As Postcard's flagship band, Orange Juice quickly distinguished the label as a leading proponent of independent pop music; their 1980 debut single "Falling and Laughing," recorded for less than 100 pounds, garnered massive critical acclaim, and subsequent releases like "Blueboy," "Simply Thrilled Honey," and "Poor Old Soul" further established the group as a major new talent. Soon, sessions began for a full-length album; however, in the midst of recording, Orange Juice left Postcard to sign to Polydor, which funded the LP's completion. After the 1982 release of the album, titled You Can't Hide Your Love Forever, ex-Josef K guitarist Malcolm Ross joined the group, hastening the exit of Kirk and Daly (who went on to form Memphis) and paving the way for Zimbabwe-born drummer Zeke Manyika.
The addition of Manyika gave Collins the new capability of exploring a more complex fusion of pop and blue-eyed soul; consequently, 1982's Rip It Up was a more ambitious affair than its predecessor, veering from the buoyant Motown tribute "I Can't Help Myself" to the energetic pop of the title track, Orange Juice's lone Top Ten single. However, subsequent releases failed to chart, and relations between the group and Polydor began to disintegrate; amid these tensions, both Ross and McClymont quit, with Ross later resurfacing in Aztec Camera. Reduced to the duo of Collins and Manyika, Orange Juice enlisted reggae producer Dennis Bovell to record the 1984 EP Texas Fever.
After a makeshift tour, Collins and Manyika returned to the studio to record a dark, ambitious full-length effort; released in 1984, neither The Orange Juice nor its singles "What Presence?!" and "Lean Period" charted, and Collins was dropped from his contract, although Polydor kept Manyika on as a solo act. Only in 1995 did the stunning single "A Girl Like You" finally win Collins the commercial respect that had so long eluded him and his former bandmates. Later on, throughout the late '90s and early 2000s, the rise of Scottish bands as disparate as Belle & Sebastian and Franz Ferdinand won Orange Juice a younger set of fans, helped in great part by the 2005 compilation The Glasgow School.
Biography by Jason Ankeny
Intuition Told Me
Orange Juice Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
They took the floor
She was his all time favourite dancer
Smile lopsididly
Decididly
Awkward
He asked her
Take my hand
I'll take my cue
Ain't you guessed by now
I'm sold on you
The late bus is leaving
From the lonely station
So grab your silk stockings
And your dance invitation
The lyrics to Orange Juice's song "Intuition Told Me" narrate an awkward encounter between a man and his favorite dancer. The scene opens up with the man taking the dancer's hand, asking her to take the floor with him. The man is clearly enamored with the woman, describing her as his "all-time favorite dancer." He looks at her with a lopsided smile, an awkward expression that hints at his nervousness and excitement.
As the two begin to dance, the man asks the dancer if she will take a chance with him. He promises to take his cue and follow her lead. The lyrics suggest that the man has been waiting for this moment for a while, as he tells the dancer that he is "sold on her." The words carry a sense of determination and conviction, hinting that the man will do whatever it takes to win the dancer's heart.
The song's title, "Intuition Told Me," suggests that the man is going with his gut feeling, rather than relying on logic or reason. He is following his heart, trusting his instincts, and hoping that the dancer will feel the same way. The lyrics capture the mood of a romantic encounter, filled with nerves, desire, and anticipation.
Line by Line Meaning
He took her hand
He initiated the physical connection by holding her hand
They took the floor
They stepped onto the dance floor to begin dancing
She was his all time favourite dancer
Out of all the dancers he's seen, she was his favorite
Smile lopsididly
Her smile was crooked or uneven
Decididly
In an unmistakable, clear manner
Awkward
There was a socially uncomfortable atmosphere
He asked her
He posed a question to her
Take my hand
Please take hold of my hand
Take me and
I'm all yours, take me with you
I'll take my cue
I'll wait for your signal to show me what you want to do or where to go
Ain't you guessed by now
Haven't you figured out yet
I'm sold on you
I'm fully committed to you; I have strong feelings for you
The late bus is leaving
The last bus of the night is about to depart
From the lonely station
The bus is departing from a station with no other people or activity around
So grab your silk stockings
Put on your fanciest clothes, your best outfit that you would wear to go dancing
And your dance invitation
Bring the ticket, card or other document that grants you admission to the dance (party)
Lyrics © Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: Edwyn Stephen Collins
Lyrics Licensed & Provided by LyricFind
@longbeachdave1
The mix is near perfect on this version. Did I mention the first verse?
@genki2genki
Love this sooooo much!
@colinnewlands7501
Arguably the best b side ever.
@alexanderjt
CREATINATOR MOMENT
@kierannee528
A complete disaster compared with the postcard version.
@letsplayarecord
a complete disaster? can't say I agree.
@idjutboy5216
Don’t try so hard to be different... As Edwyn might say 🤭
@alihart
@@idjutboy5216 so good