Born and living just outside Tel Aviv, multi-instrumentalist Erez’s grainy textures and potent atmospheres forged with her synths and ingenious beats bravely straddle genres, energized further by the environment in which she’s grown up.
While the music she makes in collaboration with her partner and co-writer, composer and producer Ori Rousso exploits many of the more physical dynamic elements of electronic music, it also embraces a cerebral sensitivity that’s made her one of her home city’s most exciting, idiosyncratic artists to date.
For NOGA EREZ, there was never any doubt that, whatever music she chose to make, and whatever she felt about her homeland, she could never ignore her surroundings. After all, even escapism acknowledges there’s something to escape from, and at times – like many who’ve grown up in Tel Aviv – Erez has wanted to shut herself off from a world rendered beyond comprehension by forces beyond her control. But if there’s one thing Erez isn’t – and sometimes it’s easier to say what artists as complex and fresh as her aren’t than are – it’s naïve. And what this means is simple: her work reflects the manner in which she’s learned to live. As she puts it, “I have this idea of giving people moments of thought and inspiration, and at the same time offering escapism and fun."
It’s not the easiest of goals, but few succeed as well as Erez. While the music she makes in collaboration with her partner and co-writer, composer and producer Ori Rousso, exploits many of the more physical, dynamic elements of electronic music, it also embraces a cerebral sensitivity that’s made her one of her home city’s most exciting, idiosyncratic artists. As inspired by Björk, M.I.A. and fka Twigs as by Flying Lotus, Kendrick Lamar and Frank Ocean, the grainy textures and potent atmospheres forged with her synths and ingenious beats bravely straddle genres, energised further by the environment in which she’s grown up.
Consequently, another of Erez’ goals is, as she puts it, “to process the world, and deliver ideas on how to process it. If you're able to create a musical context that captures the state you were in when you were writing it, that can potentially bring someone closer to understanding their own world.” In her case, this means articulating the fierce anger that lies behind the hypnotically percussive “Dance While You Shoot”, about the realisation that “you can’t live without the government that ensures your basic needs, but at the same time takes your money, keeps you in the dark about the real, important matters that affect your life directly, while drowning you in manipulative media, ignorance and bureaucracy.”
Then there’s the edgy “Pity”, provoked by a court case concerning a gang rape filmed on phones and shared across the web. “We took it to a more day to day level of being a woman in a men’s world, the need to use your ‘feminine’ qualities to get around, and the borders that can be crossed while you try to do that.” And that’s not to mention the extraordinary grit of “Off The Radar”, which addresses contemporary fears of being anonymous or forgotten, and “our indecent urge to leave our mark by publicly sharing thoughts and ideas without due consideration, purely for the rush we get from approval and affirmation.”
Erez was born four days before 1990, the year the Gulf War started, and it would be impossible for her now, as an artist, to ignore what’s been going on around her all her life. Nonetheless, she admits that, for a while, she retreated from the highly politicised climate in which she was raised. “As I became more aware of everything going on – the complexity of the situation, and how it affects lives on both sides – my reaction was to separate myself from it. I got rid of my TV and stopped consuming news completely.”
She found sanctuary in music, but withdrawal is rarely permanent, and if there’s tension in Erez’ work – and there’s plenty, as it happens – then it’s an acknowledgement of this simple truth. “Most of the time it's easy just to ignore what’s happening, but every now and then reality makes that impossible.” Erez is, however, thoroughly self-aware, and acknowledges how “we are very lucky not to live near the borders, not to be at the wrong place at the wrong time, and to have shelters and technology protecting us. But with this sense of luck comes a sense of guilt for being able to do something like make music while lives are being taken.”
Uncompromising and unpredictable, sophisticated and bold, Noga Erez is clear about her ambitions. “Our way of trying to keep in contact with our feelings and fears, and of avoiding emotional detachment about everything, is music. Human beings can come from completely different places but share a fundamental basis of emotions. In my opinion, music is the form of art or communication that expresses that most accurately.” The conversation starts now.
Balkada
Noga Erez Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And while you grab 'em, make them feel at home
You're probably keeping a pocket full of change
Coins are flipping, no decisions made
It makes you horny, their widely open throats
Waiting to be fed with whatever you may serve
But with me, it's so hard to be
Waking me, get you wide awake, wake, wake now
You try to tame them and make them all yours
And now the stomach is craving for some more
Your body's sucked in this bottomless hole
The beast is sated, enough of their love
The beast is sated
While we waste away
Nothing gives you cover when it won't stop fading out
Green screen, great letter, white, white, white noise
With me, so hard to be
Nothing gets you better than a cold, cold shaking ground
Waking me, get you wide awake, wake, wake now
The lyrics of Noga Erez's song Balkada speak about the power dynamics between an artist/performer and their audience. The opening lines suggest how an artist can manipulate and control an audience by creating an experience that makes them feel welcome and included, with the intention of getting them to sing along. However, the artist acknowledges that there is always an unseen force at play, as they have a pocket full of change and the audience has no say in the direction of the performance.
The reference to the "widely open throats" hints at the vulnerability and willingness of the audience to be entertained, even if it means digesting whatever the artist serves them. The artist highlights this dynamic by contrasting it with their own experience, where it's hard for them to be on that cold, shaking ground, indicating a sense of isolation and disconnection with the audience.
The chorus foregrounds feelings of uncertainty and confusion, with the closing line "wake, wake now" indicating a desire for clarity and resolution.
Overall, the lyrics of Balkada reflect the push and pull dynamics between an artist and their audience, highlighting the tension between control and individual agency.
Line by Line Meaning
Try to take 'em and make them sing along
You are attempting to influence people to follow you and your actions.
And while you grab 'em, make them feel at home
You are trying to create a sense of comfort and familiarity with those you are trying to control.
You're probably keeping a pocket full of change
You are likely trying to use money or other forms of compensation to manipulate those you are trying to control.
Coins are flipping, no decisions made
Your manipulative tactics lack substance and are based on chance, rather than thoughtful decision making.
It makes you horny, their widely open throats
Your control over others gives you a sense of power and arousal, especially when they are willing to follow you without question.
Waiting to be fed with whatever you may serve
Those who follow you are eager to receive your guidance and will accept your words and actions without much thought or resistance.
But with me, it's so hard to be
The singer is not easily manipulated and does not succumb to the same tactics as others.
Nothing gets you better than a cold, cold shaking ground
The artist is not swayed by empty promises or manipulations, and instead relies on a sense of groundedness and stability to stay true to themselves.
Waking me, get you wide awake, wake, wake now
Attempting to control the artist actually has the opposite effect, and instead wakes them up to the manipulations and tactics being employed.
You try to tame them and make them all yours
You want to exert complete control over those you are trying to influence, and are willing to go to great lengths to do so.
And now the stomach is craving for some more
Your desire for control and power is insatiable, and you are constantly seeking out new ways to influence and manipulate others.
Your body's sucked in this bottomless hole
Your attempts to control others are never enough, and you are always seeking out new ways to exert your power and influence.
The beast is sated, enough of their love
Once you have achieved the level of control you desire, you no longer see those you have manipulated as individuals to be cared for, but rather as objects to be used and discarded.
While we waste away
The singer sees the negative consequences of giving in to manipulative tactics, and realizes that it ultimately leads to a lack of substance and purpose in life.
Nothing gives you cover when it won't stop fading out
When the manipulative tactics fail to produce results, you are left without a sense of direction or purpose.
Green screen, great letter, white, white, white noise
The distractions and manipulations employed by those seeking control are ultimately empty and meaningless, and do not provide any real value or purpose.
With me, so hard to be
The artist continues to resist manipulations and is difficult to control, due to their strong sense of identity and groundedness.
Nothing gets you better than a cold, cold shaking ground
The singer relies on a sense of stability and reason to identify and reject manipulative tactics, rather than being swayed by empty promises or false hope.
Waking me, get you wide awake, wake, wake now
Attempts to control the singer actually have the opposite effect, serving to wake them up to the manipulations going on around them.
Contributed by Aaron T. Suggest a correction in the comments below.
Noga Erez
Holy s*#t we’re going on tour!
GET TICKETS : https://nogaerez.lnk.to/KIDSTourYD
NORTH AMERICA 2021
Sept 17 I Carborro, NC - Cats Cradle #
Sept 18 I Charlotte, NC - The Underground #
Sep 19 I Washington, DC - Sixth & I #
Sept 21 I New York, NY - Bowery Ballroom #
Sept 23 I Cambridge, MA - Sinclair #
Sept 30 I Dallas, TX - HiFi
Oct 02 I Houston, TX - HOB Bronze Peacock
Oct 07 I New Orleans, LA - House of Blues - Parish
Oct 12 I Minneapolis, MN - Fine Line
Oct 13 I Chicago, IL - Thalia Hall
Oct 14 I Detroit, MI - El Club
Oct 15 I Indianapolis, IN - HiFi
Oct 17 I Nashville, TN - Basement East
Oct 24 I St Louis, MO - Off Broadway
Oct 26 I Denver, CO - Marquis
Oct 27 I Salt Lake City, UT - Urban Lounge
Nov 04 I Seattle, WA - Crocodile Showroom
Nov 05 I Vancouver, BC - Fortune
Nov 06 I Portland, OR - Aladdin
Nov 10 I Los Angeles, CA - El Rey #
EUROPE 2022
Feb 08 I Madrid, Spain - Sala Independence
Feb 09 I Barcelona, Spain - Razzmatazz 2
Feb 11 I Nimes, France - Paloma
Feb 12 I Reims, France - Cartonnerie
Feb 14 I Lille, France - Aeronef
Feb 15 I Brussels, Belgium - Botanique
Feb 17 I Paris, France - Badaboum
Feb 19 I Cologne, Germany - Artheater
Feb 21 I Warsaw, Poland - Hydrozagadka
Feb 22 I Berlin, Germany - Lido
Feb 24 I Prague, Czech Republic - Chapeau Rouge
Feb 25 I Vienna, Austria - B72 / Flex
Feb 27 I Zurich, Switzerland - Mascotte
Mar 01 I Hamburg, Germany - Uebel & Gefahrlich
Mar 02 I Amsterdam, Netherlands - Paradiso
Mar 04 I London, UK - Omeara
Mar 08 I Dublin, Ireland - Pepper Canister Church
*We’re working on more dates - Stay tuned
Catherine Isley
Try to take 'em and make them sing along
And while you grab 'em, make them feel at home
You're probably keeping a pocket full of change
Coins are flipping, no decisions made
It makes you horny, their widely open throats
Waiting to be fed with whatever you may serve
But with me, it's so hard to be
Nothing gets you better than a cold, cold shaking ground
Waking me, get you wide awake, wake, wake now
You try to tame them and make them all yours
And now the stomach is craving for some more
Your body's sucked in this bottomless hole
The beast is sated, enough of their love
The beast is sated
While we waste away
Nothing gives you cover when it won't stop fading out
Green screen, great letter, white, white, white noise
With me, so hard to be
Nothing gets you better than a cold, cold shaking ground
Waking me, get you wide awake, wake, wake now
Noga Erez
Holy s*#t we’re going on tour!
GET TICKETS : https://nogaerez.lnk.to/KIDSTourYD
NORTH AMERICA 2021
Sept 17 I Carborro, NC - Cats Cradle #
Sept 18 I Charlotte, NC - The Underground #
Sep 19 I Washington, DC - Sixth & I #
Sept 21 I New York, NY - Bowery Ballroom #
Sept 23 I Cambridge, MA - Sinclair #
Sept 30 I Dallas, TX - HiFi
Oct 02 I Houston, TX - HOB Bronze Peacock
Oct 07 I New Orleans, LA - House of Blues - Parish
Oct 12 I Minneapolis, MN - Fine Line
Oct 13 I Chicago, IL - Thalia Hall
Oct 14 I Detroit, MI - El Club
Oct 15 I Indianapolis, IN - HiFi
Oct 17 I Nashville, TN - Basement East
Oct 24 I St Louis, MO - Off Broadway
Oct 26 I Denver, CO - Marquis
Oct 27 I Salt Lake City, UT - Urban Lounge
Nov 04 I Seattle, WA - Crocodile Showroom
Nov 05 I Vancouver, BC - Fortune
Nov 06 I Portland, OR - Aladdin
Nov 10 I Los Angeles, CA - El Rey #
EUROPE 2022
Feb 08 I Madrid, Spain - Sala Independence
Feb 09 I Barcelona, Spain - Razzmatazz 2
Feb 11 I Nimes, France - Paloma
Feb 12 I Reims, France - Cartonnerie
Feb 14 I Lille, France - Aeronef
Feb 15 I Brussels, Belgium - Botanique
Feb 17 I Paris, France - Badaboum
Feb 19 I Cologne, Germany - Artheater
Feb 21 I Warsaw, Poland - Hydrozagadka
Feb 22 I Berlin, Germany - Lido
Feb 24 I Prague, Czech Republic - Chapeau Rouge
Feb 25 I Vienna, Austria - B72 / Flex
Feb 27 I Zurich, Switzerland - Mascotte
Mar 01 I Hamburg, Germany - Uebel & Gefahrlich
Mar 02 I Amsterdam, Netherlands - Paradiso
Mar 04 I London, UK - Omeara
Mar 08 I Dublin, Ireland - Pepper Canister Church
*We’re working on more dates - Stay tuned
Kitty
Brilliant! so atmospheric and pure. This lady should be world famous.
Catherine Isley
Try to take 'em and make them sing along
And while you grab 'em, make them feel at home
You're probably keeping a pocket full of change
Coins are flipping, no decisions made
It makes you horny, their widely open throats
Waiting to be fed with whatever you may serve
But with me, it's so hard to be
Nothing gets you better than a cold, cold shaking ground
Waking me, get you wide awake, wake, wake now
You try to tame them and make them all yours
And now the stomach is craving for some more
Your body's sucked in this bottomless hole
The beast is sated, enough of their love
The beast is sated
While we waste away
Nothing gives you cover when it won't stop fading out
Green screen, great letter, white, white, white noise
With me, so hard to be
Nothing gets you better than a cold, cold shaking ground
Waking me, get you wide awake, wake, wake now
sharon zaharov
יצירת אומנות 💫
Kaique Jorge
off the radar is one of my favs of this year
Carlos Bruciaga
shook! Off the Radar is most def my album of the year
Peter Max S
I love it !
Евгений Остромецкий
Off the radar is incredible
Brickfield54
Wow ! I love it !
KipodMusik
Crazy video and awesome song - Already was one of my favorites when listening to the album. Although... I'm pretty sure this is not the correct way to put a Tfilin :PP