Post-modern ironists cloaked behind a veil of buoyantly melodic and lushly romantic synth pop confections, Pet Shop Boys offer wry yet strangely affecting cultural commentary communicated by the Morse code of synth washes and drum machine rhythms. After first emerging in the mid-'80s with "West End Girls" and "Opportunities (Let's Make Lots of Money)," Neil Tennant and Chris Lowe quickly established themselves as hitmaking singles artists who were also able to craft emotionally resonant albums, like 1988's Introspective and 1990's Behaviour. The duo navigated the constantly shifting landscape of modern dance-pop with grace and intelligence, moving easily from disco to house music to thoughtful synth pop without losing their distinctive style in the process. Continuing to evolve artistically, Pet Shop Boys incorporated Latin music on 1996's Bilingual, expanded into theater and ballet, and morphed into elder statesmen of electronic pop, still able to release interesting albums after more than 30 years, as evidenced by highlights like 2016's Super and 2020's Hotspot.
Pet Shop Boys formed in London in August 1981, when vocalist Tennant (a former editor at Marvel Comics who later gained recognition as a journalist for Smash Hits magazine) first met keyboardist Lowe (a onetime architecture student) at an electronics shop. Discovering a shared passion for dance music and synthesizers, they immediately decided to start a band. After dubbing themselves Pet Shop Boys in honor of friends who worked in such an establishment -- while also obliquely nodding to the sort of names prevalent among the New York City hip-hop culture of the early '80s -- the duo's career first took flight in 1983, when Tennant met producer Bobby "O" Orlando while on a writing assignment. Orlando produced their first single, 1984's "West End Girls." The song was a minor hit in the U.S. but went nowhere in Britain, and its follow-up, "One More Chance," was also unsuccessful.
Upon signing to EMI, Pet Shop Boys issued 1985's biting "Opportunities (Let's Make Lots of Money)." When it too failed to attract attention, the duo's future appeared grim, but Tennant and Lowe then released an evocative new Stephen Hague production of "West End Girls," which became an international chart-topper. Its massive success propelled Pet Shop Boys' 1986 debut LP, Please, into the Top Ten, and when "Opportunities" was subsequently reissued, it too became a hit. Disco, a collection of dance remixes, was quickly rushed into stores, and in 1987 the duo resurfaced with the superb Actually, which launched two more Top Ten smashes -- "It's a Sin" and "What Have I Done to Deserve This?," a duet between Tennant and the great Dusty Springfield. Later that year, "Always on My Mind," a lovely cover of the perennial Elvis Presley standard, reached number one in several countries and the Top Ten in the U.S. A documentary film titled It Couldn't Happen Here was released one year later.
In October 1988, Pet Shop Boys issued their third studio LP, the eclectic Introspective. "Domino Dancing" and "Left to My Own Devices" both reached the Top Ten in Great Britain. The following year, Pet Shop Boys collaborated with a variety of performers, most notably Liza Minnelli, for whom they produced the 1989 LP Results. They also produced material for Springfield, and Tennant joined New Order frontman Bernard Sumner and ex-Smiths guitarist Johnny Marr in the group Electronic, scoring a hit with the single "Getting Away with It." Tennant and Lowe reconvened in 1990 for the muted, downcast Behavior, produced by Harold Faltermeyer. Their hit medley of U2's "Where the Streets Have No Name" and Frankie Valli's "Can't Take My Eyes Off You" was released in 1991, and was followed in 1993 by Very, lauded as one of the duo's finest efforts.
After a three-year absence, Pet Shop Boys resurfaced with Bilingual, a fluid expansion into Latin rhythms. Nightlife followed in 1999 and sparked the dance club hit "New York City Boy," whose success allowed the group to tour the U.S. for the first time in eight years. While on tour, the pair also collaborated with playwright Jonathan Harvey on a musical surrounding gay life and societal criticisms, which the three had been planning since 1997. Closer to Heaven made its West End debut in 2001 and had a successful run for most of the year; Pet Shop Boys' score of the original cast recording was also a hit in the U.K. They still had time to make a record for themselves, too: In April 2002, Tennant and Lowe issued Release and Disco 3 was compiled for release the following year.
Pet Shop Boys continued releasing material throughout the decade's latter half. In 2005, they put together a volume of the Back to Mine series and released their music designed to accompany the 1925 silent film Battleship Potemkin, a soundtrack they'd performed a year earlier at a free concert/screening in Trafalgar Square. A year later, they issued Fundamental, a mature, sometimes political album produced by Trevor Horn. The live album Concrete: In Concert at the Mermaid Theatre appeared at the end of the year, and Yes -- a collaborative effort with the production crew Xenomania -- marked the band's tenth studio effort in March 2009. While playing shows in support of that album, Pet Shop Boys also released a hits compilation, Party, to coincide with the Brazilian leg of their tour. In 2010, the tour was documented on the CD/DVD release Pandemonium, and another greatest-hits compilation, Ultimate, arrived.
Their 2011 effort, The Most Incredible Thing, was a two-disc ballet score composed for the Sadler's Wells Theatre in London, while 2012's Format rounded up the duo's B-sides and bonus tracks from the years 1996-2009. Also in 2012, Pet Shop Boys released the sports-themed single "Winner" and performed the track at the 2012 Olympics Summer Games, held that year in their hometown of London. The track landed on that year's album Elysium, which was produced by Kanye West affiliate Andrew Dawson. Stuart Price (Madonna, Seal, Kylie Minogue) was the producer of 2013's Electric, an album that featured no ballads, just dance tracks.
In May 2014, the duo announced more original music, this time with a concert piece scheduled for a July date at Royal Albert Hall commemorating British code breaker Alan Turing and including the BBC Concert Orchestra. Price returned as producer of 2016's Super, the second album in a row where Pet Shop Boys were "electronic purists," meaning no guitars, no orchestral support, and no organic instruments. The following year saw the band issue the Undertow EP, which featured two remixes of Super's "Undertow," a remix of "Burn," and a new version of "Left to My Own Devices," produced by Stuart Price. They were also awarded the Godlike Genius Award by NME.
The duo issued the Agenda EP in early 2019, and the live album CD/DVD/Blu-ray release Inner Sanctum appeared in April; it was recorded during Pet Shop Boys' four-day residency in July 2018 at the Royal Opera House in London. Later in the year, they started issuing songs from their next long-player, including "Dreamland," a collaboration with Years & Years, and "Burning the Heather," which featured Suede's Bernard Butler on guitar. The album, titled Hotspot, arrived in January 2020 and was their third LP to be produced by Price. Discovery (Live in Rio), a concert originally issued on video in 1995, was issued on DVD and CD for the first time in 2021. The duo also released a nearly ten-minute classical-inspired single titled "Cricket Wife."
In May 2022 Pet Shop and British pop duo Soft Cell released the album *Happiness Not Included - Soft Cell first studio album in nearly two decades. The colab included the song “Purple Zone”, blending the best of both Soft Cell and Pet Shop Boys, layering a dazzling synth riff and dance floor-ready beat with anthemic vocals. Appropriately for the pandemics, the track laments feeling stuck in the monotony of everyday mundanities: “Let’s get out of this life/ I’m afraid and alone,” goes the chorus. Paralyzed in the purple zone.”
Their much-anticipated “Unity Tour” of North America alongside New Order, rescheduled twice following pandemics delays, kicked off in Fall 2022 and included several venues in Canada and the United States, featuring Paul Oakenfold as special guest DJ.
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West End Girls
Pet Shop Boys Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
There's a gun in your hand it's pointing at your head
You think you're mad, too unstable
Kicking in chairs and knocking down tables
In a restaurant in a West End town
Call the police, there's a mad man around
Running down underground
To a dive bar in a West End town
In a West End town, a dead end world
The East End boys and West End girls
In a West End town, a dead end world
The East End boys and West End girls
West End girls
Too many shadows, whispering voices
Faces on posters, too many choices
If, when, why, what? How much have you got?
Have you got it, do you get it
If so, how often?
Which do you choose
A hard or soft option?
(How much do you need?)
In a West End town, a dead end world
The East End boys and West End girls
In a West End town, a dead end world
The East End boys and West End girls
West End girls
West End girls
(How much do you need?)
In a West End town, a dead end world
The East End boys and West End girls
Ooh, West End town, a dead end world
East End boys, West End girls
West End girls
You got a heart of glass or a heart of stone
Just you wait 'til I get you home
We've got no future
We've got no past
Here today, built to last
In every city, in every nation
From Lake Geneva to the Finland station
(How far have you been?)
In a West End town, a dead end world
The East End boys and West End girls
A West End town, a dead end world
East End boys, West End girls
West End girls
West End girls
West End girls
(How far have you been?)
Girls
The song "West End Girls" by Pet Shop Boys is a portrayal of the dichotomy between the East End and West End of London, which represent the disparities within British society. The lyrics talk about someone who is struggling with mental instability, which brings him to a West End town where he seeks refuge in a dive bar. The song seems to comment on the issues of social and economic inequality in modern, urban life.
The singer of the song describes the crowded and confusing world of the West End, where people are surrounded by too many choices and different personalities. The phrase "East End boys and West End girls" suggests a cultural and societal divide between different groups, which are determined by their geographical location in London. The lyrics "You got a heart of glass or a heart of stone / Just you wait 'til I get you home" talks about the complexity of human nature and the unpredictability of others.
Line by Line Meaning
Sometimes you're better off dead
At times, it might be better for you to be deceased
There's a gun in your hand it's pointing at your head
You have a firearm in your possession and it is directed towards your head
You think you're mad, too unstable
You believe you are insane, overly unpredictable
Kicking in chairs and knocking down tables
You are kicking chairs and toppling tables
In a restaurant in a West End town
You are currently in a dining establishment situated in the West End district of a city
Call the police, there's a mad man around
Alert the authorities, there is an unhinged individual present
Running down underground
Moving swiftly below surface level
To a dive bar in a West End town
Heading to a seedy watering hole located in the West End area
In a West End town, a dead end world
Within the confines of a city's West End region lies a bleak and unfulfilling existence
The East End boys and West End girls
Individuals from both the East and West End sections of the city
Too many shadows, whispering voices
Numerous mysterious figures and muttering sounds surround you
Faces on posters, too many choices
Countless images are depicted on advertisements, providing an abundance of options
If, when, why, what? How much have you got?
You are faced with numerous questions regarding timing, reasoning, and possessions
Have you got it, do you get it
Do you have or understand what is required?
If so, how often?
If you are in possession of or able to comprehend it, how often can you obtain or utilize it?
Which do you choose
Which option will you select?
A hard or soft option?
Will you choose a difficult or easy course of action?
(How much do you need?)
(How much will be sufficient?)
You got a heart of glass or a heart of stone
Is your emotional state fragile or hardened?
Just you wait 'til I get you home
Be patient, as you will only understand fully when you reach your dwelling
We've got no future
Our future prospects are nonexistent
We've got no past
Our prior experiences carry no significance
Here today, built to last
We exist in the present moment, designed to endure
In every city, in every nation
In each and every city, countrywide
From Lake Geneva to the Finland station
From the Swiss lake to the Finnish railway station
(How far have you been?)
(What distance have you travelled?)
Girls
Young females
Lyrics © Kobalt Music Publishing Ltd.
Written by: Neil Tennant, Christopher Lowe
Lyrics Licensed & Provided by LyricFind
@kendrickjahn1261
I'm not sure why, but I always feel like 80's music represents a more futuristic world than the world turned out to be.
@naturallaw1733
it's hard to notice it when you are actually living it. 😉
@aditisk99
So true
@joey2789
@@m4lmg-playmaker154 1984, check your sources kiddo
@0_live973
I love that concept
@m4lmg-playmaker154
@@joey2789 jeez chill boy
@valentina-fp5ik
If you’re reading this, you have the best music taste ever.
@nobu1268
thanks
@bathroomshy
thanks
@karskin1057
Thanks Sugar