Ney de Souza Pereira (born August 1, 1941, in Bela Vista, Mato Grosso do Su… Read Full Bio ↴Ney de Souza Pereira (born August 1, 1941, in Bela Vista, Mato Grosso do Sul), widely known as Ney Matogrosso, is a Brazilian singer.
An uncommon artist with an uncommon sopranino voice, Ney Matogrosso fell in the Brazilian popular music scene like a bomb in the '70s aboard the Secos & Molhados. The end of the group marked the beginning of a fertile and successful solo career in which he began exploring his sensuous and charismatic persona through satiric and ironic repertories. As time passed, he substituted self-contained and deeply sensitive interpretations of classics for the popular and classical Brazilian music. Along with his representative and prolific solo discography, for which he received three platinum and three gold records, Matogrosso recorded in Itália with Astor Piazzola, performed in Argentina, Uruguay, participated in two Montreux Jazz Festivals (Switzerland), and toured Portugal several times. He also performed in Israel and the U.S., but always refused invitations to develop an international career. Matogrosso also worked as an actor in Sonho de Valsa (by Ana Carolina, the director, not the singer/composer) and Caramujo Flor (short subject by Joel Pizzini), and directed shows by RPM, Cazuza, and Simone.
Arriving in Rio de Janeiro in 1966, Matogrosso became a hippie leather artisan and divided his time between Rio, São Paulo, and Brasília, where he was a close friend of singer/composer Luli. Through her he met João Ricardo, who had a vision for a groundbreaking group and was searching for a high-pitched male voice. Invited by Ricardo, Matogrosso moved to São Paulo where he spent one year dedicating himself to exhaustive rehearsals, artisanship, and theater plays. With the explosive success of Secos e Molhados and the group's final dissolution, Matogrosso started his solo career exploring his unusual voice timbre, his mesmerizing scenic persona, and his androgynous visuals, enhanced by innovative and exotic costumes. A second solo album, Água do Céu - Pássaro, was supported by the show Homem de Neanderthal, in 1975, with which Matogrosso opened in Rio de Janeiro, drawing both raves and packed houses. "Barco Negro" and "Homem com H" appeared amongst considerable polemics aroused by the usual conservatives on duty. In that period, he worked with Astor Piazzola in Milan, Italy, where he recorded a double single with the Argentinean composer. A cleaner Matogrosso recorded Bandido in 1976, having his first national hit as a solo artist with "Bandido Corazón," written especially for him by Rita Lee.
An uncommon artist with an uncommon sopranino voice, Ney Matogrosso fell in the Brazilian popular music scene like a bomb in the '70s aboard the Secos & Molhados. The end of the group marked the beginning of a fertile and successful solo career in which he began exploring his sensuous and charismatic persona through satiric and ironic repertories. As time passed, he substituted self-contained and deeply sensitive interpretations of classics for the popular and classical Brazilian music. Along with his representative and prolific solo discography, for which he received three platinum and three gold records, Matogrosso recorded in Itália with Astor Piazzola, performed in Argentina, Uruguay, participated in two Montreux Jazz Festivals (Switzerland), and toured Portugal several times. He also performed in Israel and the U.S., but always refused invitations to develop an international career. Matogrosso also worked as an actor in Sonho de Valsa (by Ana Carolina, the director, not the singer/composer) and Caramujo Flor (short subject by Joel Pizzini), and directed shows by RPM, Cazuza, and Simone.
Arriving in Rio de Janeiro in 1966, Matogrosso became a hippie leather artisan and divided his time between Rio, São Paulo, and Brasília, where he was a close friend of singer/composer Luli. Through her he met João Ricardo, who had a vision for a groundbreaking group and was searching for a high-pitched male voice. Invited by Ricardo, Matogrosso moved to São Paulo where he spent one year dedicating himself to exhaustive rehearsals, artisanship, and theater plays. With the explosive success of Secos e Molhados and the group's final dissolution, Matogrosso started his solo career exploring his unusual voice timbre, his mesmerizing scenic persona, and his androgynous visuals, enhanced by innovative and exotic costumes. A second solo album, Água do Céu - Pássaro, was supported by the show Homem de Neanderthal, in 1975, with which Matogrosso opened in Rio de Janeiro, drawing both raves and packed houses. "Barco Negro" and "Homem com H" appeared amongst considerable polemics aroused by the usual conservatives on duty. In that period, he worked with Astor Piazzola in Milan, Italy, where he recorded a double single with the Argentinean composer. A cleaner Matogrosso recorded Bandido in 1976, having his first national hit as a solo artist with "Bandido Corazón," written especially for him by Rita Lee.
Ponta do Lápis
Ney Matogrosso Lyrics
Sei escrever o teu nome
Na ponta fina do lápis
Mais não vou repetir
O que tu já sabes
Teus olhos são labaredas
Avermelhadas e tristes
Dentro do corpo cansado
A paixão resiste
Esta paixão violenta
Que dilacera minh'alma
Este medo anestesia
E mata minha calma
La luz de la liberdad
En el nuevo mundo mi vida
La esperança el amor
Mi tierra querida
Terra a terra
Chão a chão
Retumbante coração
Terra a terra
Chão a chão
Retumbante coração
Sei escrever o teu nome
Na ponta fina do lápis
Mais não vou repetir
O que tu já sabes
Meus olhos são labaredas
Avermelhadas e tristes
Dentro do corpo cansado
A paixão resiste
Esta paixão violenta
Que dilacera minh'alma
Este medo anestesia
E mata minha calma
La luz de la liberdad
En el nuevo mundo mi vida
La esperança el amor
Mi tierra querida
Terra a terra
Chão a chão
Retumbante coração
Terra a terra
Chão a chão
Retumbante coração
Terra a terra
Chão a chão
Retumbante coração
Terra a terra
Chão a chão
Retumbante coração
Terra a terra
Chão a chão
Retumbante coração
Na ponta fina do lápis
Mais não vou repetir
O que tu já sabes
Teus olhos são labaredas
Avermelhadas e tristes
Dentro do corpo cansado
A paixão resiste
Esta paixão violenta
Este medo anestesia
E mata minha calma
La luz de la liberdad
En el nuevo mundo mi vida
La esperança el amor
Mi tierra querida
Terra a terra
Chão a chão
Retumbante coração
Terra a terra
Chão a chão
Retumbante coração
Sei escrever o teu nome
Na ponta fina do lápis
Mais não vou repetir
O que tu já sabes
Meus olhos são labaredas
Avermelhadas e tristes
Dentro do corpo cansado
A paixão resiste
Esta paixão violenta
Que dilacera minh'alma
Este medo anestesia
E mata minha calma
La luz de la liberdad
En el nuevo mundo mi vida
La esperança el amor
Mi tierra querida
Terra a terra
Chão a chão
Retumbante coração
Terra a terra
Chão a chão
Retumbante coração
Terra a terra
Chão a chão
Retumbante coração
Terra a terra
Chão a chão
Retumbante coração
Terra a terra
Chão a chão
Retumbante coração
Lyrics © Warner Chappell Music, Inc.
Written by: Clodomir Souza Ferreira, Rodger Franco De Rogerio
Lyrics Licensed & Provided by LyricFind
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Ney Matogrosso
Não deixe de conferir o álbum "Bloco Na Rua". Já está disponível nas plataformas digitais: https://somlivre.lnk.to/Bloco_Na_Rua_Deluxe
Lu Andrade
Amei demais ✌💔✌ # 1000 curtidas dezembro 2019 👍🇧🇷✌ Brasil ✌🇧🇷👍 !!!
Rafael Braga
Muito emocionante as curtas cenas com os povos indígenas coincidindo com o refrão poderoso da letra da música! A mensagem passa claramente e intensamente, como você sempre sabe fazer Ney!
Regina Célia Garcia
Ney quando vc canta nos encanta!!! Eu me delito e minha alma flutua!! Parabéns!!
Eugênio Sandarthur Camposoux
MEUUUU O QUE É ISSO!?? OBRIGADO NEY ISSO É FODA DEMAIS PRA MIM, QUANDO O MUNDO DESPERTAR A CONSCIÊNCIA ELES NAO VAO AGUENTAR
Jairo Candido
Sei, maravilhoso, sempre essencial. O artista que nunca estará datado, te amamos Ney. Que lindo show! Tô embasbacado.
Luan Sabino
Apresentação verdadeiramente RETUMBANTE!
Zaira Lima
QUE VOZ ARREPIANTE, E APAIXONANTE
Joelson Lima
Ney é uma obra incomensurável!!
miguel cruz
Como es posible que musica e interpretes como tu, no tengan tanta publicidad, ahora concuerdo que la cantidad no tiene nada que ver con la calidad algunas veces, grande Ney vive más años para regalarnos este tipo de música.