Toby consquently called up former MALZAN rhythm guitarist Benjamin Donath, who had left the band due to musical differences, and asked if he would be interested in taking over the part of bass player in this new group. Donath instantly agreed, and after one or two rehearsals, it was certain that this was going to be the band´s basic lineup. However, the quartet still did not have a name. Shortly before the first concert, Toby came up with the proposition to call the band THE NINTH GATE.
In November 2003, THE NINTH GATE played their first concert in Münster´s Luna Bar. Even though the band received nothing but positive feedback from their audience, they knew that there was still a piece missing in the puzzle, a piece that would soon have to be added to take their song writing and sound diversity to a new level. The band agreed that the engagement of a second guitarist would be the right measure in order to open new musical doors and add new melodies and harmonies to round up the metal riffs and to add an extra punch to the hardcore parts.
MALZAN had disbanded in the meantime, so their former bass player Stefan Keller was asked by Toby to play guitar in THE NINTH GATE. Stefan at that time played guitar in the progressive thrash metal band IKONOKL AST, but since he also had many hardcore riffs and song patterns and ideas in mind, he said yes, and thus the final lineup of THE NINTH GATE was completed.
The band continued to play concerts and write songs, and in February of 2004, they hit the DOCMA-KLANG STUDIO in Osnabrück to record a 7-track-plus-outro demo CD. The product the band came up with was considered a good effort by everyone who heard it, also because of the very fat overall sound that DOGMA-KLANG-STUDIO producer Matze had managed to create.
The demo´s opening track “Broken Spine” was even played in several clubs, for example Münster´s No.1 underground location, the “Sputnikhalle”, a fact which made the band extremely proud. On April 2, 2004, not even a year after the band´s actual foundation, something finally happened that the band would never even have dared to hope for: They were offered a record contract by METAL BLADE RECORDS. The band was very enthusiastic about this, but there was still something they had to do, and that was to change their name.
The band agreed that this had to be done mainly because everyone felt that the name simply was not that fitting to their music. So, after two weeks of intense research and “negotiation” among each other, the band finally found a name that they thought would fit their idea of metal best and that was also adequate considering the message that the band want to get across to their listeners. The new name was NEAERA.
This name comes from a famous prostitute of Greek antiquity. The records of a proesecution trial against her brought to light many aspects of the sex trade at the time.
Fast forward to 2009: the band has played thousands of shows in hundreds of countries with a slew of their peers, including a full European tour with As I Lay Dying and the supporting slot on the Heaven Shall Burn cd release tour. They’ve played all of the prominent European festivals: Wacken, Summer Breeze, With Full Force, etc. Armamentarium debuted at 65 on the charts in Germany and Neaera has since extended their deal with Metal Blade Records and are preparing to release their fourth album, Omnicide - Creation Unleashed.
In January 2009 the band entered Rape of Harmonies Studio to record Omnicide - Creation Unleashed, with producer Alexander Dietz at the helm. Mixing and mastering was handled by world-famous metal mastering wiz, Zeuss, who gives this aural behemoth his usual seal of excellence.
The spawn of the Neaera, ROH, Zeuss collaboration is a 10-track beast of a record that captures the essence of what the band is about: brutal mosh parts, aggressive blasts and fierce melodies make for an album that has ''pit havoc'' written all over it. Lyrically, Neaera stick to their guns, combining socially and politically relevant topics with self-reflective and more personal-based approaches.
Liberation
Neaera Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Feather and tar
Art, existence
The flower in the sewer
The days of mourn are pass
All sorrow aside
In a realm I thought not to be true
Here I dwell forever
Eternal ease
Found a lotus in the sewer
A lake for the sword
No longer sick of shining
- no longer scared of burning
The world has silenced
The voices are gone
I made oil my water
And dust my air
Found relief, salvation
Quit the downward spiral
Sad years, bygone
Future - the brightest white
Grand, imperial peace
I left the wretched, the scarred
Despise all grief
Antogonism obsolete
In Neaera's song "Liberation," the lyrics describe a journey of personal growth and transformation. The opening lines, "the house, the storm, feather and tar," could represent the chaos and upheaval that the singer has experienced in their life. However, they have now found a sense of inner peace and tranquility, symbolized by the "lotus in the sewer" and the "lake for the sword."
The following lines suggest that the singer has overcome their past struggles and has gained a new perspective on life, as they are "no longer sick of shining - no longer scared of burning." They have found a new way of existing in the world, where they have "made oil my water and dust my air," implying that they have rejected material possessions and instead found fulfillment in simplicity and mindfulness.
The song continues to describe the singer's newfound sense of freedom and liberation, as they have left behind the "wretched" and the "scarred." They have moved beyond "antagonism obsolete," indicating that they have let go of any negative feelings or resentment towards others. Overall, the lyrics are a powerful expression of personal growth, inner peace, and self-acceptance.
Line by Line Meaning
The house, the storm
A turbulent life marked by internal conflicts and external chaos.
Feather and tar
Two opposing states: lightness and heaviness, good and bad, freedom and confinement.
Art, existence
The value of creativity and creation, the importance of existence in general.
The flower in the sewer
A hidden beauty that emerges from an unlikely and dirty place.
The days of mourn are pass
The past is over, and the time of sadness has ended.
All sorrow aside
Despite previous troubles, peace and happiness have been found.
I finally arrived
A journey or struggle has come to an end, and a goal has been achieved.
In a realm I thought not to be true
A state of being that was previously considered impossible or unrealistic has been attained.
Here I dwell forever
A long-lasting contentment has been reached.
Eternal ease
A perpetual state of comfort and peace.
Found a lotus in the sewer
Unexpected beauty and goodness have been discovered in an unlikely place.
A lake for the sword
A peaceful resolution to past conflicts or battles has been found.
No longer sick of shining
The fear of standing out or being successful has been overcome.
- no longer scared of burning
The fear of taking risks or experiencing pain has been overcome.
The world has silenced
External noise or disturbances have been eliminated.
The voices are gone
Negative or harmful influences have been silenced or removed.
I made oil my water
A new way of thinking or living has been adopted.
And dust my air
The old way of life or previous distractions have been discarded.
Found relief, salvation
A sense of release or freedom has been found, allowing for peace or redemption.
Quit the downward spiral
A pattern of negative or harmful behavior has been broken.
Sad years, bygone
The past regrets or sorrows no longer have a hold over the present.
Future - the brightest white
The future is filled with hope, happiness, and positivity.
Grand, imperial peace
A sense of majestic or royal tranquility and harmony.
I left the wretched, the scarred
Negative or harmful people or experiences have been left behind.
Despise all grief
An attitude of rejecting or overcoming sadness or hardship.
Antagonism obsolete
A state where conflicts or oppositions no longer exist or matter.
Contributed by Wyatt S. Suggest a correction in the comments below.