saw her comin' from a hundred miles
The singer noticed the girl from a distance before she arrived.
An' I called her over.
The singer asks the girl to come over to talk to him.
She tipped me a wink, so I started to think
The girl winked at the singer and he became hopeful that she had interest in him.
I might be dancin' funny.
The singer is worried that he might not be good enough for the girl and makes a joke about his dancing.
I tripped up quick when I bought her a drink
The singer accidentally made a mistake when he was buying a drink for the girl.
But I had no money.
The singer is facing financial difficulties and could not afford to pay for the girl's drink.
She's electric honey in polka dots,
The girl is attractive and has a unique fashion sense.
And she don't stop hummin'.
The girl has a pleasant singing voice and the singer can't stop thinking about it.
I'm bangin' on the walls and the chimney pots
The singer is so excited and frustrated that he starts making noise by banging on the walls and the chimney pots.
'Cause she keeps on coming.
The girl is persistent and keeps appearing in the singer's thoughts and dreams.
Ooh, sweet lady, (Ooh, sweet lady,)
Here we go again.
The singer is acknowledging that he is falling for the girl again and is happy about it.
The little voice inside my head
Is drivin' me around the bend (drivin' me around the bend)
To my grave or to my bed:
Either way, this is the end! (Either way, this is the end!)
The singer is tormented by his own thoughts and emotions about the girl and feels like he is at his wit's end.
Ooh, sweet lady,
Don't you play me:
It drives me around the bend.
Here we go again....
The singer is telling the girl not to toy with his emotions and that her actions are affecting him greatly.
Contributed by Brody G. Suggest a correction in the comments below.
raychelh
I had the privilege to support these guys with my band at Moles in Bath!! Great Band and nice Guys! Shame talent like this didn't stick around
Antony M
Used to love seeing these guys every time they came to Doncaster, and Leeds fest. To this day my favourite band, period!
Demian23
popcorn theme