Illmatic was a critically acclaimed bestseller and is widely considered one of the greatest rap albums of all time. He married R&B singer Kelis in 2005, they have one son together, and she filed for divorce on the 29th of April 2009. Nas was also a part of hip hop supergroup The Firm, which released one album.
In the years following the release of Illmatic, Nas pursued a more commercial direction, which resulted in wider success but decreased artistic credibility among critics and hip-hop purists. Furthermore, Nas' increased commercial success was accompanied by stylistic changes that fostered accusations of "selling out". Nevertheless, the LP Stillmatic is often credited for restoring Nas' credibility among fans. Since the success of Stillmatic, Nas continues to maintain a high profile within the hip hop community, and has pursued a decidedly progressive and personal aesthetic. While Nas' current artistic direction differs greatly from his most successful work, it has ensured that he remains one of the most respected and acclaimed contemporary rappers.
1973–1992: Childhood and early career
Nas was born in Brooklyn, New York, as the elder of Olu Dara and Fannie Ann Jones's two children; his brother Jabari (nicknamed "Jungle" because he was born in the Congo) is the younger of the two. The family lived for a time in Brooklyn, before moving to Queensbridge, the largest public housing project in the United States. Olu Dara left the household in 1986, when Nas was 13, and Ann Jones raised her two boys on her own. Nas dropped out of school in the eighth grade and began selling drugs on the streets of New York. He educated himself, reading about African culture and civilization, the Qur'an, the Bible and the Five Percent Nation. He also studied the origin of hip hop music, taping records that played on his local radio station. As a child, Nas had wanted to be an instrumentalist (at the age of three, Nas played his father's trumpet on the step of their Brooklyn home) and also a comic book artist. Shortly after his parents separated, Nas began to write short stories as he immersed himself deeper into hip-hop culture.
By his preteen years, he had settled on pursuing a career as a rapper, and as a teenager enlisted his best friend and upstairs neighbor Willie "Ill Will" Graham as his DJ. Nas first went by the nickname Kid Wave before adopting his more commonly known alias of Nasty Nas. Nas and Graham soon met hip-hop producer and Flushing Queens resident Large Professor, who introduced Nas to his group, Main Source. In 1991, Nas made his on-record debut with a verse on "Live at the BBQ", from Main Source's LP Breaking Atoms. Despite the substantial buzz for Nas in the underground scene, the rapper was rejected by major labels and was not signed to a recording deal. Nas and Graham continued to work together, but their partnership was cut short when Graham was shot and killed by a gunman in Queensbridge on May 23, 1992.
1992–1995: The recording and release of Illmatic
In mid-1992, Nas was approached by MC Serch of 3rd Bass, who became his manager and secured Nas a record deal with Columbia Records the same year. Nas made his solo debut on the single "Halftime" from Serch's soundtrack for the film Zebrahead. The single increased the buzz surrounding Nas and when MC Serch’s solo album is released later in the year, Nas’ standout appearance on "Back To The Grill" only intensified interest in his upcoming album, amid immense anticipation. Hailed as the second coming of Rakim, his rhyming skills attracted a significant amount of attention within the hip-hop community. However, many were concerned that Columbia, being a major label, would try to dilute his New York based style.
In 1994, Nas' debut album, Illmatic was finally released. Critically acclaimed and widely regarded as one of the premier rap albums ever created, Illmatic featured lyrics that portrayed stunning visual imagery and production courtesy of several producers . The album featured production from Large Professor, Pete Rock, Q-Tip (of A Tribe Called Quest) and DJ Premier, as well as guest appearances from Nas' friend AZ and his father Olu Dara on the song "Life's a Bitch", Illmatic was immediately hailed as a masterpiece by critics, and is still highly regarded as one of the definitive hip-hop albums of all time. Notable songs on the album included "NY State of Mind" (produced by Premier), "The World Is Yours" (produced by Pete Rock), "One Love" (produced by Q-Tip) and "It Ain't Hard To Tell" (produced by Large Professor and featuring a sample of "Human Nature" by Michael Jackson). However, due in part to extensive bootlegging, the record sales fell below expectations.
Following Illmatic, Nas appeared on AZ's Doe Or Die album, and collaborated with his Queensbridge-associates, Mobb Deep, on their album, The Infamous. One notable achievement during this period was Nas' verse on "Verbal Intercourse" on Raekwon's Only Built 4 Cuban Linx. After this appearance, Nas received a Source Quotable as he had the distinction of being the only non-Wu-Tang Clan member to be featured on one of the group's solo albums.
1996–1998: From It Was Written to The Firm
Columbia began to press Nas to work towards more commercial topics like the rapper The Notorious B.I.G., who had become successful by releasing street singles that still retained pop-friendly appeal. Nas traded manager MC Serch for Steve Stoute, and began preparation for his second LP, It Was Written, consciously working towards a crossover-oriented sound. It Was Written, chiefly produced by Poke and Tone of Trackmasters Entertainment, was released during the summer of 1996. Two singles, "If I Ruled The World (Imagine That)" (featuring Lauryn Hill of The Fugees) and "Street Dreams" (a remix features R. Kelly) were instant hits. These songs were promoted by big-budget music videos directed by Hype Williams, making Nas a common name among mainstream hip-hop. Other notable tracks on the album included "The Message" and "I Gave You Power," which tells a story from the perspective of a gun. It Was Written also featured the debut of The Firm, a supergroup consisting of Nas, AZ, Foxy Brown, and Cormega. The album also introduced Nas's Mafioso-inspired character "Nas Escobar", who lived more of a Scarface/Casino-esque lifestyle. On the other hand, Illmatic, which, while having numerous references to Tony Montana and the theatrical hit featuring Al Pacino, was more about Nas' life as a teenager in the projects, hustling and smoking marijuana.
The Firm signed to Dr. Dre's Aftermath Entertainment label, and began working on their debut album. Halfway through the production of the album, Cormega was fired from the group by Steve Stoute, who had unsuccessfully attempted to force Cormega to sign a deal with his management company. Cormega therefore became one of Nas' most vocal opponents, releasing a number of underground hip-hop singles dissing Nas, Stoute, and Nature, who was Cormega's replacement in The Firm. The Firm's The Album was finally released in 1997 to mixed reviews and lackluster sales and the members of the supergroup went their separate ways.
At about this time, Nas became a spokesperson for the Willie Esco urban clothing line, but had no other connection with the clothing line. He stopped promoting Willie Esco in 2000, dissatisfied with the company's operations. During the same period, Nas co-wrote and starred in Hype Williams' 1998 feature film Belly, which also featured DMX, Taral Hicks, and T-Boz of TLC among its cast.
1998–2000: I Am... to Nastradamus
In 1998, Nas began work on a double album to be entitled I Am...The Autobiography, which he intended as the middle ground between the extremes of Illmatic and It Was Written. The album was completed in early 1999, and a music video was shot for its lead single, Nas Is Like, produced by DJ Premier and featuring vocal samples from "It Ain't Hard to Tell". However, much of the LP was leaked in MP3 format onto the Internet, and Nas and Stoute quickly recorded enough substitute material to constitute a single-disc release.
The second single for I Am was "Hate Me Now," featuring Sean "Puffy" Combs (now "Diddy"), was used as an example by Nas' critics for moving towards commercial themes. Hype Williams shot an allegorical video for the single, which featured Nas and Puffy being crucified in a manner similar to Jesus; After the video was completed, Combs, a Catholic, requested his crucifixion scene be edited out of the video. However, the unedited copy of the "Hate Me Now" video made its way to MTV, and was premiered on April 15, 1999 on TRL. A furious Combs and his bodyguards allegedly made their way into Steve Stoute's office and assaulted him, at one point apparently hitting Stoute over the head with a champagne bottle. Stoute pressed charges, but he and Combs settled out-of-court that June.
Columbia had scheduled to release the pirated material from I Am under the title Nastradamus during the latter half of 1999, but, at the last minute, decided Nas should record an entirely new album for release. Nastradamus was therefore rushed to meet a November release date. Though critics were not kind to the album, it did result in a minor hit, the Timbaland-produced "You Owe Me," featuring R&B singer Ginuwine. The only pirated track from I Am... to make it onto Nastradamus was "Project Windows," featuring Ronald Isley. A number of the other bootlegged tracks later made their way onto The Lost Tapes, a collection of underground Nas songs that was released by Columbia in September 2002. The collection saw decent sales and received glowing reviews.
2000–2001: The Nas vs. Jay-Z rivalry and Stillmatic
The highly publicized rivalry between Nas and Jay-Z began as a rivalry between Nas and Jay-Z's protege, Memphis Bleek. On his debut album Coming of Age, Bleek made a song entitled "Memphis Bleek Is", which was similar in concept to Nas' single "Nas is Like". On the same album, Bleek recorded "What You Think Of That" featuring Bleek's mentor Jay-Z, which contains the refrain, "I'ma ball 'til I fall/what you think of that?". In retaliation, "Nastradamus", the title track from Nas' second 1999 album, featured a reference to "What You Think Of That". The lyrics state, "You wanna ball till you fall, I can help you with that/You want beef? I could let a slug melt in your hat." Memphis Bleek perceived the reference on "Nastradamus" as a diss, and therefore dissed Nas on the lead single for his The Understanding LP, My Mind Right".
QB's Finest was a compilation album that featured Nas and a number of other rappers from Queensbridge, including Mobb Deep, Nature, Littles, The Bravehearts (which included Nas' younger brother Jungle among its members), and Cormega, who had briefly reconciled with Nas. The album also featured guest appearances from Queensbridge hip-hop legends Roxanne Shante, MC Shan, and Marley Marl. Shan and Marley Marl both appeared on the lead single "Da Bridge 2001", which was based on Shan & Marl's 1986 recording "The Bridge". "Da Bridge 2001" also featured a response from Nas to Memphis Bleek, in which Nas called out most of the Roc-A-Fella Records roster, including Bleek, Damon Dash, Beanie Sigel, and Jay-Z.
Jay-Z responded to Nas' songs with an onstage swipe during the 2001 Hot 97 Summer Jam concert in New York City, when he premiered his song "Takeover." Initially, the song was to only be a Mobb Deep diss, only including one line about Nas near the end. Nevertheless, Nas recorded the "Stillmatic Freestyle," an underground single which sampled Rakim and Eric B.'s "Paid in Full" beat, and attacked Jay-Z and his Roc-A-Fella label. On his 2001 album, The Blueprint, Jay-Z rewrote "Takeover," dedicating half of the song to dissing Nas, claiming that he had a "...one hot album every ten year average" record (referring to Illmatic) that his flow was weak, and that he had fabricated his past as a hustler.
Nas responded with "Ether", the track begins with gunshots and a repeated, slowed-down sample of Tupac rapping "Fuck Jay-Z." (taken from Tupac's "Fuck Friends") In "Ether," Nas accuses Jay-Z of stealing ("biting") lyrics from The Notorious B.I.G. and brown-nosing Nas and other rappers for fame. Ether was included on Nas' fifth studio album, Stillmatic, released in December 2001. Stillmatic managed to be not only a critically-acclaimed comeback album, but a commercial success as well, albeit not on the level of It Was Written and I Am...; the album debutted at #7 on the Billboard album charts and featured the singles "Got Ur Self A..." and "One Mic." In terms of commercial success, Jay's The Blueprint was certified double-platinum, while Stillmatic went platinum.
Jay-Z responded to "Ether" with a freestyle entitled "Supa Ugly." going into detail about how he had sex with Carmen Bryan, the mother of Nas' daughter Destiny. Nas dismissed the track by claiming that he was no longer with Bryan during the time the affair took place. In a recent interview, however, New York radio station Hot 97 settled the battle taking votes comparing "Ether" and "Supa Ugly," and Nas won with 58% while Jay-Z got 42% of the votes. By 2005, the two rappers had eventually ended their feud without violence or animosity. During Jay-Z's I Declare War - Power House concert, Jay-Z announced to the crowd, "It's bigger than 'I Declare War'. Let's go, Esco!" Nas then joined Jay-Z onstage, and the two then performed "Dead Presidents" together, which Jay-Z had sampled from Nas' song "The World is Yours."
2002–Present: From God's Son to Street's Disciple and beyond
In December 2002, Nas released the God's Son album. and its lead single, "Made You Look". The album debuted at #18 on the Billboard charts despite widespread internet bootlegging. Time Magazine named his album best hip-hop album of the year. Vibe Magazine gave it 4 stars and The Source gave it 4 mics. The second single, the inspirational "I Can", which reworked elements from Beethoven's "Fur Elise", became Nas' biggest hit to date during the spring and summer of 2003, garnering substantial radio airplay on urban, rhythmic, and top 40 radio stations, as well as on the MTV and VH1 music video networks. God's Son also includes several songs dedicated to memory of Nas' mother, who died of cancer in 2002. In 2003, Nas was featured on the Korn song "Play Me", from KoЯn's Take a Look in the Mirror LP.
Nas released his seventh studio album, the critically acclaimed double-disc Street's Disciple, on November 30, 2004. The album's first singles were "Thief's Theme" and "Bridging the Gap", which features his father Olu Dara on vocals. The album also includes "These are Our Heroes", which accuses prominent sports stars and actors such as Kobe Bryant, Lenny Henry, Tiger Woods, and Cuba Gooding, Jr. of neglecting their heritage and background in favour of white values. The videos for "Bridging the Gap" and "Just A Moment" received moderate airplay on MTV and BET. Although the album went platinum, its commercial profile was relatively low compared to the rapper's previous releases.
Nas was featured on Kanye West's album Late Registration on a song titled "We Major". West said the song was Jay-Z's favorite on the album, but West was unable to get Jay-Z to record a vocal for the final mix of the song. He also appeared on Damian Marley's song "Road to Zion" (which also featured newcomer The Game in the video, widening Nas' still growing universally appreciated raps) and several other songs such as "Death Anniversary" and "It Wasn't You" (featuring Lauryn Hill). In addition, Nas was most recently married to the R&B singer Kelis, who is mostly known for her work internationally, but nonetheless released great hits in the U.S. The couple wed on Jan. 8, 2005 in Atlanta, GA, after a two-year engagement.
During this time, Nas announced that his next album would be entirely self-produced and feature no other rappers, and would be titled Nasir, and later that the project would feature other producers after all and would be called Nasdaq: Dow Jones. Neither of these albums ever materialized.
At a free concert in Central Park, New York, Nas made a statement regarding the quality of 50 Cent's music. "this is the real shit, not that 50 Cent shit!" In response, 50 Cent included a stab at Nas by speaking negatively of his wife Kelis on his single "Piggy Bank," implying that Kelis was promiscuous and calling Nas a "sucker for love." Nas was quoted as saying that he feels no obligation to retaliate, remarking "[50 has] got a good five to six more albums before I can really respond to him." Nas eventually decided to retaliate, and in July 2005 released "Don't Body Ya Self (MC Burial)", a song which taunts 50 Cent and his G-Unit crew, stating that 50 was "a sucka for death if I'm a sucka for love." However, despite all of this, Nas still claims to "have a lot of love towards 50," claiming 50 didn't understand his moves when they both were together at Columbia Records.
In January 2006, Nas signed a label deal with Jay-Z's Def Jam, further emphasizing the Jay-Z/Nas truce and raising expectations for a collaboration even higher. His album due in fall of 2006 will come out in a joint deal with this imprint and Columbia Records. He recently announced to MTV News that his album is to be named, "Hip Hop is Dead...the N," the N being a play on the word the "end." The title is supposed to reflect what some would term the current low quality of rap music. The highly anticipated album is due out in December 19th, 2006.
Musical style and Technique
Nas has long been famed for his creativity and storytelling prowess, which has earned him acclaim from both the hip-hop community and critics. In his early stages, from his first appearance on the Main Source's Breaking Atoms and throughout the recording of Illmatic, he was perhaps best known for his street-oriented topics, complex lyrical schemes (which often incorporated multi-syllabic internal rhymes), and witty phrasing and imagery. As he progressed and matured, Nas began to branch out into different subjects and developed a richer voice and slower rapping technique.
Following Illmatic's release, Nas developed a penchant for hyper-visual storytelling and topical creativity. For instance, "Undying Love" (featured on I Am...) is a tale of his wife's betrayal told in first person, "Rewind" (featured on Stillmatic) is a narrative in which a story is recited backwards, while on "I Gave You Power" (featured on It Was Written), Nas assumes the role of a gun who recounts brutal tales of murder and violence. Over the years Nas' style has changed significantly. In contrast to his previous work, Nas’ most recent material is distinctively socially aware and often politically inflammatory. Songs such as "I Can" (featured on God's Son) convey moral messages of black youth empowerment, while "These Are Our Heroes (Coon Picnic)" accuses several African-American celebrities of being Uncle Toms. Furthermore, controversial songs such as "My Country" and "A Message to the Feds (Fuck The Police II)" (which are featured on Stillmatic and Street's Disciple, respectively) question the conduct of the American government. Nas' views in his lyrics throughout his career have made references to Islam and the Five Percent Nation..
Store Run
Nas Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Yeah
Yeah
Qb, AQ, Ravenswood, Woodside, let's go (Hit-Boy)
My thumbs struck a lot of lighters
Pulled a lot of all nighters
Banned from some after hours spots
Who knew I grew to build an empire?
Streets had me against the ropes woulda thought I was zip lining
Techs in the dresser, money off tech, pushing a Tesla
Rolled up a fresh one, it's one IPO to the next one
Rich from corporate or thuggin', expensive mistakes
It's all a racket it's the same thing
Just a risk that you take
Movin' too fast, blues on yo' ass
Them boys came through with the task
Peep through the blinds, you knew it was curtains
Bread winner take a L, leave the whole family hurting
Seen it a million times, system wash 'em out with the verdict
So I'm clean as a whistle, drinking premium liquor
In between two Argentinian sisters
They countin' up for me until they fingers get blisters
What I blew that on? I cannot seem to remember
It's not even bragging (I like that)
It's okay, it's gonna be okay
Flyest nigga in this rap shit
Yo, as I'm looking at the New York skyline
Reminiscing on night times
Shootouts with my guys
Pouring this white wine
You can Richard Mille your left wrist
Keep in perspective we on God's time
The world is yours
What happens when dealers reduced to addicts?
What happens when kings don't see they potential status?
What's your exit plan?
Face to face with my omens, I never ran
Stood on stages most never can
Pyrotechnics and leather pants
Shifting the culture
Mention me with Mick Jagger and Bono like you 'posed to
I'm standing next to rookies somehow they lookin' older
The altitude I'm at is so cold it'll make ya nose run
How you expect to get love if you don't show none?
I should send you lil' niggas on a store run
How we movin' is no cut?
I'm from the era of razor blades and coke dust
People living with no trust, Champagne and the soap suds
So I'm clean as a whistle, drinking premium liquor
In between two Argentinian sisters
They countin' up for me until they fingers get blisters
What I blew that on? I cannot seem to remember
The world is yours
Scarface, Tony Montana shit
It's yours
Yours, yours
Rip Ecstasy from Whodini
Dmx, Prince Markie Dee, Shock G
Real rap gods, do you know the meaning?
All the rap brothers we lost this year
And last year
Aye yo, check it out
Run to the store for me, man
Get me veggie chips, blunts, and a bottle
You got this shit all twisted, man
It's about rank
You ain't there yet, think you gon' send me to the store?
I own the store, man, I'm just testing you
I got the hood playing golf, wild boss style
Crucifixes over the Chrome Hearts, you get crossed out
People battered down, Asian hate gettin' passed around
Tiger happy, both his parents lives matter now
Marble floors is my common law, we company builders
I inspired those who inspired you to run up millions
Not perfect, persistence, keep it more pure than a purist
I do this for the 'jects
And them good hearted jurors
Nas's lyrics to "Store Run" depict the rapper's rise to success and wealth despite the challenges and dangers he faced growing up on the streets. He refers to himself as the "flyest nigga in this rap shit" and describes living a lavish life in-between two Argentinian sisters who count money until their fingers blister. The song touches on topics such as violence, drug dealing, and the consequences that come with taking risks in life. Nas also reflects on the rap industry and the greats who paved the way before him such as DMX and Prince Markie Dee. He mentions how important persistence is in achieving success and staying true to oneself.
Throughout the song, Nas uses wordplay to describe his experiences growing up in Queensbridge, New York with lines such as "Streets had me against the ropes woulda thought I was zip lining." He speaks of the dangers he and his crew faced, which led to him being banned from some late-night establishments. The rapper comments on his growth as a businessman and how he managed to become rich through his investments in technology and business while still keeping his ties to the streets. Nas also touches on the current state of the world and the issues of hate crimes and racism.
Overall, Nas's "Store Run" is a fascinating exploration of the rapper's complex journey from poverty to wealth and success. The song touches on themes of violence, the importance of persistence, and the dangers of taking risks.
Line by Line Meaning
My thumbs struck a lot of lighters
I have gone through a lot of joints
Pulled a lot of all nighters
I have been up all night long
Banned from some after hours spots
I have been kicked out of some after-hours spots
My crew would choose violence, move in silence
My team has always been one for violence but taking no risks
Who knew I grew to build an empire?
I could not have predicted that I would be the emperor of the place
Streets had me against the ropes woulda thought I was zip lining
I almost fell victim to the street life but I got over it.
Techs in the dresser, money off tech, pushing a Tesla
I have got technology and money and drive a Tesla.
Rolled up a fresh one, it's one IPO to the next one
I am always on the lookout for newer investments.
Rich from corporate or thuggin', expensive mistakes
It takes money to make money and I am willing to take risks whether through legal or illegal means.
It's all a racket it's the same thing
Business, whether the legal or illegal kind, is all the same in the end.
Just a risk that you take
Risk is always present.
Movin' too fast, blues on yo' ass
Always tread carefully and watch for government interferences.
Them boys came through with the task
The cops came to investigate your activities.
Peep through the blinds, you knew it was curtains
It was clear that the investigation had concluded.
Bread winner take a L, leave the whole family hurting
One person's mistake can lead to dire consequences for the entire family.
Seen it a million times, system wash 'em out with the verdict
The law doesn't care for fortunes.
So I'm clean as a whistle, drinking premium liquor
Nowadays, I live life clean and drink only the best alcohol.
In between two Argentinian sisters
Spending time with two women of Argentinian origin
They countin' up for me until they fingers get blisters
They are trying to count all the money for me so much that their fingers hurt
It's not even bragging (I like that)
I am just stating the facts, my status is just okay.
It's okay, it's gonna be okay
Everything is going to be alright.
Flyest nigga in this rap shit
I am one of the coolest people in this rap game.
Yo, as I'm looking at the New York skyline
As I am gazing upon the grandeur of NYC
Reminiscing on night times
Thinking back on the times I had during night hours (more often than not, illegal activities)
Shootouts with my guys
Recalling some memories of gun battles when I was with my squad.
Pouring this white wine
Celebrating with some white wine.
You can Richard Mille your left wrist
You can wear your Richard Mille watch.
Keep in perspective we on God's time
Remember that only God knows when it's all over.
The world is yours
Everything around us is available for the taking.
What happens when dealers reduced to addicts?
What do you do when drug dealers become drug addicts themselves?
What happens when kings don't see they potential status?
What happens if one doesn't realize one's full potential?
What's your exit plan?
What comes after this? When do we think about leaving?
Face to face with my omens, I never ran
I stand firm in the face of all my obstacles.
Stood on stages most never can
I have performed on stage more times than most do.
Pyrotechnics and leather pants
Rocking leather pants and adding some pyrotechnics!
Shifting the culture
Changing our ways to improve the society.
Mention me with Mick Jagger and Bono like you 'posed to
Put me in the same category as Mick Jagger and Bono.
I'm standing next to rookies somehow they lookin' older
I'm standing next to amateur musicians whose youth seems to be missing.
The altitude I'm at is so cold it'll make ya nose run
I'm at such a high level, it can make you sick to your stomach.
How you expect to get love if you don't show none?
How do you expect respect if you don't show any yourself?
I should send you lil' niggas on a store run
Maybe I should send you younger people to get things for me.
How we movin' is no cut?
Are we moving tactically or not?
I'm from the era of razor blades and coke dust
I come from the time of cocaine and razor blades.
People living with no trust, Champagne, and the soap suds
People that can't trust anybody, but can still afford luxuries such as Champagne and soap.
Lyrics © BMG Rights Management
Written by: Chauncey Hollis, Douglas Brown, James Spencer, Jawuan Damariel Wilson, Nasir Jones, Richard Botts
Lyrics Licensed & Provided by LyricFind
@jwatkinssr.3908
"How you expect to get love if you don't show none?" -Nas
@arturoc8082
Chills
@arthurmorganx9465
I get ghosted
@ICA_Ghost
wow
@Mr127Patrick
Facts!!! That's a hard line
@theungreatkahli
I go through my life thinking that in my head in how I deal with people.
@riccolaw655
This beat is so soulful our ancestors would be proud.
@jaybey5561
Word up
@judahblk0782
I concur
@fideletamo4292
They be calling each other like Come and hear what these kids made out of nothing...Lord!