Cole was exposed to the greats of jazz, soul and blues at an early age and began performing at the age of 11. Her debut album in 1975, Inseparable, won her immediate praise, with the smash single This Will Be (An Everlasting Love) (#1 R&B, #6 Pop) winning her a Grammy for Best R&B Vocal Performance, Female, a category that had been monopolized by Aretha Franklin, since its inception in 1967. She also was named the Grammys' Best New Artist of 1975. She attended the Northfield Mount Hermon School in Northfield, MA.
More hits followed through 1980, including her biggest Pop hit, 1977's I've Got Love On My Mind, as well as Sophisticated Lady (She's A Different Lady) (1976), Our Love (1978), and Someone That I Used To Love (1980). "I've Got Love On My Mind" and "Our Love" both earned certifications as Gold singles. But then her career hit a snag in the early 1980s due to a severe drug problem. By 1985, Natalie was clean, sober, and in fine voice, and ready to begin her comeback in earnest with the album Dangerous, released on the Modern label.
In 1987, she released Everlasting (on EMI Manhattan) which sold over 2 million copies in the U.S., and won Cole a Soul Train Award for Female Single of the Year for the #1 R&B ballad I Live for Your Love. This album was the one that put Natalie Cole firmly back in the spotlight, yielding three major hit singles: Jump Start, "I Live For Your Love" (#2 AC and #13 Pop as well as #1 R&B), and a successful remake of Bruce Springsteen's Pink Cadillac (#5 Pop, #16 AC, and #1 Dance). The album also included a taste of things to come in her career with a remake of one of her father's signature hits, "When I Fall In Love," which did moderately well on the AC chart. In 1989, the aptly-titled Good To Be Back gave her another across-the-board smash with "Miss You Like Crazy" (#1 both R&B and AC, and #7 Pop).
However, it was her 1991 album, Unforgettable... with Love, featuring her own arrangements of her father's greatest hits, that gave her the most success. Ironically, when Natalie began her career, she was determined not to capitalize on her father's name and wanted to forge her own identity by going after the soul market in earnest. For many years, she also found the prospect of recording her late father's songs too painful on a personal level. But Unforgettable... With Love certainly paid off. The set sold over 5 million copies in the United States alone, and won Cole several Grammy Awards, including Album of the Year, Record of the Year, and Best Traditional Pop Vocal Performance. The album featured a duet, the title track, with her father, created by splicing a recording of his vocals into the track. As a single, it reached #14 on Billboard Magazine's Hot 100 chart, and went gold. The one sour spot in the album's success was that it strained Natalie's already-tumultuous relationship with her mother, Maria, who said in interviews at the time that she couldn't listen to the album or attend any of her daughter's concerts because she felt that the music really belonged to her late husband.
Natalie has released several more albums of pop standards in the years since; as a result of appealing to the "adult standards" audience, she has made only occasional forays onto the pop singles charts in that time (for example, "A Smile Like Yours," #8 AC and #84 Pop in 1997), although her albums still sell well. Her 1999 album Snowfall On The Sahara marked a return to the easy adult-contemporary soul that categorized her late-1980s hits, but for 2002's critically-praised Ask A Woman Who Knows, she turned more to the jazz side of the spectrum, covering songs made famous by Dinah Washington, Nina Simone, and Sarah Vaughan.
Battle With Drugs
In 2000, Cole released an autobiography, Angel on my Shoulder, which described her battle with drugs during much of her life. In the book, Cole admitted to using LSD, heroin and crack cocaine. Cole said she began experimenting with drugs while attending the University of Massachusetts at Amherst and was arrested in Toronto, Canada for possession of heroin in 1975. Cole continued to spiral out of control - including an incident in which her young son Robert nearly drowned in the family swimming pool while she and her first husband, the late Reverend Marvin Yancy were on a drug binge - until she entered rehab in 1983.
In concert with the release of the book, her autobiography was turned into a made-for-TV movie, The Natalie Cole Story, which aired December 10, 2000 on NBC.
Natalie has been married three times and has a son Robert Yancy (by Marvin Yancy), born in 1977. She later married former Rufus drummer Andre Fischer, who co-produced the Grammy Award-winning Unforgettable... With Love, Natalie's love offering featuring songs made famous by her father, including a faux-duet between her and her father.
The marriage to Fischer ended in divorce a few years later, amidst rumors of domestic verbal and physical abuse.
It has also been reported that Natalie has recovered from a life-threatening hepatitis illness (most likely the cause of her years of drug abuse) by having a liver transplant.
Miss Cole went on to release more albums after Unforgettable...With Love, with most of them featuring jazz-oriented standard songs or pop-song remakes. None of the albums were nearly as successful as Unforgettable...With Love.
As of 2013, Natalie Cole spent most of her professional time covering the concert circuit entertaining audiences around the world with her hits.
On December 31, 2015, Natalie Cole died from congestive heart failure at Cedars-Sinai Medical Center in Los Angeles. She was aged 65.
Sweet Little Jesus Boy
Natalie Cole Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
They made You be born in a manger, my Lord
Sweet little Holy child
We didn't know who You was
We didn't know You'd come to save us
Lord, to take our sins away
Our eyes were blind
We didn't know it was You
Oh, you have told us how
How we are trying, yes
Master, master, You have showed us how
Even when You were dying
Well, just seems like we can't do right
Look how we treated You
Oh, please, oh, please sir, forgive us, Lord
'Cause we didn't know it was You
Sweet little Jesus boy
They made You be born in a manger
Sweet little Holy child
We didn't know who You was
The opening lines of Natalie Cole's Sweet Little Jesus Boy are a poignant reminder of the humble beginnings of the Christian savior. Born in a manger amidst livestock, Jesus' arrival to save the people from their sins was unexpected and inexplicable. The tone of the song is one of deep regret and remorse, as the singer acknowledges that they were unaware of the significance of this miraculous birth. The lyrics make it clear that the people were unable to comprehend the magnitude of Jesus' arrival and were too preoccupied with their day-to-day lives to recognize the significance of the event.
As the song progresses, the singer's confessional tone grows more desperate. They plead for forgiveness for not recognizing who Jesus was and for the way that they treated him during his lifetime leading to his unjust crucifixion. The line "even when you were dying" indicates that even in his death, the full understanding of who Jesus was may not have occurred. The final chorus returns to the theme of the manger and the birth of the Holy child, underscoring the irony of Jesus' birth in a humble setting, and his ultimate fate as a crucified savior.
Overall, the song Sweet Little Jesus Boy is a heartfelt reflection on the ways in which people can fail to recognize the importance of a significant moment or person in their lives, despite its potential to change the course of history. It also serves as a reminder that even when people are in the presence of something truly great, they may be too blinded by their own fears and assumptions to appreciate its true significance.
Line by Line Meaning
Sweet little Jesus boy
O dear little Jesus boy
They made You be born in a manger, my Lord
They forced You to be born in a humble place, dear Lord
Sweet little Holy child
O dear little Holy infant
We didn't know who You was
We were unaware of Your identity
We didn't know You'd come to save us
We were unaware that You came to deliver us
Lord, to take our sins away
Lord, to cleanse us of our sins
Our eyes were blind
We were spiritually blind
We just could not see
We were unable to perceive
We didn't know it was You
We were unaware of Your presence
Oh, you have told us how
Oh, You have informed us of Your plan
How we are trying, yes
How we are striving, indeed
Master, master, You have showed us how
Master, master, You have demonstrated to us how
Even when You were dying
Even in Your moment of death
Well, just seems like we can't do right
Well, it appears that we cannot act correctly
Look how we treated You
Observe how we mistreated You
Oh, please, oh, please sir, forgive us, Lord
Oh, please, oh, please sir, pardon us, dear Lord
'Cause we didn't know it was You
Because we were unaware of Your identity
Sweet little Jesus boy
O dear little Jesus boy
They made You be born in a manger
They forced You to be born in a humble place
Sweet little Holy child
O dear little Holy infant
We didn't know who You was
We were unaware of Your identity
Contributed by John H. Suggest a correction in the comments below.