Though it was not until 1996 that they had recorded their first untitled demo Burden when the band finally came together. Burden was recorded in eight hours with Adrian Butler at the desk. This demo contains only two songs, and it is a raw indication of where Mourning Beloveth stands in the death/doom metal scene today. Adrian Butler joined later on bass, soon after Delaney had switched to guitar duties. This was the lineup that recorded the highly acclaimed Autumnal Fires demo in 1998. It received the "Demo of the Issue" honorific by Moondance Magazine.
Autumnal Fires is a 40 minute piece of music as the songs were intertwined with classical piano and it showed a huge progression in the writing and recording stakes. Mainly classed as death/doom this was the first step into achieving a sound of our own and it saw the integration of clean vocals. An extensive tour of Ireland followed culminating in a support slot to none other than Cathedral in May 1999. Over 1200 copies of Autumnal Fires ware sold throughout the underground and the MB name spread.
We decided to take a bold step, like so many of their contemporaries, and record in the famous Academy studios with Magz at the helm. What was produced after seven intense days of recording was "Dust", a sixty-six minute Doom masterpiece harking back to the days of the early Doom/Death scene. Dust is a mixture of old and new songs and this creates some of the heaviest and most melancholic music ever. The atmosphere and originality is helped by the greater usage of clean and growling vocals and the amazing production courtesy of Mags.The strength of the material is helped in no small way by the fact that the same line-up had been together for 5 years at the time of recording Dust.
Following the release of Dust, in March 2001, we received rave reviews in many established magazines including Terrorizer, Metal Hammer (Greece), Heavy Oder,Was, Metal Ireland, Doom-metal.com, Aardshock along with many others, mostly seeing the band as the saviours of the Doom/Death style. On the strength of this we played some high profile dates with none other Cradle of Filth that was huge exposure for us; we even managed to play our first gig in the UK, in Bradford.
Towards the end of the summer 2001 and into the long winter the writing process began for the new album. It was now February and we had eight songs written, six of which were finally chosen and recorded at Academy studios, again with Magz at the helm, from April 20 to May 5, 2002.
"The Sullen Sulcus" is a torturous and epic listen that requires the usual MB listening patience - with six songs over 65 minutes.
Epic and heavy guitars with a crushing vocal display by both Frank and Darren with an overall growth in melody and production , we had shaken off the MDB tag which plagued some reviews of Dust and move into what can simply be called Doom, the Mourning Beloveth way. It was released in December 2002 by Aftermath and received rave reviews across the board, establishing Mourning Beloveth as one of the underground doom/death acts of our time
Sentinel Records from Ireland (www.sentinelireland.com) then re-released Dust in February 2003 with new artwork, a new song from the TSS recording sessions and Forever Lost Emeralds (from the Autumnal Fires demo) all of which was remastered by Stuart Anstis.
We were hungry to establish ourselves in Europe as well as the live circuit and financed a two week European tour from February 7th to 21st. Entitled "The Doomination of Europe" MB were joined by Americans Morgion who had just reformed and the UK based The Prophecy and it hit Portugal and Spain, stopping off in England, France, Belgium and Holland along the way. The tour was a success, so much so that an American leg was planned for August of the same year and it also gave the underground European doom scene a kick in the arse., showing everyone that with a little organisation and determination anything can be done.
In the meantime we recorded a new song entitled Part 1 which was released by Sentinel as a split 7" with fellow dark metallers Lunar Gate from Ireland. it was recorded in Cosmic studios in Ballymun and gave us some new ideas for our next album and has made its mark as a live song too. It was limited to 500 copies.
The American tour happened in August that year and Tim couldn't make it so we enlisted the help of our long time friend Anto who decided to sit on a bus with us for four weeks and play some doom. The tour was initially with Morgion, Orodruin and The Prophecy but after one show Morgion pulled out due to an unfortunate car accident and so it was left to us to headline the four week tour. It was a long and arduous tour with vans breaking down, complete city shutdowns, PA's exploding, heads breaking down and the usual lack of money and sleep, add to that the sweltering heat and you have a nice picture of hell but again the people we met on the road, the great shows at the Junkyard, Stoner hands of Doom, Austin made up for this and we also got to see America. While we were there the split 7" was released and we received a copy while in the US. The first MB piece of vinyl!
When we returned we recharged the batteries for a month and then got down to writing some new material but this was interrupted by another offer of a tour with While Heaven Wept and Thee Plague of Gentlemen starting off at Doom Shall Rise where we played second so how could we refuse. Doom Shall Rise was an amazing experience; you cannot get much better than playing in front of 500 doom heads in a church. While at the DSR festival we met Tom from Grau records and he offered us a deal to release Mourning Beloveth albums but we had a weeklong tour ahead of us and so we concentrated on that. The DSR tour was also our first gigs in Germany as well as Gronigen and an appearance at Belgian Doom Night. This tour was the most successful for us so far. We have become a tight live unit and enjoy ourselves a lot more on stage now but it was also a success due to the fact that we actually came home with some money in our pockets.
Home again for May and we were finding it difficult to write the new material so we decided to set a date of October '04 for the recording of the new album. The songs were sounding a bit different than before and we decided on a new studio following weeks of discussion, finally choosing Studio E in Germany run by Markus Stock. The deadline gave us a goal and so we tried to remember where we left off in January and the new material slowly began to emerge. The contract we had spoken about with Grau on the DSR tour arrived and soon after we became a Grau band for four albums. Time to relax? No!
The writing of the new material was arduous and we had to re-write the songs several times. The music this time round is very bare, naked, almost stripped to its core and the album and lyrical content reflected this. It is still Mourning Beloveth, still two guitars, bass and drums but while more elemental it was also more experimental but only the recording sessions would really tell and so in November 2004 we arrived at Klangschmeide, Studio E in Germany to record what was later to become known as A Murderous Circus.
Discography
* Debut (demo, 1996)
* Autumnal Fires (demo, 1998)
* Dust (2000)
* The Sullen Sulcus (2002)
* Dust (re-issue, 2002)
* Split with Lunar Gate (2003)
* A Murderous Circus (2005)
* A Disease For The Ages (2008)
* Formless (2013)
* Rust & Bone (2015)
Part 1
Mourning Beloveth Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
vitriolic molecule
We sit and speak of a certain earthy melancholia that swirls like silver smoke
and falls throug the
incandescent air. As the evening creeps in and a glow swims through the
dissolving patterns of our
thoughts, a lonely sound could be heard on the threshold of momentary shadows
"I am the voice of melancholy that gathers your stars and burns them at your
portal
the quiver that slides through your dreams to deposit leaden despair"
The morning drops slowly by our sides we pause to breath the scent of decay.
Revolving patterns slip their laconic focus through the cracks we ar lost.
The opening lines of Mourning Beloveth's song Part 1 suggest that the methods of synchronizing our thoughts revolve around an expanding vitriolic molecule, hinting towards the idea of a toxic influence that feeds on negativity. The melancholic mood that surrounds us is palpable, and it is compared to a silver smoke that falls through the air. As the evening begins, there is a faint, lonely sound that can be heard on the fringe of the shadows.
The next stanza features the voice of melancholy, which claims to gather our stars and burn them at our portal. This voice of despair is the quiver that slides through our dreams and deposits leaden despair, suggesting that it is the source of sadness and disappointment that we encounter in life. The final lines of the song describe the morning as dropping slowly by our sides, as we pause to breathe the scent of decay. The patterns of thought that once revolved are now slipping their focus, and we are lost in the cracks of our own emotions.
Line by Line Meaning
The methods with which we synchronise our minds revolve around and expanding vitriolic molecule
We use corrosive methods to synchronize our thoughts and they keep expanding to control our whole being.
We sit and speak of a certain earthy melancholia that swirls like silver smoke and falls through the incandescent air.
We contemplate a feeling of deep sadness that is ever-present like smoke in the air, and is made worse by the intense glow of our surroundings.
As the evening creeps in and a glow swims through the dissolving patterns of our thoughts, a lonely sound could be heard on the threshold of momentary shadows
As darkness sets in, our thoughts start to dissolve into chaos, and we hear a lonesome sound at the edge of our awareness.
"I am the voice of melancholy that gathers your stars and burns them at your portal the quiver that slides through your dreams to deposit leaden despair"
This is the voice of sadness that consumes us, taking away our hopes and leaving us feeling heavy and hopeless, invading even our dreams.
The morning drops slowly by our sides we pause to breath the scent of decay.
Morning arrives slowly and we take a moment to inhale the stench of death all around us.
Revolving patterns slip their laconic focus through the cracks we ar lost.
Our thoughts spin out of control, losing focus and leaving us feeling completely lost.
Contributed by Camden L. Suggest a correction in the comments below.
@Scotia9_3
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