1) In his past lives, PIG … Read Full Bio ↴There are more than one artist named PIG.
1) In his past lives, PIG was Lord Raymond Watts, known variously as Raymond Scaballero in Foetus, an icy addition to Psychic TV, a savage PA destroyer in Einstürzende Neubauten, and a founding catalyst of KMFDM. Watts began his arrest record in London where he was most likely pissed off about something and doing sound manipulations, loops and live sound for Psychic TV. He soon crashed into Einstürzende Neubauten (probably in a strip bar) and escaped the smug complacency of the English music scene by moving to Hamburg, Germany and setting up his Building Site studio in a bunker of munitions factory, where he invited in artists including Sprung Aus Den Wolken, Die Haut, and Christiane F. In his pursuit of a cutting edge music scene he sought out like-minded souls to create terrorism instead of tonality. Playing on European/American Neubauten tours, he quickly earned a reputation for destroying PA systems -- the security guards sent by the PA companies to protect the gear were not amused. Between their security thugs and ones hired by Watts to protect him from them, most nights ended up bloody, tense and occasionally on fire.
While collaborating with Neubauten's "gritter" twins: Blixa Bargeld and FM Einheit, Watts lived in the red light district next to a brothel, in amongst the sleaze of the Hamburg docks. Watts heard about Sascha Konietzko who was doing bizarre work with vacuum cleaners, and after drinking him into submission, dragged him and his tall, pale cohort En Esch down the stairs into the freezing Building Site studio, where they locked themselves into Watts' "frozen cesspit" with 20' steel sheets and other garbage, emerging with the debut What Do You Know Deutschland?
As one of the architects of the KMFDM sound, Watts went east to plow through the entrails of the German avant garde, planting the seed of his new experiment while KMFDM moved to America. The mutant was born out of the blood and piss in a basement studio opposite the Berlin Wall and became the 1988 debut album A Poke In The Eye. In addition, Watts was recruited by Foetus (Jim Thirwell) to be in his first live band, and after a European tour which involved disappearances, catholic school girls, and worms, Thirwell stayed on the produce the 12" Shit for Brains. Watts said he'd buy the next round and went to the US to record Steroid Maximus with Thirwell, and also did sound for Crime & the City Solution.
When the wall came down, Watts split his time between London and Tokyo, looking for a new alien habitat after Berlin's pleasure dome exploded. PIG morphed with various collaborators and Watts started working with Japanese musicians, turning his attention to Schaft, which became a huge hit there. The Watts system emerged as an elastic style of working with refuse and collaborating with pariahs: one man's trash is another man's treasure, darling.
Long-time PIG fan Trent Reznor came to see him around '91/'92 at a tiny club in Camden, England and introduced himself to the unimpressed Watts who was surprised that this fellow knew most of PIG's scattered discography. PIG was invited to open Nine Inch Nails' European tour in '94 -- complete with real pig heads on stage that were a load of fun after a few days' decomposition. Later, in 1995, Reznor's Nothing label released his fourth album, Sinsation.
In the mid 1990s, Konietzko ran into Watts again and they worked on the Sin, Sex & Salvation EP, which led to Watts returning to the fold for Nihil, the most successful KMFDM album to date, which included the Watts-penned hit Juke Joint Jezebel. Watts also appeared on the band's Symbols album, doing vocals on the delightfully-titled Spit Sperm and Unfit, while KMFDM's Gunter Schulz and Sascha Konietzko appear on the 1997 release Wrecked, furthering their incestuous relationship.
Still bigger in Japan than the rest of the world, PIG released his sixth album, Genuine American Monster, there in 1999. Finally, in 2002, PIG found a new American home with the Metropolis Records label, who had that year recently released the album ATTAK.
In 2012 PIG released two demos; written by Watts; and performed by Watts and Marc Heal (Cubanate) entitled: Drugzilla (Rough As A Hog's Arse Mix) released on June 8th; Shake (Rough Mix) released on July 14th; and Drugzilla (Pork Talk Mix by Raymond Watts) released on December 2nd.
2) PIG is a Japanese melodic punk band from Japan.
http://www.audioleaf.com/piggip3/
3) pig used to be the alias of Oscar Lang when he first started releasing music in 2017. In 2019 however, he started releasing under his real name, and with that the already released pig releases were re-released under Oscar Lang.
4) Pig is a Beatmaker who became known for his '' dirty '' beats so he earned the nickname Pig which was adopted with an artistic name. Producer and Beatmaker for more than 5 years, he has accumulated several experiences in his career, with more than 15 million Streams.
Sanctuary
PIG Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
..Trying
Not to look at the face of the man who is dying
To look for the face of the man who is lying
The ambler gambler is low and loaded
His rusty steed turns to burn into my soul
I hear the cries
My body lies in sanctuary
He knows the pain its special place
I know its look I know its face
White silver draws black lines
Bright whites the killing kind
Two wrongs don't make a right
Two blacks don't make a white
Devotion isn't what it seems
The broker of my broken dreams
Hell is all that I see
My cell is my sanctuary
There's a black space where my soul should be
A gaping wound where my heart could be
I feel so low I feel like Christ
I see my head is turning white
The knuckles twisted raw and I'm so empty
And there's no respite
You prey together on the small
Hell-vision shows it every night
The ambler gambler is low and loaded
His rusty steed turns to burn into my soul
I hear the cries
My body lies in sanctuary
The long way home is what I seek
He knows the pain its special place
And I know your face
The lyrics to PIG's song "My Sanctuary" describe a scene of doubt, pain, and desolation. The singer seems to be witnessing the death of a man, while also being aware of someone else's lying. The ambler gambler is mentioned several times, presenting himself as a dangerous figure that turns his attention towards the singer's soul. The singer hears the cries and becomes aware of his body lying in sanctuary, a place that could either provide comfort or imprisonment.
The lyrics include a series of contrasts and paradoxical statements, such as "two wrongs don't make a right, two blacks don't make a white" and "the broker of my broken dreams." The singer undergoes a personal struggle with his own sense of devotion, questioning whether it is what it seems. The words "hell" and "cell" are juxtaposed, emphasizing the idea of imprisonment, both physical and psychological.
In the end, the singer seems to be experiencing physical pain, as indicated by the "twisted knuckles" and the white hair. At the same time, he is aware of the judgment he is receiving from others, who prey on him. He longs for the "long way home," which could either signify his escape or his demise.
Line by Line Meaning
Doubting
I am uncertain and hesitant
Trying
I am attempting to do something
Not to look at the face of the man who is dying
I am avoiding the sight of the dying man's face
To look for the face of the man who is lying
Instead, I am searching for the face of the deceitful man
The ambler gambler is low and loaded
The wandering gambler is down on his luck and armed
His rusty steed turns to burn into my soul
His old horse seems to ignite a fiery emotion within me
I hear the cries
I am able to hear the sounds of suffering
My body lies in sanctuary
My physical being is in a safe haven
The long way home I cannot seek
I am unable to find the path back to my comfort zone
He knows the pain its special place
The deceitful man is familiar with sorrow's unique location
I know its look I know its face
I am familiar with the appearance of pain and its source
White silver draws black lines
The contrast of bright silver against dark lines is apparent
Bright whites the killing kind
The brightness can be deadly
Two wrongs don't make a right
Committing another offense will not correct the initial wrongdoing
Two blacks don't make a white
Having two flawed individuals will not create a perfect individual
Devotion isn't what it seems
Passionate dedication can be deceptive
The broker of my broken dreams
The person who destroyed my aspirations
Hell is all that I see
I view my surroundings as chaotic and unpleasant
My cell is my sanctuary
The place where I am confined provides a secure refuge
There's a black space where my soul should be
I feel empty inside, devoid of a soul
A gaping wound where my heart could be
I feel as though there is a large, painful hole where my heart should be
I feel so low I feel like Christ
I am filled with both emotional and physical suffering, as Jesus Christ was
I see my head is turning white
I am becoming prematurely gray due to stress and/or sadness
The knuckles twisted raw and I'm so empty
My fingers are painfully contorted, mirroring my emotional state
And there's no respite
There is no relief from my pain and sadness
You prey together on the small
You and others take advantage of those less powerful than you
Hell-vision shows it every night
I am constantly reminded of this cruelty through my nightmares
He knows the pain its special place
The deceitful man is experienced in the location of pain
And I know your face
I am familiar with the countenance of the deceitful man
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
@kisakisakura6663
Sad that the millions of other pigs just like her will never experience this joy.
@gaylegerard3734
@MSL .MSL I haven't,t for forty years. I know some of the sickest, most disgusting farmers on Earth.
@ssneakyandfriends1626
677.6 million*
true but um.
you try doin that. dogs and cats, horses, and other common pets are fuckin lucky, cause everyone's willing to house them and its easy to find houses for them. hec chickens are also somewhat just as easy.
not with pigs and cows, which require much more dedication than a cat or dog.
welp, im going to go to vegihuman hell for these replies am i?
@wosborne5535
@SSneaky And Friends I totally agree with you. Like pigs, cows are really smart too.
@stockwellsantley6606
Awful. Be vegetarian, folks, because farmers are not interested in treating your meal well when it's alive. They're just not.
@cynthiarogers2904
I know.
@nicolepiechotta9797
Put in a cage for 6yrs by humans & yet she is so gentle and loving towards humans. Brings me to tears. Different on the outside in appearance, within every living being we are all energy. We are here to share the earth and love one another. This beautiful being chooses love despite it's previous circumstances. What an Angel. 💜
@heatherburrell
May every animal get this chance they deserve ❤
@caminosb.1283
Videos like this one and many other Dodo works literally help me survive life and world madness, selfishness, cruelty etc. I'm so moved watching this, thank you for your dedication and thoughtfulness. I'm a low income Senior with all kinds of health issues, and the most animal care I can afford is feeding a couple of elder feral cats who show up waiting for their bowl of food. It's little but it's the best I can do, and it gives me a sense of purpose. If we allow them, animals can bring our goodness out into view like it's shown here. Bless your hearts!
@heatherburrell
Thankyou for being a wonderful and warm person. You are bringing some love and food into their lives, for them it's huge ❤