Pete Seeger (May 3, 1919 - January 27, 2014) was an American folk singer, p… Read Full Bio ↴Pete Seeger (May 3, 1919 - January 27, 2014) was an American folk singer, political activist and author, and a key figure in the mid-20th century American folk music revival. He is particularly loved as the author (or co-author) of the songs Where Have All the Flowers Gone, If I Had a Hammer, and Turn, Turn, Turn. One of his brothers is Mike Seeger; Peggy Seeger is his half-sister.
As a member of The Weavers, Seeger had a string of hits, including a 1949 recording of Leadbelly's "Goodnight Irene" that topped the charts for 13 weeks in 1950. He was formerly a member of the Communist Party of the United States of America and was a major contributor to folk and protest music in the 1950s and the 1960s.
Perhaps best known today as the author or co-author of the songs Where Have All the Flowers Gone, If I Had a Hammer, and Turn, Turn, Turn, songs that have been recorded by many artists both in and outside the folk revival movement and which are still sung all over the world. Flowers was a hit recording for The Kingston Trio (1962), Marlene Dietrich, who recorded it in English, German and French (1962), and Johnny Rivers (1965). "If I Had a Hammer" was a hit for Peter, Paul & Mary (1962) and Trini Lopez (1963), while The Byrds popularized "Turn, Turn, Turn" in the mid-1960s.
Early work
Seeger dropped out of Harvard (where he had been studying journalism) in 1939, and he took a job in Washington, D.C. at the Archive of American Folk Song in the Library of Congress. In that capacity, he met and was influenced by many important musicians such as Woody Guthrie and Leadbelly. He met Woody at a "Grapes of Wrath" migrant workers concert on March 3, 1940 and the two thereafter began a musical collaboration.
In 1948, Seeger wrote the first version of his now-classic How to Play the Five-String Banjo, a book that many banjo players credit with starting them off on the instrument. He went on to invent the Long Neck or Seeger banjo. This instrument is three frets longer than a typical banjo, and slightly longer than a bass guitar at 25 Frets, and is tuned a minor third lower than the normal 5-string banjo.
As a self-described "split tenor" (between an alto and a tenor), he was a founding member of the folk groups the Almanac Singers with Woody Guthrie and the Weavers with Lee Hays, Ronnie Gilbert and Fred Hellerman. The Weavers had major hits in the early 1950s, before being blacklisted in the McCarthy Era.
On August 18, 1955, Pete was subpoenaed to testify before the House Un-American Activities Committee (HUAC) where he refused to name personal and political associations stating it would violate his First Amendment rights... "I am not going to answer any questions as to my association, my philosophical or religious beliefs or my political beliefs, or how I voted in any election, or any of these private affairs. I think these are very improper questions for any American to be asked, especially under such compulsion as this." Seeger's refusal to testify led to a March 26, 1957 indictment for contempt of Congress; for some years, he had to keep the federal government apprised of where he was going any time he left the Southern District of New York. He was convicted in a jury trial in March 1961, and sentenced to a year in jail, but in May 1962 an appeals court ruled the indictment to be flawed and overturned his conviction.
Seeger started a solo career in 1958, and is known for songs such as "Where Have All the Flowers Gone?," "If I Had a Hammer" (co-written with Lee Hays), "Turn, Turn, Turn," adapted from the Book of Ecclesiastes, and "We Shall Overcome" (based on a spiritual and later became the unofficial anthem for the civil rights movement). Seeger became influential in the 1960s folk revival centered in Greenwich Village. He helped found Broadside Magazine and Sing Out!. He was strongly associated with Moses Asch and Folkways Records. To describe the new crop of folk singers, many of whom were politically minded in their songs, he coined the phrase "Woody's children", alluding to his former bandmate Woody Guthrie, who by this time had become a legendary figure. He has often sung and is associated with the song "Joe Hill".
In the mid-sixties he hosted a regional folk music TV show called Rainbow Quest which featured folk musicians playing traditional folk music. Among his guests were Johnny Cash, June Carter, Mississippi John Hurt, Buffy Sainte-Marie, Roscoe Holcomb, The Stanley Brothers, Doc Watson, Tom Paxton, Judy Collins, Richard Fariña and Mimi Fariña, and many others. Thirty-eight hour-long programs were recorded at new UHF station WNJU's Newark studios in 1965 and 1966, produced by Seeger and his wife Toshi with Sholom Rubinstein.
An early advocate of Bob Dylan, Seeger was supposedly incensed over the distorted electric sound Dylan brought into the 1965 Newport Folk Festival, especially with the inability to clearly hear the lyrics. There are many conflicting versions of exactly what ensued, some claiming that he actually tried to disconnect the equipment. He is often cited as one of the main opponents to Dylan at Newport 1965, but claimed in 2005:
"There are reports of me being anti-him going electric at the '65 Newport Folk festival, but that's wrong. I was the MC that night. He was singing 'Maggie's Farm' and you couldn't understand a word because the mic was distorting his voice. I ran to the mixing desk and said, 'Fix the sound, it's terrible!' The guy said 'No, that's how they want it.' And I did say that if I had an axe I'd cut the cable! But I wanted to hear the words. I didn't mind him going electric.
Later work
Seeger achieved some notoriety in 1967 and 1968 for his song "Waist Deep in the Big Muddy", about a captain—a "big fool"—who drowned while leading a platoon on maneuvers in Louisiana during World War II. Seeger performed the song on the Smothers Brothers Comedy Hour after some arguments with CBS about whether the song's lyrics were objectionable. Although the song was cut from the Smothers Brothers show in September 1967, Seeger returned in January 1968 and sang the entire song. It was clearly an allegory about the U.S. under the leadership of Lyndon Johnson which was in over its head in the Vietnam War.
Another slight against Lyndon Johnson can be heard in his singing of Len Chandler's seemingly juvenile song, "Beans in My Ears" from his 1966 album Dangerous Songs!? in which he accuses "Mrs. Jay's little son Alby" (Alby Jay is meant to sound like LBJ) of having beans in his ears, or of not listening to the people.
In 1998 a double-CD tribute album was released - "Where Have All the Flowers Gone: the Songs of Pete Seeger". It contained contributions from Bonnie Raitt, Jackson Browne, Ani DiFranco, Billy Bragg, Eliza Carthy, Bruce Springsteen, Roger McGuinn, Judy Collins, Indigo Girls, Dick Gaughan, Martin Simpson, Odetta and others.
Pete Seeger still performed occasionally in public until his death, and for a number of years appeared at the National Storytelling Festival in Jonesborough Tennessee to tell stories, mostly children's stories such as Abiyoyo. He performed at MerleFest April 27-30, 2006 in Wilkesboro, NC.
On March 16, 2007, the 88-year old Pete Seeger performed with his siblings Mike Seeger and Peggy Seeger, and other Seeger family members at the Library of Congress in Washington, D.C., where he had been employed as a folk song archivist 67 years earlier.
In April 2006, Bruce Springsteen released a collection of songs associated with Seeger or in Seeger's folk tradition, We Shall Overcome: The Seeger Sessions. Bruce Springsteen performed a series of concerts based on those sessions, to sellout crowds. Springsteen had previously recorded one Seeger favorite, "We Shall Overcome," on the 1998 "Where Have All the Flowers Gone" tribute album.
Seeger lived in the hamlet of Dutchess Junction in the Town of Fishkill, NY and remained very politically active in the Hudson Valley Region of New York, especially in the near-by City of Beacon, NY. He and Toshi purchased their land in 1949, and lived there first in a trailer, then in a log cabin they built themselves, and eventually in a larger house. Seeger joined the Community Church (a church practicing Unitarian Universalism), is considered a famous Unitarian Universalist, and often performed at functions for the Unitarian Universalist Association.
Seeger died in 2014 of natural causes.
Awards
Seeger has been the recipient of many awards and recognitions throughout his career, including:
A Grammy Lifetime Achievement Award (1993)
The National Medal of Arts from the National Endowment for the Arts (1994)
Kennedy Center Lifetime Achievement Honor (1994)
The Harvard Arts Medal (1996)
Induction into the Rock and Roll Hall of Fame (1996)
Grammy Award for Best Traditional Folk Album of 1996 for his record "Pete" (1997)
As a member of The Weavers, Seeger had a string of hits, including a 1949 recording of Leadbelly's "Goodnight Irene" that topped the charts for 13 weeks in 1950. He was formerly a member of the Communist Party of the United States of America and was a major contributor to folk and protest music in the 1950s and the 1960s.
Perhaps best known today as the author or co-author of the songs Where Have All the Flowers Gone, If I Had a Hammer, and Turn, Turn, Turn, songs that have been recorded by many artists both in and outside the folk revival movement and which are still sung all over the world. Flowers was a hit recording for The Kingston Trio (1962), Marlene Dietrich, who recorded it in English, German and French (1962), and Johnny Rivers (1965). "If I Had a Hammer" was a hit for Peter, Paul & Mary (1962) and Trini Lopez (1963), while The Byrds popularized "Turn, Turn, Turn" in the mid-1960s.
Early work
Seeger dropped out of Harvard (where he had been studying journalism) in 1939, and he took a job in Washington, D.C. at the Archive of American Folk Song in the Library of Congress. In that capacity, he met and was influenced by many important musicians such as Woody Guthrie and Leadbelly. He met Woody at a "Grapes of Wrath" migrant workers concert on March 3, 1940 and the two thereafter began a musical collaboration.
In 1948, Seeger wrote the first version of his now-classic How to Play the Five-String Banjo, a book that many banjo players credit with starting them off on the instrument. He went on to invent the Long Neck or Seeger banjo. This instrument is three frets longer than a typical banjo, and slightly longer than a bass guitar at 25 Frets, and is tuned a minor third lower than the normal 5-string banjo.
As a self-described "split tenor" (between an alto and a tenor), he was a founding member of the folk groups the Almanac Singers with Woody Guthrie and the Weavers with Lee Hays, Ronnie Gilbert and Fred Hellerman. The Weavers had major hits in the early 1950s, before being blacklisted in the McCarthy Era.
On August 18, 1955, Pete was subpoenaed to testify before the House Un-American Activities Committee (HUAC) where he refused to name personal and political associations stating it would violate his First Amendment rights... "I am not going to answer any questions as to my association, my philosophical or religious beliefs or my political beliefs, or how I voted in any election, or any of these private affairs. I think these are very improper questions for any American to be asked, especially under such compulsion as this." Seeger's refusal to testify led to a March 26, 1957 indictment for contempt of Congress; for some years, he had to keep the federal government apprised of where he was going any time he left the Southern District of New York. He was convicted in a jury trial in March 1961, and sentenced to a year in jail, but in May 1962 an appeals court ruled the indictment to be flawed and overturned his conviction.
Seeger started a solo career in 1958, and is known for songs such as "Where Have All the Flowers Gone?," "If I Had a Hammer" (co-written with Lee Hays), "Turn, Turn, Turn," adapted from the Book of Ecclesiastes, and "We Shall Overcome" (based on a spiritual and later became the unofficial anthem for the civil rights movement). Seeger became influential in the 1960s folk revival centered in Greenwich Village. He helped found Broadside Magazine and Sing Out!. He was strongly associated with Moses Asch and Folkways Records. To describe the new crop of folk singers, many of whom were politically minded in their songs, he coined the phrase "Woody's children", alluding to his former bandmate Woody Guthrie, who by this time had become a legendary figure. He has often sung and is associated with the song "Joe Hill".
In the mid-sixties he hosted a regional folk music TV show called Rainbow Quest which featured folk musicians playing traditional folk music. Among his guests were Johnny Cash, June Carter, Mississippi John Hurt, Buffy Sainte-Marie, Roscoe Holcomb, The Stanley Brothers, Doc Watson, Tom Paxton, Judy Collins, Richard Fariña and Mimi Fariña, and many others. Thirty-eight hour-long programs were recorded at new UHF station WNJU's Newark studios in 1965 and 1966, produced by Seeger and his wife Toshi with Sholom Rubinstein.
An early advocate of Bob Dylan, Seeger was supposedly incensed over the distorted electric sound Dylan brought into the 1965 Newport Folk Festival, especially with the inability to clearly hear the lyrics. There are many conflicting versions of exactly what ensued, some claiming that he actually tried to disconnect the equipment. He is often cited as one of the main opponents to Dylan at Newport 1965, but claimed in 2005:
"There are reports of me being anti-him going electric at the '65 Newport Folk festival, but that's wrong. I was the MC that night. He was singing 'Maggie's Farm' and you couldn't understand a word because the mic was distorting his voice. I ran to the mixing desk and said, 'Fix the sound, it's terrible!' The guy said 'No, that's how they want it.' And I did say that if I had an axe I'd cut the cable! But I wanted to hear the words. I didn't mind him going electric.
Later work
Seeger achieved some notoriety in 1967 and 1968 for his song "Waist Deep in the Big Muddy", about a captain—a "big fool"—who drowned while leading a platoon on maneuvers in Louisiana during World War II. Seeger performed the song on the Smothers Brothers Comedy Hour after some arguments with CBS about whether the song's lyrics were objectionable. Although the song was cut from the Smothers Brothers show in September 1967, Seeger returned in January 1968 and sang the entire song. It was clearly an allegory about the U.S. under the leadership of Lyndon Johnson which was in over its head in the Vietnam War.
Another slight against Lyndon Johnson can be heard in his singing of Len Chandler's seemingly juvenile song, "Beans in My Ears" from his 1966 album Dangerous Songs!? in which he accuses "Mrs. Jay's little son Alby" (Alby Jay is meant to sound like LBJ) of having beans in his ears, or of not listening to the people.
In 1998 a double-CD tribute album was released - "Where Have All the Flowers Gone: the Songs of Pete Seeger". It contained contributions from Bonnie Raitt, Jackson Browne, Ani DiFranco, Billy Bragg, Eliza Carthy, Bruce Springsteen, Roger McGuinn, Judy Collins, Indigo Girls, Dick Gaughan, Martin Simpson, Odetta and others.
Pete Seeger still performed occasionally in public until his death, and for a number of years appeared at the National Storytelling Festival in Jonesborough Tennessee to tell stories, mostly children's stories such as Abiyoyo. He performed at MerleFest April 27-30, 2006 in Wilkesboro, NC.
On March 16, 2007, the 88-year old Pete Seeger performed with his siblings Mike Seeger and Peggy Seeger, and other Seeger family members at the Library of Congress in Washington, D.C., where he had been employed as a folk song archivist 67 years earlier.
In April 2006, Bruce Springsteen released a collection of songs associated with Seeger or in Seeger's folk tradition, We Shall Overcome: The Seeger Sessions. Bruce Springsteen performed a series of concerts based on those sessions, to sellout crowds. Springsteen had previously recorded one Seeger favorite, "We Shall Overcome," on the 1998 "Where Have All the Flowers Gone" tribute album.
Seeger lived in the hamlet of Dutchess Junction in the Town of Fishkill, NY and remained very politically active in the Hudson Valley Region of New York, especially in the near-by City of Beacon, NY. He and Toshi purchased their land in 1949, and lived there first in a trailer, then in a log cabin they built themselves, and eventually in a larger house. Seeger joined the Community Church (a church practicing Unitarian Universalism), is considered a famous Unitarian Universalist, and often performed at functions for the Unitarian Universalist Association.
Seeger died in 2014 of natural causes.
Awards
Seeger has been the recipient of many awards and recognitions throughout his career, including:
A Grammy Lifetime Achievement Award (1993)
The National Medal of Arts from the National Endowment for the Arts (1994)
Kennedy Center Lifetime Achievement Honor (1994)
The Harvard Arts Medal (1996)
Induction into the Rock and Roll Hall of Fame (1996)
Grammy Award for Best Traditional Folk Album of 1996 for his record "Pete" (1997)
Frog Went A-Courtin'
Pete Seeger Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Frog went a-courtin' and he did ride, uh-huh
Frog went a-courtin' and he did ride, uh-huh
Frog went a-courtin' and he did ride
With a sword and a pistol by his side, uh-huh
Well he rode right up to Miss Mousey's door, uh-huh
He rode right up to Miss Mousey's door, uh-huh
He rode right up to Miss Mousey's door
Gave three loud raps and a very big roar, uh-huh
Said, "Miss Mouse, are you within?" uh-huh
Said he, "Miss Mouse, are you within?" uh-huh
Said, "Miss Mouse, are you within?"
"Yes, kind sir, I sit and spin," uh-huh
He took Miss Mousey on his knee, uh-huh
Took Miss Mousey on his knee, uh-huh
Took Miss Mousey on his knee
Said, "Miss Mousey, will you marry me?" uh-huh
"Without my uncle Rat's consent, uh-huh
Without my uncle Rat's consent, uh-huh
Without my uncle Rat's consent
I wouldn't marry the president, uh-huh"
Uncle Rat laughed and he shook his fat sides, uh-huh
Uncle Rat laughed and he shook his fat sides, uh-huh
Uncle Rat laughed and he shook his fat sides
To think his niece would be a bride, uh-huh
Uncle rat went runnin' downtown, uh-huh
Uncle rat went runnin' downtown, uh-huh
Uncle rat went runnin' downtown
To buy his niece a wedding gown, uh-huh
Where shall the wedding supper be? uh-huh
Where shall the wedding supper be? uh-huh
Where shall the wedding supper be?
Way down yonder in a hollow tree, uh-huh
What should the wedding supper be? uh-huh
What should the wedding supper be? uh-huh
What should the wedding supper be?
Fried mosquito in a black-eyed pea, uh-huh
Well, first to come in was a flyin' moth, uh-huh
First to come in was a flyin' moth, uh-huh
First to come in was a flyin' moth
She laid out the table cloth, uh-huh
Next to come in was a juney bug, uh-huh
Next to come in was a juney bug, uh-huh
Next to come in was a juney bug
She brought the water jug, uh-huh
Next to come in was a bumbley bee, uh-huh
Next to come in was a bumbley bee, uh-huh
Next to come in was a bumbley bee
Sat mosquito on his knee, uh-huh
Next to come in was a broken black flea, uh-huh
Next to come in was a broken black flea, uh-huh
Next to come in was a broken black flea
Danced a jig with the bumbley bee, uh-huh
Next to come in was Mrs. Cow, uh-huh
Next to come in was Mrs. Cow, uh-huh
Next to come in was Mrs. Cow
She tried to dance but she didn't know how, uh-huh
Next to come in was a little black tick, uh-huh
Next to come in was a little black tick, uh-huh
Next to come in was a little black tick
She ate so much she made us sick, uh-huh
Next to come in was a big black snake, uh-huh
Next to come in was a big black snake, uh-huh
Next to come in was a big black snake
Ate up all of the wedding cake, uh-huh
Next to come in was the old gray cat, uh-huh
Next to come in was the old gray cat, uh-huh
Next to come in was the old gray cat
Swallowed the mouse and ate up the rat, uh-huh.Mr
Frog went a-hoppin' up over the brook, uh-huh
Mr. Frog went a-hoppin' up over the brook, uh-huh
Mr. Frog went a-hoppin' up over the brook
A lily-whit duck come and swallowed him up, uh-huh
A little piece of cornbread layin' on a shelf, uh-huh
A little piece of cornbread layin' on a shelf, uh-huh
A little piece of cornbread layin' on a shelf
If you want any more, you can sing it yourself, uh-huh
Frog went a-courtin' and he did ride, uh-huh
Frog went a-courtin' and he did ride
With a sword and a pistol by his side, uh-huh
Well he rode right up to Miss Mousey's door, uh-huh
He rode right up to Miss Mousey's door, uh-huh
He rode right up to Miss Mousey's door
Said, "Miss Mouse, are you within?" uh-huh
Said he, "Miss Mouse, are you within?" uh-huh
Said, "Miss Mouse, are you within?"
"Yes, kind sir, I sit and spin," uh-huh
He took Miss Mousey on his knee, uh-huh
Took Miss Mousey on his knee, uh-huh
Took Miss Mousey on his knee
Said, "Miss Mousey, will you marry me?" uh-huh
"Without my uncle Rat's consent, uh-huh
Without my uncle Rat's consent, uh-huh
Without my uncle Rat's consent
I wouldn't marry the president, uh-huh"
Uncle Rat laughed and he shook his fat sides, uh-huh
Uncle Rat laughed and he shook his fat sides, uh-huh
Uncle Rat laughed and he shook his fat sides
To think his niece would be a bride, uh-huh
Uncle rat went runnin' downtown, uh-huh
Uncle rat went runnin' downtown, uh-huh
Uncle rat went runnin' downtown
To buy his niece a wedding gown, uh-huh
Where shall the wedding supper be? uh-huh
Where shall the wedding supper be? uh-huh
Where shall the wedding supper be?
Way down yonder in a hollow tree, uh-huh
What should the wedding supper be? uh-huh
What should the wedding supper be? uh-huh
What should the wedding supper be?
Fried mosquito in a black-eyed pea, uh-huh
Well, first to come in was a flyin' moth, uh-huh
First to come in was a flyin' moth, uh-huh
First to come in was a flyin' moth
She laid out the table cloth, uh-huh
Next to come in was a juney bug, uh-huh
Next to come in was a juney bug, uh-huh
Next to come in was a juney bug
She brought the water jug, uh-huh
Next to come in was a bumbley bee, uh-huh
Next to come in was a bumbley bee, uh-huh
Next to come in was a bumbley bee
Sat mosquito on his knee, uh-huh
Next to come in was a broken black flea, uh-huh
Next to come in was a broken black flea, uh-huh
Next to come in was a broken black flea
Danced a jig with the bumbley bee, uh-huh
Next to come in was Mrs. Cow, uh-huh
Next to come in was Mrs. Cow, uh-huh
Next to come in was Mrs. Cow
She tried to dance but she didn't know how, uh-huh
Next to come in was a little black tick, uh-huh
Next to come in was a little black tick, uh-huh
Next to come in was a little black tick
She ate so much she made us sick, uh-huh
Next to come in was a big black snake, uh-huh
Next to come in was a big black snake, uh-huh
Next to come in was a big black snake
Ate up all of the wedding cake, uh-huh
Next to come in was the old gray cat, uh-huh
Next to come in was the old gray cat, uh-huh
Next to come in was the old gray cat
Swallowed the mouse and ate up the rat, uh-huh.Mr
Frog went a-hoppin' up over the brook, uh-huh
Mr. Frog went a-hoppin' up over the brook, uh-huh
Mr. Frog went a-hoppin' up over the brook
A lily-whit duck come and swallowed him up, uh-huh
A little piece of cornbread layin' on a shelf, uh-huh
A little piece of cornbread layin' on a shelf, uh-huh
A little piece of cornbread layin' on a shelf
If you want any more, you can sing it yourself, uh-huh
The lyrics to Pete Seeger's song "Frog Went A-Courtin'" are a retelling of an old Scottish folk song that dates back to the 16th century. It tells the story of a frog who dresses up in armor, and sets out on a journey to win the hand of Miss Mousey. The story of Frog and Mousey is one of courtship and comedy, and the song has been a popular choice for children's renditions due to its catchy tune and playful lyrics.
The song begins with Frog arriving at Miss Mousey's door, announcing his presence with three loud raps and a big roar. She responds from within her home, and he takes her on his knee to ask for her hand in marriage. But Miss Mousey, mindful of her family's opinions, tells Frog that she cannot marry him without her uncle Rat's consent. Uncle Rat is initially skeptical of Frog's intentions, but his laugh quickly turns into support once he realizes the seriousness of the situation. He runs downtown to buy clothes for the wedding and asks where the ceremony will take place. The wedding feast menu is determined by the guests that arrive: a fried mosquito in a black-eyed pea, laid out by a flyin' moth, with a juney bug bringing the water.
Throughout the song, Seeger uses animal characters to convey a sense of folksy familiarity and conveyance of a universal courtship theme. The lyrics create playful and endearing imagery as well as hint at social stratification underlying small communities. The last stanza of the song sees Frog hopping up over the brook, only to be swallowed by a lily-white duck. The song ends with a little piece of cornbread laying on a shelf, which the listeners must sing if they want any more of the story.
Line by Line Meaning
Frog went a-courtin' and he did ride, uh-huh
Mr. Frog went courting and rode on his way
With a sword and a pistol by his side, uh-huh
He carried weapons as he rode
He rode right up to Miss Mousey's door, uh-huh
Frog went straight to Miss Mousey's place
He took Miss Mousey on his knee, uh-huh
Frog took Miss Mousey and sat her on his knee
"Without my uncle Rat's consent...
Miss Mousey cannot marry without her Uncle Rat's agreement
Uncle Rat laughed and he shook his fat sides, uh-huh
Uncle Rat laughed merrily at this proposal
Uncle rat went runnin' downtown...
Uncle Rat went downtown to buy a wedding gown
Way down yonder in a hollow tree, uh-huh
The wedding supper was to be held in a hollow tree
Fried mosquito in a black-eyed pea, uh-huh
The wedding supper would have fried mosquito with black-eyed peas
First to come in was a flyin' moth...
Various guests arrived for the wedding supper
She ate so much she made us sick, uh-huh
A little black tick ate so much that it made other guests sick
A lily-whit duck come and swallowed him up, uh-huh
Mr. Frog's journey ended after he was swallowed by a duck
If you want any more, you can sing it yourself, uh-huh
This is the end of the story, if you'd like more, try singing it to yourself
Writer(s): Inconnu Compositeur Auteur, Ken Kagonovitch
Contributed by Wyatt B. Suggest a correction in the comments below.
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