Rap career:
Mos Def began his performing career on the television show The Cosby Mysteries in 1994. In 1994, Mos also began his music career, forming the short-lived group Urban Thermo Dynamics (UTD) with his younger brother DCQ and his younger sister Ces. Despite being signed to Payday Records, the group only released two singles and the group's debut album, Manifest Destiny, did not see the light of day until 2004 when released through Illson Media. In 1996 he emerged as a solo artist, working with De La Soul and Da Bush Babees before releasing his own first single, "Universal Magnetic" which was a huge underground hit. After signing with Rawkus Records, he and Talib Kweli released a full length album under the band name Black Star, entitled Black Star. It was released in 1998, with Hi-Tek producing most of the tracks. Mos Def released his solo debut, Black on Both Sides, in 1999. Filled with tracks raving about his hometown, Brooklyn and his love for Hip-Hop, Black on Both Sides also deals with racial profiling of Black men in America, with the track Mr Nigga. Mos Def was also featured on Rawkus' influential The Lyricist Lounge and Soundbombing series compilations. After the collapse of Rawkus, Def along with Kweli signed on to Interscope/Geffen Records, who released his second album The New Danger in 2004. In early 2005 Mos Def was rumored to join Jay-Z's Roc-A-Fella record label, but this was later denied by the artist himself claiming "Jay-Z and Roc-A-Fella would never allow me to release songs I plan on putting out there. I ain't down with that commercial non-sense. I'm about to deal with the fake with my next album, from George Bush to 50 Cent." But, after making that comment, Mos Def was featured rapping on a SUV commercial, endorsing the GMC Denali. Mos Def is projected to release his last solo album on Geffen Records, The Undeniable Free Flaco in early 2006. His 4th studio album The Ecstatic was released June 9, 2009 on Downtown Records. It serves as Mos Def's second highest charting album to date. Upon its release, The Ecstatic received general acclaim from most music critics, and it earned Mos Def a Grammy Award nomination for Best Rap Album. Rolling Stone magazine named it the seventeenth best album of 2009.
Impact on hip-hop
The artistic boundaries of hip-hop and rap music had been redefined by artists such as Brand Nubian, De La Soul, and Public Enemy, whose music was more thematically sophisticated and socially conscious than that of their predecessors. By the early 1990s however, this brand of rap had been eclipsed in popularity by gangsta rap. Socially aware rap music (alternative hip hop) has experienced something of a renaissance in the late 1990s and now the 2000s, in part due to artists such as Mos Def, Talib Kweli, Common, The Roots and others. "Mos Def & Talib Kweli Are โฆ Blackstar" Mos Def's collaboration with Talib Kweli was released during the aftermath of the deaths of 2pac and The Notorious B.I.G. sparking a rebirth of "aware" and "intelligent" hip-hop. Def's music often references his Islamic faith and his contention that black artists receive little credit for their role in the birth of rock and roll music.
On Mos Def's 2004 album The New Danger, the rapper took his penchant for experimentation to a new level. Most of the songs were more hip-hop flavored stylings of Blues and Rock, with few actual raps thrown in. This threw off fans who were expecting another full-blown rap album. The New Danger also featured the controversial song "The Rape Over", a parody of Jay-Z's The Blueprint hit "The Takeover":
old white men is runnin this rap shit
corporate forces runnin this rap shit
some tall israeli is runnin this rap shit
we poke out our asses for a chance to cash in
cocaine, is runnin this rap shit
'dro, 'yac and e-pills is runnin this rap shit...
mtv is runnin this rap shit
viacom is runnin this rap shit
aol and time warner runnin this rap shit...
quasi-homosexuals is runnin this rap shit
The lyrics would seem to have chafed with higher-placed executives, who made Mos take the song off of later releases of the album, supposedly for "sample clearance issues".
In September 2005, Mos Def released the single "Katrina Clap" (utilizing the instrumental for Juvenile's "Nolia Clap"), a critical reaction to the lack of response by the Bush administration to the Hurricane Katrina disaster. He probably chose the "Nolia Clap" instrumental because the rapper Juvenile hails from New Orleans, and the song was a hit in the New Orleans area before the hurricane.
Mos Def also collaborated with Kanye West on West's track named "two words" and appeared in the music video.
Acting career
The first years of the 2000s have established Mos Def as a notable actor. His performances in Brown Sugar, Monster's Ball, and the HBO made-for-TV film Something The Lord Made have been particularly acclaimed by critics. Having been nominated for several awards, Mos finally broke through, winning Best Actor, Independent Movie at the 2005 Black Reel Awards for his portrayal of Sgt. Lucas in The Woodsman. He also landed the role of Ford Prefect in the long-awaited 2005 movie adaption of The Hitchhiker's Guide to the Galaxy. Notably, in 2002 he played the role of Booth in Suzan-Lori Parks' Topdog/Underdog, a Tony-nominated and Pulitzer-winning Broadway play. He has also been a musical guest and participated in many skits on Comedy Central's Chappelle's Show.
In 2004, he hosted the MOBO awards in London, after the original presenter, Pharrell Williams pulled out at the last minute.
He has been the host of the award-winning spoken word show Def Poetry Jam since its inception. The show's sixth season aired in February 2007.
Discography
* 1998 Black Star (released with Talib Kweli under the name Black Star) Priority Records
* 1999 Black on Both Sides Rawkus Records
* 2004 The New Danger Geffen
o nominated for Best Urban/Alternative
Performance, 47th Annual Grammy Awards
* 2006 True Magic
* 2009 THE Ecstatic Downtown Records
* 2010 Mos Dub
Selected Filmography
* Cadillac Records (2009)
* Be Kind Rewind (2008)
* Talladega Nights (2006) (a quick cameo)
* Dreamgirls (2006)
* Bobby (2006)
* The Brazilian Job (2006) (pre-production)
* 16 Blocks (2006)
* The Hitchhiker's Guide to the Galaxy (2005).
* Lackawanna Blues (2005)
* Something the Lord Made (2004)
o nominated for Outstanding Lead Actor in a Miniseries or a Movie, 56th Annual Emmy Awards
o nominated for Best Performance by an Actor in a Mini-Series or a Motion Picture Made for Television, 62nd Annual Golden Globe Awards
* Chapelle Show (? year) - Black Delegation Rep for Racial Draft
* The Woodsman (2004)
* The Italian Job (2003)
* Brown Sugar (2002)
* Civil Brand (2002)
* Showtime (2002)
* Monster's Ball (2001)
* Carmen: A Hip Hopera (2001)
* Bamboozled (2000)
* Where's Marlowe? (1998)
In September 2011, Mos Def announced that he planned to use the name Yasiin Bey instead of Mos Def beginning in 2012.
http://www.myspace.com/mosdef
The Rape Over
Mos Def Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Old white men is running this rap shit
Corporate force's running this rap shit
Some tall Israeli is running this rap shit
We poke out our asses for a chance to cash in
Cocaine, is running this rap shit
'Dro, 'yac and E-pills is running this rap shit
The rape over, turn your face over nigga
No god in disguise it's me, game over
Hey lil soldiers you ready for war?
But don't ask what you're fighting for
Just hope that you survive the gunfight, the drama, the stress
You get in the line of fire, we get the big ass checks
You getting your choice of pimp
Make your choice and fall in
This is austral be I, take that cock in your behind, bitch
Hit the streets and perform for us
Hold hard and bring it on to us, fucker
I let you sip, comes an army, get a Mercedes
And kick back and let you pay me, my Mack is crazy
I leave the, knife and fist fight filled with glamor
Yeah, take a picture with this platinum plated sledgehammer
We over-do it add the fire and explosion to it
We sold confusion, we front rap music
MTV, is running this rap shit
Viacomm is running this rap shit
AOL and Time Warner running this rap shit
We poke out our asses for a chance to cash in
Cocaine, is running this rap shit
Hennessey, is running this rap shit
Quasi-homosexuals is running this rap shit
Watch out! we run the world
That's it
The lyrics to Mos Def's song "The Rape Over" serve to critique the commercialization and corporate control of hip-hop culture. Mos Def calls out powerful corporations, mainly in the media industry, who make decisions and control the direction of the music industry while young war-bound artists operate under the guise of artistic freedom. The song's title, coupled with the lyrics, convey a sense that the industry is exploiting its artists and consumers, perpetuating darker messages and lifestyles that are keeping hip hop from evolving to its potential. By calling for a new generation of conscious and aware artists that aren't beholden to the possible exploitation they may have to face, Mos Def advocates for an artistic uprising that incites change.
In addition to criticizing the music industry, Mos Def observes how "choice of pimp" exists for young rappers, where they must conform to the societal constructs of masculinity and performative behaviors to make it success. The chorus upholds how the power dynamic with big corporates is so great that today's artists have lost any profound influence over their work of art. They must now operate as puppets mimicking what sells without the ability to offer any real creativity, leaving Mos Def and other socially aware historians or artists to attempt to change this culture through exposing how hollow the business has become to them.
Overall, "The Rape Over" is a cautionary tale about the commercialization of hip-hop music and its impact on artists' minds. The song's direct and hard-hitting lyrics highlight the lost way of free, organic, accepting Hip Hop culture, which has been replaced by a more capitalistic rap game dependent on materialism and limited creativity.
Line by Line Meaning
Old white men is running this rap shit
The rap industry is controlled by powerful old white men who manipulate the artists for their own benefit.
Corporate force's running this rap shit
The corporations behind the scenes are pulling the strings in the rap industry, dictating what kind of music is produced and marketed.
Some tall Israeli is running this rap shit
The singer sarcastically suggests that an unseen, powerful figure of Israeli origin is controlling the rap industry, further highlighting the absurdity of the situation.
We poke out our asses for a chance to cash in
The artists are willing to do whatever it takes to sell their music and make money, even if it means compromising their values or self-respect.
Cocaine, is running this rap shit
The pervasive use of cocaine in the rap world is shaping the music and culture in many negative ways.
'Dro, 'yac and E-pills is running this rap shit
Drug use is running rampant in the industry, influencing the sound and lyrics of many popular rap songs.
The rape over, turn your face over nigga
The singer proclaims that the era of rap artists being taken advantage of by powerful, unseen figures is over, and that the artists must now take control of their own fate.
No god in disguise it's me, game over
The artist declares that he is the one in charge, and that the manipulations and power struggles of the past are done.
Hey lil soldiers you ready for war?
The artist questions whether the new generation of artists is prepared to fight back against the corrupt elements of the rap industry.
But don't ask what you're fighting for
The artist warns that blindly following orders without questioning why will only continue the cycle of manipulation and exploitation.
Just hope that you survive the gunfight, the drama, the stress
The path to success in the rap industry is fraught with danger, both physical and emotional, and the singer cautions that only the strong will survive.
You get in the line of fire, we get the big ass checks
The industry profits off the risks and sacrifices the artists make, while the artists themselves do not reap the same rewards.
You getting your choice of pimp
Artists may believe they have some autonomy in terms of who they choose to work with, but the reality is that all options are controlled by those in power.
Make your choice and fall in
The singer bluntly states that the artists have no real say in the matter and must fall in line with the established system.
This is austral be I, take that cock in your behind, bitch
The singer uses intentionally crude and degrading language to emphasize the exploitation and manipulation that is prevalent in the industry, particularly towards women and queer artists.
Hit the streets and perform for us
The industry requires artists to constantly churn out music and put on shows to keep the money flowing, regardless of how it affects their health and wellbeing.
Hold hard and bring it on to us, fucker
The industry demands that artists work harder and harder to keep up with the demands and competition of the market, but provides little support or protection in return.
I let you sip, comes an army, get a Mercedes
The industry may provide short-term luxuries and perks to the artists, but ultimately has the power to take it all away and replace them with someone else if they don't comply.
And kick back and let you pay me, my Mack is crazy
The industry's power is based on a hierarchical system where only those at the top benefit, while the rest are taken advantage of and exploited.
I leave the, knife and fist fight filled with glamor
The artist references the dangerous and violent nature of the industry, but suggests that it is somehow glamorous and desirable to be associated with it.
Yeah, take a picture with this platinum plated sledgehammer
The industry relies on cheap gimmicks and shallow displays of wealth and status to attract audiences and sell records.
We over-do it add the fire and explosion to it
The industry relies on flash and spectacle to hide the lack of substance or originality in many modern rap songs.
We sold confusion, we front rap music
The industry has distorted and exploited the art form of rap to such an extent that it barely resembles its origins.
MTV, is running this rap shit
The artist calls out the powerful media conglomerate MTV for its role in shaping the direction of the rap industry.
Viacomm is running this rap shit
The singer criticizes the media giant Viacom for contributing to the commodification of rap music in pursuit of profits.
AOL and Time Warner running this rap shit
The singer denounces the corporate power plays that have led to the rap industry being controlled by massive conglomerates like AOL and Time Warner.
Hennessey, is running this rap shit
The singer notes the pervasive influence of alcohol, specifically the brand Hennessey, on rap culture and music.
Quasi-homosexuals is running this rap shit
The artist suggests that there is a hidden gay community behind the scenes of the rap industry that is exerting undue influence on the music and culture.
Watch out! we run the world
The artist warns of the power and influence of those who control the rap world, and suggests that it is imperative for artists and fans alike to become more aware and critical of this reality.
Lyrics ยฉ Wixen Music Publishing, Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: Eric Victor Burdon, Bryan James Chandler, Rodney Lemay, Alan Lomax, Lawrence Parker, John Paul Densmore, Robert A Krieger, Raymond D. Manzarek, Jim (usa) Morrison, Shawn Carter
Lyrics Licensed & Provided by LyricFind
Armin Denis
Listen
Old white men is running this rap shit
Corporate force's running this rap shit
Some tall Israeli is running this rap shit
We poke out our asses for a chance to cash in
Cocaine, is running this rap shit
'Dro, 'yac and E-pills is running this rap shit
The rape over, turn your face over nigga
No god in disguise it's me, game over
Hey lil soldiers you ready for war?
But don't ask what you're fighting for
Just hope that you survive the gunfight, the drama, the stress
You get in the line of fire, we get the big ass checks
You getting your choice of pimp
Make your choice and fall in
This is austral be I, take that cock in your behind, bitch
Hit the streets and perform for us
Hold hard and bring it on to us, fucker
I let you sip, comes an army, get a Mercedes
And kick back and let you pay me, my Mack is crazy
I leave the, knife and fist fight filled with glamor
Yeah, take a picture with this platinum plated sledgehammer
We over-do it add the fire and explosion to it
We sold confusion, we front rap music
MTV, is running this rap shit
Viacomm is running this rap shit
AOL and Time Warner running this rap shit
We poke out our asses for a chance to cash in
Cocaine, is running this rap shit
Hennessey, is running this rap shit
Quasi-homosexuals is running this rap shit
Watch out! we run the world
That's it
Autism Walk
What stands out to me is how a song like this can get relatively little exposure and can be labelled as "controversial", but songs containing lyrics about murdering people, using drugs, excessive alcohol consumption, promiscuous sex, living a criminal lifestyle, etc., gets significant rotation, airplay, and distribution.
713gerald
Envious people want to know how they did it! That is all.
Bret Milner
I deleted my comment
IconicSince84
713gerald It's all relative. Nobody will envy them in hell.
Bret Milner
Most likely due to his references to AOL &Time Warner. ..or am I on the wrong thread again?
Jason deLaloire
IconicSince84 he's speaking of Lyor Cohen.
Phyllis Russell
There are no lies here. Mos is telling the absolute truth.
Michael Coard
This ainโt no studio gangsta shit. This is some REAL gangsta rap shit. Facts. Truth. Courage. And barz! ๐ฏ๐ฅ๐๐พโ๏ธ
Keenan Norris
Hell yeah.
Jason Allen
Yep