Kershaw played guitar and sang in a number of underground bands from about 1976 before deciding on a career as a songwriter. However, he ended up performing his own songs rather than giving them to others, and signed a deal with MCA Records in 1983, which spawned a debut single, "I Won't Let The Sun Go Down On Me", which just missed out on the UK Top 40. At the beginning of 1984, he made his breakthrough when "Wouldn't It Be Good", featuring a video of Kershaw as a chromakey-suited alien, reached Number 4 in the UK charts. He enjoyed three more Top 20 hits from debut album Human Racing , including the title track and a successful re-issue of his debut single, which ultimately proved his biggest hit as a performer when it got to Number 2 in the UK.
Despite winning awards, attracting admirers for his writing such as Elton John & Eric Clapton. He gainied a huge teenage fanbase, Kershaw was not without his critics. Some complained that he did too much onstage when he had a competent backing band called the Krew to play all the required guitar and keyboard parts of his songs.
Kershaw, who was married to long-time love and backing singer Sheri, then released a single called "The Riddle", which would send fans, journalists and linguists into overdrive, as each tried to establish what the meaning was behind the strange set of circumstances and clues which Kershaw put in the verses and chorus (though it in fact later turned out to be hastily created nonsense). Another major hit, it was also the title track of his second album, which also spawned two more UK Top 10 hits, "Wide Boy" and "Don Quixote".
In July 1985 Kershaw was among performers at Live Aid, Wembley Stadium. His star began to wane soon afterwards and he enjoyed only one more UK Top 40 hit, the debut single from his third album, Radio Musicola. Radio Musicola, despite receiving critical acclaim, was a flop in the UK charts. After this, Kershaw teamed up with 'We Built This City' producer Peter Wolf for his fourth album, The Works. After neither Kershaw or Wolf were happy with the results, Kershaw re-recorded the album with producer Julian Mendelsohn. The Works failed to chart in the UK, but it’s debut single, One Step Ahead, charted at No. 55. The albums failure led to him being dropped by MCA Records.
After The Works, Kershaw retired from recording music in favour of his original career path as a songwriter. His prowess as a songwriter served him well in 1991 when his song The One And Only, appeared on the soundtrack to the Brittish movie Buddy's Song and in the American film "Doc Hollywood", and provided a UK Number 1 single for the star of the film, Chesney Hawkes (son of the Tremeloes' Chip Hawkes). In 1993 The Hollies had a minor hit with another of his songs, The Woman I Love. Kershaw featured prominently as a vocalist on Tony Banks’ album Still, along with penning some of the tracks.
1999 saw the release of the Britpop-styled 15 Minutes, a collection of songs that are generally more personal and mature, and that he could not envisage being recorded by other artists. Both this and the more commercial To Be Frank (2001) are stylistically different from his earlier work by being underpinned by acoustic guitar rather than synthesiser.
These were followed by 'You’ve Got To Laugh', another collection of acoustic-led songs and 'EI8HT', a commercial MOR pop album brought on by the 80s revival and also led to the return of synthesisers in his music. Kershaw released his latest album, Oxymoron, in 2020 and is in the process of releasing a series of EPs, Songs from a Shelf. He still performs regularly.
For more information visit the official site at http://www.nikkershaw.net
Monkey Business
Nik Kershaw Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Another spanner in the scheme of things
I don't know why it shakes him up so much
He's so out of touch with me
It isn't easy finding something new
The Bible bashers beat you black and blue
Fire and brimstone raining down on you
But do you know it's true
Monkey Business, Mankind
I've got a theory that'll blow your mind
Monkey Business, you'll see
I got you swinging from tree to tree
I'm never sure about what they want
They put their collars on back to front
They've got their answers and they don't like mine
But I'm only trying to help
They say I should be full of shame and dread
They point at Genesis and shake their heads
They don't know what it is that makes them tick
But I've views for them and it's not so romantic
Monkey Business, Mankind
I've got a theory that'll blow your mind
Monkey Business, you'll see
I got you swinging from tree to tree
Monkey Business, Mankind
I've got a theory that'll blow your mind
Monkey Business, you'll see
You've got an ape in your family tree
We don't want monkey business...
We don't want monkey business...
Monkey Business, Mankind
I've got a theory that'll blow your mind
Monkey Business, you'll see
You've got an ape in your family tree
Monkey Business, Mankind
I've got a theory that'll blow your mind
Monkey Business, you'll see
I got you swinging from tree to tree
Monkey Business, Mankind
I've got a theory that'll blow your mind
The lyrics to Nik Kershaw's "Monkey Business" confront societal beliefs and highlight the tension between individualism and conformity. The opening lines, "Another cat amongst the pigeons, Another spanner in the scheme of things," suggest that the singer is challenging the status quo and introducing an alternative perspective. The following line, "I don't know why it shakes him up so much, He's so out of touch with me," reaffirms the singer's belief that others are resistant to change and fail to understand their viewpoint.
The reference to "Bible bashers" and "Fire and brimstone raining down on you" suggests that the singer is confronting religious dogma and its tendency to stifle free thought. The repeated refrain of "Monkey Business, Mankind, I've got a theory that'll blow your mind" reinforces the singer's conviction that their ideas are revolutionary and that conventional attitudes must be challenged. The reference to humans swinging from "tree to tree" emphasizes that despite our perceived superiority, we are still subject to primal urges and animalistic impulses.
Overall, the lyrics to "Monkey Business" are a reflection of Nik Kershaw's exploration of philosophical and societal issues, blending his observations with pop sensibilities that make for an engaging, catchy tune that encourages listeners to question everything from their family trees to their belief systems.
Line by Line Meaning
Another cat amongst the pigeons
Another person with a different perspective
Another spanner in the scheme of things
Another obstacle in the plan
I don't know why it shakes him up so much
I don't understand why he's so upset
He's so out of touch with me
He doesn't understand my views
It isn't easy finding something new
It's difficult to find a new idea
The Bible bashers beat you black and blue
Overzealous religious people criticize you harshly
Fire and brimstone raining down on you
You're being threatened with punishment
But do you know it's true
But it's actually true
They know what they can do
They're aware of their power
Monkey Business, Mankind
Wild and animalistic human behavior
I've got a theory that'll blow your mind
I have an idea that'll surprise you
I got you swinging from tree to tree
I have you behaving in a wild and spontaneous manner
I'm never sure about what they want
I'm uncertain about their intentions
They put their collars on back to front
They dress incorrectly
They've got their answers and they don't like mine
They have their own solutions and don't accept mine
But I'm only trying to help
But my intentions are good
They say I should be full of shame and dread
They believe I should feel guilty and afraid
They point at Genesis and shake their heads
They reference the Bible as a source of disapproval
They don't know what it is that makes them tick
They don't understand their own motivations
But I've views for them and it's not so romantic
But I have opinions that differ and aren't idealistic
You've got an ape in your family tree
You have primitive ancestry
We don't want monkey business...
We don't want wild or improper behavior
You've got an ape in your family tree
You have primitive origins
Lyrics © O/B/O APRA AMCOS
Written by: NIK KERSHAW
Lyrics Licensed & Provided by LyricFind
Kanno Yoichi
on The Riddle
I got two strong arms
Blessings of Babylon
With time to carry on
And try for sins
And false alarms
So to america the brave
Wise men save
僕は二つの強い武器を知ってる
バビロンの恵み(文明の力の比喩)を
行使する力と
その罪業や
誤った警告を行使する力だ
アメリカの勇敢なる
賢者がやっているようにね
[chorus]
Near a tree by a river
There's a hole in the ground
Where an old man of Erin
Goes around and around
And his mind is a beacon
In the veil of the night
For a strange kind of fashion
There's a wrong and a right
But he'll never, never fight over you
川沿いに木があり
地面に穴のあいた土地があり
年老いたエール(アイルランド)人の男が
うろうろしている
彼の心は夜を照らす
灯台のようだ
似合っているかどうかはともかく
彼は変な格好をしている
でも彼は君と争いはしないだろう
I got plans for us
Nights in the scullery
And days instead of me
I only know what to discuss
Of for anything but light
Wise men fighting over you
僕はひらめいたことがある
洗い流したいような夜と
昼を僕が背負おうかと
ただ僕は話し合うことがあればいい
光のこと以外ならね
賢者達が君と争うと言うのならね
It's not me you see
Pieces of valentine
With just a song of mine
To keep from burning history
Seasons of gasoline and gold
Wise men fold
君が見てるのは僕じゃないさ
バレンタインの欠片かな
そうそれは僕の歌の中さ
戦火の歴史からもガソリンや
金の暴騰からも避けられるようにとね
賢者達は避けずにいくだろうがね
[chorus repeat]
I got time to kill
Sly looks in corridors
Without a plan of yours
A blackbird sings on bluebird hill
thanks to the calling of the wild
Wise mens child
暇つぶしの時間があったのさ
予定外の行動をする君を
こっそりと見に廊下に出たのさ
ブラックバードが幸せの青い鳥の丘でさえずってる
荒々しい賢者の子供を呼んでくれて有難うとね
[chorus repeat (2x)]
..But he'll never, never fight over you
でも彼は君と争いはしないだろう