1) Peach Pit … Read Full Bio ↴There are at least 2 bands sharing the name Peach Pit.
1) Peach Pit is an indie pop band from Vancouver, British Columbia, Canada. The band is led by singer and rhythm guitarist Neil Smith, lead guitarist Christopher Vanderkooy, bassist Peter Wilton, and drummer Mikey Pascuzzi. They describe their own music as "chewed bubblegum pop", whereas critics have described their sound as "sad pop and surf rock" and has a soft spoken vocal style with guitar driven rock melodies. The band's music videos are produced by videographer Lester Lyons-Hookham. The band have sported the same clothes for every live performance since buying them for their first music video shoot.
The group formed when high school friends, Neil Smith and Chris Vanderkooy, decided to collaborate on a musical project in 2014. Peter Wilton and Mikey Pascuzzi joined them on bass and drums. In June 2016, the band released its debut EP, Sweet FA, produced and recorded by Smith's former roommate Harley Small at The Space Studios in Vancouver BC. They quickly began work on their follow up release and debut LP, Being So Normal. The album was again recorded by Harley Small at The Space Studios and was released in September 2017 on the Vancouver indie label Kingfisher Bluez.
Vocalist/rhythm guitarist Neil Smith was formerly part of the folk band Dogwood and Dahlia. Smith and bassist Peter Wilton formerly worked as Amazon delivery drivers, guitarist Christopher Vanderkooy worked at a local Vancouver brewery, and drummer Mikey Pascuzzi worked as a carpenter. The band quit their jobs to go on their first tour of North America, Europe and Asia from 2017-2018. They have been touring steadily ever since the release of their debut album.
Peach Pit performed at Bonnaroo, Shaky Knees Music Festival, CBC Music Festival, and Capital Hill Block Party in 2019 and opened for Two Door Cinema Club in a tour of the U.S. and Canada in 2019. The band has mentioned in interviews and during shows that they have recorded a new album.
2) Peach Pit is a 4-piece math/post rock band from Croatia formed in 1994.
The idea of making a band was started by Bruno Vidović and Mihael Bele in 1994, and after few parties, name Peach Pit (after an odd restaurant in the 90210) emerged as a name for a band that would create noise rock on the heritage of Big Black, Killdozer, Scratch acid and others. Peach Pit's first lineup was formed in the autumn of 1994 and it consisted of Mihael Bele on guitar, Bruno Vidović on drums and Branko Beðtak on bass.
First concerts which promoted early materials that featured vocals were loud and genuinely violent and often featured stage acts such as firecrackers, feedback and stage diving, for which they were often discarded as juvenile and abrupted by sound engineers by pulling out of electricity or even police.
By 1996, Peach Pit turned completely instrumental under influence of new music from across the water, and also played a lot of shows, some of them with noted names such as Zeni Geva. In the spring of 1997, Franjo Gluðac (previously from Liquid Light, also instrumental) joined Peach Pit on the second guitar, and his coming also marked departure of Beðtak which left Peach Pit as a three-piece with Franjo and Mihael on guitars and basses and Bruno on drums. Along with that, first compilation appearances were made, and Peach Pit was now open to audiences outside of Zagreb and started making materials for the first release.
Tricky Slaughter Operation cd-r (burned in 100 copies) was issued in the spring of 1998 and featured Tomica Ðãavina of Brassneck on bass (who left after the album was recorded and a short tour) and also Beðtak's guest appearance on one song. It was recorded live during a six month period in Kozmo. During that period Mihael and Franjo were also the guitar part of the Lunar with which Peach Pit shared a practice room.
Next self-release was Autom csep, which was mostly recorded by overdubbing in Kozmo in summer of 1998 and was issued along with Christmas greeting card ep which was recorded later that year. It was followed by a short concert break which was used for making of a first official album, Suspicios Cargo which was recorded in june of 1999 and was issued nine months later on Ivica Barièeviã's Earwing records. Bara also became promotor for most of the Peach Pit's concerts during that period.
Finishing of Suspicious cargo also marked Bruno Motik being recruited on second guitar, which created current lineup that exists since 1999. His coming brought complexity to songwriting and a step toward exploring new techniques which became our trademark since then.
In the summer of 2000, material for a second album (Music for the Fruitcake Generation) was recorded but was lost. That period was marked with heavy concerting which, along with a album material failure brought some problems to the band after which Peach Pit decided to take a one year break in 2001 after which a short European tour in 2003, that featured five-piece with Branko Beðtak(again) on bass, and Bruno Motik on second drums and guitar, took place. Also, Peach Pit also named a genre for the music which they are playing, sport-rock.
Later, in 2004 some of the songs from the lost material were re-recorded in Kozmo using live recording technique directly to tape and are to be released on Interstellar records Supernova 2 compilation. Four new Sport Rock songs have been recorded (26mins) in january 2006 in Kozmo, and are awaiting mix.
Private Presley
Peach Pit Lyrics
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The folks could hear her howls
The cotton bed sheets blood, my son
One less, when its all done
Love me tender like what keeps you well
My voice is back home while I'm in hell
Who's the ol' slew foot who took you from me
The bus line, people shout
Reach out with my hand to these sidewalk crowds
All of these faces, you can't see, with me
Just wanna go home, my river winds breeze
Love me tender like what keeps you well
My voice is back home while I'm in hell
Who's the ol' slew foot who took you from me
Cried oh Private Presley, she swayed like the trees
The Memphis sun still shone
Tupelo's air still filled my lungs
Alone except my songs, you're gone
Just bring me with you love
Love me tender like what keeps you well
My voice is back home while I'm in hell
Who's the ol' slew foot who took you from me
Cried oh Private Presley, she sways like the trees
The song "Private Presley" by Peach Pit tells the story of a soldier who is away from home and missing his loved one. The soldier describes his living situation, being in a two-room shotgun house where his family can hear his partner's howls through the thin walls. The lyrics imply that his partner may be going through a painful experience, represented by the bloodstained cotton bedsheets. The soldier also expresses his longing for his partner's love and "home" while he is stuck in "hell".
The chorus, "Love me tender like what keeps you well, my voice is back home while I'm in hell, who's the ol' slew foot who took you from me, cried oh Private Presley, she swayed like the trees," shows the soldier's desperation for his partner's love and his frustration with the fact that he cannot be with her. He wonders who or what has taken his partner from him and compares her movements to the swaying of trees. It's unclear what role Elvis Presley (referred to in the song as Private Presley) plays in the story, but he is likely a symbol for the soldier's homesickness and longing for a simpler time.
Overall, "Private Presley" is a poignant and emotional song about love, loss, and the struggles of being away from home during wartime.
Line by Line Meaning
The two room shotgun house
Describing the small, simple house that the singer lived in
The folks could hear her howls
The neighbors could hear the singer's loved one mourning and crying
The cotton bed sheets blood, my son
The singer's son was born in that bed, and it was a difficult birth with complications
One less, when its all done
Despite the birth, there is one less person in the artist's life when it's all over
Love me tender like what keeps you well
The artist wants to be loved gently and tenderly, like something that keeps a person healthy
My voice is back home while I'm in hell
The singer's voice is heard back home through his music, while he is suffering in a dark place
Who's the ol' slew foot who took you from me
Asking who caused the singer to lose his loved one
Cried oh Private Presley, she swayed like the trees
The artist, Private Presley, cried for his lost love as she swayed like the trees in the wind
The bus line, people shout
The artist is riding a bus where people are shouting and it's chaotic
Reach out with my hand to these sidewalk crowds
The artist wants to connect with the people on the sidewalks outside the bus
All of these faces, you can’t see, with me
Despite being surrounded by people, the singer feels alone and disconnected
Just wanna go home, my river winds breeze
The artist longs to go home and feel the peaceful breeze from the river
The Memphis sun still shone
Despite everything, the sun still rises and sets in Memphis
Tupelo's air still filled my lungs
The singer remembers the air in his hometown of Tupelo, Mississippi
Alone except my songs, you're gone
The singer is alone except for his music, and his loved one is no longer with him
Just bring me with you love
The artist longs to be with his loved one, even in death
Cried oh Private Presley, she sways like the trees
Repeating the earlier line to emphasize the artist's grief and sense of loss
Lyrics © Sony/ATV Music Publishing LLC
Written by: Christopher Vanderkooy, Michael Pascuzzi, Neil Smith, Peter Wilton
Lyrics Licensed & Provided by LyricFind
@diarmuidmalanaphy8465
The two room shotgun house
The folks could hear her howls
The cotton bed sheets blood, my son
One less, when its all done
Love me tender like what keeps you well
My voice is back home while I'm in hell
Who's the ol' slew foot who took you from me
Cried oh Private Presley, she swayed like the trees
The bus line, people shout
Reach out with my hand to these sidewalk crowds
All of these faces, you can't see, with me
Just wanna go home, my river winds breeze
Love me tender like what keeps you well
My voice is back home while I'm in hell
Who's the ol' slew foot who took you from me
Cried oh Private Presley, she swayed like the trees
The Memphis sun still shone
Tupelo's air still filled my lungs
Alone except my songs, you're gone
Just bring me with you love
Love me tender like what keeps you well
My voice is back home while I'm in hell
Who's the ol' slew foot who took you from me
Cried oh Private Presley, she sways like the trees
@findme3775
the intro is something that would play at the ending of a really good movie
@ansleymartin5484
find me right?
@aamara18
that made me sad for some reason, wow
@apoorv-vu4pd
and the outro is something that would play throughout a really chaotic life that ended rather abruptly
@newt_is_cute
Good idea
@MrSelvykins
This whole song makes me feel like I'm IN a movie, too good.
@skyly5678
Listened to this for the first time on the train and was not prepared the feelings I felt
@niayordanova8555
Imogen Lee relatable af
@kiheikush5394
I felt that 💙
@zoieestell3608
was also not prepared 🤣🕊