Dorset and Colin Earl had previously been members of The Good Earth. Soon after recruiting Paul King and Mike Cole, they made their national debut at the Hollywood Festival at Newcastle-under-Lyme, Staffordshire in May 1970, the week their first single, "In the Summertime" was released. They stole the show and the record topped the UK Singles Chart for seven weeks, made number one in almost every other country around the world, and to date has sold around 23 million copies. After John Godfrey replaced Cole, their second single "Baby Jump" also topped the UK chart in March 1971. A third hit, "Lady Rose" (also in 1971), gave the group the image as a band for producing summertime based hits.
In time Dorset found the group's good-time blues and jug band repertoire a little restricting, and in 1972 he released a solo album Cold Blue Excursion, with his songs backed by strings and brass and, in one instance, a jazz band. His intention to broaden the group's appeal by recruiting a drummer led to King and Earl trying to sack him, but the management, regarding Dorset as inseparable in the public eye from Mungo Jerry, fired them both instead. Dorset and Godfrey, the bassist, recruited new members and presented a new sound, heard on the fourth album Boot Power. King and Earl went on to form the King Earl Boogie Band.
Mungo Jerry's hits continued through to 1976 with "Open Up" (Top Twenty in Europe and number one in Brazil); "Alright Alright Alright" (a rewrite of an old French hit for Jacques Dutronc, and again a major hit worldwide reaching the Top 3 in the UK); "Wild Love"; "Long Legged Woman Dressed In Black"; "Hello Nadine" (European hit and Top Five in Canada); and "It's a Secret" (European hit).
In 1975 Earl, who had played piano with Foghat in between, returned to play keyboards, and percussion player Joe Rush, part-time member of the band in earlier days, also came back for a while.
The group's line-up has changed constantly over the years. Among those who have played with them are bassist Bob Daisley, drummers Dave Bidwell, Paul Hancox and Boris Williams, guitarist Dick Middleton and keyboard/accordion player Steve Jones. They have remained particularly popular throughout Europe. Mungo Jerry was the first western band who had live TV gigs, in all countries behind the Iron Curtain. Their famous "Golden Orpheus" gig in Bulgaria, also gave them a lot of new fans.
In 1980 another Dorset song, "Feels Like I'm in Love", originally written for Elvis Presley, and recorded by the band as a B side of a single, became a British number one hit for Kelly Marie. They remained successful with overseas hits like "On A Night Like This", "Knockin' On Heaven's Door" and "Sunshine Reggae" (British version by Mungo Jerry & Horizon). But Dorset had to wait until 1995 for a real comeback, when "In the Summertime" was recorded by reggae vocalist Shaggy, who topped the charts worldwide. The last UK chart entry for Mungo Jerry was "Toon Army", a song for Newcastle United F.C. in 1999.
In 1983 "Mungo Jerry" Ray Dorset was part of the blues supergroup Katmandu, which recorded A Case For The Blues, with guitarist Peter Green, formerly of Fleetwood Mac, and keyboard player Vincent Crane, formerly of Atomic Rooster and The Crazy World of Arthur Brown.
In 2003, with German musicians, Dorset recorded Adults Only album under the name Mungo Jerry Blues Band, widely acclaimed as one of the best of his career. 2005 saw him performing with three Mungo Jerry line-ups: The British Mungo Jerry Band (pop/rock), the German Mungo Jerry Blues Band (blues/rock) and Mungo Jerry & the Goodtime Gamblers (jug/blues/skiffle).
Also in June 2005, Ray Dorset had a gig again as a duo with Mike Cole - the original double bass player from the early Mungo days - as a highlight of the "35 Years Of Mungo Jerry" event in both Newcastle and Stoke.
In March 2006 Mungo Jerry released their new single "Mr Midnight" from Phantom of the Opera on Ice (http://www.plazarecords.co.uk); produced by Roberto Danova - who had mixed in the past the old continental Mungo Jerry hits "Lana" and "It's a Secret" - and is well-known for his work with rock and pop music, in combination with big orchestras.
Keep Your Hands Off Her
Mungo Jerry Lyrics
Jump to: Overall Meaning ↴
keep your hands off - hands off,
Keep your hands off her, you can hear what I say,
You know she don't belong to you
She's a heavy-hipped mama, she's got some great big legs,
She's a heavy-hipped mama, she's got some great big legs,
She's a heavy-hipped mama, she's got some great big legs,
[Repeat chorus]
Her name is Josie and she's so nosy,
Her name is Josie and she's so nosy,
Her name is Josie and she's so nosy,
Her name is Josie yea she sure is cosy,
[Repeat chorus]
She's a heavy-hipped mama and she looks just great,
She's a heavy-hipped mama and she looks just great,
She's a heavy-hipped mama and she looks just great,
She's got what it takes
Repeat chorus
The lyrics of "Keep Your Hands Off Her" by Mungo Jerry seem to convey a strong message of respect and boundaries. The repeated chorus emphasizes the importance of not touching or laying claim to someone who does not belong to you. The singer warns others to keep their hands off this woman, making it clear that she is not to be taken advantage of or possessed by anyone.
The description of the woman as a "heavy-hipped mama" with "great big legs" may suggest that she is confident and strong-willed, not to be objectified or treated as a mere object of desire. The lyrics paint a picture of a woman who is comfortable in her own skin and commands attention and respect.
The mention of Josie, a nosy and cosy character, adds a layer of complexity to the narrative. It could imply that the woman being referred to is not easily swayed or fooled by others' intentions, and may have a sharp intuition when it comes to people trying to get too close to her.
The repeated assertion that she is a "heavy-hipped mama" who looks great and has what it takes could be celebrating her individuality, strength, and beauty. The singer seems to admire and respect her, urging others to do the same by keeping their hands off and acknowledging that she is her own person, not to be controlled or claimed by anyone else. The message of empowerment and autonomy shines through in these lyrics, urging listeners to respect boundaries and honor the agency and independence of others.
Lyrics © O/B/O APRA AMCOS
Written by: DORSET
Lyrics Licensed & Provided by LyricFind