Born and living just outside Tel Aviv, multi-instrumentalist Erez’s grainy textures and potent atmospheres forged with her synths and ingenious beats bravely straddle genres, energized further by the environment in which she’s grown up.
While the music she makes in collaboration with her partner and co-writer, composer and producer Ori Rousso exploits many of the more physical dynamic elements of electronic music, it also embraces a cerebral sensitivity that’s made her one of her home city’s most exciting, idiosyncratic artists to date.
For NOGA EREZ, there was never any doubt that, whatever music she chose to make, and whatever she felt about her homeland, she could never ignore her surroundings. After all, even escapism acknowledges there’s something to escape from, and at times – like many who’ve grown up in Tel Aviv – Erez has wanted to shut herself off from a world rendered beyond comprehension by forces beyond her control. But if there’s one thing Erez isn’t – and sometimes it’s easier to say what artists as complex and fresh as her aren’t than are – it’s naïve. And what this means is simple: her work reflects the manner in which she’s learned to live. As she puts it, “I have this idea of giving people moments of thought and inspiration, and at the same time offering escapism and fun."
It’s not the easiest of goals, but few succeed as well as Erez. While the music she makes in collaboration with her partner and co-writer, composer and producer Ori Rousso, exploits many of the more physical, dynamic elements of electronic music, it also embraces a cerebral sensitivity that’s made her one of her home city’s most exciting, idiosyncratic artists. As inspired by Björk, M.I.A. and fka Twigs as by Flying Lotus, Kendrick Lamar and Frank Ocean, the grainy textures and potent atmospheres forged with her synths and ingenious beats bravely straddle genres, energised further by the environment in which she’s grown up.
Consequently, another of Erez’ goals is, as she puts it, “to process the world, and deliver ideas on how to process it. If you're able to create a musical context that captures the state you were in when you were writing it, that can potentially bring someone closer to understanding their own world.” In her case, this means articulating the fierce anger that lies behind the hypnotically percussive “Dance While You Shoot”, about the realisation that “you can’t live without the government that ensures your basic needs, but at the same time takes your money, keeps you in the dark about the real, important matters that affect your life directly, while drowning you in manipulative media, ignorance and bureaucracy.”
Then there’s the edgy “Pity”, provoked by a court case concerning a gang rape filmed on phones and shared across the web. “We took it to a more day to day level of being a woman in a men’s world, the need to use your ‘feminine’ qualities to get around, and the borders that can be crossed while you try to do that.” And that’s not to mention the extraordinary grit of “Off The Radar”, which addresses contemporary fears of being anonymous or forgotten, and “our indecent urge to leave our mark by publicly sharing thoughts and ideas without due consideration, purely for the rush we get from approval and affirmation.”
Erez was born four days before 1990, the year the Gulf War started, and it would be impossible for her now, as an artist, to ignore what’s been going on around her all her life. Nonetheless, she admits that, for a while, she retreated from the highly politicised climate in which she was raised. “As I became more aware of everything going on – the complexity of the situation, and how it affects lives on both sides – my reaction was to separate myself from it. I got rid of my TV and stopped consuming news completely.”
She found sanctuary in music, but withdrawal is rarely permanent, and if there’s tension in Erez’ work – and there’s plenty, as it happens – then it’s an acknowledgement of this simple truth. “Most of the time it's easy just to ignore what’s happening, but every now and then reality makes that impossible.” Erez is, however, thoroughly self-aware, and acknowledges how “we are very lucky not to live near the borders, not to be at the wrong place at the wrong time, and to have shelters and technology protecting us. But with this sense of luck comes a sense of guilt for being able to do something like make music while lives are being taken.”
Uncompromising and unpredictable, sophisticated and bold, Noga Erez is clear about her ambitions. “Our way of trying to keep in contact with our feelings and fears, and of avoiding emotional detachment about everything, is music. Human beings can come from completely different places but share a fundamental basis of emotions. In my opinion, music is the form of art or communication that expresses that most accurately.” The conversation starts now.
Candyman
Noga Erez Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The whole story been out of context
A room full of fluorescent light, clean and tight, all in boxes
People coughing, people yelling in panic and pain
Vomiting, carrying their piss in a plastic bag
Confused and tired, beloved ones we loved once, we trusted
Knew just what being clueless allowed us
Sitting in a station, waiting for the last bus
What was it that you expected?
Oh, it seems unacceptable
Accept the predictable, your lost war
Or were you sure Mr. Candy
Would so elegantly move to the next family and skip yours?
Back home, back to needles
Just stay with me, though
Just wait a minute, I swear we're winning
Show is just beginning
White page, I mean it
Black pen scribbled, stage four
I know just where you're from
Try fool me, I'm not dumb
I'm coming only for you
I'm coming only for you
I know just where you're from
I know that I'm a scumbag
I'm coming only for you, but one day
I'll get your family too
The whole morning been like a fantasy
One with a bad script, written by a lunatic
Brightly illuminated but, like a horror film
Come get your best seats, we're about to begin
And tell this motherfucker, lemon man, to back off
Take his motherfucking lemonade and get lost
Tell him he can take his act of charity and spill it
Give it to the real sick kids who really fucking need it
I know just where you're from
I'm here to give you a hand
I know you don't wanna be saved
And in this squeaky bed, and even if you can't
I'm coming over for you
Take a sip, it's hand-squeezed, an act of faith, for thirty years, wait
Please know I'm not a scum
Don't get confused, I'm the good guy
I'm the lemon man, the lemon man, the lemon man, the lemon man
The lyrics of Noga Erez's song Candyman describe a chaotic and disturbing scene in a hospital waiting room. The setting is described as clean and fluorescent, yet filled with suffering and confusion. People are coughing, yelling, and carrying their bodily fluids in plastic bags. The singer brings up the idea that what is happening is out of context, perhaps suggesting that the situation is incomprehensible or surreal. The chorus is directed at an unseen person, possibly a medical professional, who is called "Mr. Candy." The singer seems to be challenging Mr. Candy's authority and questioning his intentions. Despite the chaos, the singer expresses a sense of solidarity with those present, proclaiming that being "useless unites us." The song ends with a twist, as the singer claims to be the lemon man, a character who has been mentioned earlier in the song, and who may or may not be a positive figure.
Overall, the lyrics of Candyman paint a vivid and disturbing picture of a hospital waiting room, and explore themes of power, trust, and morality. The song seems to be questioning authority and expressing frustration with the way the medical system operates. The lemon man character adds an enigmatic and complex layer to the song, inviting interpretation and further analysis.
Line by Line Meaning
Kids these days
Young people of today's generation
The whole story been out of context
The entire narrative is being presented inaccurately
A room full of fluorescent light, clean and tight, all in boxes
A sterile environment used for medical treatment
People coughing, people yelling in panic and pain
Individuals experiencing symptoms of illness and expressing distress
Vomiting, carrying their piss in a plastic bag
Patients are dealing with intense discomfort including nausea and difficulties with basic physical functions
Confused and tired, beloved ones we loved once, we trusted
Family and friends feeling disoriented and exhausted, during a trying ordeal
Knew just what being clueless allowed us
The realization that ignorance was protecting them from the full gravity of the situation
Now being useless unites us
The shared feeling of being unable to make a difference has brought people together
Sitting in a station, waiting for the last bus
Individuals waiting, perhaps in vain, for a solution or way out of their distress
What was it that you expected?
Rhetorical inquiry, questioning the unrealistic expectations of a particular situation
Oh, it seems unacceptable
Expressing dissatisfaction towards an unpleasant or undesirable state of affairs
Accept the predictable, your lost war
One should come to terms with what is inevitable and the reality of a hopeless situation
Or were you sure Mr. Candy
Sarcastic questioning of a hypothetical character, who thinks that they have a handle on an uncontrollable situation
Would so elegantly move to the next family and skip yours?
Asking if some external source will magically fix all their problems
Back home, back to needles
Returning to a place of either comfortable familiarity or uncomfortable medicinal procedures
Just stay with me, though
Asking for companionship and possibly emotional support
Just wait a minute, I swear we're winning
Holding out for hope and positive outcomes, even amidst a daunting situation
Show is just beginning
Indication of the complicated and dramatic nature of what is happening
White page, I mean it
A blank slate or chance for new beginnings, stated emphatically
Black pen scribbled, stage four
A darker and more desperate turn in the story
I know just where you're from
Acknowledging familiarity with a particular place or mindset
Try fool me, I'm not dumb
Asserting that one cannot be easily tricked or manipulated
I'm coming only for you
Taking initiative to help someone in need
I know that I'm a scumbag
Self-deprecating, expressing a low sense of worth
I'm coming only for you, but one day
Helping now but possibly extending that help to others in the future
I'll get your family too
Possible plans to help more people, beyond just the individual
The whole morning been like a fantasy
Expressing disbelief and surrealism in how events have unfolded
One with a bad script, written by a lunatic
Feeling as though the situation is unnatural and chaotic, poorly planned out
Brightly illuminated but, like a horror film
Despite the cheerful and positive atmosphere, the situation has elements of fear and dread
Come get your best seats, we're about to begin
Encouraging involvement, despite the difficult times ahead
And tell this motherfucker, lemon man, to back off
Angry demand for someone to leave them alone
Take his motherfucking lemonade and get lost
Telling someone to take their attempted kindness elsewhere
Tell him he can take his act of charity and spill it
Rejecting charity and implying that it is wasted effort
Give it to the real sick kids who really fucking need it
Suggesting that charity would be better used elsewhere
I'm here to give you a hand
Offering help and support
I know you don't wanna be saved
Acknowledging that the person may not want or feel they need help, despite needing it
And in this squeaky bed, and even if you can't
A possibly uncomfortable or unfamiliar place, where they may be struggling to receive care
I'm coming over for you
Reiterating their commitment to helping the person in need
Take a sip, it's hand-squeezed, an act of faith, for thirty years, wait
Offering refreshment, but also indicating it is a long-standing tradition or ritual
Please know I'm not a scum
Trying to establish credibility and trustworthiness
Don't get confused, I'm the good guy
Trying to dispel any doubts or distrust
I'm the lemon man, the lemon man, the lemon man, the lemon man
Identification of self, or trying to distance oneself from negative connotations of the term
Lyrics © Songtrust Ave
Written by: Noga Erez
Lyrics Licensed & Provided by LyricFind
Noga Erez
Holy s*#t we’re going on tour!
GET TICKETS : https://nogaerez.lnk.to/KIDSTourYD
NORTH AMERICA 2021
Sept 17 I Carborro, NC - Cats Cradle #
Sept 18 I Charlotte, NC - The Underground #
Sep 19 I Washington, DC - Sixth & I #
Sept 21 I New York, NY - Bowery Ballroom #
Sept 23 I Cambridge, MA - Sinclair #
Sept 30 I Dallas, TX - HiFi
Oct 02 I Houston, TX - HOB Bronze Peacock
Oct 07 I New Orleans, LA - House of Blues - Parish
Oct 12 I Minneapolis, MN - Fine Line
Oct 13 I Chicago, IL - Thalia Hall
Oct 14 I Detroit, MI - El Club
Oct 15 I Indianapolis, IN - HiFi
Oct 17 I Nashville, TN - Basement East
Oct 24 I St Louis, MO - Off Broadway
Oct 26 I Denver, CO - Marquis
Oct 27 I Salt Lake City, UT - Urban Lounge
Nov 04 I Seattle, WA - Crocodile Showroom
Nov 05 I Vancouver, BC - Fortune
Nov 06 I Portland, OR - Aladdin
Nov 10 I Los Angeles, CA - El Rey #
EUROPE 2022
Feb 08 I Madrid, Spain - Sala Independence
Feb 09 I Barcelona, Spain - Razzmatazz 2
Feb 11 I Nimes, France - Paloma
Feb 12 I Reims, France - Cartonnerie
Feb 14 I Lille, France - Aeronef
Feb 15 I Brussels, Belgium - Botanique
Feb 17 I Paris, France - Badaboum
Feb 19 I Cologne, Germany - Artheater
Feb 21 I Warsaw, Poland - Hydrozagadka
Feb 22 I Berlin, Germany - Lido
Feb 24 I Prague, Czech Republic - Chapeau Rouge
Feb 25 I Vienna, Austria - B72 / Flex
Feb 27 I Zurich, Switzerland - Mascotte
Mar 01 I Hamburg, Germany - Uebel & Gefahrlich
Mar 02 I Amsterdam, Netherlands - Paradiso
Mar 04 I London, UK - Omeara
Mar 08 I Dublin, Ireland - Pepper Canister Church
*We’re working on more dates - Stay tuned
Noga Erez
Holy s*#t we’re going on tour!
GET TICKETS : https://nogaerez.lnk.to/KIDSTourYD
NORTH AMERICA 2021
Sept 17 I Carborro, NC - Cats Cradle #
Sept 18 I Charlotte, NC - The Underground #
Sep 19 I Washington, DC - Sixth & I #
Sept 21 I New York, NY - Bowery Ballroom #
Sept 23 I Cambridge, MA - Sinclair #
Sept 30 I Dallas, TX - HiFi
Oct 02 I Houston, TX - HOB Bronze Peacock
Oct 07 I New Orleans, LA - House of Blues - Parish
Oct 12 I Minneapolis, MN - Fine Line
Oct 13 I Chicago, IL - Thalia Hall
Oct 14 I Detroit, MI - El Club
Oct 15 I Indianapolis, IN - HiFi
Oct 17 I Nashville, TN - Basement East
Oct 24 I St Louis, MO - Off Broadway
Oct 26 I Denver, CO - Marquis
Oct 27 I Salt Lake City, UT - Urban Lounge
Nov 04 I Seattle, WA - Crocodile Showroom
Nov 05 I Vancouver, BC - Fortune
Nov 06 I Portland, OR - Aladdin
Nov 10 I Los Angeles, CA - El Rey #
EUROPE 2022
Feb 08 I Madrid, Spain - Sala Independence
Feb 09 I Barcelona, Spain - Razzmatazz 2
Feb 11 I Nimes, France - Paloma
Feb 12 I Reims, France - Cartonnerie
Feb 14 I Lille, France - Aeronef
Feb 15 I Brussels, Belgium - Botanique
Feb 17 I Paris, France - Badaboum
Feb 19 I Cologne, Germany - Artheater
Feb 21 I Warsaw, Poland - Hydrozagadka
Feb 22 I Berlin, Germany - Lido
Feb 24 I Prague, Czech Republic - Chapeau Rouge
Feb 25 I Vienna, Austria - B72 / Flex
Feb 27 I Zurich, Switzerland - Mascotte
Mar 01 I Hamburg, Germany - Uebel & Gefahrlich
Mar 02 I Amsterdam, Netherlands - Paradiso
Mar 04 I London, UK - Omeara
Mar 08 I Dublin, Ireland - Pepper Canister Church
*We’re working on more dates - Stay tuned
אלון בן שלום
פאקינג נגה ארז!!!!!
אתם צמד מטורף
כלכך אחר בנוף
מדהים לא מתנצל לא מתיפייף
רעיונות מעולים
פשוט ועובד
Aarón Bossa
¡Eres una chingona!
¡Saludos desde México! :)
Jin
Du lourd !!!! 💯
New Blxxd
This animation got me hypnotized!
Phil Cristinziani
This song is too short. I hope she jams this out for like 15min live
Phil Cristinziani
Oh and please come to Philly, PA USA!
Haida_lost_soul
This kinda makes me feel I'm drugged
Noga Erez
'Candyman' is from my new album 'KIDS' 🖤
Stream / Buy: https://nogaerez.lnk.to/KIDSYD
Corine D
saw you on I think it was Jimmy Fallon! OMG fantastic!!!! Love you for life