Pablo Sciuto is a Uruguayan musician and composer born in the city of Monte… Read Full Bio ↴Pablo Sciuto is a Uruguayan musician and composer born in the city of Montevideo, with nine released albums where he combines rhythms like “Indie Pop”, Jazz, Bossa Nova and Candombe with an electronic sound.[1] He’s created a very particular style and has positioned himself in the wave of new creators of Rio de La Plata. At the present time Pablo lives in the city of Madrid, Spain since the year 2000.

His beginnings were in his hometown of Montevideo, where since 1995 he began participating in various bands such as “Escape” (Hard Rock) and “Luz del Alba” (Pop Fusion) teaming up with his good friend Javier Gras, with whom they played cover songs by Eduardo Mateo in small venues. In 1997 he began his solo career with small appearances at the “Hot Club” in Montevideo, sharing the stage with artists such as Erika Herrera, Leo Anselmi and Fernando Henry among others. In 1998 he takes a big leap over to Buenos Aires, performing in various venues in the port city circuit.

He has performed and collaborated with artists such as the Brazilian Leo Minax, Jorge Drexler, Pablo Guerrero, Ana Prada, Gustavo Pena “Príncipe”, Jorge Barral, Rita Tavares, Tancredo, Habana Abierta, Daniel Drexler, Gabriela Torres, Carlos Chaouen, Pippo Spera, Tontxu, Mercedes Ferrer, Jorge Galemire, Samantha Navarro, Cristina Narea, Javier Paxariño, La Tercera Republica, Adrián Sepiurca, Alex Ferreira, Pedro Moreno and Evaldo Robson among others.

In his recording studio in Madrid, he experiments with a diversity of instruments, resulting in an enriching combination between electronic and acoustic sounds. His lyrics are influenced by metaphysics, science fiction and astronomy of which he is very fond of. He has ventured in various musical genres, from Jazz, Bossa Nova, Candombe, Folk, Funk, Pop, Electronic, etc.

It’s very frequent to see him in concert venues throughout Madrid, venues such as Libertad 8, Clamores, Galileo and many other cities in Spain where he performs with his band or on his own using samples and loops in real time as a multi-instrumentalist. He has also been known for his work as a “VJ” in shows with the soprano Pilar Jurado, Leo Minax, etc.

His music is appreciated in countries like Argentina, Uruguay, Mexico and China where his songs have spread massively.

In 2009, Pablo puts together a new band formation, “Astronomos Urbanos” where renowned musicians of various countries have played a part, such as Fabián Miodownic (Drums, Uruguay), Carlos Maeso (Bass, Spain), Sebastián Crudeli (Piano, Argentina), Matías Nuñez (Bass, Argentina), Álvaro Genta Cubas (Guitar, Uruguay), Olmo Sosa (Guitar, Argentina), Adrián Carrio (Piano, España), Ernesto J. Espinoza (Violin, Chile), Martín Muollo (Bass, Argentina) and Ignacio Rodríguez (Drums, Argentina).

In November 2011 he records his most introspective album yet, “Las Ideas del Aire”. A live recording without any additional tracks, recorded at Estudio Brazil in Madrid with Javier Ortiz. This live recording is also filmed on video and is directed by the Argentinean director of photography Gabriel Di Martino.

Tiempo
Pablo Sciuto Lyrics

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Tengo poco tiempo para saber adonde voy
Yo se que mi armadura da para un final
Y las hojas de este libro caducaran
Nada puede eternamente perdurar

Quiero brindarte mi amor
Nadie lo puede atrapar
Es una luz de libertad

Que escribe un guión para adaptar
Un ensayo del error universal

Mis huesos se oxidan bajo este Sol milenario hogar
El alma es una excusa para cantar y llorar
Toda pena quedará en una postal
Que ni el mundo digital podrá salvar

Quiero brindarte mi amor
Nadie lo puede atrapar
Es una luz de libertad
Que escribe un guión para adaptar
Un ensayo del error universal

Siento como el aire se va

El cuerpo ya no puede aguantar
Es una historia más de esta fragilidad

Overall Meaning

In the first verse, the singer expresses a sense of urgency and limited time to figure out their path in life. They acknowledge that their armor, representing their strength and resilience, is finite and will eventually lead to an end. The metaphor of the book's pages expiring emphasizes the fleeting nature of everything in life. The lyrics suggest that nothing can last forever, highlighting the impermanence of all things.

The chorus talks about the singer's desire to offer their love, describing it as something elusive and unattainable by others. It is depicted as a light of freedom that guides their actions and choices. The mention of writing a script and adapting a universal error suggests that love is both an unpredictable experiment and a way to learn from mistakes.

Continuing in the second verse, the lyrics reflect on the passing of time and the aging process. The reference to bones rusting under the millennium sun implies a sense of weariness and mortality. The soul is seen as an excuse for singing and crying, emphasizing its role in expressing and experiencing emotions. Any pain or sorrow is depicted as something that will be left behind in a mere postcard, which even the digital world cannot preserve.

The chorus repeats, highlighting the inescapable and intangible nature of the singer's love. The following verse speaks to the sensation of the air escaping, possibly representing the passing of life or the feeling of letting go. The body is reaching its limits, and the lyrics describe this as just another story of fragility, implying a recognition of the human condition and vulnerability.

Overall, the lyrics of "Tiempo" delve into themes of transience, the search for meaning in a limited time frame, the unpredictable nature of love, and the fragility of human existence. The song invites introspection and contemplation on the value of time and the impermanence of all things.

Lyrics © O/B/O APRA AMCOS
Written by: Pablo Sciuto Silva

Lyrics Licensed & Provided by LyricFind

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