Illmatic was a critically acclaimed bestseller and is widely considered one of the greatest rap albums of all time. He married R&B singer Kelis in 2005, they have one son together, and she filed for divorce on the 29th of April 2009. Nas was also a part of hip hop supergroup The Firm, which released one album.
In the years following the release of Illmatic, Nas pursued a more commercial direction, which resulted in wider success but decreased artistic credibility among critics and hip-hop purists. Furthermore, Nas' increased commercial success was accompanied by stylistic changes that fostered accusations of "selling out". Nevertheless, the LP Stillmatic is often credited for restoring Nas' credibility among fans. Since the success of Stillmatic, Nas continues to maintain a high profile within the hip hop community, and has pursued a decidedly progressive and personal aesthetic. While Nas' current artistic direction differs greatly from his most successful work, it has ensured that he remains one of the most respected and acclaimed contemporary rappers.
1973–1992: Childhood and early career
Nas was born in Brooklyn, New York, as the elder of Olu Dara and Fannie Ann Jones's two children; his brother Jabari (nicknamed "Jungle" because he was born in the Congo) is the younger of the two. The family lived for a time in Brooklyn, before moving to Queensbridge, the largest public housing project in the United States. Olu Dara left the household in 1986, when Nas was 13, and Ann Jones raised her two boys on her own. Nas dropped out of school in the eighth grade and began selling drugs on the streets of New York. He educated himself, reading about African culture and civilization, the Qur'an, the Bible and the Five Percent Nation. He also studied the origin of hip hop music, taping records that played on his local radio station. As a child, Nas had wanted to be an instrumentalist (at the age of three, Nas played his father's trumpet on the step of their Brooklyn home) and also a comic book artist. Shortly after his parents separated, Nas began to write short stories as he immersed himself deeper into hip-hop culture.
By his preteen years, he had settled on pursuing a career as a rapper, and as a teenager enlisted his best friend and upstairs neighbor Willie "Ill Will" Graham as his DJ. Nas first went by the nickname Kid Wave before adopting his more commonly known alias of Nasty Nas. Nas and Graham soon met hip-hop producer and Flushing Queens resident Large Professor, who introduced Nas to his group, Main Source. In 1991, Nas made his on-record debut with a verse on "Live at the BBQ", from Main Source's LP Breaking Atoms. Despite the substantial buzz for Nas in the underground scene, the rapper was rejected by major labels and was not signed to a recording deal. Nas and Graham continued to work together, but their partnership was cut short when Graham was shot and killed by a gunman in Queensbridge on May 23, 1992.
1992–1995: The recording and release of Illmatic
In mid-1992, Nas was approached by MC Serch of 3rd Bass, who became his manager and secured Nas a record deal with Columbia Records the same year. Nas made his solo debut on the single "Halftime" from Serch's soundtrack for the film Zebrahead. The single increased the buzz surrounding Nas and when MC Serch’s solo album is released later in the year, Nas’ standout appearance on "Back To The Grill" only intensified interest in his upcoming album, amid immense anticipation. Hailed as the second coming of Rakim, his rhyming skills attracted a significant amount of attention within the hip-hop community. However, many were concerned that Columbia, being a major label, would try to dilute his New York based style.
In 1994, Nas' debut album, Illmatic was finally released. Critically acclaimed and widely regarded as one of the premier rap albums ever created, Illmatic featured lyrics that portrayed stunning visual imagery and production courtesy of several producers . The album featured production from Large Professor, Pete Rock, Q-Tip (of A Tribe Called Quest) and DJ Premier, as well as guest appearances from Nas' friend AZ and his father Olu Dara on the song "Life's a Bitch", Illmatic was immediately hailed as a masterpiece by critics, and is still highly regarded as one of the definitive hip-hop albums of all time. Notable songs on the album included "NY State of Mind" (produced by Premier), "The World Is Yours" (produced by Pete Rock), "One Love" (produced by Q-Tip) and "It Ain't Hard To Tell" (produced by Large Professor and featuring a sample of "Human Nature" by Michael Jackson). However, due in part to extensive bootlegging, the record sales fell below expectations.
Following Illmatic, Nas appeared on AZ's Doe Or Die album, and collaborated with his Queensbridge-associates, Mobb Deep, on their album, The Infamous. One notable achievement during this period was Nas' verse on "Verbal Intercourse" on Raekwon's Only Built 4 Cuban Linx. After this appearance, Nas received a Source Quotable as he had the distinction of being the only non-Wu-Tang Clan member to be featured on one of the group's solo albums.
1996–1998: From It Was Written to The Firm
Columbia began to press Nas to work towards more commercial topics like the rapper The Notorious B.I.G., who had become successful by releasing street singles that still retained pop-friendly appeal. Nas traded manager MC Serch for Steve Stoute, and began preparation for his second LP, It Was Written, consciously working towards a crossover-oriented sound. It Was Written, chiefly produced by Poke and Tone of Trackmasters Entertainment, was released during the summer of 1996. Two singles, "If I Ruled The World (Imagine That)" (featuring Lauryn Hill of The Fugees) and "Street Dreams" (a remix features R. Kelly) were instant hits. These songs were promoted by big-budget music videos directed by Hype Williams, making Nas a common name among mainstream hip-hop. Other notable tracks on the album included "The Message" and "I Gave You Power," which tells a story from the perspective of a gun. It Was Written also featured the debut of The Firm, a supergroup consisting of Nas, AZ, Foxy Brown, and Cormega. The album also introduced Nas's Mafioso-inspired character "Nas Escobar", who lived more of a Scarface/Casino-esque lifestyle. On the other hand, Illmatic, which, while having numerous references to Tony Montana and the theatrical hit featuring Al Pacino, was more about Nas' life as a teenager in the projects, hustling and smoking marijuana.
The Firm signed to Dr. Dre's Aftermath Entertainment label, and began working on their debut album. Halfway through the production of the album, Cormega was fired from the group by Steve Stoute, who had unsuccessfully attempted to force Cormega to sign a deal with his management company. Cormega therefore became one of Nas' most vocal opponents, releasing a number of underground hip-hop singles dissing Nas, Stoute, and Nature, who was Cormega's replacement in The Firm. The Firm's The Album was finally released in 1997 to mixed reviews and lackluster sales and the members of the supergroup went their separate ways.
At about this time, Nas became a spokesperson for the Willie Esco urban clothing line, but had no other connection with the clothing line. He stopped promoting Willie Esco in 2000, dissatisfied with the company's operations. During the same period, Nas co-wrote and starred in Hype Williams' 1998 feature film Belly, which also featured DMX, Taral Hicks, and T-Boz of TLC among its cast.
1998–2000: I Am... to Nastradamus
In 1998, Nas began work on a double album to be entitled I Am...The Autobiography, which he intended as the middle ground between the extremes of Illmatic and It Was Written. The album was completed in early 1999, and a music video was shot for its lead single, Nas Is Like, produced by DJ Premier and featuring vocal samples from "It Ain't Hard to Tell". However, much of the LP was leaked in MP3 format onto the Internet, and Nas and Stoute quickly recorded enough substitute material to constitute a single-disc release.
The second single for I Am was "Hate Me Now," featuring Sean "Puffy" Combs (now "Diddy"), was used as an example by Nas' critics for moving towards commercial themes. Hype Williams shot an allegorical video for the single, which featured Nas and Puffy being crucified in a manner similar to Jesus; After the video was completed, Combs, a Catholic, requested his crucifixion scene be edited out of the video. However, the unedited copy of the "Hate Me Now" video made its way to MTV, and was premiered on April 15, 1999 on TRL. A furious Combs and his bodyguards allegedly made their way into Steve Stoute's office and assaulted him, at one point apparently hitting Stoute over the head with a champagne bottle. Stoute pressed charges, but he and Combs settled out-of-court that June.
Columbia had scheduled to release the pirated material from I Am under the title Nastradamus during the latter half of 1999, but, at the last minute, decided Nas should record an entirely new album for release. Nastradamus was therefore rushed to meet a November release date. Though critics were not kind to the album, it did result in a minor hit, the Timbaland-produced "You Owe Me," featuring R&B singer Ginuwine. The only pirated track from I Am... to make it onto Nastradamus was "Project Windows," featuring Ronald Isley. A number of the other bootlegged tracks later made their way onto The Lost Tapes, a collection of underground Nas songs that was released by Columbia in September 2002. The collection saw decent sales and received glowing reviews.
2000–2001: The Nas vs. Jay-Z rivalry and Stillmatic
The highly publicized rivalry between Nas and Jay-Z began as a rivalry between Nas and Jay-Z's protege, Memphis Bleek. On his debut album Coming of Age, Bleek made a song entitled "Memphis Bleek Is", which was similar in concept to Nas' single "Nas is Like". On the same album, Bleek recorded "What You Think Of That" featuring Bleek's mentor Jay-Z, which contains the refrain, "I'ma ball 'til I fall/what you think of that?". In retaliation, "Nastradamus", the title track from Nas' second 1999 album, featured a reference to "What You Think Of That". The lyrics state, "You wanna ball till you fall, I can help you with that/You want beef? I could let a slug melt in your hat." Memphis Bleek perceived the reference on "Nastradamus" as a diss, and therefore dissed Nas on the lead single for his The Understanding LP, My Mind Right".
QB's Finest was a compilation album that featured Nas and a number of other rappers from Queensbridge, including Mobb Deep, Nature, Littles, The Bravehearts (which included Nas' younger brother Jungle among its members), and Cormega, who had briefly reconciled with Nas. The album also featured guest appearances from Queensbridge hip-hop legends Roxanne Shante, MC Shan, and Marley Marl. Shan and Marley Marl both appeared on the lead single "Da Bridge 2001", which was based on Shan & Marl's 1986 recording "The Bridge". "Da Bridge 2001" also featured a response from Nas to Memphis Bleek, in which Nas called out most of the Roc-A-Fella Records roster, including Bleek, Damon Dash, Beanie Sigel, and Jay-Z.
Jay-Z responded to Nas' songs with an onstage swipe during the 2001 Hot 97 Summer Jam concert in New York City, when he premiered his song "Takeover." Initially, the song was to only be a Mobb Deep diss, only including one line about Nas near the end. Nevertheless, Nas recorded the "Stillmatic Freestyle," an underground single which sampled Rakim and Eric B.'s "Paid in Full" beat, and attacked Jay-Z and his Roc-A-Fella label. On his 2001 album, The Blueprint, Jay-Z rewrote "Takeover," dedicating half of the song to dissing Nas, claiming that he had a "...one hot album every ten year average" record (referring to Illmatic) that his flow was weak, and that he had fabricated his past as a hustler.
Nas responded with "Ether", the track begins with gunshots and a repeated, slowed-down sample of Tupac rapping "Fuck Jay-Z." (taken from Tupac's "Fuck Friends") In "Ether," Nas accuses Jay-Z of stealing ("biting") lyrics from The Notorious B.I.G. and brown-nosing Nas and other rappers for fame. Ether was included on Nas' fifth studio album, Stillmatic, released in December 2001. Stillmatic managed to be not only a critically-acclaimed comeback album, but a commercial success as well, albeit not on the level of It Was Written and I Am...; the album debutted at #7 on the Billboard album charts and featured the singles "Got Ur Self A..." and "One Mic." In terms of commercial success, Jay's The Blueprint was certified double-platinum, while Stillmatic went platinum.
Jay-Z responded to "Ether" with a freestyle entitled "Supa Ugly." going into detail about how he had sex with Carmen Bryan, the mother of Nas' daughter Destiny. Nas dismissed the track by claiming that he was no longer with Bryan during the time the affair took place. In a recent interview, however, New York radio station Hot 97 settled the battle taking votes comparing "Ether" and "Supa Ugly," and Nas won with 58% while Jay-Z got 42% of the votes. By 2005, the two rappers had eventually ended their feud without violence or animosity. During Jay-Z's I Declare War - Power House concert, Jay-Z announced to the crowd, "It's bigger than 'I Declare War'. Let's go, Esco!" Nas then joined Jay-Z onstage, and the two then performed "Dead Presidents" together, which Jay-Z had sampled from Nas' song "The World is Yours."
2002–Present: From God's Son to Street's Disciple and beyond
In December 2002, Nas released the God's Son album. and its lead single, "Made You Look". The album debuted at #18 on the Billboard charts despite widespread internet bootlegging. Time Magazine named his album best hip-hop album of the year. Vibe Magazine gave it 4 stars and The Source gave it 4 mics. The second single, the inspirational "I Can", which reworked elements from Beethoven's "Fur Elise", became Nas' biggest hit to date during the spring and summer of 2003, garnering substantial radio airplay on urban, rhythmic, and top 40 radio stations, as well as on the MTV and VH1 music video networks. God's Son also includes several songs dedicated to memory of Nas' mother, who died of cancer in 2002. In 2003, Nas was featured on the Korn song "Play Me", from KoЯn's Take a Look in the Mirror LP.
Nas released his seventh studio album, the critically acclaimed double-disc Street's Disciple, on November 30, 2004. The album's first singles were "Thief's Theme" and "Bridging the Gap", which features his father Olu Dara on vocals. The album also includes "These are Our Heroes", which accuses prominent sports stars and actors such as Kobe Bryant, Lenny Henry, Tiger Woods, and Cuba Gooding, Jr. of neglecting their heritage and background in favour of white values. The videos for "Bridging the Gap" and "Just A Moment" received moderate airplay on MTV and BET. Although the album went platinum, its commercial profile was relatively low compared to the rapper's previous releases.
Nas was featured on Kanye West's album Late Registration on a song titled "We Major". West said the song was Jay-Z's favorite on the album, but West was unable to get Jay-Z to record a vocal for the final mix of the song. He also appeared on Damian Marley's song "Road to Zion" (which also featured newcomer The Game in the video, widening Nas' still growing universally appreciated raps) and several other songs such as "Death Anniversary" and "It Wasn't You" (featuring Lauryn Hill). In addition, Nas was most recently married to the R&B singer Kelis, who is mostly known for her work internationally, but nonetheless released great hits in the U.S. The couple wed on Jan. 8, 2005 in Atlanta, GA, after a two-year engagement.
During this time, Nas announced that his next album would be entirely self-produced and feature no other rappers, and would be titled Nasir, and later that the project would feature other producers after all and would be called Nasdaq: Dow Jones. Neither of these albums ever materialized.
At a free concert in Central Park, New York, Nas made a statement regarding the quality of 50 Cent's music. "this is the real shit, not that 50 Cent shit!" In response, 50 Cent included a stab at Nas by speaking negatively of his wife Kelis on his single "Piggy Bank," implying that Kelis was promiscuous and calling Nas a "sucker for love." Nas was quoted as saying that he feels no obligation to retaliate, remarking "[50 has] got a good five to six more albums before I can really respond to him." Nas eventually decided to retaliate, and in July 2005 released "Don't Body Ya Self (MC Burial)", a song which taunts 50 Cent and his G-Unit crew, stating that 50 was "a sucka for death if I'm a sucka for love." However, despite all of this, Nas still claims to "have a lot of love towards 50," claiming 50 didn't understand his moves when they both were together at Columbia Records.
In January 2006, Nas signed a label deal with Jay-Z's Def Jam, further emphasizing the Jay-Z/Nas truce and raising expectations for a collaboration even higher. His album due in fall of 2006 will come out in a joint deal with this imprint and Columbia Records. He recently announced to MTV News that his album is to be named, "Hip Hop is Dead...the N," the N being a play on the word the "end." The title is supposed to reflect what some would term the current low quality of rap music. The highly anticipated album is due out in December 19th, 2006.
Musical style and Technique
Nas has long been famed for his creativity and storytelling prowess, which has earned him acclaim from both the hip-hop community and critics. In his early stages, from his first appearance on the Main Source's Breaking Atoms and throughout the recording of Illmatic, he was perhaps best known for his street-oriented topics, complex lyrical schemes (which often incorporated multi-syllabic internal rhymes), and witty phrasing and imagery. As he progressed and matured, Nas began to branch out into different subjects and developed a richer voice and slower rapping technique.
Following Illmatic's release, Nas developed a penchant for hyper-visual storytelling and topical creativity. For instance, "Undying Love" (featured on I Am...) is a tale of his wife's betrayal told in first person, "Rewind" (featured on Stillmatic) is a narrative in which a story is recited backwards, while on "I Gave You Power" (featured on It Was Written), Nas assumes the role of a gun who recounts brutal tales of murder and violence. Over the years Nas' style has changed significantly. In contrast to his previous work, Nas’ most recent material is distinctively socially aware and often politically inflammatory. Songs such as "I Can" (featured on God's Son) convey moral messages of black youth empowerment, while "These Are Our Heroes (Coon Picnic)" accuses several African-American celebrities of being Uncle Toms. Furthermore, controversial songs such as "My Country" and "A Message to the Feds (Fuck The Police II)" (which are featured on Stillmatic and Street's Disciple, respectively) question the conduct of the American government. Nas' views in his lyrics throughout his career have made references to Islam and the Five Percent Nation..
Black Girl Lost feat Jojo Hailey of Jodeci
Nas Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
What's up, girl?
Ain't nothing, this nigga in here stressing
Talking that old off the wall, back to Africa shit again
What? That God Body shit?
Yeah, that dumb shit
I'm tryna get up outta here
I hear that, but yo, you know the spot is pumping tonight
You know, where the real niggas is popping the Cristal
Not that White Star
Haha, word, where the real niggas at?
Listen, to reason
Pretty baby, baby, listen
A young, wild, beautiful love child
You like 'em thug style, link rockin', then mink coppin'
Hit you on the sink, a hundred dollar drink poppin'
The head'll make you take him shoppin', a foul doctrine
Reminiscent of my first time up in a chick
You was innocent, but now you rent-a-dick, wear the tightest shit
Chanel, lookin' real, airbrushed nails
Hit the gym, hit the scales, heaven-sent but negligent (so fine)
To see a prophecy, your ebony tone is lockin' me
The way you moan, make me daydream of you on top of me
Wishin' I could be the one man
But you juggle way too many willies all in one hand
You wanna run up in clubs, gettin' rubbed on
Niggas pull your hair, shake your fat rear, get your fuck on
Followin' week, you back there, but what you stuck on?
Weed, clowns and cars
Puffin' with some lil' nigga, husband not knowin' she's out
Could you believe Eve, Mother Earth of the seas
Niggas thirst you, you just let 'em hurt you and leave
What up, ma? Frontin' like you naïve
Push your man's whip, calling police when you flip
Can't understand it, yo, it should be a throne for us
But for now that's a whole different zone from us, word
Diamonds all shinin', lookin all fine
Pretty little face, get a little high
Young girl stugglin', tryin' to survive
Mother of the Earth, she made you and I
Just tired of playin' the same ol' games
Messin' with my mind, emotional thangs
And there goes, a black girl, lost
Like Isis, she got you heart broke and felt lifeless
Grow up, girl, instead, you want revenge so now you act the nicest
To who'sever gettin' down and trifless
To get his mind, all you do is give him somethin' priceless
'Cause in time he'll realize the thighs is all he needs
More than weed, then you hit him off with lies and greed (deceit, yeah)
There you go again, startin' wars, makin' me more yours
Seem to get a kick out of keepin' me on all fours
Face glistenin', I'm addicted to you
Original, Wisdom Body got me picturing you
Igloos of ice trickin' on you, you never listen
To this nigga spendin' Franklins on tennis anklets
Must've had a bad deal in the past though
Can't even keep it real with a nigga with cash flow
Say men are all the same, what we need to do is break this chain
You got a job part-time and school's your night thing
With dreams to settle down, it ain't far from now
You gettin' interviewed, but your boss is into gettin' screwed
Typical day that the black girl sees
Comin' home wantin' more from a college degree
Diamonds all shinin', lookin' all fine
Pretty little face, get a little high
Young girl stugglin', tryin to survive
Mother of the Earth, she made you and I
Just tired of playin' the same ol' games
Messin' with my mind, emotional thangs
And there goes, a black girl, lost
Where are you focused, on legit niggas and where the coke is
Nice and Thug Life niggas, yo, you seem hopeless
Your value, too much to be measured, I wonder how you
Could ever be played, your pussy worth gold amountin' to
More than the world, but not knowin' nothin' about you
You leavin' the crib, takin' all your kids out to
Drop them off, lettin' some nigga knock you off
So hot and soft, that's the same thing that got you lost (you should be ashamed)
Growin' up seein' it, it should remind you, you bein' lied to
Everything that move be inside you
Sacred as you are, left with these wannabes to guide you
I watched you, hard to knock you, I tried not to
They spot you out dancin' topless in your drawers
Damn, look, there goes a black girl lost
You should be ashamed of yourself
The way you carry yourself
The way you hang out all night long
Doing silly things that is wrong
Black girl lost
In the song "Black Girl Lost" by Nas, the artist describes a young woman who is beautiful and wild but lost. This young woman favors men who wear thuggish clothing and collects furs while drinking $100 cocktails. She is a young woman of low moral character who changes partners regularly, wears revealing clothing, and indulges in weed, clubs, and other frivolous pastimes. Although the singer feels attracted to her, he criticizes her multiple relationships and her apparent willingness to be mistreated and abandoned after a brief romance.
The song, however, is not just about the black girl's wild and destructive lifestyle. It also sheds light on the root causes of her plight. Nas asserts that society has failed to nurture black girls, depriving them of opportunities, guidance, and support. As a result, many of them become trapped by their circumstances, hopeless, and vulnerable to exploitation by men who only seek physical pleasure.
Furthermore, the song appears to be a call to action to the black community, urging them to do a better job of supporting young black women. Having Nas as a spokesman for their cause would certainly help these women rise above their present situation, but it will take more than that. However, Nas urges love and support rather than judging and being quick to condemn in his song.
Line by Line Meaning
A young wild beautiful love child
Describing a young and beautiful girl
You like them thug style link rockin, then mink coppin
You prefer men who dress and act like criminals, and then buy expensive clothing for you
Hit you on the sink a hundred dollar drink poppin
You like to have sex on the sink, while drinking expensive cocktails
The head'll make you take him shoppin, a foul doctrine
The good sex makes you want to take him shopping, but it's not a healthy relationship
Reminiscent of my first time up in a chick
He remembers his first time having sex with a girl
You was innocent, but now you rent-a-dick, wear the tightest shit
You used to be innocent, but now you hire guys for sex and wear very tight clothes
Chanel lookin real, airbrushed nails
You wear expensive Chanel clothing and have airbrushed nails
Hit the gym, hit the scales, heaven-sent but negligent (so fine..)
You exercise and diet to maintain your beautiful body, but you neglect your inner being
To see a prophecy, your ebony tone is lockin me
Your beautiful dark skin fascinates me
The way you moan make me daydream of you on top of me
Your sexual noises make him fantasize about having sex with you
Wishin I could be the one man; but you juggle
He wishes he could be your only man, but you date multiple guys
Way too many Willies all in one hand
You date too many guys at once
You wanna run up in clubs, gettin rubbed on
You like to go to clubs and get touched by guys
Niggas pull your hair, shake your fat rear
Guys grab your hair and shake your big butt
Get your fuck on - followin week, you back there
You have sex with guys at clubs and then return the following week
But what you stuck on, weed, clowns and cars
You're addicted to smoking weed, hanging out with foolish guys, and expensive cars
Puffin with some lil nigga, husband not knowin she's out
You smoke weed with a younger guy, while your husband is unaware
Could you believe Eve, Mother Earth of the seas
The focus shifts to Eve, the mother of all things on the earth
Niggas thirst you, you just let em hurt you and leave
Guys are attracted to you but only end up hurting you and leaving
What up mah, frontin like you naive
You act like you're innocent, but you're not
Push your man's whip, calling police when you flip
You drive your man's car and call the police when something goes wrong, instead of fixing it yourself
Can't understand it, yo it should be a throne for us
He can't understand why black women aren't treated better
But for now that's a whole different zone from us, word!
They're living in a different reality where black women are not treated well
Diamonds all shinin, lookin all fine
The chorus talks about how beautiful black women can be
Pretty little face, get a little high
Black women may be beautiful but they also struggle with drug addiction
Young girl stugglin, tryin to survive
Black women often struggle financially to survive
Mother of the Earth, she made you and I
Women are powerful beings who give birth to all of us
Just tired of playin the same ol' games
Black women are tired of dealing with the same problems over and over again
Messin with my mind, emotional thangs
Black women are often emotionally drained because of the challenges they face
And there goes, a black girl, lost
The chorus repeats, emphasizing how black women are often lost and struggling
Like Isis, she got you heartbroke and felt lifeless
He compares the girl's situation to the heartbreak Isis, an Egyptian goddess, went through
Grow up girl instead you want revenge so now you act the nicest
Instead of growing up and moving on, you want to get revenge by acting nice to guys
To who'sever gettin down and trifless
You're nice to whoever you're having sex with, even if it's not a healthy relationship
To get his mind all you do is give him somethin priceless
You use sex to manipulate men
Cause in time he'll realize the thighs is all he needs
Eventually, guys will realize that sex is all they're getting out of the relationship
More than weed, then you hit him off with lies and greed (deceit, yeah)
You manipulate guys with lies and greed, even more than with sex
There you go again, startin' wars, makin me more yours
You start fights and arguments to keep him interested
Seem to get a kick out of keepin' me on all fours
You like having power over him and making him submit to you
Face glistenin, I'm addicted to you
He's addicted to your beauty
Original, Wisdom Body got me picturin you
He admires your unique beauty and intelligence
Igloos of ice trickin' on you, you never listen
Guys spend a lot of money on you, but you never listen to their advice
To this nigga spendin' Franklins on tennis anklets
One guy even spends a lot of money on expensive tennis jewelry for you
Must've had a bad deal in the past though
You've probably had a bad relationship in the past
Can't even keep it real with a nigga with cash flow
You can't even be honest with a guy who has a lot of money
Say men are all the same, what we need to do is break this chain
You think all men are the same and he suggests breaking that cycle
You got a job part-time and school's your night thing
You work part-time and go to school at night
With dreams to settle down, it ain't far from now
You have dreams of settling down, and it may not be too far in the future
You gettin interviewed, but your boss is into gettin' screwed
You're being interviewed for a job but your boss wants to have sex with you
Typical day that the black girl sees
Describing a typical day for a black girl
Comin' home wantin' more from a college degree
You come home from school wanting to achieve more with your college degree
Where are you focused, on legit niggas and where the coke is
You're focused on finding legitimate guys or guys who sell cocaine
Nice and Thug Life niggas, yo you seem hopeless
You're attracted to both nice guys and criminals, but neither seem to work out
Your value, too much to be measured, I wonder how you
You are valuable and priceless, and he wonders how you don't see it
Could ever be played, your pussy worth gold amountin' to
Your body is worth a lot, and he wonders how guys could take advantage of that
More than the world, but not knowin' nothin' about you
Your true self is worth more than anything, but guys don't know anything about you
You leavin' the crib, takin' all your kids out to
You leave your home, taking all your kids with you
Drop them off, lettin' some nigga knock you off
You drop them off and have sex with some guy
So hot and soft, that's the same thing that got you lost (you should be ashamed)
Your sexuality is what got you into trouble and you should be ashamed of it
Growin' up seein' it, it should remind you, you bein' lied to
You grew up seeing this kind of behavior, and it should remind you that you're being lied to
Everything that move be inside you
All the bad things that happen to you are because of your own actions
Sacred as you are, left with these wannabes to guide you
You are a sacred and powerful person, but you're being guided by people who are not
I watched you, hard to knock you, I tried not to
He watches you and tries not to judge you too harshly
They spot you out dancin' topless in your drawers
Guys see you dancing topless
Damn look, there goes a black girl lost
The song ends by repeating the chorus, emphasizing how black women are often lost and struggling
Lyrics © Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: James Mtume, Leshan Lewis, Nasir Jones, Reginald Grant Lucas
Lyrics Licensed & Provided by LyricFind
Joel Joseph
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WyGuysDad
one his most lyrically underrated songs