Emergency
Parallels and Lies Lyrics


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I know that look in her eye
The stare that says, "You'll remember me"
And it's just a reminder, her way to say
I'll never set you free

Another magical moment
Oh, oh
Just for the thrill of the chase
There's nothing to say that could save you
Ohho, aoh
Just for the thrill of the chase
'Cause nothing you say's gonna save you

Emergency, emergency
I need a kiss to remind me
A modern day, great tragedy
With all the lines written for me
Curse this chorus, curse this verse, I'm out

Emergency, emergency
I need a kiss to untie me

Don't even bother to trace this
Do you follow? Are you listening?
All of us guilty as sin
We're lawless, yeah, blamed for everything

So would you scream for your safety?
Oh, oh
Dropping yourself to your knees
Theres nothing to say that could save you
Ohho, aoh
Dropping yourself to your knees
Theres nothing to say that could save you

Emergency, emergency
I need a kiss to remind me
A modern day, great tragedy
With all the lines written for me
Curse this chorus, curse this verse, I'm out

Emergency, emergency
I need a kiss to untie me

Would you come back for me if I don't get out?
Soften the blows with that taste in your mouth?
I know it's bitter and I know it hurts
The sweetest tooth gets the just desserts

Just for the magical moment
Just for the view it portrays
Just for the magical moment
So would you scream to be safe?

Curse this chorus, curse this verse, I'm out
A modern day great tragedy
With all the lines written for me

Emergency, emergency
I need a kiss to remind me
A modern day, great tragedy
With all the lines written for me

Emergency, emergency
I need a kiss to remind me
A modern day, great tragedy

I need a kiss to untie me




Kiss to untie me, a kiss to untie me
I need a kiss to untie me

Overall Meaning

"Emergency" by Parallels and Lies is a song about a complicated relationship that is full of intense passion but also pain and tragedy. The singer describes the "look in her eye" that promises they will always be connected, and her way of reminding him that he will never truly be free. The relationship is driven by the "thrill of the chase" and both parties are willing to do anything for it, even if it means sacrificing everything else. The singer seems to be in a state of desperation, asking for a kiss to "remind" him of the intensity of the relationship, but also to "untie" him from it.


The song speaks to the idea that some relationships can become so all-encompassing and intense that they can start to resemble a catastrophe. The chorus repeatedly uses the word "emergency" to drive this point home, emphasizing that the singer feels like he is in a dangerous situation that he cannot escape from. The final verse asks the question of whether the other person would "come back" for the singer if he couldn't get out of the relationship, hinting at the idea that the relationship might be toxic.


Overall, "Emergency" is a powerful and emotional song that speaks to the complexities of love and relationships. It portrays love as something that can be both beautiful and painful, and that sometimes the line between the two can be hard to discern.


Line by Line Meaning

I know that look in her eye
I can recognize the expression on her face


The stare that says, "You'll remember me"
Her gaze conveys the message that I won't forget her


And it's just a reminder, her way to say
Her behavior serves as a prompt, her method of communicating


I'll never set you free
She won't release me from her grasp


Another magical moment
Another enchanting experience


Just for the thrill of the chase
Pursuing for the excitement alone


There's nothing to say that could save you
Nothing you say will rescue you


Emergency, emergency
Urgent situation


I need a kiss to remind me
I require a kiss as a recollection aid


A modern day, great tragedy
A catastrophic event of the current time


With all the lines written for me
All the dialogue is pre-scripted for me


Curse this chorus, curse this verse, I'm out
Frustration with the song's structure and quitting


Don't even bother to trace this
There's no point in attempting to follow this


Do you follow? Are you listening?
Are you able to comprehend and attentive?


All of us guilty as sin
We are all to blame


We're lawless, yeah, blamed for everything
We are without laws, and accused of everything


So would you scream for your safety?
Would you shout to protect yourself?


Dropping yourself to your knees
Falling to your knees


Emergency, emergency
Urgent situation


I need a kiss to untie me
I require a kiss to undo the ties that bind me


Would you come back for me if I don't get out?
If I become trapped, will you return for me?


Soften the blows with that taste in your mouth?
Can you make the pain more bearable with that sensation?


I know it's bitter and I know it hurts
I understand that it's unpleasant and painful


The sweetest tooth gets the just desserts
The person who indulges the most will receive the fairest punishment


Just for the view it portrays
Just for the sight it presents


So would you scream to be safe?
Would you shout to secure your safety?


I need a kiss to remind me
I require a kiss as a recollection aid


I need a kiss to untie me
I require a kiss to undo the ties that bind me


Kiss to untie me, a kiss to untie me
A kiss to undo the ties that bind me


Emergency, emergency
Urgent situation


I need a kiss to remind me
I require a kiss as a recollection aid


A modern day, great tragedy
A catastrophic event of the current time




Lyrics © WORDS & MUSIC A DIV OF BIG DEAL MUSIC LLC
Written by: BENJAMIN PAUL PIX, JARED DALE BROWN, LEATON JOHN ROSE, LUKE ANTHONY SZABO, PETER SCOTT M WOOD

Lyrics Licensed & Provided by LyricFind
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Comments from YouTube:

MAB Machine

One other quick trick for a single setup with parallels is to squirt a drop of heavy way oil on one side and that will cause the parallel to stick to the vice jaw. Also works great if you have a setup where you need to pull the parallel before an machining op.

Robert Oswalt

One of the great things about this forum is sharing tips like this. I have seen Robin Renzetti use the bands and Tom Lipton curl the banding to keep the parallels in place, but bending the straps into a Z is pure genius. I have to admit that I face-palmed myself for not having thought of that myself.

James Reed

I have used the pallet banding just as you demonstrated. I agree with you, it is the best solution available and the least expensive. I even tried using oil to hold the parallel to the jaw. It works, but it is messy. Good shop tip! KOKO!

Ellie Price

Over the years I’ve collected a lot of compression springs of different diameters and lengths. I keep them near the mill and can usually find one that works to hold the parallels apart.

Alexander Gräf

I like the rubber band solution. As a German, our houses are obviously all stuffed with Einmachgummis, so rubber bands are free for us basically.

Jim Pritz

Brilliant solution JT. A lot of times when you go to a suppliers warehouse they have barrels of used straps destined for scrap and they will gladly give you a lifetime supply.

M F C

Smart and economical, simple and does the job. Well done

hook73

That banding works great.
We also use pieces of old band saw blades when a heavier spring in desired. Break it down into whatever length, remove the teeth on the belt sander and bend it into water shape you need. I usually polish them up on the buffing wheel so they won’t scratch up the parallels.

Alan M

Steel strapping, my favorite. When I worked in a small steel fabrication shop I always had some in my toolbox. The steel comes with a coat of oil and when they are stacked they stick together. So I would take a piece of strap and sharpen the end and use it to lift one piece of steel so I could get my hand in and slide the steel on to the laser cut table. If I loose it, I just make a new one. I just called it a butter knife. Thanks for the short yet informative video. Always good to see you. 😃😃😃😃😃😃

devster52

Love this method. This has been my go to method for many many years. Picked this up in the first shop I worked in over forty years ago.

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