Kershaw played guitar and sang in a number of underground bands from about 1976 before deciding on a career as a songwriter. However, he ended up performing his own songs rather than giving them to others, and signed a deal with MCA Records in 1983, which spawned a debut single, "I Won't Let The Sun Go Down On Me", which just missed out on the UK Top 40. At the beginning of 1984, he made his breakthrough when "Wouldn't It Be Good", featuring a video of Kershaw as a chromakey-suited alien, reached Number 4 in the UK charts. He enjoyed three more Top 20 hits from debut album Human Racing , including the title track and a successful re-issue of his debut single, which ultimately proved his biggest hit as a performer when it got to Number 2 in the UK.
Despite winning awards, attracting admirers for his writing such as Elton John & Eric Clapton. He gainied a huge teenage fanbase, Kershaw was not without his critics. Some complained that he did too much onstage when he had a competent backing band called the Krew to play all the required guitar and keyboard parts of his songs.
Kershaw, who was married to long-time love and backing singer Sheri, then released a single called "The Riddle", which would send fans, journalists and linguists into overdrive, as each tried to establish what the meaning was behind the strange set of circumstances and clues which Kershaw put in the verses and chorus (though it in fact later turned out to be hastily created nonsense). Another major hit, it was also the title track of his second album, which also spawned two more UK Top 10 hits, "Wide Boy" and "Don Quixote".
In July 1985 Kershaw was among performers at Live Aid, Wembley Stadium. His star began to wane soon afterwards and he enjoyed only one more UK Top 40 hit, the debut single from his third album, Radio Musicola. Radio Musicola, despite receiving critical acclaim, was a flop in the UK charts. After this, Kershaw teamed up with 'We Built This City' producer Peter Wolf for his fourth album, The Works. After neither Kershaw or Wolf were happy with the results, Kershaw re-recorded the album with producer Julian Mendelsohn. The Works failed to chart in the UK, but it’s debut single, One Step Ahead, charted at No. 55. The albums failure led to him being dropped by MCA Records.
After The Works, Kershaw retired from recording music in favour of his original career path as a songwriter. His prowess as a songwriter served him well in 1991 when his song The One And Only, appeared on the soundtrack to the Brittish movie Buddy's Song and in the American film "Doc Hollywood", and provided a UK Number 1 single for the star of the film, Chesney Hawkes (son of the Tremeloes' Chip Hawkes). In 1993 The Hollies had a minor hit with another of his songs, The Woman I Love. Kershaw featured prominently as a vocalist on Tony Banks’ album Still, along with penning some of the tracks.
1999 saw the release of the Britpop-styled 15 Minutes, a collection of songs that are generally more personal and mature, and that he could not envisage being recorded by other artists. Both this and the more commercial To Be Frank (2001) are stylistically different from his earlier work by being underpinned by acoustic guitar rather than synthesiser.
These were followed by 'You’ve Got To Laugh', another collection of acoustic-led songs and 'EI8HT', a commercial MOR pop album brought on by the 80s revival and also led to the return of synthesisers in his music. Kershaw released his latest album, Oxymoron, in 2020 and is in the process of releasing a series of EPs, Songs from a Shelf. He still performs regularly.
For more information visit the official site at http://www.nikkershaw.net
Life Goes On
Nik Kershaw Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Even though I think of you
Life goes on
I keep your photograph in my attached
Your eyes seem to follow me from day to day
I make the curtains sing and dance in my room
And,
Sometimes your face is in everything I see
Forever with me
Sometimes our love is more than just a memory
[Chorus]
My heart keeps me awake as loud as it beats
I'm sure I feel your skin between the warm silk sheets
And
Sometimes your face is in everything I see
Forever with me
Sometimes our love is more than just a memory
[Chorus]
When I'm awake or sleeping when I got things to do
Why does everything I see remind me of (you?)
(You) swept the broken years away
Just like a brand new broom.
And there was only you there in (the room)
(The room) grows hazy and the people grow loud
I'm sure I hear your voice above the madding crowd
And
Sometimes your face is in everythings I see
Forever with me
Sometimes our love is more than just a memory
[Chorus]
The song "Life Goes On" by Nik Kershaw is a poignant expression of the artist's love and loss. The chorus repeats the phrase "even though I think of you, life goes on." This line is the central theme of the song, and reminds listeners that even though a relationship may have ended, life does not stop, and people must continue to move forward. The verse talks about the artist's attempts to keep the memory of their former lover close, such as by keeping a photograph of them nearby. The lyrics suggest that even though the relationship has ended, the artist still feels a powerful emotional connection to their former partner.
The song's lyrics are full of vivid imagery, such as the line "I make the curtains sing and dance in my room." This beautiful description suggests that the artist finds solace by making what are essentially mundane objects alive with his imagination. The artist also journeys to the past and finds comfort in the memory of his partner's presence. The line "sometimes our love is more than just a memory" suggests that even though the relationship has ended, it lives on in the artist's heart and mind. Overall, "Life Goes On" is a reminder that life moves on, but love and loss can stay with us for a long time.
Line by Line Meaning
Even though I think of you
Despite constantly thinking about you
Life goes on
The world still keeps spinning and things continue without you
I keep your photograph in my attached
I treasure your memory and keep it close to me
Your eyes seem to follow me from day to day
I can't shake the feeling of being watched by you
I make the curtains sing and dance in my room
I try to occupy myself with mundane tasks to distract from thoughts of you
I'm sure I see your smile and smell your sweet perfume
I hallucinate the memory of your presence
Sometimes your face is in everything I see
You haunt my every waking moment
Forever with me
Your memory will never leave me
Sometimes our love is more than just a memory
Our relationship was more than just a fleeting moment in time
My heart keeps me awake as loud as it beats
The pain of losing you keeps me up at night
I'm sure I feel your skin between the warm silk sheets
I continue to imagine physical intimacy with you
When I'm awake or sleeping when I got things to do
No matter what I'm doing, thoughts of you creep back in
Why does everything I see remind me of (you?)
Every aspect of my surroundings triggers memories of you
(You) swept the broken years away
You brought happiness and hope into my life during a difficult time
Just like a brand new broom.
You made everything feel fresh and new
And there was only you there in (the room)
You were the center of my world and everything else faded away
(The room) grows hazy and the people grow loud
My memories of you become distorted and other people around me seem intrusive
I'm sure I hear your voice above the madding crowd
I can't distinguish reality from my own thoughts and imagination
Lyrics © Universal Music Publishing Group, Royalty Network, Warner Chappell Music, Inc.
Written by: JACK CLEMENT, R. JOHN CASH
Lyrics Licensed & Provided by LyricFind
Kanno Yoichi
on The Riddle
I got two strong arms
Blessings of Babylon
With time to carry on
And try for sins
And false alarms
So to america the brave
Wise men save
僕は二つの強い武器を知ってる
バビロンの恵み(文明の力の比喩)を
行使する力と
その罪業や
誤った警告を行使する力だ
アメリカの勇敢なる
賢者がやっているようにね
[chorus]
Near a tree by a river
There's a hole in the ground
Where an old man of Erin
Goes around and around
And his mind is a beacon
In the veil of the night
For a strange kind of fashion
There's a wrong and a right
But he'll never, never fight over you
川沿いに木があり
地面に穴のあいた土地があり
年老いたエール(アイルランド)人の男が
うろうろしている
彼の心は夜を照らす
灯台のようだ
似合っているかどうかはともかく
彼は変な格好をしている
でも彼は君と争いはしないだろう
I got plans for us
Nights in the scullery
And days instead of me
I only know what to discuss
Of for anything but light
Wise men fighting over you
僕はひらめいたことがある
洗い流したいような夜と
昼を僕が背負おうかと
ただ僕は話し合うことがあればいい
光のこと以外ならね
賢者達が君と争うと言うのならね
It's not me you see
Pieces of valentine
With just a song of mine
To keep from burning history
Seasons of gasoline and gold
Wise men fold
君が見てるのは僕じゃないさ
バレンタインの欠片かな
そうそれは僕の歌の中さ
戦火の歴史からもガソリンや
金の暴騰からも避けられるようにとね
賢者達は避けずにいくだろうがね
[chorus repeat]
I got time to kill
Sly looks in corridors
Without a plan of yours
A blackbird sings on bluebird hill
thanks to the calling of the wild
Wise mens child
暇つぶしの時間があったのさ
予定外の行動をする君を
こっそりと見に廊下に出たのさ
ブラックバードが幸せの青い鳥の丘でさえずってる
荒々しい賢者の子供を呼んでくれて有難うとね
[chorus repeat (2x)]
..But he'll never, never fight over you
でも彼は君と争いはしないだろう