We
Peggy Lee and The Benny Goodman Orchestra Lyrics
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But I know we'll meet again some sunny day
Keep smiling through just like you always do
Till the blue skies drive the dark clouds far away
And won't you please say "Hello" to the folks that I know
Tell them I won't be long
They'll be happy to know that as you saw me go
We'll meet again, don't know where, don't know when
But I know we'll meet again some sunny day
Peggy Lee's song "We'll Meet Again" is a classic from the World War II era that speaks to the hope of reuniting with loved ones after being separated by war. The lyrics evoke a sense of nostalgia and anticipation while also recognizing the uncertainty of what the future holds.
The repeated refrain of "We'll meet again, don't know where, don't know when, but I know we'll meet again some sunny day" emphasizes the optimism and determination of those waiting for their loved ones to return from war. Despite not knowing the specifics of when and where they will reunite, the singer is sure that they will meet again one day, even if it's on a sunny day in the future.
The lyrics also encourage resilience and optimism in the face of hardship. The line "Keep smiling through just like you always do, till the blue skies drive the dark clouds far away" suggests that even in dark times, it's important to hold onto hope and look for the silver lining. The song acknowledges that there may be clouds, but they will eventually be driven away by blue skies, and life will return to a happier, more stable state.
In conclusion, Peggy Lee's "We'll Meet Again" is a poignant wartime ballad that captures both the anticipation and uncertainty of waiting for loved ones to return from war. The song's message of resilience and hope in the face of hardship continues to resonate with listeners today.
Line by Line Meaning
We'll meet again, don't know where, don't know when
Although I'm uncertain when and where we'll meet, I'm confident that we will cross paths again.
But I know we'll meet again some sunny day
Despite the uncertainty, I believe we'll reunite on a bright and hopeful day.
Keep smiling through just like you always do
In the face of adversity, maintain your strength and positive outlook.
Till the blue skies drive the dark clouds far away
Continue to persevere until your struggles are surpassed by a brighter future.
And won't you please say "Hello" to the folks that I know
If you happen upon our mutual acquaintances, please pass along my greetings.
Tell them I won't be long
Reassure them that despite our separation, I'll be back soon.
They'll be happy to know that as you saw me go
Our loved ones will be pleased to learn that I was content and at peace when we parted ways.
I was singing this song
In my heart, I carry the memory and sentiment of this tune, which will serve as a reminder of our someday reunion.
Lyrics © MUSIC SALES CORPORATION, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: Hughie Charles, Ross Parker
Lyrics Licensed & Provided by LyricFind
@kweejibodali3078
@SteveBowen that is fascinating and well put ; he is leaning so close to her that it can look like like either leering or cadging or grabbing limelight
But I can believe it that he was just so into the music
And was always studying others and therefore improving himself
And no one better than Peggy how she holds the attention
I really am here for her
❤
@miltonmoore8369
HOLY MOSES!
I AM 77 YEARS OLD, AND THIS WAS RECORDED THREE YEARS BEFORE I WAS BORN! SO THIS RECORDING IS 80 FREAKING YEARS OLD!😬😳😟
BORN NORMA DOLORES EGSTROM, THE SEVENTH OF EIGHT CHILDREN, IN 1920, OF SCANDINAVIAN IMMIGRANT PARENTS, IN THE TINY TOWN OF JAMESTOWN, NORTH DAKOTA, SHE MADE HER FIRST RECORDING IN 1941. SHE DIED AGED 81 IN 2002 FROM COMPLICATIONS OF DIABETES AND A HEART ATTACK.
WED FOUR TIMES,
SHE RECORDED OVER 1,100 MASTERS, AND WROTE 240 SONGS,
THE MOST WELL KNOWN BEING THE
LITTLE DITTY: "WE ARE SIAMESE IF YOU PLEASE" FOR THE WALT DISNEY
CLASSIC CARTOON FEATURE, "THE LADY AND THE TRAMP."
TRULY ONE OF THE BRIGHTEST LIGHTS AND MOST RESPECTED PERSONAGES IN THE HISTORY OF RECORDED MUSIC.
🌠Milton Moore🌠
@coppingtonfarnham7731
I went from 1943, listening to this recently..... to 2022 at a local gas station, where a car stereo was blasting what's not even sung, but popular/horrible now. Like my dad used to say, "I know all the words, but I don't use them."
Imagine what words they'd insert in this nowadays:
You had plenty money, 1922
You let other women make a fool of you
Why don't you do right, like some other men do?
Get out of here and get me some money too
You're sittin' down and wonderin' what it's all about
You ain't got no money, they will put you out
Why don't you do right, like some other men do?
Get out of here and get me some money too
If you had prepared twenty years ago
You wouldn't be a-wanderin' now from door to door
Why don't you do right, like some other men do?
Get out of here and get me some money too
I fell for your jivin' and I took you in
Now all you got to offer me's a drink of gin
Why don't you do right, like some other men do?
Get out of here and get me some money too
Why don't you do right, like some other men do?
Like some other men do
@ClassyOldMusic
Thanks for introducing me to that Dave Barbour version. But It seemed like Peggy was getting as bored and sleepy as I was while struggling to get through it. You could see it, Especially in the shots where she's looking over toward Dave, looking like she couldn't wait for him to finish his anemic, lack-of-creative-spark solo bit. I always felt that music after '49 really began to go down the toilet.
By the way, before I forget, The camera work in this film was just above High School kid, amateur, and they mostly focused above her waist, or breast... and it seemed they only had limited movement or positioning of their equpment, or maybe because there wasn't anything worth filming... in fact, there was hardly any movement from Anybody! NO One Even Cracked a Smile, except for Peggy. Maybe because she knew she was getting paid for it anyway. There was no "Swing" or Life to any of this number at all. It's was more like some Bohemian bar scene than a Live Performance.
Look at this "Benny" number, Benny, Peggy, the Band, and the Audience are Swingin' Happy Cats! Any person with Any Life and/or Rhythm is going to have Fun with Benny's number... JUST Look at Benny! He IS the Quintessential Band Leader, Leading the whole Swinging Mess!
Maybe that's why Benny Goodman is known as The KING OF SWING! And, You can see in Peggy's body language and hear it in her voice, that she agrees and is adoring her Fun with Him too.
On a List of Top Ten Big Bands of All Time, where Votes came from Real Swing Loving, Band Knowing, People, Consistently, between the Top 2 Bands, The Benny Goodman Orchestra was #2 after Glenn Miller #1. Consistently.
The Dave Barbour Band isn't on Any List, about Anything, Anywhere.
Look at Dave in the Barbour version, jeeeze! he's not having any fun neither, and his sleepy one note picked off the simple scale guitar playing and solos are tired, droopy, weak, like he's annoyed with the whole project. That huge oversized guitar was way too much guitar for the work he was doing. Way, waaayyy too much tool for the simple job.
Everybody around him looks Grumpy! The Piano Player seemed like the only one with life in him but I felt like he was holding back from what he really wanted to paste onto them 88's. Peggy looks like she's just remembering she forgot to feed the dog before she left the house.
The Benny version, when played off my 78 RPM's lights up the room and the people in it, and makes 'em smile and laugh and say things like "they don't play 'em like that anymore"... I can play it over and over on my 1959 Telefunken Verdi Phonograph/Radio console (awesomely made in W. Germany) forever and people get a Kick out of it...
If I wanted to impress anybody with an old 78 RPM record, and try to Promote the Music of the Golden Era, (like I do!) and to keep it from dying, "Hands Down"! I'd play the Benny version, and No Way At All, for Any reason would I play that boring, Golden Era Killing, Dave Barbour lullabye.
"Get outta here, Give me some money too"
@cant144
"I knew I couldn't sing over them, so I decided to sing under them. The more noise they made the more softly I sang. When they discovered they couldn't hear me, they began to look at me. Then they began to listen. As I sang, I kept thinking, 'softly with feeling.' The noise dropped to a hum; the hum gave way to silence. I had learned how to reach and hold my audience -- softly, with feeling."Peggy Lee
@ruthiebelle1
A really smart girl to figure that out.
@upthedownescalator630
That's better than Hedy Lamarr who found out that "All a girl has to do to be glamours is just stand still and look stupid."
@williamheyman5439
And it was hard for her to look stupid, as she was a co-inventor of spread-spectrum radio, had a patent, and several inventions.
@RobCummings
Prettiest smack-down I ever saw.
@richardbenitez7803
Notice the super soft glance at here and there as if she singing just for you.... very brilliant. Perfect song forever
@kirkpatticalma7911
It almost shocks your ears to hear such a voice. So natural, so organic, and seemingly effortless.
@robertkemp8717
I know. I’ve already watched on repeat about six times. Breathtaking.
@gwynnielsen5081
If I had a choice, I would've been a singer in their era rather than ours. These people had such class.
@MJLeger-yj1ww
Peggy was only about 22 years of age here, and already a solid pro! One of my favorite female singers for all time.