Olivier Deriviere is a French game and movie composer best known for his wo… Read Full Bio ↴Olivier Deriviere is a French game and movie composer best known for his work on the Obscure and Alone in the Dark series. He was fascinated by video games during his youth and later became part of the demoscene as a tracker musician. He subsequently studied composition and orchestration at the National Conservatoire in Nice Conservatoire under Jean Louis Luzignant. In 1999, he produced the experimental solo album Harry's Day, telling the story of a man dying due to a broken heart, and started to write arrangements of film scores for a percussion quartet. He subsequently won a scholarship to study jazz and film scoring at the Berklee College of Music. He spent a whole season with the Boston Symphony Orchestra and had the opportunity to interact with John Williams.
Back in France, Deriviere started to work on film productions. He worked under composers such as Bruno Coulais and Laurent Petitgirard creating additional music for artistically challenging productions. On the side, he scored short films, television shows, and documentaries. He single-handedly created the epic orchestral score for Sans Camion and all the songs for the musical film La Tartine. Other film credits including Tempora, La Solitude, Cub, and The Passenger. He received most attention for his score for the short movie The Toast whose sad love story and supporting score was commemorated at many eminent film festivals.
In 2004, Deriviere received the opportunity to score Hydravision's survival horror game Obscure due to connections he established from his demoscene days. He spent a year working on everything related to the sound for the game. He adopted a haunting choir-based sound Aware he couldn't afford to integrate full orchestra, he mixed samples from the realistic Vienna Symphony Library with haunting recordings from the Children Choir of the National Opera of Paris. Following these scores, he produced some humorous funk-orchestral fusions for Championsheep Rally and scored the flight simulator Rebel Raiders: Operation Nighthawk.
For 2007's sequel Obscure II, Deriviere enjoyed the exuberance of recording with the Boston Quartet and produced a more textural score. He worked on further low profile productions while scoring the project. Whether the exciting orchestral overture for Destination: Treasure Island or the whimsical melodious tunes for My Little Flufties, he puts much effort into all his productions. Though chiefly a game composer these days, he is also often commissioned to produce classical compositions. This helps him to always remain challenged as a composer.
Deriviere's latest major work is 2008's Alone in the Dark. He made an effort to demonstrate the real dimensions music can add to games on this production, feeling that many composers in the industry produce mere background music. He created a four hour orchestral score that immersed listeners into the experience and carefully complemented both action and atmospheric scenes. Despite the critical failure of the game, Milan Records published a selection of instrumental music from the score and several pieces recorded with The Mystery of Bulgarian Voices. Deriviere intends to write for more video games in the future, but is currently writing a mass and an opera.
His soundtracks for both Obscure games are available for free download on his homepage at http://www.olivierderiviere.com/. UPDATE: As of September 2009 Olivier has changed his website and you can only stream the music. However, the soundtrack for the PSP game Obscure: The Aftermath can be downloaded from the official game website at www.obscuretheaftermathpsp.com.
Back in France, Deriviere started to work on film productions. He worked under composers such as Bruno Coulais and Laurent Petitgirard creating additional music for artistically challenging productions. On the side, he scored short films, television shows, and documentaries. He single-handedly created the epic orchestral score for Sans Camion and all the songs for the musical film La Tartine. Other film credits including Tempora, La Solitude, Cub, and The Passenger. He received most attention for his score for the short movie The Toast whose sad love story and supporting score was commemorated at many eminent film festivals.
In 2004, Deriviere received the opportunity to score Hydravision's survival horror game Obscure due to connections he established from his demoscene days. He spent a year working on everything related to the sound for the game. He adopted a haunting choir-based sound Aware he couldn't afford to integrate full orchestra, he mixed samples from the realistic Vienna Symphony Library with haunting recordings from the Children Choir of the National Opera of Paris. Following these scores, he produced some humorous funk-orchestral fusions for Championsheep Rally and scored the flight simulator Rebel Raiders: Operation Nighthawk.
For 2007's sequel Obscure II, Deriviere enjoyed the exuberance of recording with the Boston Quartet and produced a more textural score. He worked on further low profile productions while scoring the project. Whether the exciting orchestral overture for Destination: Treasure Island or the whimsical melodious tunes for My Little Flufties, he puts much effort into all his productions. Though chiefly a game composer these days, he is also often commissioned to produce classical compositions. This helps him to always remain challenged as a composer.
Deriviere's latest major work is 2008's Alone in the Dark. He made an effort to demonstrate the real dimensions music can add to games on this production, feeling that many composers in the industry produce mere background music. He created a four hour orchestral score that immersed listeners into the experience and carefully complemented both action and atmospheric scenes. Despite the critical failure of the game, Milan Records published a selection of instrumental music from the score and several pieces recorded with The Mystery of Bulgarian Voices. Deriviere intends to write for more video games in the future, but is currently writing a mass and an opera.
His soundtracks for both Obscure games are available for free download on his homepage at http://www.olivierderiviere.com/. UPDATE: As of September 2009 Olivier has changed his website and you can only stream the music. However, the soundtrack for the PSP game Obscure: The Aftermath can be downloaded from the official game website at www.obscuretheaftermathpsp.com.
Ounsi
Olivier Deriviere Lyrics
We have lyrics for these tracks by Olivier Deriviere:
Marasa Dhoosooo maghasyee Marasa kaladhoghi yena seadhogi Dhoosooo …
Ogou O Man) Ogou Oemblesu, ferauyó Oemblesu, Semble semble se. Memp…
The Freedom Cry Pyè Aleman Lèmiso Batala e Feray se Lwa dife'w ye Ogou …
The Root Pyè Aleman Lèmiso Batala e Ogou se Lwa dife′w ye Feray se…
Waltz of Death loss koleme ok oles aaamee see olekalse yolosee lese azbele…
Who Am I? Kato v san neprobuden Sas tchii otchi nanuvam Tchii e tozi …
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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CommanderVideo
For those who are looking for the parts where people sing over music, here's (almost) the whole list:
Teaser Music(/an autotune variant of Pye Aleman Lemisu I think it is called, doesn't appear in the soundtrack although it is sung when synchronising a viewpoint, and another variant is sung in the slave ship sequence): at start, 0:44, 1:17
1. The Root(/another variant of Pye Aleman Lemisu): 0:13, 0:35, 0:46, 0:53, 1:21, 1:34, 1:40 (at this point just listen to the whole song starting from 0:13)
7. Attack at Sea(/idk but doesn't sound like Yo Fe): 18:41
9. Brothers and Sisters/Tanbouye: 26:21
11. The Fight for All/Marasa: 31:03
12. Governor/Sensia: 33:12
13. Never Again/Mache Mwen: 38:21 (I recommend listening from 37:55, though.)
15. The Last Chance/Ounsi: 43:47
16. United/Ogou O: 45:26 and 47:33 briefly, 48:16
17. The Freedom Cry(/another variant of Pye Aleman Lemisu): 50:29, 51:01, 51:14 (whatever this is?), 51:41, 52:03
I couldn't find Yo Fe, but come on, this song might be the most forgettable one IMO.
Shay Cormac
Best parts:
26:21 26:53 31:03 48:16
Nick the gamer 1234
You killed him
Radhey Mishra
thanks very cool
Shay Cormac
@Radhey Mishra you're welcome
Obamium
Bruh just why?
CommanderVideo
For those who are looking for the parts where people sing over music, here's (almost) the whole list:
Teaser Music(/an autotune variant of Pye Aleman Lemisu I think it is called, doesn't appear in the soundtrack although it is sung when synchronising a viewpoint, and another variant is sung in the slave ship sequence): at start, 0:44, 1:17
1. The Root(/another variant of Pye Aleman Lemisu): 0:13, 0:35, 0:46, 0:53, 1:21, 1:34, 1:40 (at this point just listen to the whole song starting from 0:13)
7. Attack at Sea(/idk but doesn't sound like Yo Fe): 18:41
9. Brothers and Sisters/Tanbouye: 26:21
11. The Fight for All/Marasa: 31:03
12. Governor/Sensia: 33:12
13. Never Again/Mache Mwen: 38:21 (I recommend listening from 37:55, though.)
15. The Last Chance/Ounsi: 43:47
16. United/Ogou O: 45:26 and 47:33 briefly, 48:16
17. The Freedom Cry(/another variant of Pye Aleman Lemisu): 50:29, 51:01, 51:14 (whatever this is?), 51:41, 52:03
I couldn't find Yo Fe, but come on, this song might be the most forgettable one IMO.
Zeed
Why aren't there more views? The soundtrack is phenomenal.
Krawlon
Because unfortunately very few people played the DLC...
Nitish Sharma
And maybe it's a repost of the original video? Well I'm not sure. 🤷♂️
Bowko123
Because the DLC itself is a bug ridden, mechanically uninspired shitfest.
The soundtrack is superb tho, I agree.