The bands’ debut release is described as The Fall meets Neil Young- which all makes sense on the band’s debut release, “American Specialties”. The quartet wanders through the American and British underground, picking away their favorite parts with confidence. The lyrics, when intelligible, are bizarre and dramatic. “She looked at me like a fry pan reducing,” moans Savage, from the same lustful subconscious built by the darker moments of psychedelia. Then at times, such as on the 70’s folkish “Square States”, thoughts are more sentimental and transparent. The setting for “American Specialties” ranges from a crusty Brooklyn bodega, to an endless Texas desert. If these sorts of soundscapes appeal to your mind, then you're sure to stumble upon Parquet Courts sooner or later.
Ducking & Dodging
Parquet Courts Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You've been ducking and dodging but you can't come home no more
That key you've got won't fit this lock no more
That key you've got won't fit this lock no more
You've been ducking, dodging but you can't come home no more
You've been ducking and dodging but you can't come home no more
That key you've got won't let you in my door
That key you've got won't let you in my door
My eyes have seen the glory and
The sound and image, synchronized
Right there on the silver screen
Heard the sounds suggesting
Lineage of influence, yeah
Saw it there in the motherland
Straps and cables, steeples, stairways
Wind away from origin
In a trampled vintage floats the proof
I cannot be freed
The concert stage, the velvet cage
The glass perimeter of me
All my friends are disappearing
All my letters are in codes
All I ever think and feel
In your shadow, any roads
Waiting, waiting by the silent phone
I draft my next apology
Burn my letters once they're read
Unalloyed joint, I thrice repeat
Unalloyed joint
Unalloyed joint
Listen to what I just heard
It's written on the sun, jailbird
And just like you
The way it moves
A thought that creeps in, grinning always
In your hair
And in your hallways
Got detained in San Francisco
On your way to get fresh air
The U.S.A. didn't want you there
Juggled oranges, but no one cared
You've been ducking, dodging but you can't come home no more
You've been ducking and dodging but you can't come home no more
That key you've got won't fit that lock no more
That key you've got won't fit that lock no more
You've been ducking and dodging but you can't come home no more
You've been ducking and dodging but you can't come home no more
That key you've got won't fit that lock no more
That key you've got won't fit that lock no more
You've been ducking and dodging but you can't come home no more
You've been ducking, dodging but you can't come home no more
That key you've got won't won't let you in that door
That key you've got won't fit that lock no more
Lady MacBeth, rock me mama
Like my back ain't got no bone
Like clicks heard on the telephone
Like a sudden unhinged moan
That leaks out from your broken structure
Like a wall of unbound stone
They buried the eighth
They buried the ninth
They said the finale was a formal reply
They buried the eighth
They buried the ninth
They said the finale was a formal reply
They buried the eighth
They buried the ninth
Buried everything, I'm telling you guy
Contest prizes, grand pianos
Gagged by comfort, shamed by words
Empty anthems, cloaked in strange for
Stripes and bars, is it yours?
Stripes and bars
Stripes and bars
Stripes and bars, and are you sure?
Stripes and bars will lock you in
Lock you in or camouflage you
Feel the sun, but cannot walk to
Hear the yelp, but cannot talk to
Triply[?] broken what you swore
Were stripes and bars
That's what they're for
You've been ducking, dodging but you can't come home no more
The Parquet Courts’ song Ducking & Dodging is a melancholic rendition of heartbreak and betrayal. The primary theme of the song revolves around the idea of one individual trying to avoid the other. The lyrics convey a deeply emotional message where the singer of the song has distanced herself from her partner and is no longer interested in her relationship with him. The use of repetitive sentences ‘You've been ducking and dodging but you can't come home no more, That key you've got won't let you in my door’ highlights that the singer no longer wishes to continue the relationship due to reasons that are unknown to the listener. This is further emphasized in the transition to the next verse where the lines ‘My eyes have seen the glory and the sound and image, synchronized, right there on the silver screen’. These lines are somewhat surreal, providing an aesthetically pleasing anticlimax that emphasizes the melancholy prevalent throughout the entire song.
The subsequent verses go deeper, providing some more context to the sentiment being conveyed by the singer. One particular line stands out here, ‘All my friends are disappearing, All my letters are in codes’ which suggests that not only the singer but also their friends find it difficult to engage with the individual or in general an isolation is happening. The song concludes with the focus shifting to the general notion of a person being locked up or held back in the prison of societal expectations, with the lines ‘Stripes and bars will lock you in, Lock you in or camouflage you. Feel the sun, but cannot walk to, Hear the yelp, but cannot talk to’. The overall melancholic tone of the song is enhanced by the sparse production and lo-fi sound quality which makes the song suffused with a sense of raw intimacy.
Line by Line Meaning
You've been ducking and dodging but you can't come home no more
You have been avoiding and evading, but you are no longer welcome back home.
That key you've got won't fit this lock no more
The key you possess will no longer allow you to enter my home.
My eyes have seen the glory and The sound and image, synchronized Right there on the silver screen
I have experienced great things through watching movies.
Heard the sounds suggesting Lineage of influence, yeah Saw it there in the motherland Straps and cables, steeples, stairways Wind away from origin In a trampled vintage floats the proof
The sounds in music suggest a lineage of influence that can be traced back to its origins, like a piece of vintage evidence floating amidst the chaotic and trampled strings and wires.
I cannot be freed The concert stage, the velvet cage The glass perimeter of me All my friends are disappearing All my letters are in codes All I ever think and feel In your shadow, any roads Waiting, waiting by the silent phone I draft my next apology Burn my letters once they're read Unalloyed joint, I thrice repeat Unalloyed joint Unalloyed joint
Despite performing on stage and being in the headlines, I am still trapped by constraints of society and feel like I cannot be free. My relationships and communication feel restricted and I am constantly apologizing. I find solace in repeating unalloyed joints three times.
Listen to what I just heard It's written on the sun, jailbird And just like you The way it moves A thought that creeps in, grinning always In your hair And in your hallways Got detained in San Francisco On your way to get fresh air The U.S.A. didn't want you there Juggled oranges, but no one cared
I heard something profound that was always there, even though I was detained in San Francisco and my attempts to entertain went unnoticed.
Lady MacBeth, rock me mama Like my back ain't got no bone Like clicks heard on the telephone Like a sudden unhinged moan That leaks out from your broken structure Like a wall of unbound stone
Please rock me like Lady MacBeth, so hard that it feels like my back has no spine. And let me hear those clicks on the phone and those moans from your broken structure, like a wall made of loose stones.
They buried the eighth They buried the ninth They said the finale was a formal reply They buried the eighth They buried the ninth Buried everything, I'm telling you guy Contest prizes, grand pianos Gagged by comfort, shamed by words Empty anthems, cloaked in strange for Stripes and bars, is it yours? Stripes and bars Stripes and bars Stripes and bars, and are you sure? Stripes and bars will lock you in Lock you in or camouflage you Feel the sun, but cannot walk to Hear the yelp, but cannot talk to Triply[?] broken what you swore Were stripes and bars That's what they're for
There was a significant burial of events in the past, yet they all collectively end with formal replies. All was buried and forgotten, including grand prizes, big instruments, and dull poetry. The stripes and bars may be yours, but be careful, as they may lock or disguise you and leave you with no power.
You've been ducking and dodging but you can't come home no more
You have been avoiding and evading, but you are no longer welcome back home.
That key you've got won't fit that lock no more
The key you possess will no longer allow you to enter my home.
You've been ducking and dodging but you can't come home no more You've been ducking and dodging but you can't come home no more That key you've got won't fit that lock no more That key you've got won't fit that lock no more You've been ducking and dodging but you can't come home no more You've been ducking, dodging but you can't come home no more That key you've got won't won't let you in that door That key you've got won't fit that lock no more
The chorus is repeated multiple times, emphasizing the theme that the subject is no longer welcome at home and cannot enter through the locked door, despite their attempts to evade this fate.
Lyrics © DOMINO PUBLISHING COMPANY, Universal Music Publishing Group
Written by: AUSTIN BROWN, ANDREW CHRISTOPHER SAVAGE, MAX SAVAGE, SEAN YEATON
Lyrics Licensed & Provided by LyricFind
chris
andrew savage is one of the best lyricists of the 2010s
Bas van de Looy
Can't play their instruments? Ha ha...any idea how tight these guys play? Amazing band. Great songs and a great grumpy, intelligent NY vibe.
arch_dornan
@sovercas Seriously, Austin's part seems so easy until you realise he does it for 6 minutes straight
Nico Crinkleburg
They have this amazing ability to sound loose and off the cuff, but they are absolutely one of the tightest bands I have ever seen live. Docking & Dodge in this live is played faster than the album version, and that’s why I keep coming back! 🤘🤘🤘
alan williams
sovercas I can't play any instrument but if I could there's no instrument in this that I could ever come near to being competent
Avey Tare
so fn tight.
sovercas
+Bas van de Looy people who suggest this have no idea how hard it is to play this song without it falling apart.
SwegLah
Simple songs doesn't necessarily mean "bad musicians" Its about how a song sounds as a whole. And this song sounds awesome.
mod podge honey
this makes me so anxious but i cant stop listening
MadLikeDog
the lyrics are stand alone and tight as a drum guitar work