Ozark Henry is the project of Piet Goddaer. This musician from Kortrijk, so… Read Full Bio ↴Ozark Henry is the project of Piet Goddaer. This musician from Kortrijk, son of celebrated classical composer Norbert Goddaer, was the singer/rapper of the group Word before Ozark Henry. Despite a lot of gigs, the group never managed to get a record deal (the only release is a track "Henry Men-She" on "Debuutrock 1995") and died a subsequent silent death. At home in his living room, Goddaer and his friend Filip Tanghe, were also busy fiddling with computers and synthesizers. A few of these experiments landed on the table of record firm Method (Double T) that offered the group a contract.

The debut became "I'm seeking something that has already found me", in 1996. The record was recorded in the "Ozark Henry Living Room", but was produced in the Synsound studio's by another electronic guru: Telex-man Dan Lacksman. The result was a multi-layered cd that was received well in the press. The originality of the music was proven by the multitude of comparisons that were found to classify it in the press: Tricky, Scott Walker, The The, Soul Coughing, Bowie, John Zorn, Frank Zappa, Moby, Gavin Friday (perhaps nowadays Dead Man Ray would also have been mentioned ...)
In Knack, Jan Delvaux reviewed the record as follows : "Ozark Heny fits in the series of clever belgian recyclists (dEUS, Evil Superstars, Vaya Con Dios ...) that surprise the world more and more often. The mission of this duo is situated in dance-related areas, although the apparent traces of rap, acid jazz, jungle, triphop and techno are nothing but a vague first coating. On top of this come strange noises and very complicated song-structures full of surprising twists and turns. It makes this record a turbulent document with a filmic bias. The steadiest element in all this is the voice of Piet Goddaer ... Despite the many layers, the entrance gate is wide open. "I'm seeking" is, albeit a very unusual, a very impressive pop-album."

In the summer of 1997, material for a second album was recorded. This cd never has seen the light (only the song "Summer Junkie" made it to the second album), because the first one was released in France by Sony and started doing very well over there. (eg. from Les Inrockuptibles : "Ozark Henry : c'est du triphop Zappien mariné dans le formol du jazz experimental et drappé dans les fantômes de la new wave."). As Piet Goddaer said in de Morgen : "In the meantime, the record had been lying there and felt like an old thing when we came back from France. I want to release a cd when it's still fresh. That's why we made a new record."

The second cd eventually became "This last warm solitude", released in October 1998. Noticeable changes are that the songstructures have become much more "simple", that Piet Goddaer now sings more than he raps, and that quite a lot of melancholy has crept into the lyrics and songs. The "layered-ness" of the music, the richness of the sound and the electronic programming of the songs have remained. The production was in the hands of Goddaer himself, aided by Roy Spong and Mark Phythian, the left- and right-hand of Gil Norton (Pixies ...).
The melancholic single "Radio" (about an incurably ill friend) received a lot of airplay, and the reception of this more easily accessible record has been very promising so far : (vb. Teek : "This last warm solitude is like a labyrinth lying in the sun, with every new junction sounding off an inviting welcome" - vb. De Morgen : "Musically this colorful jigsaw of triphop, eighties wave, experimental pop and minimal music has everything to make a lasting impression, far beyond the Belgian borders."

On stage, the group gives a lot of attention to the visual aspect. Piet Goddaer in De Morgen : "For me, sound and vision always come together. The record is also a soundtrack to a non-existing film for me. On stage, we make the images live, an organic process where image and sound feed each other. A lot can go wrong in that chain, but if there were only secure things, I wouldn't be interested in being up there." At the end of 1999, "This Last Warm Solitude" was re-released, with an extra cd containing a live-show in Paris.

In March 2000, Ozark Henry did a contribution to the "Glittering 2000" project, on which belgian bands covered songs from the glamrock era, by doing a version of David Bowie's "Suffragette City". Under the nickname Sunzoo Manley, a pseudo which emerged for the first time on the single "If This Is Love" of LaTchak (a sideproject of Front 242), he then proceeded onto a totally different project. In the band Sunzoo Manley, he joined forces with drummer Stéphane Galland (Aka Moon) & saxophone player Frank Deruytter (Wizards of Ooze). The debut CD "To All Our Escapes", a fine exercise in crossing jazz with (break)beats, was released in March 2001.

Also in 2001, he released his third album as Ozark Henry, this time with the title "Birth Marks" (thus, Piet Goddaer found himself twice on the same day at Pukkelpop, with both his projects: Ozark Henry and Sunzoo Manley). The actual CD-release was for September 10, but there was already a promo-single "Rescue" at the end of August, distributed through the website of Studio Brussels.
For the recordings of "Birthmarks", Ozark Henry got the support of the Audrey Riley Octet, an ensemble that has a track record including work for Blur, The Cure, Muse, Coldplay and Smashing Pumpkins. Started with no less than 90 songs for the choosing, only 10 tracks made it to the actual album (which was released in a limited edition, wit 5 bonus tracks). As the bio says : "10 songs that can only be described as "rich": gospel choirs, brass sections, strings, and the newly discovered Voice. The sum of all these parts: pop music with brains and emotions, adaptable to every possible biorhythm".

In 2004 "The Sailor not the Sea" is released. It features Jah Wobble, Jaki Liebezeit and again Audrey Riley. It is very well received and hits gold in no time.

Band members :
- Piet Goddaer (vocals, sequensing, programming)
- Dick Descamps (bass - on stage only)
- Stef Catteeuw (guitar - on stage only)
- Rik Debruyne (drums - on stage only)
formerly also
- Filip Tanghe (programming)
- Paul Isaac (keyboards - on stage only)

Jailbird
Ozark Henry Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

I got my freedom back
It's not the freedom
I've known as a kid as a boy
I'm stigmatized
I want closure I want faith
And a start once again
It's I don't belong anywhere how will I find a way

Baby, I'm holding back the years we've lost
Baby, I'm holding back the years we've lost

It's hard to realize
How far we are from we where
Out of place, bitter, hurt
For it ain't freedom right
That is open to debate
It is love raising hate
It's we don't belong anywhere at least not anymore

Baby, I'm holding back the years we've lost
Baby, I'm holding back the years we've lost
In a maelstrom
Baby, I'm holding back the years we've lost
Baby, I'm holding back the years we've lost

It's I don't belong anywhere
At least not anymore

Overall Meaning

The lyrics to Ozark Henry's "Jailbird" depict the emotional struggle of someone who has just been released from prison. The singer reflects on the differences between the freedom he knew as a child and the version of it he now possesses. He feels stigmatized and seeks closure and faith in order to start his life again. The lyrics convey a sense of displacement, as the singer doesn't feel like he belongs anywhere.

The chorus, "Baby, I'm holding back the years we've lost," expresses regret over the time that has been lost due to being imprisoned. The singer is holding back the years, trying to regain what he has missed while locked up. The lyrics acknowledge the difficulty of his situation and his hurt feelings, but also acknowledge that freedom is complicated, and not always as freeing as it may seem.

Overall, "Jailbird" is a moving and emotional song about trying to find a way forward after a difficult experience. The lyrics are beautifully crafted, conveying a sense of loss, pain, and hope, all at the same time.

Line by Line Meaning

I got my freedom back
I regained my freedom from prior restraints

It's not the freedom I've known as a kid as a boy
This freedom isn't the same as the freedom I have experienced during my childhood

I'm stigmatized
I am marked or labeled by society, which hinders my life

I want closure I want faith
I am seeking resolution and a renewed belief system

And a start once again
I desire a fresh beginning or a new chapter in life

It's I don't belong anywhere how will I find a way
I do not feel like I fit anywhere and I am uncertain about how to move forward

Baby, I'm holding back the years we've lost
I am struggling to cope with the time that has passed and the experiences that can never be regained

It's hard to realize
It is difficult to accept or comprehend

How far we are from we where
We are distant from where we were previously

Out of place, bitter, hurt
Feeling uncomfortable, resentful, and wounded

For it ain't freedom right
This is not true freedom