MONDO GROSSO (It: Big World), originally the name of the Kyoto-based acid j… Read Full Bio ↴MONDO GROSSO (It: Big World), originally the name of the Kyoto-based acid jazz band formed in Kyoto in 1991, eventually came to be the main alias of composer, DJ, musician, producer, and former MONDO GROSSO leader and bassist, Shinichi Osawa. Releasing innovative tunes with his solo projects, Osawa has set out countless producing and remix works for both Japanese and international artists. As a composer and producer, Osawa has worked with Japanese artists such as Amuro Namie, UA, Monday Michiru, bird, Nobuchika Eri, BoA, and Crystal Kay. As a remixer he has remixed songs for both Japanese and international artists like Digitalism, Benny Benassi, Anna Tsuchiya, Clazziquai Project, and m-flo, among many others. Osawa describes himself as a "Musical Multi-Personality", working in genres ranging from R&B, soul, and acid jazz, to pop, experimental, and electro house and has worked under other many different aliases. He is currently under cutting edge.

Name: Osawa Shinichi (大沢伸一)
Birthday: February 7, 1967 (age 51)
Birthplace: Shiga, Japan
Blood Type: O

Former Members
B-BANDJ
Yoshizawa Hajime (吉澤はじめ)
Nakamura Masato (中村雅人)
Otsuka Hidehito (大塚英人)

MONDO GROSSO Era (1991-2005)
Osawa began his major recording career as the leader and the bassist for popular Japanese music group MONDO GROSSO, from which he derives his alias. Formed in 1991 and originating out of Kyoto with bandmates B-BANDJ, Nakamura Masato, and Otsuka Hidehito, the band released their self-titled first album under the independent record label For Life Records on June 18, 1993. The album was very well received both domestically in Japan as well as internationally, leading to a new style in Japanese club music that would eventually become a standard. In 1995, after a second album released on October 10, Born Free, featuring acid jazz stalwart Monday Michiru and the completion of their touring, the band officially disbanded.

Osawa began solo work soon after the dissolution, becoming a collaborator with already established musical entities in Japan. Through this transitional period, MONDO GROSSO morphed into more of a collaborative project, featuring Osawa and various other vocalists and musicians whom he would release future material with. With many of his self-produced collaborations, he released the album R&B-infused acid jazz album CLOSER on August 21, 1997. Around that same time, he began his career as a hit-making producer.

After the release of his third full-length album, Osawa turned his focus on production, working with many high-profile artists in Japan. His first explorations into full production began with the release of UA's single, "Rhythm", on September 24, 1996. He soon followed his first success in the field with the production of Monday Michiru's well-received single "You Make Me", released in 1998. Upon his expanding success, he left For Life Records and signed to major record label Sony Music Associated Records in 1999. Upon this shift, Osawa was able to begin his own record label, REALEYES, that same year. Osawa produced another full-length album for a then-upcoming musician bird. Her first album, SOULS, was released on March 20, 1999, and became a massive hit domestically, selling well over 800,000 units.

After taking a temporary break from his own work, Osawa resumed activity under the name MONDO GROSSO. The following year Osawa would release life single "Life", featuring labelmate bird. The single became his highest charting yet, peaking at #18 on the Oricon charts. Following the release of one more single BUTTERFLY, he released his fourth full-length album, MG4, on August 26, 2000, becoming a milestone in his solo music career. The album was met with critical acclaim, with credit to the fusion of acid jazz and house, the display of the diversity in his style of production, and collaborations with musicians such as N'dea Davenport and Amel Larrieux on the album. The album was alsao released by Sony Music internationally in over 25 countries.

Osawa soon returned to the field of producing after the success of his solo album, producing and remixing for a number of established artists in Japan as well as internationally for artists such as Wyolica, BoA, Earth, Wind & Fire, and Jamiroquai. In 2002, Osawa provided a track, "BLZ", as the only contributor from Japan, for the official 2002 FIFA World Cup album Fever Pitch, which was released in over 30 countries worldwide. In 2003, his fifth album "Next Wave" was released. The album became one of his most successful, debuting at #10 on the Oricon charts and selling over 150,000 copies, significant for a club-oriented album. In 2004, he signed Nobuchika Eri to his now retitled FEARLESS RECORDS label, but was dropped by Sony Music Associated Records in 2006 upon Osawa's move to avex's rhythm zone imprint.

Osawa Shinichi Era (2006-2015)
His first major release with rhythm zone came in the form of his first studio album under his real name, The One, released on September 26, 2007. The album introduced a heavier, rock-influenced sound that was a far cry from his club-friendly productions under his MONDO GROSSO alias. Over a period of two years, the album would enjoy an international release through Avex in Asia as well as overseas labels Dim Mak Records for North America and Southern Fried Records in Europe and Oceania.

In between the international release of The One, in late 2008, Osawa participated in the project, ravex, with fellow Avex labelmates and DJs Taku Takahashi of m-flo and Tomoyuki Tanaka a.k.a. Fantastic Plastic Machine. The project was a commemorative release by Avex celebrating its 20th anniversary in the Japanese music industry. The project began with the single "I RAVE U" featuring DJ OZMA in late 2008 and ended with the studio album trax, released in early 2009. The studio album consisted of collaborations with well-known avex artists, including Tohoshinki, Namie Amuro, MONKEY MAJIK, Tsuchiya Anna and BoA, among others.

That October, he conceived a new side project, BRADBERRY ORCHESTRA, with producer and musician Kobayashi Takeshi, best known for producing artists such as Mr. Children, Salyu, Onitsuka Chihiro, and Akanishi Jin. In June, he released his second studio album under rhythm zone, SO2, which features collaborations with overseas artists such as The Black Ghosts, Paul Chambers, and Tommie Sunshine. Osawa rounded out the year establishing a "digital" label, LDK (Loud Digital Kitchen), with fellow DJ Tomo Hirata.

By the end of 2010, it was announced that two songs from his BRADBERRY ORCHESTRA side project, "Mutation" and "kizamu", would be used as the beginning and ending themes respectively for the upcoming Playstation 3 video game Ryu ga Gotoku OF THE END, the third spinoff in the Ryu ga Gotoku series (otherwise known as the "Yakuza" series in Western territories). BRADBERRY ORCHESTRA's debut mini-album, Vol.0, was released on March 16th. The final release under the project name was the single "Physical", featuring Suga Shikao, Crystal Kay, and Salyu, which served as the theme song for TV Tokyo's broadcast of the 2012 Summer Olympics in London.

Return to MONDO GROSSO Era (2016-Present)
In the beginning of 2016, Osawa announced that he will be returning to the MONDO GROSSO monkier for upcoming projects. His first album under the name in 14 years, "Nandodemo Atarashiku Umareru", is his first album featuring all-Japanese vocalists, and is slated for release on June 6, 2017, under sister Avex label, cutting edge.

Studio Albums
[1993.06.18] MONDO GROSSO
[1995.10.20] Born Free
[1997.08.21] CLOSER
[2000.07.26] MG4
[2003.06.25] Next Wave
[2017.06.07] Nandodemo Atarashiku Umareru (何度でも新しく生まれる; Reborn Again and Always Starting New)
[2018.03.21] Attune / Detune
Mini-Albums/EPs
[1993.10.21] MARBLE
[1994.06.17] invisible man
Compilation Albums
[2000.08.23] MONDO GROSSO best
[2000.10.18] MONDO GROSSO best remixes
[2004.07.21] MONDO GROSSO best + remixes
Remix Albums
[1995.02.17] Pieces from the editing floor
[1996.04.03] DIGGIN' INTO THE REAL
[1998.03.21] THE MAN FROM THE SAKURA HILLS
[2001.07.25] MG4R
[2003.12.03] HENSHIN (Transformation)
Live Albums
[1995.07.05] The European Expedition
[2004.06.30] LIVE ON THE NEXT WAVE
Singles
[1995.06.07] Oh lord, let me do no wrong
[1995.08.19] FAMILY
[1997.05.21] Laughter in the rain
[1997.07.24] EVERYDAY LIFE / THINGS KEEP CHANGIN'
[2000.05.24] LIFE feat. bird
[2000.07.26] BUTTERFLY
[2000.08.30] NOW YOU KNOW BETTER
[2001.04.25] DON'T LET GO
[2002.05.02] BLZ
[2002.10.30] Everything Needs Love feat. BoA
[2003.05.02] SHININ' feat. Kj
[2003.07.16] Hikari feat. UA (光; Light)
[2017.04.28] Labyrinth (ラビリンス)
Digital Singles
[2018.02.08] Itsuwari no Sympathy (偽りのシンパシー; False Sympathy)
Vinyls
[2017.12.17] Haru wa Towa ni Mezameru (春はトワに目覚める; Spring Awakens Eternally)
[2018.04.21] KEMURI / TURN IT UP
DVDs
[1995.07.21] The European Expedition
[2001.07.25] MG4V

Closer
Mondo Grosso Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Closer
Come closer
Come a little closer
Get a little closer
to your heart and soul
I feel a little closer
yet so for away
The years have paved my future

as I live day by day
Step into the grounds
of the people
content to make their rounds
Not for me
that's not the way I'm goin'down
Help me come much closer
to the place so far away
I'm waitin'for the moment
the right vibes come my way
Like honey from a forest beehive
natural sweetness hides
That's what I want
although a sting
comes with the ride
Closer
Come closer
Come a little closer
Get a little closer
to your heart and soul
I want to get much closer
yet need my own space
Stretch my wings to heaven
truth and God I face
After tasting sweet mother
Nature
how can I go back down
Not for me
I'm gonna find my way around
Now I see the sunshine
while sitting in shade
Counting all my blessings
and all the dues I've paid
Come 5 o'clock,
my soul's in low tide
it's gettin'to be that time
Chase the sunrays
There's another mountain
to climb
Closer
Come closer
Come a little closer
Get a little closer
to your heart and soul
Closer
Come closer
Come a little closer
Get a little closer
to your heart and soul

Closer
Come closer
Come a little closer
Get a little closer
to your heart and soul
Closer
Come closer
Come a little closer
Get a little closer
to your heart and soul
Closer
Come closer
Come a little closer

Get a little closer
to your heart and soul

Overall Meaning

The lyrics to Mondo Grosso's song "Closer" are a poetic representation of the desire to find oneself and move closer to the heart and soul. The artist encourages the listener to come closer to their inner self and to find their way to a better life. The song begins with the artist asking the listener to come closer and get a little closer to their heart and soul. He emphasizes that he feels a little closer, yet he's so far away, highlighting the feeling of disconnect between oneself and their true self. He reflects on the past, and talks about how the years have paved his future as he lives day by day.

As the lyrics progress, the artist describes how he doesn't want to follow the conventional path of "making rounds" like other people. He wants to find his own way, and he asks for help in coming closer to the place he desires to be, even though it's so far away. The artist uses the metaphor of honey from a forest beehive to describe how he wants to find natural sweetness in life, even though it may come with struggles or hardships.

The lyrics also contain a moment of reflection where the artist thinks about how he's tasted the sweetness of life and nature, and he doesn't want to go back down. He wants to find his way around and face truth and God. The song ends with the artist acknowledging that there's another mountain to climb, and he encourages the listener to come closer to their heart and soul.

Overall, Mondo Grosso's song "Closer" is a poetic representation of the desire to find oneself and move closer to the heart and soul. The artist uses metaphors and reflective imagery to convey this message and encourage the listener to find their own path.

Line by Line Meaning

Closer
The title sets the tone for seeking a deeper connection with oneself, others, and the world.

Come closer
The singer invites the listener to come closer, indicating that they are about to share something meaningful.

Come a little closer
The focus on 'a little' suggests a gradual approach rather than a sudden one. This could also apply to self-exploration and emotional vulnerability.

Get a little closer
The repeated use of 'little' reinforces the idea of taking things step-by-step and reaching out of one's comfort zone.

to your heart and soul
The ultimate destination or goal for getting closer is to reach one's inner self and spirituality.

I feel a little closer
The singer experiences progress but acknowledges that there is still a long way to go.

yet so far away
Despite the progress, the goal still seems distant or unattainable, which could be related to the feelings of isolation and restlessness.

The years have paved my future
The past experiences and choices shape the present and future trajectory, leading to introspection and re-evaluation.

as I live day by day
The emphasis on the present indicates the need to stay grounded and mindful, instead of looking too far ahead or being overwhelmed by the past.

Step into the grounds of the people
The shift to communal language and imagery suggests the desire for human connection and community, even if it means leaving one's comfort zone or norms behind.

content to make their rounds
The conformity and routine that works for others may not be satisfying or fulfilling for the singer, indicating a need for authenticity and personal growth.

Not for me, that's not the way I'm goin' down
The singer asserts their own identity and independence, rejecting the societal or familial pressure to follow a certain path or lifestyle.

Help me come much closer to the place so far away
The plea for help indicates the struggles and doubts associated with self-discovery and reaching one's potential, and the desire for guidance or support.

I'm waitin' for the moment the right vibes come my way
The focus on timing and energy suggests the need to be patient and open to new possibilities, rather than forcing a change or direction.

Like honey from a forest beehive natural sweetness hides
The metaphor of honey and nature suggest the beauty and nourishment that may be hidden or overlooked, emphasizing the need to appreciate the small things and seek balance.

That's what I want although a sting comes with the ride
The acknowledgement of potential pain or obstacles reinforces the theme of perseverance and courage, as well as the understanding that risks come with growth and change.

Stretch my wings to heaven truth and God I face
The reference to heaven and God suggest the spiritual or transcendental aspect of the singer's journey, indicating the depth and significance of their personal growth.

After tasting sweet mother Nature how can I go back down
The appreciation for nature and its role in the singer's transformation emphasizes the need for connection with the earth and the environment, as well as the contrast between the beauty of nature and the artificiality of human life.

Not for me I'm gonna find my way around
The reaffirmation of personal determination and self-discovery suggests the resolve to find a new path or purpose, emphasizing the bravery and self-reliance needed for such a journey.

Now I see the sunshine while sitting in shade
The metaphor of sunshine and shade suggests the newfound clarity and perspective gained through self-discovery and facing challenges, as well as the contrast between light and darkness.

Counting all my blessings and all the dues I've paid
The acknowledgement of gratitude and hard work highlights the importance of resilience and gratitude, as well as the challenges faced and overcome.

Come 5 o'clock my soul's in low tide it's gettin'to be that time
The reference to time and low tide reinforces the theme of patience and cycles, suggesting that not every moment is equally productive or fulfilling, thus requiring a positive mindset and perspective.

Chase the sunrays There's another mountain to climb
The metaphor of chasing sunrays emphasizes the need to stay motivated and proactive, recognizing that there is always a new challenge or opportunity to overcome.

Lyrics © O/B/O APRA AMCOS
Written by: OSAWA SHINICHI/HAJIME YOSHIZAWA/MONDAY MICHIRU

Lyrics Licensed & Provided by LyricFind

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